Nov 062015
 

roe-deer-fawn-picWith thanks to Suzanne Kelly.

Aberdeen City’s officers and the Liberal Democrats pushed for the so-called ‘Tree For Every Citizen’ scheme in 2012.

A Council officer promised the scheme was going to be cost neutral, and would have income. A herd of roe deer was veritably wiped out in a move 80% of the citizens objected to. How’s the scheme actually doing three and a half years later?

Despite the desperate claims of the city, the scheme is teetering on the brink of complete failure, witnessed by photographs and Forestry Commission documents.

More penalties possible?:

A Freedom of Information request saw the Forestry Commission releasing a report from 2014 which listed a catalogue of failings, and warned that the city might have to pay penalties if remedial actions were not carried out, which included weeding. These photographs were taken in early October at different points on the hill. Clearly, the weeds are winning over the trees.

Some of these documents, photos of the weeds smothering the trees, and the city’s figures from April on road accidents can be found here.

The city pressed ahead with the scheme despite having earlier paid a penalty of £43,800 for the failure of Phase 1 of the scheme on the hill.

Forestry Commission reporting advises that it is unlikely a large scale planting on Tullos Hill would succeed. The hill was used for industrial and domestic dumping for many years, but had supported deer, small mammals, birds and a variety of wildflowers.

A councillor had attempted to keep the hill as a meadow (meadowland is considered the fastest-disappearing type of green space) – but this was turned down by the officer supporting the TFEC scheme, on the grounds that it would be more expensive to enhance the existing meadow than to plant the trees.

Far from being cost neutral, the scheme has cost several hundred thousand pounds to date. With the potential for further penalties, the city is still pressing ahead with the scheme, which may require further animal culls, and further herbicide use.

To avoid penalties, the Forestry Commission wrote to Aberdeen City:

“All areas to be stocked to the minimum density as required by the model chosen. There is no allowance for over stocked areas to compensate for any areas where stocking does not meet the specification. The species found must match the species detailed on the map

  • All required weeding to be up to date and effectively controlling all weedspecies
  • Healthy and viable trees.”

Robust figures?:

The pressure group was meant to have the complete and accurate accounts sent to it covering all costs for the Tree For Every Citizen Scheme. It was immediately apparent that there was data missing. Not all known costs appeared on the spreadsheets released by the City (Aberdeen took over 5 months to deliver information which is held electronically).

The £43,800 penalty from the previous failure was missing, as were some costs identified in a previous freedom of information request. Some of the entries, totalling thousands of pounds are marked ‘unknown’ in the description column. Kelly is still awaiting answers to detailed questions put to the city. Even so, hundreds of thousands of pounds have been spent on the Tullos Hill scheme, with the consultant, Chris Piper, receiving a five figure sum for his work and expenses.

Campaign Group’s Reaction:

Suzanne Kelly, a campaigner with the Save The Tullos Hill Deer Group said:

“Common sense has left the building, and anyone with eyes can see the weeds tower over the trees. The Forestry Commission report lists a catalogue of problems with the planting – lack of growth, lack of density, weeds, rabbit browsing, but funnily enough the spreadsheet doesn’t make mention of deer browsing, but the cover letter does. I’ve not seen a single tree guard knocked over as if browsed by deer. 

“What I have seen on my frequent visits is weeds towering over the vast majority of trees. Residents and community councils were over ruled by the city on this one, and as a result we’ve incurred hundreds of thousands of pounds in costs, and are probably looking at further penalties. I do not understand how the officer who insisted that this scheme was cost neutral is not held to account for the dismal state of the finances and the dismal state of the trees. 

“We had deer and a meadow. We now have a small number of trees that grew taller than the weeds – and per an earlier Forestry Commission report, the soil matrix is so poor they are likely to topple in strong winds. This was a waste of time, money and was done at the expense of existing wildlife. I’d be ashamed to be the consultant who earned over £100,000 for this scheme, or the officers who pushed it on an unwilling public.

“We are now told that deer account for an accident on the roads per week. However, repeated requests for that raw data are met with silence. The data I did see from the city in April was flawed in that it contained two incidents outwith the city, and included a deer found in a nature reserve car park. 

