Mar 182014
 

Deborah Bonham launches her new album, Spirit, with some Scottish dates.  A supporter of Aberdeenshire’s Willows Animal Sanctuary and lifelong animal lover, Deborah has dates in Dumfries (Friday 21 March   http://www.thevenuedumfries.co.uk) and Kinross (Saturday 22 March http://www.mundellmusic.com/). With thanks to Suzanne Kelly.

deborah bonham pic 1

The spirit in the songs and music of Deborah Bonham draws on the hurt, pain, joy and anger that come with life for all of us. Negatives are decanted as positivity, from mistakes comes learning.

From that spirit comes the determination to always push forward and celebrate life, sharing experiences with her audience.

As she sings in the opening salvo from the album: “Pain is going away, it’s gonna stop today. I’m gonna fly”.  So there could be only one title for the new album: ‘SPIRIT’

But Deborah also has soul.  It’s the soul that comes from her deep love and understanding of so many musical greats – Otis Redding, Aretha Franklin, Etta James, Bonnie Raitt, Lowell George and many more – all of whom are artists who surrounded themselves with great musicians who had that same ‘feel’.

And so it is with Deborah’s band. It’s also their instinctive affinity with the words being sung and how they absorb her emotions; sometimes soft, sometimes fierce.

Recorded at a highly charged, personally emotional time in Chichester UK and Nashville USA, Deborah instinctively channeled all that was going on in her life into the sessions, which she co-produced with Glenn Skinner (Deborah Harry, Killing Joke), who also manned the desk for her last album, ‘Duchess’.

On Drums is Marco Giovino (Robert Plant’s Band of Joy, John Cale, Norah Jones).

Marco flew in especially from Nashville to record the drums in a Chapel local to Deborah and she then joined him in Nashville to finish the recording and mix with Mike Poole (Band of Joy, Rickie Lee Jones) and master with Jim DeMain (Michael McDonald, John Hiatt).

Pedal steel supremo B.J.Cole also guests together with a special guest appearance from Robert Plant on harmonica, whilst the remainder of the musicians are her long-time, forceful working band – including bassist Ian Rowley, keyboardist Gerard Louis, and guitarist Peter Bullick.

Embracing more than ever before the bands’ rootsy-Americana influences of the likes of Tom Petty & The Heartbreakers and Little Feat, ‘Spirit’ seamlessly travels through Deborah’s songbook of original compositions, alongside two co-written with John Hogg (Moke, Hookah Brown – with the Black Crowes’ Rich Robinson) and ‘Painbirds’, written by the late Mark Linkous and originally recorded by Sparklehorse for their debut album.

In the same way that Hendrix made Bob Dylan’s ‘All Along The Watchtower’ his own and as did Joe Cocker with The Beatles’ ‘A Little Help From My Friends’, Deborah Bonham and band firmly stamp their identity on this stunningly powerful song.

Elsewhere on the album, mandolin, cello and dobro weave throughout ‘Fly’ (co-written with John Hogg and Simon Sessler) and the irresistible ‘Take Me Down’ the first single to be released and a ReverbNation Rock Chart Number One – twice – which is perhaps reminiscent of The Eagles’ ‘Take It Easy’ but more intriguingly, uses a recurring lyrical theme in Deborah’s work – that of the mercurial nature of the rivers and the seas, to heal or devour.

Throughout, Deborah’s sympathetic band sear, coax, blend, sweeten, compliment, rock and groove

The Cajun stomp of ‘What It Feels’ builds on Marco Giovino’s percussive box of tricks, giving way to a harmonica solo from Robert Plant, that delivers  in the most concise way and not heard perhaps since Led Zeppelin’s ‘Custard Pie’.

The Byrds-esque ‘I Won’t Let You Down’ follows before a sultry, hot n sticky atmosphere permeates ‘Good Times’ and there are echoes of Christine McVie and Bonnie Bramlett sweetly lingering in Deborah’s delivery of  album closer, ‘Lay Me Down’.

