Mar 112016
 

Roachford Pic by Julie Thompson (3)By Suzanne Kelly.

Andrew Roachford’s night at the Lemon Tree was a tonic, and all sorts of people were there for a bit of remedy.

People may have arrived with their personal assortment of cares and troubles.

By the time we left, people were smiling, happy, chilled out, and more than a little thrilled. Cares banished for the night, courtesy of Roachford.

With a voice like moonlight through a stained glass window falling on deep blue velvet, Roachford had quite a roomful of admiring women. The girls in front of the stage didn’t stop swaying all night; by girls I mean ladies from 18 to about 68. This by no means meant this was a show for the ladies alone; there were plenty of men enjoying the show too.

That’s some backing band with Andrew Roachford – percussion, bass, guitar were faultless and tasty. But if Roachford had us all smiling, his playing had me utterly transfixed. His fingers and hands flying over the keyboards seemed to blur at some points; the subtlety and dexterity with which he got the precisely-desired tones, nuances, expression will stay with me for quite a while.

Charming the audience in between numbers, he took us on quite the musical trip. His version of ‘Ain’t No Sunshine’ is unique; there’s something about how he does it that takes a heartbreaking classic and throws light on it – and somehow he lightens the mood of it.

Avoid my prose on the matter, cut to the chase, and go listen yourself. It’s on his new album which was on sale on the day, and which you’ll find at www.roachford.co.uk. You’ll also find a powerful version of Paul Weller’s ‘You Do Something To Me’, and a take on John Lennon’s ‘Imagine’ that Roachford’s remade with his own seal.

“This album showcases some of the songs that have fired me up over the years to become a performer and to look, to bring the magic in every show I play,” Andrew explains.

“I once read that a sign of a good singer wasn’t just about ability but more importantly about someone that when they sang you believe every word.”

He’d also played a sweet version of ‘Family Affair’ which had the room singing. For me his version of Red Hot Chili Pepper’s ‘Under The Bridge’ was particularly moving. The musicians couldn’t have made a more solid, credible, flowing job of a single note of this.

Andrew explains that

“Growing up surrounded with Jazz and Soul, and working in the studio with The Clash as a teenager” gave him an incredible grounding in music. “I’ve never categorized music, I listen to music that moves me…. and that’s what inspires my writing”.

Roachford Pic by Julie Thompson (2)Pigeonholing him isn’t possible, and I don’t see why anyone would try.

This is a vocal and keyboard artist of a kind they’re not really making any more. Get some of him live if you can; get the album at least. He seemed happy, relaxed, and friendly; and it seems like the whole of the Lemon Tree was there with him on the night.

Next time I can catch him, I definitely will.

Mar 112016
 

Thursday March 3 2016 saw the long awaited return of The Cult to an Aberdeen stage, this time at the Music Hall. Review and photographs by Craig Chisholm.

The Cult - Music Hall - 3-3-16 (4)

Frontman Ian Astbury, dressed all in black, cut an engaging figure centre stage

The title of The Cult’s recent album, Hidden City, seems quite appropriate as Aberdeen has been a city hidden from the band’s touring schedule for nearly 30 years. It’s actually been so long since they last played here that the halls they headlined in the mid ‘80s, both Ritzy’s and The Capitol Theatre, are now long gone as live venues – renamed and re-appropriated as clubs or, in the case of The Capitol, offices.

However, the old haunts may be gone but the old crowd still remain with 1,500 of them packing out a sold out The Music Hall on a cold Thursday night to welcome back the band to the Granite City.

The Cult - Music Hall - 3-3-16 (8)Kicking off with the opening track from Hidden City, the jumpy swinging rhythm of Dark Energy, the five piece got the crowd instantly on their feet with a quick follow up of classic cuts Rain and Wild Flower.

For the next 90 mins the set spanned across the years from tracks from the 1984 album Dreamtime (Horse Nation, Spiritwalker) to latest single G.O.A.T (aka Greatest of All Time).
.