“As to the promised income? A recent Freedom of Information request says we might get some small income – if the trees grow – in 75 to 100 years. Someone should be losing their job over this in my opinion.”

In case anyone still thinks that the city actually cares about wildlife and biodiversity, the huge swathes of greenbelt given over for development puts paid to that.

So to do the comments made by Peter Leonard. In his report to the Housing commission Leonard wrote about engaging with landowners over deer management.

However, in an exchange with Suzanne Kelly, she wrote:

“There will be further animal deaths on the road – not least because of the development of wildlife habitat at Loirston Loch. As far as I can learn, absolutely no provision has been made for deer or small mammals to be relocated.”

Leonard’s reply was:

“This will be for the developer to answer.”

This hardly echoes the newly-found concern for the safety of motorists or wildlife.

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Nov 062015
 

Duncan Harley reviews And Then There Were None at HMT.

Pamela Raith PhotographyThis year marks the 125th anniversary of the birth of Agatha Christie, and is also the tenth anniversary of the founding of The Agatha Christie Theatre Company.
To mark both occasions, her best-selling thriller ‘And Then There Were None’ has returned to the stage for a full UK tour.

Originally published in novel form in 1939 and entitled ‘Ten Little Niggers’ after the children’s nursery rhyme of the same name, this classic whodunit ranks high amongst the best-selling crime novels of all time.

The politically incorrect word ‘Nigger’ was soon dropped and the word ‘Indians’ substituted. The rhyme ‘Ten Little Indians’ remains central to the plot.

First adapted for the stage in 1943, this current adaptation is set in August 1939 just weeks before war is declared. The island setting off the coast of Devon represents not only a prison for the players but also perhaps the national mood of the time, as conflict looms and the spectre of death from abroad beckons.

A group of complete strangers is lured to a hotel on a remote island using a variety of pretexts. On arrival they discover that the host is not present. A gramophone recording is played in which each in turn is exposed to all present as having a guilty secret worthy of extreme punishment. One by one the assembled guests begin to die horribly.

Judicial hanging is not an option, and vigilante style justice arrives by various means including poison, drowning and of course shooting. The unfortunate butler, Mr Rogers, suffers the Cluedo-like indignity of being ‘murdered with the axe in the scullery’ and Anthony Marston’s demise occurs after drinking cyanide-laden whisky. Perhaps oddly, some of the guests continue to dice with death via poisoning by raiding the drinks trolley, virtually right through to the end of the play.

There is obviously a homicidal lunatic on the loose, and the race is on to identify the likely culprit.

By the final curtain no-one is left alive on stage. Don’t expect a Reservoir Dogs style corpse-strewn set, however. Many of the murders occur offstage.

This is high art classic crime fiction performed pitch, word and even letter-perfect. Despite a fast diminishing cast, the tension and suspense build throughout the performance and on occasion the theatre audience audibly gasps at the finely delivered plot twists.

And Then There Were NoneThroughout the unfolding drama, there is a fair amount of subtly accented wry humour. Indeed, one victim dies not once but twice.

There is also a modicum of romance, or is it simply carnal lust on the part of Ben Nealon’s revolver-wielding Captain Lombard towards the young but not quite so innocent Ms Claythorne?

Deborah Grant’s eccentric spinster, the fusty Emily Brent provides an engaging foil for Kezia Burrows’ feisty Vera Claythorne, in a distinctly ‘maiden aunt versus femme fatale’ sort of way.

Simon Scullion’s distinctly minimalist Art Deco set is nothing short of impressive; and costumes by Roberto Surace provide complete authenticity to this high-energy period crime drama.

All in all, this is a finely crafted, immensely entertaining and professionally delivered tribute to the Queen of Crime and is a definite must-see.

Oh and Vera’s sexy red ultra-low-backed red evening gown has to be seen to believed!

Directed by Joe Harmston and produced by Bill Kenwright – ‘And Then There Were None’ plays at HM Theatre Aberdeen until Saturday 7th November.

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley.