Perhaps the most tellingly autobiographical song is ‘Spirit In Me’. If there is a defining song of this albums’ genesis and attitude, then this is it – lovingly dressed with B.J Cole’s sympathetic, yet playful pedal steel performance.

Throughout, Deborah’s sympathetic band sear, coax, blend, sweeten, compliment, rock and groove, proving (if proof be needed) why Paul Rodgers would have them as his band of choice for recent shows drawn entirely from his catalogue of legendary songs by Free.

This Deborah Bonham ‘live’ band also includes drummer Rich Newman (Sam Brown, Steve Marriott, Rory Gallagher) and the band have showcased several of the new songs in recent months, including the show-stopping, classic Bonham blues rock ballad, ‘I Need Love’ at Festivals and shows in the UK and Europe: The Great British Rock & Blues Festival, the massive Harley-Davidson European H.O.G. Rallies in France, Austria and Portugal and The Great British Folk Festival, where, even in the bands’ stripped-down acoustic format, the songs connected with the audience.

And why? Because they all see and feel the SPIRIT.

www.deborahbonham.com

Dec 132013
 

Granite City Chorus With City Brass Nov13Aberdeen’s Granite City Chorus is hosting a  Love to Sing day on 19th January which is free – yes FREE! – to all men. With thanks to Peter Coutts.

Within our local community we have a wide variety of musical and artistic groups, many of which are benefitting from renewed public interest in choral singing largely influenced by Gareth Malone’s TV series The Choir.

Aberdeen’s own Granite City Chorus is one group of enthusiastic men which would love to share their singing experiences with others and encourage more men to take advantage of the positive benefits which stem from being a member of an active choral group.

Apart from the social benefits, singing is officially good for your health!

Many clinical studies have reported a variety of health benefits including better posture, higher energy levels and enhanced feelings of relaxation, mood, and confidence.

Psychological benefits are also evident when people sing together because of the increased sense of community, belonging and shared purpose.

Oh, and the chorus members are also often told they look better!

The chorus currently has around forty five members, with a wide variation in age and musical ability, who all love to sing and are addicted to ringing chords in four part unaccompanied harmony.

The chorus performs at local events and festivals throughout the year appearing at many local venues and corporate functions and also travels to compete in various competitions having performed as far away as Dublin and Bournemouth.

The chorus is holding a free, one day, Love to Sing event at the Doubletree Hotel, Beach Boulevard on Sunday 19th Jan 2014.

Granite City Chorus at Dobbies Nov 13

This is aimed at encouraging both new and existing singers to come along and experience a day of music and voice coaching in an informal and friendly environment.

No prior singing experience is necessary for this fun, unique and enjoyable day out, which could just turn out to be your new addiction!

So anyone who is interest is warmly invited to go along on the day and find or rediscover your singing voice.

There’s absolutely no commitment – just enjoying the day is fine.

Details and registration available at the Choruses website at www.granitecitychorus.co.uk   or telephoning 07909 108633 or by email to granitecitychorus@hotmail.co.uk

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Dec 062013
 

SweetAdelinesXmasfeatWith thanks to Linda Allan.

A few weeks ago The Aberdeen Chorus of Sweet Adelines had to come to terms with two devastating blows. Not only was the weekly rehearsal venue no longer available but that this also meant the loss of a venue for one of the Christmas Shows.

So the search began to find new premises – not an easy task when the Chorus numbers seventy five ladies and the group also requires storage space for items such as electronic equipment and large complex tiered staging.

Despite this major disruption to the normally smooth running of weekly rehearsals, the Chorus has risen to the challenge to produce a Christmas Show again this year.

You will even have two opportunities to hear this talented six time gold medal-winning Chorus – on Friday 13 December at 7:30pm in Peterculter Parish Church and on Sunday 15 December at 2:30pm in Queen’s Cross Church.

Gwen Topp, the Chorus Director, has once again demonstrated her considerable creative talent and artistic expertise to take the planned show and modify it for a new venue.

