Jul 182013
 

There were no Hard Times at all last week when the latest Charles Dickens exhibition came to the University of Aberdeen’s Sir Duncan Rice Library.  By Angela Joss.

Entitled ‘Dickens, Journalism and Fellowship: An Exhibition, Lectures and an Online Tour’, this event was jointly hosted by the Aberdeen branch of the Dickens Fellowship, The University of Aberdeen Centre For the Novel and The Friends of Aberdeen University Library.
A wine reception gave attendees the chance to have a relaxed browse around a fascinating display of 19th century journalism, devised by Anthony Burton, former Director of the Forster Collection at the Victoria and Albert Museum.

Originally devised for a 2012 conference at the University of Birmingham, the exhibition places Dickens in the midst of a thriving journalistic tradition devoured by anyone at the time who was literate and had the necessary ha’penny to buy the weekly or monthly publications as they came hot off the press. They were frequently much anticipated.

Aberdeen University’s own Dr Paul Schlicke introduced two visiting Dickens scholars, John Drew, Professor of English at the University of Buckingham and Director of Dickens Journals Online, and Dr Tony Williams, formerly joint honorary secretary of the International Dickens Fellowship.

Professor Drew’s lecture followed on from the exhibition by underlining Dickens’s original contribution to the written word. This was almost exclusively as a parliamentary reporter and journalist, before he branched out into periodical publications, providing him with a platform for his burgeoning campaigning views, as well as his subsequent fictional works. The latter seemingly served to combine all those passions.

Dr Williams then provided an illuminating history of the Dickens Fellowship, which began in 1902, thirty years after the author’s death, meaning that many of its original members either knew the author personally, or had been present at the dramatic readings of his own works. Fellowship has always been the keynote of this Dickens movement, with a tradition of providing support for waifs and strays whilst preserving the writings of Charles Dickens.

As attendees were being informed that the Fellowship’s publication, The Dickensian, provides a 108- year record of members’ activities, with only seven editors during that whole span, the call to vacate the library ahead of closing time was heard, leaving them, like modern day Olivers, definitely wanting more.

Fortunately, like Dickens’s journals, The Dickensian is now available online and whilst the exhibition has been removed for a short period, it will be reinstated in the Sir Duncan Rice Library during the last week of July.

It can be visited by the public from then and for the whole of August.

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Jun 282013
 

Dr Paul Schlicke of the Aberdeen branch of the Dickens Fellowship has been in touch to confirm that an evening of first class Dickens-related activity will be going ahead on Tuesday 9 July in the University of Aberdeen’s Sir Duncan Rice Library.

Dickens, Journalism, and Fellowship: An Exhibition, Lectures and an Online Tour
will be hosted in collaboration with The University of Aberdeen Centre for the Novel and The Friends of Aberdeen University Library.

Dickens’s talents as a novelist and performer are well-known.

What can be overlooked are his considerable journalistic talents and his voluminous output, both as a Parliamentary reporter and as a periodical journalist.

Dickens lived in times of colossal social upheaval and chronicled the times as a journalist as well as a novelist.

To give further context to Dickens’s work in the journalistic field, visitors will have a unique opportunity to view the exhibition of 19th century journalism devised by Anthony Burton, Formerly Director of The Forster Collection at The Victoria and Albert Museum.

Paul is visibly enthused by the exhibition,

“The exhibition was devised for a conference on 19th century journalism at the University of Buckingham last year. It is quite simply stupendous. Don’t miss it! It will remain up in the library after 9 July”

The programme

5.30 pm: arrival, wine reception, and exhibition. Ground Floor Foyer, Sir Duncan Rice Library

6.00 pm: Lecture: An Introduction to Dickens’s Journalism by John Drew, Professor of English, University of Buckingham, and Director of Dickens Journals Online and Dr Tony Williams, formerly joint honorary secretary of the International Dickens Fellowship. Room 224, Sir Duncan Rice Library

6.40 pm: John Drew, An Online Tour of the Dickens Journals Online Project. Room 224, Sir Duncan Rice Library

7.00 pm: Tony Williams, A Brief History of the Dickens Fellowship. Room 224, Sir Duncan Rice Library

7.20 pm: questions and return to ground floor for final viewing of exhibition.

8.00 pm: Library closes

John Drew and Tony Williams are both particularly distinguished Dickensians and superb speakers. We are very fortunate that they are coming to Aberdeen, and they deserve a bumper turnout.

To plan for catering and seating, could anyone planning to attend please send an RSVP to scc.events@abdn.ac.uk

Jun 072013
 

David Innes reviews Dr Fiona-Jane Brown’s new book which is published this month.