Nov 062015
 

Staring up from the depths of a fluorescent blue cocktail served in a fishbowl is a beautifully carved goldfish made of pumpkin. Skull-splitting metal of some sort is making conversation nearly impossible. A Ninja in full regalia at the door is having a pint with a goth who’s wearing fangs as neon Tiki figures shimmer on the walls in the black light. If not for Spear of Destiny playing in an hour’s time, this could have been your average night at Krakatoa.

Suzanne Kelly goes to her third SoD Moorings – sorry Krakatoa – show.

Spear of Destiny Ocy 2015 (8)Tonight is the penultimate night of the current Spear tour; tomorrow they have to be in Whitby headlining a goth festival, as you do. Would they be pulling their punches and going through the motions tonight? Other acts have done so when hitting Aberdeen, but resting on past successes isn’t part of the ethos for Spear.

Opening Act Mark Ayling (pictured below) said:

“I had a great night, Spear of Destiny were on form and played a great set and it was nice to see a good crowd out to support live music.

“it’s the biggest crowd I’ve seen at an Aberdeen gig for a while.”

Some of the wiser, more experienced fans, or ‘Spear Family’, prudently decided to stay back from the front of the stage.

6bwTonight wasn’t quite as frenzied and bruise-inducing as usual, perhaps in some part due to the presence of Spear virgin Alan Gray. I was a bit concerned about him, as he happens to be a wheelchair user.

Knowing that anyone in vicinity of the dance floor at a SoD show is likely to wind up covered with bruises and marinated in beer, I mentioned to a few nearby guys to please keep an eye out for Alan.

Before I could finish speaking, they’d opened up a path for him to the front of the stage.

Only once towards the end was I worried about him, but I needn’t have been when the floor turned into the expected frenzy.

So – did Alan like his first ever Spear live show?

“I waited 30 years to see them live. It was everything I wanted it to be and a lot more.” 

He left with a copy of their latest album, 31, and a huge smile on his face.

It’s been said I’m partial to this band, and indeed I am, but you’d not be able to find any fault tonight. The pacing of the set, the well-honed but fresh, energetic musical calibre – all great stuff. I’d love to give you the full set list but for the fact I was looking after others’ limbs, my own limbs, drinking a pint and trying to write in a little notebook at the same time.

At any rate they opened with World Service; most of the audience naming that tune and screaming for it before the first measure had been played.  Never Take me Alive soon followed, then to Roddy Kennedy’s delight Once in Her Lifetime.

Spear of Destiny Ocy 2015 (3)From the most recent album 31, Spear played Sputnik, Fascinations (single from the album) and The Failure.

In all these pieces you can hear subtle or large differences from the studio work; at the risk of repeating myself from previous reviews, this is why you come to live performances; to hear something new brought to the arrangements.

For many bands displaying basic musical competence outside of a studio is a stretch; for SoD playing live seems to be something they truly relish.

For others, the reason to go see a band has to be to take selfies and record the show on a mobile, so you can watch it back later, and don’t have to stop talking to your friends about who’s going to win either celebrity bake-off or the ladies’ Queen of the South v Hearts match. I pity these people.

Truly, some people are incapable of letting a 3 minute song go without speaking; tuning them out seems to be becoming an art form.

This is not to be confused with the people who for instance wouldn’t normally speak to each other at all, but when hearing Mickey (my favourite anti-war anthem) will sing every word and dance with their arms around each other’s shoulders.  And that’s how it should be.

WE also had Everything Has A Price, Soldier Soldier, and close with I Liberate. Brandon said something about Edward Snowdon – or at least I think he did.  The only fault was that it was over too soon.

The band genuinely seemed to have had an enjoyable evening in Aberdeen; Aberdeen loved having them.

When they got to Whitby the next night they did a stunning version of The Sisters of Mercy’s Temple of Love (on a cobweb-decorated stage no less) with Craig Adams taking lead vocals. Have a look at that here. https://www.youtube.com/watch?v=WANdYppeJVU&feature=youtu.be

But yes, it was all over in a flash; the band, the cocktail with the fish and the Ninja all disappeared. But I dare say Aberdeen will welcome Spear with open arms again next time.