“Our Aberdeen audiences have supported us so well in the past.  We couldn’t let them down this year!” said Gwen.

This show is wonderful seasonal entertainment, suitable for all the family and all ages.  There will be traditional Christmas carols as well as other Chorus favourites, all sung a cappella with sparkling four part harmonies and lots of fun.  If you look very carefully, you may even catch a glimpse of some frisky wee reindeer and see some nifty hoof-work!

Thanks to Sport Aberdeen, The Chorus has now found a temporary rehearsal venue in the Westburn Park Bowling Club Lounge in Aberdeen and meets there on a Monday evening at 7pm.

All ladies are very welcome to come and meet us, as we are always looking for new singers.  Meantime the difficult search continues for a permanent home and we look forward to announcing this on our website in due course.

Contact Info:

Linda Allan.
Marketing and Publicity
Aberdeen Chapter of Sweet Adelines International Corporation
Registered as a Charity in Scotland number SCO44140
Email: Linda Allan  or  Mob 07590690392

Aug 192013
 

A benefit concert has been arranged in aid of George ‘Dod’ Copland whose Aberdeen home was at the centre of a dramatic armed siege on June 7. With thanks to Ruaridh McAilein.

The concert featuring Oi Polloi, Billy Liar, The Bucky Skanks and T34 takes place at Audio, 14 Midland Street, Glasgow this Friday, Aug 23.

As reported in a previous Aberdeen Voice article, much of Mr Copland’s property was damaged or destroyed as police forced entry to search his unoccupied house following what was later reported to be a hoax call.

Mr Copland is still seeking an apology and compensation from the police.

Ruaridh McAilein, lead singer of popular punk band Oi Polloi told Aberdeen Voice.

“Dod has clearly been the victim of a significant injustice here. It’s extremely disturbing to think that something like this can happen in the first place but the fact that he has still not been compensated for either the damage to his property or to his reputation – not to mention the adverse effect that this must have had on his health – simply beggars belief.

“We’ve known Dod for the best part of thirty years now and can vouch for how willing he has always been to put himself out to help other people in need both through his community work and also in his personal life – and we also know how much pleasure he has brought to others over the years through his musical endeavours with Toxik Ephex – so the least we can do is to attempt in some small way to return the favour now that he finds himself in these straits after being treated in this quite frankly disgraceful way by the police.

“It’s a sad indictment on the state of affairs in Aberdeen that the authorities appear to have done very little to put right this clear wrong and that it is left up to other ordinary people like ourselves to help someone in this situation.

“On the positive side, when we first suggested the idea of a benefit concert for Dod it was greeted very enthusiastically indeed by the many people in Edinburgh and Glasgow who have come to know Dod through his musical performances with Toxik Ephex.

“He has a lot of friends all over Scotland, and there will be plenty of us coming together in Glasgow on Friday night to not only raise some much needed cash to help Dod repair some of the damage to his house but also to enjoy a night of excellent music and partying of the kind that Dod himself has so often provided for us over the years.

“We are hoping to not only collect a decent sum for Dod but also to show him that he’s not alone in facing what’s happened and that he is held in considerable affection by a lot of people throughout the country who have come to know him through his music.

“We also hope that further publicising what exactly happened to Dod will help keep the pressure on the authorities to apologise and properly compensate him.

“We’d encourage as many people as possible to come along for a night of great live music and to support the cause of a person who has spent so much of his own time over the years helping and entertaining others.”

Bands: Oi Polloi, Billy Liar, The Bucky Skanks, T34

Venue: Audio, 14 Midland Street, Glasgow
Friday Aug 23, 8pm
£6 on the door

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Jun 142013
 

The Granite City Chorus are holding a concert at the Phoenix Centre, Newton Dee, Bieldside, on Saturday 22nd June.  Brian Welch writes.

The Granite City Chorus has been in existence since 1990, from an initial idea by Bob Stevens, our current Honorary President, a name is synonymous with its home city, although it began life as the Royal Mailers which reflected its Post Office origins.