The Cult - Music Hall - 3-3-16 (1)However, it was the tracks from the band’s biggest selling albums Love, Electric and Sonic Temple that got the biggest cheers – from Lil’ Devil to She Sells Sanctuary to Sweet Soul Sister and Fire Woman it was a reminder of how much great singles the band have released over the years.
Tracks from the recent Hidden City – arguably the bands finest album in over two decades and a fine return to form – may not have been so well known to the crowd but all were received with rapturous applause.

The Cult - Music Hall - 3-3-16 (5)Frontman Ian Astbury, dressed all in black and hidden behind shades for the first new numbers, cut an engaging figure centre stage.

Looking half of his 53 years he never let up from beginning to end, immersing himself in each song and looking every inch the rock god, part Jim Morrison, part shaman. Between songs he engaged the crowd with his banter, his opinions and reminders of his Scottish heritage – even going as far as introducing final song Love Removal Machine as “Love Removal Macbeth”.

To his left, guitarist Billy Duffy cranked out the riffs behind his signature Gretsch guitars.

Holding the guitar near vertical at times he created a sound that resonated through the Music Hall from front to rear and quite possibly rattled a few drinks on bars at the far end of Union Street such was his volume and power.

The Cult - Music Hall - 3-3-16 (7)Fellow Mancunians Johnny Marr and John Squire may get the plaudits for their work with The Smiths and Stone Roses respectively but Duffy is surely one of Manchester’s great guitarists with a body of work and personal history second to none.

Both Duffy and Astbury thanked the crowd unreservedly at the end for selling out the venue and they must have been left wondering why they had not been this far North for the last three decades.

One can only hope that they don’t leave it another thirty years before returning to Aberdeen.

On this showing, if they did then you are left with no doubt they could still pull in the audience and give a similar energetic performance to the one seen tonight.

Mar 032016
 

Internationally acclaimed guitarists Giorgio Serci and Jonny Phillips bring their Guitar Journey Duet to the Blue Lamp in Gallowgate on Thursday, March 10 as part of their first Scottish tour. With thanks to Rob Adams.

Jonny & GiorgioSardinia-born Serci, who has worked with orchestras including the Berlin Philharmonic and City of Birmingham Symphony as well as performers as diverse as Dr John and Dame Shirley Bassey, met Phillips after a gig in South London in 2001 and after they struck up a conversation it became clear that they shared similar musical ideas, interests and enthusiasms.

It wasn’t until 2015, however, that the two friends finally formed a musical partnership as Phillips became immersed in his group, the Latin American-influenced Oriole, and Serci kept busy as a player, composer, arranger, teacher, lecturer, and guitar magazine columnist.

“For a long time I’d had this idea for a group that explores the history of the guitar from its origins in Spain and North Africa out across the Americas,” says Phillips, who regularly visits Spain and Portugal to play and soak up Iberian music.

“Oriole does that to some degree but I like the two guitar format – it’s easily portable for one thing – and since the moment I heard Giorgio play I felt he would be the ideal partner. It just took us a while to organize time for us to work on it.”

Although both players are serious students of the guitar and its influence around the world – Serci has a particular fascination for Brazilian and Cuban musical styles – they were keen to avoid a scholastic approach in presenting the music they put together to illustrate the guitar’s journey.

“It’s really about communicating how we feel about the music rather than how much we know,” says Serci.

“When I first heard Jonny play I was immediately struck by his ability to tell a story through his compositions. He also has a deep understanding of and respect for traditional music from different parts of the world and that comes across in his playing. It makes it fun for me to play with him and I hope a really enjoyable experience for the audience when we play together.”

Mar 032016
 

EW at Home Start Opening Feb 2016, with retiring Co-ordinator Reena ThomSNP MP Dr Eilidh Whiteford has offered her very best wishes to a local Banff charity, after opening its new premises on Saturday.

Home-Start Deveron has now moved to 10 Carmelite Street, Banff. The charity works with local families, providing play opportunities for under 5s, and support for parents. Volunteers, many of whom are parents themselves, offer friendly, informal advice to help ensure that every parent has access to the support and advice necessary to give their children a good upbringing.

The group was established in 1999 and operates throughout the Deveron Valley area, serving Aberchirder, Banff, Huntly, Macduff, Portsoy, Turriff and surrounding areas.