Oct 292015
 

Depression And Suicide – Is Aberdeen Really ‘The Happiest City In Scotland’? By Anne Carter.

town-house-rain-featAll over the world, people are falling prey to the terrible malaise of depression, and losing their lives to suicidal impulses. Statistically, Scotland is the worst affected part of the UK, with more depressed people and suicide attempts per capita than anywhere else in Britain.
This has consistently been the case for a good decade or so, and it does not seem to be improving [1].

Aberdeen, however, for all of its dour, grey reputation [2], appears on the face of it to be bucking the overall trend.

Unemployment in Aberdeen is low, and disposable income is relatively high for certain sectors within the town. This would seem to indicate that Aberdeen is a generally happier, less depressed area than other Scottish towns. But are we letting materialistic assessments blind us to other issues which may be of real concern to the vulnerable of Aberdeen?

Risk Factors:

There are several factors which put people at risk of depression and suicide. Unemployment is one of these, and Aberdeen has an impressively low unemployment rate [3]. Older people are also vulnerable to depression [4], and – unusually for a coastal town – Aberdeen’s elderly population is relatively low. Students and younger oil-workers on the make tend to predominate.

Low average income is also a factor which tends to affect depression statistics within a given region, and Aberdeen has a reasonably high average income. Indeed, it boasts the highest concentration of millionaires in the UK. All in all, it would seem that Aberdeen is ideally situated to avoid the depression epidemic currently sweeping the rest of Scotland.

However, to view just this broader picture is to fail to take the nuances into account – and the nuances are all important when it comes to the mental health of individuals.

Inequality:

Going purely by averages, Aberdeen is doing pretty well. But there is an insidious undercurrent to this ostensibly happily booming town which must be taken into account. Aberdeen has one of the most unequal pay structures in the UK [5], which means that for those at the bottom end, life is extremely hard indeed. The cost of living in this rich city is, not incomprehensibly, high, so those who do the necessary but poorly paid jobs of Aberdeen really struggle to get by.

The polarisation of wages and the general inequality means that, while Aberdeen may on average be richer and have higher employment rates than the rest of the UK, some of those adding to the employment statistics are struggling to get by on very little disposable income, comparatively speaking. As such, their risk of suicide is significantly higher than average, money issues being tremendously stressful and a big contributer towards depression.

Furthermore, Aberdeen has a significant issue with binge-drinking and alcoholism, both of which are known to enhance someone’s risk of suicide. Aberdeen’s glaring gap between rich and poor, and the general level of equality in the town means that, for those who do fall into the ‘at risk’ category for depression and suicide, they tend to be at more risk than average.

Union Bridge:

In 2013, the Council was so concerned about the high number of suicides who took their lives at Union Bridge that they held a debate upon the matter [6]. Various suicide prevention measures were proposed, including nets (the favoured option of the police) and a fence.

Between 2008 and 2013, over 100 people jumped or attempted to jump from the bridge. Unfortunately, the bridge continues to attract those determined to take their own lives – its combination of height and passing trains seeming to guarantee a speedy demise. Many more Aberdonians take their lives each year through other means.

While Aberdeen has by no means the highest suicide rate in Scotland – far from it – it is notable that the route from depression to suicide appears to be a lot faster in Aberdeen’s intensely polarised socio-economic environment. While we may ostensibly be the ‘happiest town in Scotland’, it may be worth appreciating that the flipside of that happiness is not nice. Aberdeen is not invulnerable, and we need to look after those who are suffering within our community.

[1] BBC News, “Scots suicide rate highest in UK”, Aug 2006

[2] Tim Pauling, “Aberdeen named the most dismal town in Scotland”, Press And Journal, Feb 2015

[3] Kevin McKenna, “Aberdeen is the happiest place in Scotland…and that’s no joke”, The Guardian, Nov 2012

[4] PsychGuides, “Living With: Depression In Older Adults”

[5] Neil Lee, Paul Sissons, Katy Jones, “Wage inequality and employment polarisation in British cities”, The Work Foundation, May 2013

[6] Iona Paterson, “Suicide Rates Force City Council Debate”, The Tab, Oct 2013

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Oct 292015
 

waspsthmWith thanks to Keith Byres.