And, just to confuse things further, its ‘Sunday name’ is The Aberdeen Barbershop Harmony Club.

Having come first in the Light Entertainment and Barbershop Chorus sections of  the Aberdeen and North East Festival this month, the group can legitimately claim to be ‘the best male barbershop chorus in the North of Scotland’ and currently boasts a membership of just under fifty.

The singing style of the chorus is the four-part, unaccompanied, close harmony of tenor, lead (melody), baritone and bass voices combining to create the unique Barbershop Sound and, as a variety of song types can be arranged in the Barbershop style, its present repertoire covers a range of songs from traditional barbershop to Scottish and vintage pop standards.

The Club is one of over 50 which are members of the British Association of Barbershop Singers (BABS) and is affiliated to the parent society, the Barbershop Harmony Society of America and to the UK choral organisation Making Music, previously known as the National Federation of Music Societies.

As the group is both a Social and Competitive chorus, the members sing for fun and the entertainment of others, but they also like to compete in annual barbershop conventions against many other choruses from around the UK and Europe.

The Chorus is also available for in the City and Shire corporate events, club functions, private parties and it regularly performs for local residential homes and sheltered accommodation and has a range and depth of material that can be adapted to deliver that 4th dimension to any event

Anyone who wishes to join the Chorus – which practises every Tuesday night from 7 – 10 p.m. in the Woodside Church Hall, off King Street – wants to engage it for a function, or is just interested in getting further information about it, is invited to contact the Chorus Manager via the Contacts Page at www.granitecitychorus.co.uk

About the Barbershop Style

The notion of men singing together as a group is thought to have originated in the coffee shops of 17th century England.  But it was much later, towards the end of the 19th century that actual barbershop singing, where an individual would sing the melody which others would harmonise around as men waited to get their hair cut singing, was started in America.

This form continued, even in competition, until the 1930’s when written music in parts was introduced, although informal harmonising, otherwise known as ‘woodshedding’ is still practised today and has its own association.

About The Granite City Chorus’s concert on 22nd June.

There will be four acts on the evening, including the Aberdeen debut of iQ, the 2012 gold medal quartet, it is iQ’s debut in Aberdeen which is not to be missed.

Tickets for the concert, which is being held at the Phoenix Centre, Newton Dee, Bieldside, at 7.30 p.m. on Saturday 22nd June, are available from the Aberdeen Box Office.

The Granite City Chorus is directed by Colin Reid.

Further information can be obtained  at:

Web site:                   www.granitecitychorus.co.uk
Mobile phone:         07909 108 633
Email Address         granitecitychorus@hotmail.co.uk
Facebook :               Granite City Chorus
Twitter:                      @granitecitychor

May 022013
 

With thanks to Ruth Sawers.

A new music venue, Downstairs is set to open in the Malt Mill on the 3rd May, with the emphasis on the provision of affordable music for everyone, while promoting up and coming local talent.

Downstairs is the brainchild of the Dunfermline pair, Gavin Bassett and David Mcghie, both having previously worked in the catering trade.

David’s background is in management with Belhaven while Gavin’s experience includes working in a rock bar and in gig promotion.

Determined to combine their individual strengths and step further into the promotion of up and coming talent, Aberdeen’s Malt Mill ended a countrywide search for the ideal space for the project.

Having Aberdeen connections, Gavin and David were aware of the thriving music scene and felt there was room for another venue where everyone could enjoy the talents of what Aberdeen has to offer the music world.

Bringing with them £6000 of equipment, including a brand new PA system and back line, the benefits to the local music scene is fantastic.

Add to this a desire for flexible working arrangements, Downstairs is set to become one of very few, readily equipped, city entertainment venues accessible to local bands, artists and promoters who want to organise, take responsibility for and run, their own events.

Downstairs aims to host live music of all genres plus live comedy and open mic nights, five nights a week – all for affordable entry fees.