Speaking at the opening. Dr Eilidh Whiteford MP – who serves as SNP Westminster spokesperson on Social Justice and Welfare – said:

“I would like to offer my congratulations to Home-Start Deveron on securing their new premises. Organisations like Home-Start depend on volunteers who enjoy helping kids get a great start in life, and it was an absolute pleasure meeting with some of these remarkable individuals who give their time for such a great local cause.

“The group is always looking for volunteers, and I would encourage anyone who thinks they can help to come forward. It’s difficult to overstate just how valuable the group’s work is.”

Home Start can be contacted on 01261 819964.

 

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Mar 032016
 
I Will Survive - Photo credit Paul Coltas

I Will Survive – Priscilla Queen of the Desert – The Musical – Photo credit Paul Coltas

Duncan Harley reviews.       

In a musical tale which has achieved cult status worldwide, two drag queens and a transgender person board a battered old bus by the name of Priscilla for the road trip of a lifetime. Duncan James as Tick, Simon Green as Bernadette and Adam Bailey as Felicia don’t know it yet, but they are in for a truly transformational journey.

Accompanied by a shed load of sequins, a case of champagne and enough feather boas to bankroll Poundland, the outrageously camp trio set off into the Australian outback, leaving behind the safety of Sydney, and head in the direction of Alice Springs in search of love.

Along the way the three friends in skirts attract homophobia, red-necked ridicule, uncalled-for violence and of course rampant self-doubt. Even Priscilla suffers a breakdown and is saved by a knight in shining armour. Philip Childs as Bob the friendly mechanic arrives in the nick of time to take matters in hand and save the day.

The stage set is relatively simple. That is, of course, if you consider the manoeuvring of a full size single-decker bus around His Majesty’s stage an easy task. Priscilla pretty much fills the available space and if you look behind her, the vast expanse of the outback forms a shimmering theatrical backdrop. Indoor scenes are stark and appropriately minimalist. Costume, lighting, dance and song are where this production is at.

The term flamboyant springs to mind when describing the costumes, although in reality this might be an understatement. In fact the costumes are 98 percent outrageously both super-camp and extravagantly OTT. Around five hundred costumes are used in this production and few of them could be described as simply ordinary. And then there are those wigs!

The bus painting scene sees the company singing ‘Colour My World’ while dressed as paintbrushes primed to obliterate the words ‘Fuck off Faggots’ from Priscilla’s flank.

In the ‘Macarthur Park’ scene, a bevy of dancing divas tastefully made up as teacakes provide a delightfully sugary green accompaniment to Duncan James’ rendering of the Jimmy Webb / Richard Harris classic.

A pounding hit-parade of hot disco dance numbers such as ‘Girls Just Wanna Have Fun’, ‘Boogie Wonderland’ and the vibrant ‘Hot Stuff’ abound, alongside a slightly obscure and curiously Bacofoil-like take on Verdi’s ‘Sempre Libera’.

As a dazzling musical extravaganza, Priscilla Queen of the Desert works splendidly well throughout, with Duncan James, Simon Green and Adam Bailey slipping effortlessly into the lead roles.

There is more than a whiff of Panto in this production, which features a splendid warm up routine delivered by Callum MacDonald as Miss Understanding; and a few surprises pop up, including a half-time Aussie Barn Dance featuring volunteers from the audience, plus a hilarious slapstick routine in which Bob’s wife Cynthia, played by Julie Yammanee, ejects ping-pong balls from the usual orifices.

Priscilla offers first class entertainment and is a definite must see. However the faint hearted may need to avert their eyes during the ping-pong scene.

Directed by Simon Philips with resident director Tracy Lane, the musical, Priscilla Queen of the Desert plays at HMT Aberdeen until Saturday March 5th.

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley and Images © Paul Coltas

Feb 282016
 

Aberdeen couldn’t pounce upon Celtic dropping points against Hamilton, and dropped points themselves against a late levelling St Johnstone, says Voice reporter Andrew Watson.

pittodrieIt was a clear, dare I say, spring looking afternoon, but the pitch looked a tad patchy. Around the country though, it could’ve looked a lot worse.

Gradually things became overcast, and without that sunlight you could truly see the brown of the earth and mud all over pitch.