Wasps Artists Studios open their doors this weekend from noon to 5pm.

We have a range a range of events, demonstrations and tours of artists studios. In conjunction with the open weekend we are exhibiting studio work in Under the Hammer.

Wasps Artists Studios provides affordable studio space to artists throughout Scotland and has been established in Aberdeen since 1981.

Come along to to the open weekend and the exhibition and experience a flavour of the creative energy in the city.

Oct 292015
 

CLAN logo2With thanks to Phil Moar, AccountManager, Citrus Mix.

A unique wellbeing event which aims to shine a spotlight on some of the services available for those affected by cancer in the north-east of Scotland is to be held in Stonehaven next month.

Hosted by CLAN Cancer Support, the event will take place on Friday, November 6, from 1pm to 3pm within Stonehaven Community Centre.

The event will welcome key speakers Cathy Clark and Alan Brookes.

Cathy is a nutritionist with CLAN Cancer Support and will share some hints and tips on how healthy eating may have a positive impact on those affected by cancer. Alan will be representing Prostate Cancer UK and will speak about his own experience with the illness alongside sharing guidance on the help, support and advice he received.

As well as the guest talkers, the Kincardine and Mearns Citizen Advice Bureau will be present with help and advice for those affected by cancer and experiencing financial worries. The bureau’s energy advisor will also be present at the event.

Social care charity VSA will be represented throughout the afternoon, with its carers support team available for those looking for information on the help the charity provides to carers and family members who are supporting an individual through a cancer diagnosis.

Various taster sessions for a number of CLAN’s complementary therapies will also be held, with qi-gong and relaxation techniques on offer. Guidance on how these may be able to support an individual will also be made available.

Gemma Powell, Aberdeenshire area services co-ordinator, said:

“The premise of CLAN’s wellbeing events is to give attendees an insight into a number of services that CLAN can provide alongside those of some of our partner charities and organisations that we regularly work with.

“The upcoming wellbeing event in Stonehaven will give those affected by cancer from the Mearns area a range of different guidance and advice on a variety of subjects. We’re also thrilled to welcome along both Cathy and Alan, along with the Kincardine and Mearns Citizen Advice Bureau and VSA for what I’m sure will be an informative and valuable afternoon.”

Those interested in attending and would like more information or to book a place in one of the taster sessions are asked to contact CLAN in Stonehaven on 01569 762398.

CLAN Cancer Support is an independent charity which provides comfort support and information, free of charge, for anyone, of any age, affected by any type of cancer. CLAN aims to support people to reduce anxiety, stress and to increase their ability to cope with the effects of a serious illness.

Based in Aberdeen, the charity covers the whole of north-east Scotland, Moray, Orkney and Shetland. CLAN has a presence in Ballater, Banchory, Elgin, Inverurie, Fraserburgh, Lossiemouth, Peterhead, Stonehaven, Turriff, Kirkwall and Lerwick.

For further information about CLAN Cancer Support please call (01224) 647 000 or visit www.clanhouse.org

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Oct 292015
 

A north-east charity is aiming to ensure that hundreds of local children living in poverty are warm on their walk to school this winter. With thanks to Ian McLaren, PR account manager, Innes Associates.

CashforkidsCash for Kids has launched its annual Coats for Kids appeal in order to fulfil an anticipated 600 applications for children’s winter clothing vouchers.

In order to meet the expected demand, the Aberdeen-based charity needs to raise over £30,000 to fund the purchase of a warm winter coat, a pair of winter boots and a scarf, hat and gloves for every child to keep the winter chill away.

This is the third consecutive year in which Cash for Kids has organised the Coats for Kids appeal. 

The appeal was initially launched after the charity received a significant number of applications in its quarterly grant funding programme from families requesting funding to purchase winter clothing for their children.

Cash for Kids, which supports sick, disabled and disadvantaged children and young people under the age of 18 living in Aberdeen and Aberdeenshire, works with support workers, social workers and community groups to identify those children who are in need of new winter clothing.