Let’s hope Aberdeen welcomes and supports them.

For further information contact:

Ruth Sawers at seesawevents@live.co.uk or by telephone on 07858703467 or
Gavin Bassett at gdbars@gmail.com or by telephone on 07411511823

May 012013
 

With thanks to Suzanne Kelly.

From The Jam is Bruce Foxton, original bass player from The Jam, Russell Hastings and Mark Brzezicki.  From the Jam gained an immediate reputation for the kind of incendiary ‘live’ performances that sealed the reputation of The Jam.  Tickets for the Lemon Tree on 5 May are £20.

Reconciled in 2010 following family bereavements, Paul Weller’s single Fast Car/Slow Traffic from ‘Wake Up The Nation’ , also featured Bruce on bass.

There were also incredible scenes when Bruce recently appeared ‘live’ alongside Paul – for the first time in 28 years – to perform The Jam classics The Eton Rifles and The Butterfly Collector as well as Fast Car/Slow Traffic at the second of Weller’s five night residency at the Albert Hall.

Subsequently, the two worked together on the sleeve notes of the 30th Anniversary release of Sound Affects by The Jam.

Bruce has a new album out, ‘Back in the Room’.  PAUL WELER now appears as one of two Very Special Guests on this new album, along with Stax and Blues Brothers legend, STEVE CROPPER. The album contains a total of 12 tracks, all written by Bruce Foxton and From The Jam vocalist/guitarist, Russell Hastings.

The Jam had amazing chart success with 18 singles and 7 albums to make the top 40 in the United Kingdom from their debut in 1977 to their break up in 1982. Their last 5 albums were all top ten hits and their last 8 singles made it into the top 10. ’Just Who Is the 5 O’Clock Hero?’ made the charts at no. 8 as an import and remains one of the the best-selling import singles of all time in the UK.

The Band:

BRUCE FOXTON is a part of the English Rock and Roll establishment. A musician (born 1/9/1955 Woking, Surrey) who is most commonly recognised as the bass player in legendary The Jam and Stiff Little Fingers.

In The Jam, he and drummer Rick Buckler were the driving force, power and rhythm section behind singer, guitarist, and songwriter Paul Weller. Bruce’s versatility is evident, taking lead vocals on David Watts (The Kinks) and News Of The World,which was one from his own catalogue of compositions. Foxton’s most notable work was Smithers-Jones, featuring bass/guitar/drums for the B-side of When You’re Young’ and later reworked with strings for the Setting Sons  LP.

After The Jam split in ’82, Foxton pursued a solo career. He had a hit with the single Freak and collaborated with other musicians, until he got the call from Stiff Little Fingers’ Jake Burns, staying with SLF for fifteen years, recording four albums, namely, Flags and Emblems, Get a Life, Tinderbox and Guitar and Drum.

In 1994, Rick and Bruce collaborated on Our Story, a biography of their eventful and cherished years in The Jam. Bruce toured with Bruce Watson, Mark Brzezicki (Big Country) and Simon Townshend (The Who) in 2006 as The Casbah Club supporting The Who in the U.K and Europe promoting their new album Venustraphobia.

RUSSELL HASTINGS (born 6th July 1965,Sussex England) worked with Rick Buckler since November 2005. A musician/vocalist in his own right Russell has shocked audiences nationwide this year with his authentic and passionate interpretation in performance (vocals and guitar) of The Jam’s back catalogue.

Russell grew up on The Jam and this is evident in his attention to every detail, from the Rickenbacker to the Marshall 4×4 everything as it was and should be. Energy, pride, execution and dynamic delivery remain his hallmarks as he continues to collaborate with Bruce as From The Jam..

Apr 182013
 

With news that this duo were playing The Salmon Bothy, Portsoy, on 12th April, David Innes willingly raced to his native Banffshire to report for Voice.

On the back of scintillating live shows in the UK in late 2011, including a spellbinding night at Aberdeen’s Blue Lamp, and the unanimous industry approval of the duo’s latest album Our Lady Of the Tall Trees, this twosome have returned to our shores to play a considerable number of dates.