U2’s ‘Beautiful Day’ belted out the tannoys, which would be about half right. Hard-Fi’s ‘Hard To Beat’, however, didn’t seem to ring as true, given recent form.

Again the weather changed, weirdly, as AC/CD’s ‘Thunderstruck’ came on. With this came more sun light and the illusion the pitch wasn’t so bad. The attendance, from first impressions, seemed also patchy.

With Adam Rooney out injured with a leg strain and Shaleum Logan suspended, it didn’t look to be the typical, straightforward home fixture for the Dons. It would be down to Simon Church to deliver the goods up front, more or less.

An early chance to score was foiled by the Saints keeper, Alan Mannus, but frankly, it was an ordinary effort. They had their own chance, but this went over the bar.

Graeme Shinnie later made what looked like a karate kick for a bruising challenge.

Kenny McLean was then fouled; winning a free kick in, more or less, the centre of the pitch. This attack was repelled.

Dons keeper Scott Brown safely picked up a trundling ball.

Up the other end, Saints scramble away after attempt on goal. A cross results in another attack upon them, but no cigar for Aberdeen.

Down the other end, Dons clear ball from danger.

There’s then a dubious free kick for the McDiarmid Park men, as McLean appeared to be the fouled party.

The Pittodrie side struggle to get the ball away from danger. However, Shinnie then homes in on goal but the resulting ball was deflected.

A Saints ball is mopped up by a pressing Aberdeen side, but not clinical enough.

Willo Flood gets binned with a wild challenge. Free kick ensues and Saints parry it away, again.

There’s an important throw in for Aberdeen in key area. This earns them a subsequent corner.

Niall McGinn whips in super cross, but Saints’ stopper and his back four command their area with force.

Aberdeen’s own back four make a heavy pass, and are fortunate not to gift a golden opportunity.

As said, Saints are a fair unit at the back, good team play and coordination. Flood gets frisky with opposing players after one of their number gets decked.

Aberdeen then have a fortuitous refereeing decision as Saints home in on goal.

Double defensive errors gift Aberdeen a golden opportunity, which isn’t taken.

Saints win a throw in a key position.

Flood appears to be losing his rag, giving away not his first foul.

Slack passing almost gifted Saints an interception in dangerous area.

Shinnie‘s low cross is straight at the away side, right onto the defensive header away from goal.

Peter Pawlett earns Aberdeen another chance, via a corner.

Shinnie almost gets there, with attempted diving header.

Church though, much like in the Celtic game, bundles the ball over the line with a predatory pounce.

1-0 Aberdeen after 35 minutes!

Saints then send, down the other end of the pitch, a ball that eventually finds itself over the bar.

Captain Ryan Jack almost latches onto a expert long ball, a move that could’ve been a second good attempt on goal.

A Saints player is then bundled over behind the referee, and things get shirty. Jack, and Saints’ Danny Swanson are both booked. At one point it looked like the former perhaps had latter in a headlock.

Andrew Considine’s subsequent headed effort lands safely into hands of Mannus.

The late David Bowie’s ‘Heroes’ signals end of play. Perhaps conveying Aberdeen’s status as current frontrunners in the eyes of the Red Army?

Halftime 1-0.

Aberdeen are intercepted, but go on to win a corner. They then come close with another corner.

An Aberdeen header is then nullified by Saints’ defence.

Shinnie finds himself on the floor, and hobbles off. The resulting free kick goes close.

Flood is dogged, winning the ball when the chips were down.

Aberdeen scupper their best chance so far to go two goals ahead.

Saints scramble the ball away, and they’re fortunate the decision points to a goal kick.

Aberdeen’s following advance into box is blown over the bar,

Shinnie’s determination forces a chance in box, but the ball is swept away.

Saints then clear their lines and Aberdeen get a throw in their opponents half.

Aberdeen seem like they’ve kicked a rugby ball over the sticks, to score a conversation, and not a goal. A prime chance wasted.

Saints are then awarded a free kick in a dangerous area after their goal bound man is taken down outside the box.

Church heads down a perfect ball to a teammate and an Aberdeen attack begins. A later move sees Saints side foot the ball into the side netting.