The charity has struck a deal with a leading retailer to provide vouchers to the families in need. These vouchers can then be redeemed against the purchase of children’s winter wear.

Michelle Ferguson, charity manager, said:

“Winter is a time when family finances can become very stretched. There are an estimated 12,000 children in north-east Scotland living in poverty and some of their parents cannot afford to purchase warm winter clothing for their children. There are obvious health reasons why youngsters should be cosy when walking to school or playing outside in winter.

“In 2014, we were inundated with applications and expect similar high demand this year. We received an incredible response last year with a large number of public and corporate donations which enabled us to fulfil all applications. To do the same again this year would be tremendous, meaning that all of the children in north-east Scotland who may not otherwise be kitted out in warm winter clothing are ready for whatever winter can throw at them.”

In addition to running specific appeals, Cash for Kids provides quarterly grant funding to support sick, disabled and disadvantaged children and young people under the age of 18 throughout Aberdeen and Aberdeenshire. Funding is distributed at the end of January, April, July and October every year and is available to individuals, families and community groups. All applications must be endorsed by a third party, such as a social worker or health visitor.

Any individuals, organisations or businesses that wish to support this year’s Coats for Kids appeal should contact Michelle Ferguson on 01224 337010 or michelle.ferguson@northsound.co.uk, or visit www.northsound1.com/coats.

Cash for Kids is Northsound Radio’s listeners’ charity. It makes grants to individuals, families, children’s groups, organisations and projects throughout the Northsound transmission area. All money is raised locally and spent locally to benefit local disabled and disadvantaged children and young people under 18. More information on Cash for Kids can be found at www.northsound1.com/cashforkids, or telephone 01224 337010.

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Oct 292015
 

Spy thriller Spectre is Daniel Craig’s fourth outing as James Bond. It’s not as good as the previous Skyfall, though even that wasn’t particularly remarkable. Aberdeen Voice’s Andrew Watson watched the most expensive Bond movie yet in its second day in cinemas.

vuepicThere were just over a dozen people at Vue on Aberdeen’s Shiprow during the Tuesday morning showing, which was probably good given that most people were at work at that time of day.
Casting-wise the composition of its starring actors is interesting. Much time was spent placing the voice of main antagonist Ernst Stavro Blofeld.

Indeed Christoph Waltz is best known by many as Jamie Foxx’s sidekick in Django Unchained

He’s very soft spoken like Bond’s previous adversary, Skyfall’s Raoul Silva (Javier Bardem).

Anyway, the film primarily revolves around Bond and his main love interest Dr Madeleine Swann, played by Léa Seydoux. She’s the daughter of a man with serious links to a shadowy organisation called Spectre.

Basically Bond starts the film following the death wish of M (Judie Dench). Her assignment from beyond the grave lands him in some serious trouble. It turns out that new management at MI6 wants to steamroll the ‘00’ project, and 007’s transgression justifying this process.

He goes rogue anyway, and tracks down Swann’s father. Upon revealing his daughter’s location, someone to help Bond in M’s search for answers, he urges him to protect her before killing himself.

This is amidst the new setup of the British intelligence services, soon to turn global, warring with the old guard like the current M (Ralph Fiennes). The latter is, of course, in favour of the ‘00’ project.

When Bond seems certain to die, inextricable links are made between himself and Blofeld. The revelation concerning Bond’s childhood almost makes enduring some of the film’s less watchable moments worthwhile just for this alone. Of course, looking back it was Bond’s upbringing that made Skyfall intriguing.

However, barely a couple minutes of key dialogue within a film clocking almost two and a half hours is a lot to ask. Highbrow types maybe wouldn’t have the patience.

The fascinating detail revealed is seemingly the one of few things of substance revealed in the duration; the rest just cars, combat and explosions. The whole “Bond, James Bond” routine early on in the film in this particular outing is meant to be brooding and sexy, but just comes off as corny.

Yes, despite how more serious Bond has become in the Craig-era there are, thankfully you suppose, some lights moments; the third ‘c’, comedy.