This eagerly-awaited book has been trailed for quite a while, but at last Hidden Aberdeen is unveiled, in more ways than one.

First impressions are quite surprising.

Although written by an academic, Hidden Aberdeen is no wordy narrative; neither is it a history text.  It’s not even published in portrait, all of which gives it a welcome air of informality.

The cover is attractive – plain white with colour thumbnail photos of several of the mysteries on which the author sheds light inside.  It almost demands to be opened.

Dr Brown employs no stuffy language, neither does she let her explanations of each of the city’s historical and cultural features stretch to over 500 words.  Call that a page and a half.

Yet, the economy of language deployed and the open writing style will give readers enough insight to the subjects featured to encourage them to find out more for themselves.

Further research is made easier by the provision of a detailed and comprehensive bibliography.

So, this is more a guidebook than an in-depth investigation into hidden Aberdeen, structured geographically to allow its users to walk easily and quickly between the city’s mysterious but often highly-visible landmarks.

Anyone working in the city centre, or Old Aberdeen, for example, will be able to explore more than one nearby attraction and still have time for a lunchtime snack.

It would spoil the fun of exploration to list here the features Dr Brown enthusiastically introduces.

An idle half hour’s stroll, with a copy of Hidden Aberdeen tucked into a handbag or pocket to discover the city’s little-known physical history, will be time well spent by anyone with a sense of heritage and civic pride.

As has been demonstrated in the past couple of years, there are many around who have passion enough for their city to want to fight to retain its character.  For them, and for those just keen to broaden their knowledge, Hidden Aberdeen is an indispensable resource.

You can meet Dr Brown and have a copy of Hidden Aberdeen signed, at WH Smith, St. Nicholas Centre, at 13:00 on Saturday 8th June, or at Waterstones, Union Bridge (Trinity Centre) at 18:30 on Tuesday 18th June.

Hidden Aberdeen – History On Your Doorstep and Under Your Feet is published in hardback by Black and White Publishing and costs £9.99 from all good bookshops.

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May 312013
 

This has nothing to do with Derek McInnes keeping secret a raft of new players destined to bring the Dons trophies next season. Rather, it’s “a fascinating look at the history of the Granite City”, according to Black and White Publishing, learns David Innes.

“From Dr Fiona-Jane Brown, folklorist, educator, storyteller and founder of Hidden Aberdeen Tours, comes a book that will open your eyes to the hidden, the forgotten and the abandoned remnants of the past which lie under your feet as you walk round the city today.”

Our review copy is being digested by one of the Voice team, who almost qualifies as a forgotten and abandoned remnant of the past, and that review will appear in Voice very soon.

You can get your own copy and meet the author at the same time, as she’ll be greeting the public and signing copies of Hidden Aberdeen at WH Smith, St Nicholas Centre on Saturday 8 June and at Waterstones, Union Bridge on Tuesday 18 June.

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Apr 292013
 

With thanks to Clare Rochford.

A new collection by city based poet Gerard Rochford was launched on Thursday 25th April.

Aberdeen Voice is delighted to have been granted permission to publish 3 extracts from Morning Crossword, which features images by local artist Esther Green.

Having got her hands on a copy ahead of the launch, 14 year old Jayde Naylor commented:

‘’These poems create strong emotions which draw you in. The images are mysterious and really cool.’’

.

Helga’s Hat

I knew it was you, seen even from behind,
entering the gallery. I was going to sketches
of nineteen-forties fashion,
you, in your hippy-indian-sixties bonnet,
to the Diane Arbus photographs upstairs.

This synchrony means nothing.
The forties, sixties, the now of you and me,
our guarded secrets. Only you would know
the meaning of the hat. Arbus could have snapped us,
called it: ‘Old Man , Old Hat.’

Yet there we were chatting about your friend,
my daughter, how we want her to study art,
thinking of the future, surrounded by the dust
artists have left to decorate our minds.
I said: Arbus killed herself.

Then I regretted exposing the negative
in this hall of echoes, where the fountain
gathers coins, and Epstein’s
‘Girl with Gardenias’ could be Eve,
inviting us to savour nakedness.
Helga climbed the staircase and I left.

.

Tod Death

My mother, after the fashion of her day,
wore a dead fox to decorate her neck.
Sometimes, when she was out, I tried it on.

It fastened with a button made from bone
and a loop of leather like a hangman’s noose,
those glass eyes pleading:

not quarried by the bloodied riders of winter,
but shot for its pelt to glamourize a coat.