“What’s that, eh?”

This from the usually rather quiet Mark Reynolds, railing against the linesman’s decision.

McGinn appears to fall foul of an over demonstrative Saints man, writhing on the floor.

This follows a dubious decision not to award an offside decision in Aberdeen’s favour but thankfully, Brown saves.

Ashton Taylor again wins a header to keep his team safe.

“Cheat, cheat, cheat, cheat”

This rang through Pittodrie as a Saints man goes down on the wing of the box.

Then a sustained Aberdeen attack ends comfortably in the keeper’s arms.

Shinnie gets booked. McGinn wins the ball but is chopped down.

Taylor comes in with emphatic header to keep team out of danger, and goes out for a throw.

Then a sustained Saints attack ends, thankfully, with an attempt well over the bar.

After 84 minutes Pawlett came off for Scott Wright. He makes an immediate impact, stubborn to the last and not going down for a foul.

Saints send a trundling ball way off the mark.

Four minutes after that substitution, however, St Johnstone are awarded a penalty.

Substitute Liam Craig sends Brown wrong way. Craig turned to the Main and Merkland Stand corner, goading the Aberdeen support, fingers to ears. The intention, supposing, that the sound, or lack of it, was deafening. The wind had been taken out of the sails of the Red Army.

1-1.

Three minutes of additional play were then called.

McGinn blootered the ball over the bar after a meandering dribble around Saints’ box.

“Cheats, cheats, cheats, cheats”

This after the obligatory shaking of hands at the fulltime whistle.

“Oh, when the Saints/
Go marching in
Oh, when the Saints/
Go marching in
I want to be in that number/
When the Saints go marching in”

Some of the Saints were still doing drills after the game. Perhaps those who deserved to win won, as opposed to those who thought it was an entitlement.

Final score:  1-1.

Feb 252016
 

Voice’s Old Susannah takes a look over the past week’s events in the ‘Deen and beyond. By Suzanne Kelly.

!cid_09815cd1948a4527a96e35e13ba3e785@Open-XchangeFred the Aberdeen Voice editor is furious that we didn’t win a single award at the North Press ball thingy that Sarah Malone went to earlier this month, and he’s making some changes around here. We’re going to follow Aberdeen Journals Ltd’s lead, and start having a smart, successful newpaper. In that spirit, before we get to this week’s definitions, just a few words.

I am pleased to announce the Old Susannah column now has an official spokesperson. Buff McCracker, pictured, is our newest hiring. He is last year’s winner of the ‘Face of Moneymusk’ competition.

Buff has a high school diploma (nearly) and has worked as a personal fitness trainer at ‘Fancy a Kip?’ Lodge. Personal trainers from Kip Lodge have gone on to get into all sorts of fascinating positions, and I am sure Buff will do the same.

I am sure you will welcome him to the column, and in his role as spokesperson, you will look forward to hearing his in-depth analysis of local, national and world socio-political issues of the day.

Reader Offer: 

Bottle OpenerThis splendid bottle opener is perfect for those bottles of expensive wine you drink after a hard day editing the paper.

Sprinting home in your Mazarati, no doubt you want to see your delightful wife greet you at the door with glasses, a bottle, and this exclusive bottle opener.

Not sold in stores.

£19.99

CRW_0279Reader Travel Offer: 

7 night tour of Mintlaw’s finest combine harvesters

Join like-minded readers on this breathtaking tour of tractors in Mintlaw.

We start our trip on the A96 in a bus, and will stop at some of the finest B&Bs in the area, while looking at fields of rapeseed, and what kinds of farm vehicles we can spot from the bus.

Meals not included.

£1,999 per person.

Showbiz Exclusive!  Local sleaze merchant shares lift for 2 minutes in Los Angeles with Rock god David Grohl.

Tony Cockroach says he’s met every A-List celebrity there is, possibly even Sarah Malone. Gosh I’m jealous. He’s been in the same lift as David Grohl! Result!!!! Did they have a conversation? No, but. Did they have anything in common? No, but. Was Grohl impressed that the man in the lift was from Aberdeen AND owned strip joints? No.

Singha SteveBut he was from Aberdeen, and he was in the same lift as David Grohl.