Overall it’s typical of most Bond films that have preceded it: spy thriller slightly more intelligent than your average exploding action film. Shaking, but not too stirring.

Oct 292015
 

Pumpkin2With thanks to Eoin Smith, Senior Account Executive, Tricker PR.

Calling all wannabe Ghostbusters: are you brave enough to spend Halloween in a haunted hotel?
Guests at The Caledonian Hotel in Aberdeen are amongst the bravest of the brave, as the building is thought to be the home of a ghostly presence that walks the corridors.

Legend has it that the ghost of Mary Littlejohn, a much-revered restaurant manager from the hotel’s dim and distant past, has been spotted in the hallways of the hotel, which opened on Union Terrace Gardens in the Granite City in 1892.

Hotel staff are more than willing to share their stories of ghostly goings on – and can even point guests intrigued by the paranormal to the spots where they are most likely to encounter some paranormal activity.

Babs Dawson, a member of the housekeeping staff for over 19 years, is the hotel’s unofficial ghost expert.

She says,

“I am one of the longest serving members of staff at The Caledonian, and as long as I have been here there have been whispers of a ghost.

“Everyone who works in the basement office has experienced a supernatural presence. When people are working alone down there, they often hear footsteps in the corridor but when they go to check who it is… no-one is ever there.

“Some members of staff have also mentioned that there is a cool spot on the right hand side of the fourth floor corridor – we think this might have been where Mary lived while working in the hotel.

“The hotel has been open for over 100 years, and I really do believe that there could be an otherworldly presence here. I think even after all these years, Mary is still checking in on us to make sure the hotel is running smoothly!

“Some guests are intrigued and actually want to see the spirit, but I can assure those who have no desire to come face to face with her that she has never been mischievous. She seems to want to ensure our guests have a restful and relaxing stay, just like the rest of us.”

The Caledonian isn’t the only haunted location in Aberdeen city centre, and there are dozens of other spectres that will delight – and terrify – fans of TV shows like Most Haunted.

His Majesty’s Theatre – just a few hundred yards from the hotel – is said to be haunted by not one but two spooks. The most famous is Jake, the spirit of a stagehand who died in a tragic rigging accident during a circus performance at the time of World War II.

Many actors and crew have reported unusual goings-on during performances, with disembodied footsteps heard backstage and props and tools mysteriously vanishing without a trace. There are also rumours of a Grey Lady, who has been spotted gliding through the foyer.

There are other paranormal hotspots close to the hotel too. Halloween ghost hunters might spot the ghost of Friar Charles Gordon – affectionately known as Priest Gordon – near the Castlegate. After 50 years’ service at St Peter’s Chapel, Gordon died in 1855 and was so loved by the city that the citizens lined the streets for his funeral.

They might also catch a glimpse of the ghoulish monks that haunt the historic Green marketplace, or the pale apparition of a dark haired woman dressed in white that hovers in St Nicholas Kirkyard.

And The Caledonian Hotel is not the only member of The Hotel Collection in Aberdeen to house a ghostly presence. Anne McIntosh, duty manager at The Aberdeen Skyway Hotel, has come face to face with one spectre in the dead of night.

Anne says,

“When you’re working the nightshift, you often feel like there’s a presence there with you – but I think that’s part and parcel of working alone at night. There was one time, though, about five years ago that I saw something I really can’t explain.

“I was working on my own at the reception. I left for a second to look at the security monitors and noticed that there was a woman sitting on a seat next to the reception. I went through to speak to her, but she had disappeared. When I went back through to look at the monitors again, she was still sitting there.

“As far as I know, no-one before or since has seen the ghost – but it was pretty terrifying at the time!”

For those looking to jump into their Mystery Machine and head to Aberdeen for a spooky break, rooms at The Caledonian Hotel are available on Halloween from £67.15 per room (based on double occupancy, bed & breakfast). Rooms at The Aberdeen Skyway Hotel are available from £58.65 (based on double occupancy, bed & breakfast).