Mother, who would cry at the death of a bird,
sported a fox around her elegant neck.

.

Climbing the Malverns

Reaching the top we would lean upon the wind,
my brother and I trusting its fathering power,
our coats spread out like wings.

And those invisible hands held us,
pushing on our backs and driving us forth,
or facing the past, the drowned-out voices
growing faint as osprey riding the thermals.

In the east we saw the sun
reflected from our father’s house,
to the west, the Black Mountains of Wales,
an unknown land.

The summit café was owned and served by a person
neither man nor woman – confusing for a child.
We took our pennies there for tea, stole glances.
I wonder what happened to them –
the man-woman and the boys we were.

Morning Crossword is published by Malfranteaux Concepts in association with Koo Press.
ISBN 978 1 8709 82 8.
Price: £10.

http://www.malfranteaux.co.uk/

Apr 222013
 

Thanks to Dr Paul Schlicke who has reminded Voice that local Dickens fans are planning to meet this week.

Paul informed Voice,

“As previously intimated, at the next meeting of the Aberdeen branch of the Dickens Fellowship we will discuss Hard Times Part 2, Reaping.

“Feel free to join us, whether or not you managed to attend last month’s discussion of Part 1, Sowing.

“We will meet from 7-9 pm on Wednesday 24 April at Grampian Housing Association, 74 Huntly Street, 300 yards up from the Catholic Cathedral, at the corner of Huntly Street and Summer Street. There is free parking adjacent.”

The venue’s also near enough to Union Street and Rosemount to travel by bus. Last month’s meeting had a lower than expected turnout, but the weather, which prevented some from attending, is improving.

Some believe that his writings are as relevant in the current austere age as they have ever been.

If you have read any or no Dickens, or are just curious about the continued interest in an author who was born over 200 years ago, you’ll be made welcome.

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Mar 252013
 

By David Innes.

Aberdeen’s nascent Dickens Fellowship meets again this week. Anyone who has an interest in this literary and journalistic master and his peerless work is welcome to attend and participate.

It’s informal, friendly, fun and informative. We cannot guarantee Pickwickian brandy and hot water, but there will be coffee available.

We’ll meet on Thursday March 28 at 19:00 and will conclude before 21:00.

Thanks once again to the kind hospitality of Grampian Housing Association, 74 Huntly Street, Aberdeen, we’ll be meeting in the centre of town.

The GHA offices are at the crossroads of Huntly Street and Summer Street. There is ample car parking and the venue is only 400 yards from Union Street and regular bus services.

This time, we’ve decided to discuss Hard Times (1854). Although many will have read the whole novel, our discussions will concentrate on the opening section, Sowing, which comprises chapters   1 – 16, including the wonderful satire of Chapter 2, Murdering The Innocents.

Dr Paul Schlicke will be happy to answer any queries about the group. You can contact him by e-mail at p.schlicke@abdn.ac.uk

Mar 072013
 

Aberdeen’s embryonic Dickens Fellowship had a most successful meeting last week, with lively discussion of Scenes from Sketches by Boz. David Innes reports, with thanks to Dr Paul Schlicke and to Grampian Housing Association for the kind hospitality.

Several of the group spoke warmly of their favourite Scenes, why they found them to be especially moving, horrifying or entertaining and how they gave insight to Dickens’s own radicalism at a time of significant political and social upheaval.
A query as to why the passages are written by ‘we’, revealed that this was a journalistic tradition, claiming and emphasising collective adherence to a principle, which Dickens skilfully utilised in Sketches by Boz.

Prose fiction was still regarded as inferior to formal writing in the early nineteenth century, so Dickens was a hugely influential in gaining narrative fiction its due respect.

The group discussed how, with so little formal education, the author became such a formidable wordsmith, yet despite his love of theatre why he was such a poor playwright. We found out that in writing his fiction, he acted out, in the privacy of his writing den, each character’s dialogue as it took shape. The theatre was an incalculable influence on his writing and his dramatic sell-out reading tours in later life.

As ever, where open friendly conversation takes place, we became diverted occasionally and discussion of Scenes led to brief examinations of Dickens’s views on contemporary transport, his ability to document conviviality and vitality and his not always kind treatment of his friends and loved ones.

We move on to discussion of a novel at our next meeting, and the choice is Hard Times, concentrating on the first section ‘Sowing’ (chapters 1–16). The meeting will again be held in the Grampian Housing Association, 74 Huntly Street, at the corner of Huntly Street and Summer Street, on Thursday March 28 from 1900 to 2100. There is free parking in the GHA car park.