Full story and pictures on pages 2,3,4,5 and 27.

(Old Susannah was formally introduced to Mr Grohl on the occasion of the first ever Foo Fighters UK show, at the Brixton Academy, quite a while ago. He was cool. Old Susannah was – until now – being cool by not making a big deal of it. But we did briefly speak. In today’s modern newsroom, clearly this is big stuff by EE standards. So now you know. And no, I wasn’t so crass as to start photographing or filming the man).

Read more about it here! Really! Tally ho!

Send us your story – sheep on the road?

Did your daughter come in 7th place in a spelling competition? Did you get your heid stuck in a bin? Did you find the image of Kate Dean in your buttery? Anything like that with pictures – call us and we’ll put it in the next paper. Up to £2 per story paid.

RowiesRollsPancakesthmCompetition! Aberdeen’s Prettiest Rowie!

Send in your Rowie photos, and the most beautiful Rowie will be bronzed, and kept forever as a beautiful keepsake! Your photo with your Rowie will appear in the next issue!

You can vote for your favourite Rowie by calling our special hotline – calls charged £0.99 per minute!

And with that, one or two definitions

Pro Lifers:

Who’s against life? Why no one I know, except for some zombie films, it’s safe to say many people are in favour of living. But the pro-lifers have some ideas they want the rest of us to sign up to, and I thought I’d best get their unbiased, professional advice.

I looked for them at the anti-war demonstration. But they weren’t there.

I tried to find them protesting the nuclear weaponry we’ve stockpiled which would wipe out half the planet. But they weren’t there.

I thought I’d find them helping to save the refugees drowning in the Med, but there was no sign of them there.

I thought they must surely be protesting the death sentences carried out in some countries, but there was no trace.

I thought they would be in the drought-stricken countries trying to feed the starving, but they were not there.

They were at the abortion clinic. They were at the family planning centres. They were at the chemists where women can get the morning after pill.

It’s not the living they want to save. They want to tell women not to have sex. They want to tell people not to use contraception. They want women to bear children whether or not the women are able to look after these children, can afford them, are adult enough to be responsible for new lives. They want the raped women to carry their children.

They don’t want you to do anything that doesn’t adhere to the moral codes they have signed up to, and they want to make you bend to their will. They don’t acknowledge that each and every single pregnancy is life-threatening to the mother. They don’t want you to know that women from prehistory to the current day engaged in family planning by taking herbal medicines to terminate unwanted pregnancies.

Pro life? Absolutely! Some might think this lot are a bunch of would be controlling, nosy, women-hating dictators who were not interested in the living whatsoever and hated sex and didn’t want anyone to have any. But they’re just telling us what the right thing to do is, and I’m sure you’ll give their message all the attention it is due. http://www.heraldscotland.com/news/14210094.display/

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[Aberdeen Voice accepts and welcomes contributions from all sides/angles pertaining to any issue. Views and opinions expressed in any article are entirely those of the writer/contributor, and inclusion in our publication does not constitute support or endorsement of these by Aberdeen Voice as an organisation or any of its team members.]

Feb 252016
 

AndrewRoachford2With thanks to Suzanne Kelly.

Andrew Roachford is back with a stunning new album – ‘Encore’, and is set to appear at the Lemon Tree on 6 March. The album release coincides with a UK and European tour that kicks off in March in the UK and sees Andrew Roachford on the road – a truly unique and electrifying performer and artist.

The past three years have seen Andrew co-writing and touring with Mike and the Mechanics while also  enjoying film success by the way of having his song ‘Cuddly Toy’ placed in the movie ‘Alpha Papa’.

Andrew explains that “Growing up surrounded with Jazz and Soul, and working in the studio with The Clash as a teenager” gave him an incredible grounding in music.

“I’ve never categorized music, I listen to music that moves me…. and that’s what inspires my writing.”

The ‘Encore’ album contains what Andrew does best. Working with a full live band to capture the powerful performance that Andrew is so well known for with simply stunning results. Andrew says:

“Simplicity is the key.”

 Stand out tracks such as Sly stone’s ‘Family Affair’, with it’s honest production, and the uplifting version of the Bill Withers classic ‘Grammas’ Hands”’ with its heart rending lyrics perfectly showcase Andrew’s vocal performance, the sound of an artist on top of his game.