The Caledonian Hotel and The Aberdeen Skyway Hotel are part of The Hotel Collection, which has one other venue in the city – The Aberdeen Altens Hotel. There are 446 bedrooms across the three venues, and each has conferencing and banqueting facilities. The Aberdeen Altens Hotel also has a health and leisure club. Further information is available at www.thehotelcollection.co.uk/aberdeen

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[Aberdeen Voice accepts and welcomes contributions from all sides/angles pertaining to any issue. Views and opinions expressed in any article are entirely those of the writer/contributor, and inclusion in our publication does not constitute support or endorsement of these by Aberdeen Voice as an organisation or any of its team members.]

Oct 292015
 

Emma Rice has taken the Daphne Du Maurier 1938 bestseller out of the box, shaken it about a bit and injected a good measure of humour. Does it work? Duncan Harley reviews Rebecca at HM Theatre, Aberdeen.

Lizzie Winkler as Bea and Andy Williams as Giles in REBECCA photo by Steve Tanner

Lizzie Winkler as Bea and Andy Williams as Giles in REBECCA photo by Steve Tanner.

Billed as a study in jealousy, and described by Du Maurier as “a sinister … psychological and rather macabre … tale about a woman who marries a widower”, the story is indeed a dark one.

Following the mysterious death of Rebecca, his first wife, Maxim de Winter returns to his Manderley estate in Cornwall with a new bride, Mrs de Winter.

From the outset, all is not as it seems and the new mistress of the house sets out to uncover the secrets of the past.

Along the way she must stand up to the sinister housekeeper Mrs Danvers, assert her new-found authority and finally enable her new husband to come to terms with the unburied memories which desperately haunt him.

Says Rice:

“Rebecca challenges us from the grave with her lack of care for society’s rules … I celebrate all of the wonderful female characters … from the passionate and loyal Mrs Danvers to the new Mrs de Winter, who wakes from her fairy tale slumber in front of our very eyes.”

Gender roles are to the fore in this adaptation. Men are men, and get up to man-like things such as drinking and womanising. Women are women and get up to dressing up and organising things. The exception to the rule is the unseen but omnipresent and very dead Rebecca de Winter, a manipulative sexual predator, incapable of love and intent only on satisfying her own pleasure.

Traditionally Rebecca is a morbidly dark tale but Emma Rice has lightened the story line somewhat. Sea shanties, performed by a sou’wester clad troop of jolly Cornish sailor men, lighten up the darkly intense mood and a Warhorse style puppet-dog sticks his nose into groins everywhere. There are episodes of knockabout and slapstick and at one point Jack – Rebecca’s cousin and ex-lover – attempts the great double-flickaroo’ cigarette trick.

Perhaps the most unlikely comedy turn comes via Katy Owen. Alongside playing the anguished harbour-side waif Ben, she plays Robert – the young Welsh house-boy. In a series of rollickingly hilarious skits Katy literally has the theatre audience in stitches.

Imogen Sage as Mrs de Winter, and Emily Raymond as the creepy Mrs Danvers, excel and LeslieTravers’ stage set is a triumph. Doubling both as decaying stately home and stormy quayside, the set appropriately suggests a place where nothing is as it seems. Rebecca’s wrecked boat becomes the wine cellar; the parlour effortlessly morphs into a boathouse and later a storm-swept harbour mouth.

If criticism were due, it would be on the grounds of a slightly hurried second half. The plot involves a lot of soul-searching and problem-solving, and at times the action moves perceptibly too fast for those unfamiliar with the storyline to follow. The notion of a Judge Jeffries style coastguard, played by Andy Williams, was also hard to swallow. But in them far off days in Cornwall, perhaps the local Coastguard did indeed double as hangman.

All in all though, the production works wonderfully well and the entire cast gave a polished and thoroughly professional performance.

After the final curtain call and as we all made our way down to the exits, a fellow theatre-goer was heard to remark:

“I wonder what Daphne would have made of it all?”

Her companion whispered:

“I think she would have approved wholeheartedly.”

Adapted and Directed by Emma Rice – Rebecca plays at HM Theatre Aberdeen until Saturday 31st October

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley, Images © Steve Tanner