‘Shores’ is apt, for Portsoy’s cosy Salmon Bothy sits almost on the Moray Firth above the town’s rocky east beach and is a wonderfully-intimate, well-run and much-used community venue which we’ll feature in a future Voice  piece.

The setting also coincided with the realisation that the sea is a considerable influence on Cahalen’s writing, evidenced by the opening ‘Stone To Sand’ and continuing through ‘A Lady Does Not Often Falter’, ‘Jealous Seas’ and  ‘Fleeting Like The Days’.

The roots music which the pair deliver so splendidly is country and mountain-based, but their recordings and performances illustrate how traditional music, given the Cahalen and Eli treatment, can sound as old as the Appalachian Mountains, yet be as salty and fresh as the breeze that buffeted Portsoy.

“Cahalen and Eli’s music evokes a brotherhood of the road,” says the sleevenote of their 2010 album The Holy Coming of the Storm and their closeness as friends is as obvious as their instinctive and intuitive musical interplay and vocal harmonies.

Between songs, there is gentle teasing – about Cahalen’s small stature and his impressive moustache and about Eli’s attempts to learn the banjo and its negative effect on his IQ.  The setlist is in their heads, but they consult good-naturedly between songs, decide what feels right to play next and offer introductions laced with spontaneous wit and self-effacement.

When an audience member requests ‘Jealous Sea’, they shrug “OK, we love crowd participation in the setlist,” meet it head on and make a feature of Cahalen momentarily forgetting the words.  “It’s been a while”.

They also pay special mention to two visitors from Munich who made the trip specially to listen to the pair, last seen being herded post-gig towards The Shore Inn by Comrade Dunn in an effort to prove that between Bavaria and Banffshire there are no barriers when it comes to appreciation of wonderful music.

And beer, no doubt.

But it’s the performance that defines them and endears them to Banffshire hearts.

The songs are strong and the musicianship faultless and superbly honed.  The human voice, however, is the most spirit-affirming instrument available to us.  Both men are blessed with voices that are made to deliver emotion.

Cahalen’s is soulful, earthy and timeless – as rugged as the Portsoy cliffs yet, when needed, as gentle as the waves which kissed the rocky shore.

Eli’s softer tones and less intense delivery are a welcome foil.  Their enmeshment in harmony is the defining ancient sound of modern American roots music.

The surprise support for the tour is the duo The Kilcawley Family, whose short but entertaining warm-up and friendliness throughout the evening, as both performers and audience members, endeared them to the packed Bothy.

Fine singers both, Louiza’s autoharp and Damon’s guitar and harmonica provide ideal accompaniment to their own narratives and to a breathtaking arrangement of ‘Twelve Gates to the City’.  Now based in Morecambe and about to begin recording, they are worth keeping an eye on.

With thanks to Loudon Temple of Brookfield Knights for arranging Voice’s attendance.

Further information can be found at:

Cahalen and Eli                          – www.cahalenandeli.com
The Kilcawley Family                 – www.kilcawleyfamily.com
The Salmon Bothy, Portsoy      – www.salmonbothy.org.uk
Brookfield Knights                      – http://www.brookfield-knights.com

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Apr 122013
 

On Saturday April 1st, Paul Rodgers, Deborah Bonham and her band (along with special guests) returned to The Venue in Chichester to raise the roof one more time for animal charities including Willows Animal Sanctuary in Aberdeenshire.

Paul Rodgers and his wife Cynthia are Patrons of Willows which takes in a massive number and variety of welfare cases from cats to pigs to horses.

Currently they are home to 300 animals.

Deborah Bonham and her husband guitarist Pete Bullick have adopted both of her dogs from Mount Noddy which specialises in dogs and cats.

Cynthia Kereluk Rodgers and Deborah visited the Cat & Rabbit Rescue Centre near Chichester and were impressed with the care and handling of their two hundred cats! So a donation will be made to them as well.