Taking the old and reinventing it to new are a core theme of the ‘Encore’ album.

Andrew explains:

“This album showcases some of the songs that have fired me up over the years to become a performer and to look, to bring the magic in every show I play.

“I once read that a sign of a good singer wasn’t just about ability but more importantly about someone that when they sang you believe every word ”.

Andrew Roachford

Friday 26th Feb, 7.30pm.
The Lemon Tree,
5 W N Street,
Aberdeen,
AB24 5AT

Tickets:£15  https://securetickets.boxofficeaberdeen.com/
Ticket office: 01224 337688

Further Information:
www.roachford.co.uk/
Facebook

Feb 252016
 

With thanks to Gemma Setter, Account Executive, Tricker PR.

ABERDEEN UNIVERSITIES BOAT RACE PREVIEW FOR 2016

Erin Wyness (RGU) and Ian Walker (University of Aberdeen) lead their crews in the 2016 Aberdeen Asset Management Universities’ Boat Race.

The 21st Aberdeen Asset Management Universities’ Boat Race will see the University of Aberdeen and Robert Gordon University competing against one another in a 3.5km race along the River Dee, determining who takes home the much sought-after trophy.
The day begins at 1.50pm with the toss for stations, followed by the universities’ 2nd crew race at 2.10pm, alumni race at 2.35pm and media challenge race at 3.40pm.

The title event begins at 4.00pm.

Last year saw the Robert Gordon University crew row to victory as they claimed their fourth consecutive title race win. Is this the year that the University of Aberdeen manage to knock their competitors off the top spot? Or will the Robert Gordon University remain undefeated for the fifth year in a row? Whatever the outcome, the 2016 event is bound to be a thrilling watch.

Spectators are encouraged to come along and cheer on the teams at all the events on the day.

To follow the Aberdeen Asset Management Universities’ Boat Race on Twitter go to www.twitter.com/2016BoatRace and become a fan of the race on Facebook by visiting www.facebook.com/AAMBoatRace.

21st Aberdeen Asset Management Universities’ Boat Race

Saturday 12th March 2016
From the Bridge of Dee to Aberdeen Boat Club
Races from 2.10 PM.
Title race begins at 4.00PM

Feb 192016
 

Her Sisters giftDavid Innes reviews Her Sister’s Gift, Isabel Jackson’s debut novel.

Sunday Mail Fiction Prize winner Isabel Jackson’s debut novel is rooted in her grandparents’ experiences and developed by estimable creative skills into Her Sister’s Gift. It resonates with industrial Scotland’s working class pride, and its resilience in the face of hardships, as the twentieth century gave way to The Great War and daily struggles to survive.
Strong women and flawed but brave, hard-working men populate Her Sister’s Gift, and the author captures well the conflicts and anxieties that result from this accepted dichotomy, the engine of the novel.

Scarred emotionally by an early harrowing double tragedy, Isa Dick is an admirable heroine, who plots her own destiny, limited by the class system and gender inequalities of the time.

She is inspirational in her family circle and beyond, and is credible in finding inner strength to thwart, for the most part, the cruelties visited on her and those she learns to protect.

She is all our mothers or grandmothers. Yet those early psychological wounds never heal fully, with the obsessive protection of her own children and nagging guilt repressed since childhood, bringing their own traumas.

Where Her Sister’s Gift does fall down a little is when some passages feel over-written or over-detailed and in plot incidentals introduced, but not followed through. It would be interesting to have the effect of Isa’s out-of-the-blue religious conversion, or any outcome from the discovery of her father’s knuckleduster explored, for example. Some of the conversational exchanges too, could do with sharpening.

It’s a story well told, however, an excellent and evocative series of mini-dramas, psychological conflict and near-cinematic scenes of early twentieth century working class life. With more disciplined editing, further Isabel Jackson tales have the potential to be very worthwhile chronicles of lives and trials wherever and whenever set.

Her Sister’s Gift
Isabel Jackson
Black & White Publishing
310pp

£7.99
ISBN 978-1-78530-010-3