Meetings are open to all. Anyone who has an interest at all in this master storyteller will be made welcome. You can e-mail p.schlicke@abdn.ac.uk to be added to the mailing list

 

Feb 182013
 

The city’s fledgling Dickens Fellowship will be meeting again on Thursday 21 February at 1900, in a room kindly provided by Grampian Housing Association, 74 Huntly Street. Dr Paul Schlicke reveals more.

“In light of the sparse attendance at our last meeting when we were treated to an exhibition of Dickens treasures in the University Library, it’s crucial that we have a decent turnout, if our organisation’s to carry on and grow. Please make an effort to attend if you are at all interested in Dickens’s work and life. At this meeting, we’ll be discussing Scenes from Sketches by Boz”he wrote in a message to nearly 50 individuals who have registered an interest in participating in a Dickens Fellowship.

Dr Schlicke is keen to welcome suggestions regarding the sorts of events which might prove most popular in future.

“We attracted huge audiences for Miriam Margolyes and Jim Naughtie, but they were obviously high profile events. We had respectable attendances for academic lectures over the past 12 months, but we’re not in a financial position to bring speakers in from outside.

“Last year was special, it being the author’s bicentennial, so the University paid for those who came to lecture as part of the 2012celebrations. I’m uncertain whether or not there would be much interest in turning ourselves into a reading group, so any thoughts as to what might be organised to attract 20 or more participants regularly would be welcome.”

In closing, Dr Schlicke spoke in glowing terms of the work done on the recently re-opened Dickens Museum in London’s Doughty Street after a £3m facelift.

“It is simply wonderful. After worrying times only a few years ago, the Museum’s financial position is now decidedly healthy, and a bright future is in prospect. Following a gala celebration held there for Dickens’s birthday on 7 February, it has been open daily. It is well worth a visit!”

For this week’s meeting, there is parking opposite Dana Petroleum’s offices, with access from Kydd Street. Tea and coffee will be available. It would help in planning for numbers if you could let Dr Schlicke know if you plan to attend.

p.schlicke@abdn.ac.uk
http://www.dickensmuseum.com/

Feb 022013
 

A book launch with a twist is set to be hosted by local Dark Fantasy author, Carmilla Voiez.

In celebration of the release of Psychonaut, the second book in Carmilla’s Starblood Series, a special evening for fans will be held on Friday 8th February, at Cellar 35, Rosemount Viaduct, Aberdeen, from 8.30p.m. to 1.00a.m.
This event will allow readers to meet the author, hear readings from both of her novels and taking part in a question and answer session.

Entertainment specifically detailed around the worlds of Starblood and Psychonaut – including acts by spooky-magician extraordinaire Dean Spruce and an intriguing and beautiful burlesque performance by Magenta Lust – will also be provided throughout the evening which will end in party style with music by Aberdeen DJ, Jimsin.

A Goth for over 20 years, Carmilla sold her Gothic Clothing business last year since when she has been writing top selling books which are inspired by the Gothic subculture, magic and dark desires and explore sexual obsession and violence in often hard-hitting ways.

Carmilla finds inspiration in local beauty, stately homes, the Moray Firth and woodlands around the Scottish town where she has lived the past 10 years with Starblood, the first book in the series, being set partly in the beautiful Cairngorm mountains and partly in the city in South West England where she grew up.  She currently lives with her husband, daughters and numerous cats in Banff, where she is writing the final book in the series.

Carmilla’s literary interests also extend to the Aberdeen Writers’ Club which she co-founded in 2011 as a forum where local writers gather to discuss ideas and writing techniques.

Psychonaut has already been warmly received by fellow authors:

“Carmilla Voiez is more of a singer than a writer. She tells her compelling story in a hypnotic, distinctive voice that brings her eerie world vividly to life.” — Graham Masterton

“Psychonaut is a book of mad impulses, inner vision, sadism, escape and belief.  You feel uncomfortable reading it, like Alex strapped to the chair in Clockwork Orange being taught to feel sick at atrocity.  Rather than leave us crippled by response though, Psychonaut bears you through the hurt towards the only paradise we can be assured of … a love past fault.” — Jef Withonef, Houston Press

While there will be no dress code at the launch on 8th February, it will be full of amazing Gothic and Fantasy inspired costumes and will be set off by local jewellery and masquerade-wear businesses who will be on hand offering their unique designs.

Entrance this event is £3.00, which will be redeemable against the purchase price of one of Carmilla Voiez’s critically acclaimed novels, published by Vamptasy worldwide.

Note:  This is strictly an over 18’s event and proof of age will be required for admittance.

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