Rock memorabilia were the hot items in the live auction with two Autographed Led Zeppelin Posters bringing in £500 ($763.00 ) and £850 ($1298.00 ).The highest grossing auction item was a Bad Company autographed guitar including tickets to a concert this summer in the US bringing in £1100  ($1679.00 ).

The biggest surprise of the evening was when Elaine and Chris Fairfax from Animal Friends Insurance handed over cheques to the tune of £15,000 ($22,888 ) to be divided equally between the three charities.

Jenny of Willows Animal Sanctuary commented:-

“We are absolutely over the moon to have such wonderful, lovely talented people supporting Willows Animal Sanctuary! It means so much to have dedicated Patrons. Paul Rodgers and Cynthia Kereluk Rodgers are such kind hearted and beautiful individuals and care so much about animal welfare.

“Our thanks go to all that helped with the fantastic concert: we know it took a lot of organising and many dedicated volunteers. Deborah Bonham and Peter Bullick are also amazing. Thank you both so much for all the time and energy you have put in to this concert. Everyone at Willows thanks you all from the bottom of our hearts.”

Deborah Bonham performed some songs from her new CD Spirit (limited edition pre release CD Digipak out now on tour ahead of the September CD, Vinyl and Digital release) during her 1 hour set. To the fans’ delight Rodgers played a 90 minute set of songs from just his Free catalogue, some he had not performed in 40 years!

Paul Rodgers said:-

“Once again the evening was a huge success. Our fans and friends come through every time- it’s quite amazing. Now Willows can breathe a sigh of relief as this funding will see them through July. Thanks to everyone from the fans, musicians, volunteers to all of the musicians and artists who donated items.”

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Oct 042012
 

Rock and roll legend Terry Reid is appearing at Drummonds on Sunday 14th October. Joe Whimster writes.

Quality transcends generations.  The celebrity endorsements Terry Reid has received from those at the cutting edge of Rock and Roll have continued for decades and confirm his enduring talent and position as one of the UK’s finest performers ever.

Famously, Jimmy Page identified him as his first choice to front Led Zeppelin and it was Terry himself who suggested Robert Plant as a suitable substitute.

Aretha Franklin was also a fan, stating in 1968 that,

“… there are only 3 things happening in England; The Beatles, The Rolling Stones and Terry Reid.” 

More recently, Jack White and his Raconteurs covered Terry’s Rich Kid Blues and DJ Shadow had Terry guest on the hauntingly beautiful Listen from his new Reconstructed album.  The respect Terry receives from his peers and collaborators is tangible.

Despite this, fame and fortune has somehow eluded Terry, but this only enhances the intrigue.  How could a man so immensely talented, a man so steeped in Rock history – from his breathtaking appearance at Glastonbury in 1970 to numerous film soundtracks, to albums filled with poignant beauty and heartfelt soul – be anything other than a household name?

Frankly, to anyone who has seen Terry perform, or listened to any of his tremendous back catalogue, it is one of life’s greatest mysteries.

Terry returns to Aberdeen for an intimate show at Drummonds this month.  If you only make one show this year, it must be this one.

Terry Reid is truly a Rock and Roll legend and the opportunity to see talent of this magnitude does not come along often.  Join him at Drummonds in Belmont Street on Sunday 14th October from 7:00pm.

What they say about Terry:

“Terry Reid is the rare living legend whose enthusiasm for music remains unscathed and pure, nearly 50 years on.”  – DJ Shadow

“….The most soulful British vocalist ever..” – The Independent

“‘…Terry Reid’s voice has the power to provoke an intense reaction…” – The Times

“…Astonishing by any standards: spine tingles, hair prickles on back of the neck..” – The Independent

“…When Reid bares those emotions it’s heartbreakingly beautiful…” – The Guardian

“..this man should have had my life” – Robert Plant, The Joint ,Beverly Hills 2004
 

For further information please contact Joe Whimster at jwhimster@gmail.com

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