Mar 152022
 

Craig Chisholm reviews ‘Nouvelle Vague’ – Lemon Tree, 4th March 2022.

The girl singer covering a rock song in more downbeat, acoustic or similar fashion has become a tired trope over the last few years in the pop landscape.

From Birdy releasing a whole album of whispery covers to the Hawaiian singer Malia J sound-tracking the trailer to Marvel’s ‘Black Widow’ with Nirvana’s ‘Smells Like Teen Spirit’, the style has become mainstream, familiar and, unfortunately, a bit stale.

However, one band are the original and the best in the genre and bring more to re-interpreted cover versions than a lot of others – a swipe of Parisian cool, a knowledge that they were the original trendsetters and a simple, joyous fun to their live show.

Starting off with both singers deep in the Lemon Tree audience, lit only by a single torch directed from the stage, the band start the show in atmospheric fashion with New Romantic electro classic ‘Fade to Grey’, originally by Visage.

What follows is a peerless 90-minute show that takes in an inspired selection of songs by acts as diverse as Yazoo (‘Don’t Go’), The Cramps (‘Human Fly’), XTC (‘Making Plans for Nigel’) and The Clash (‘Guns of Brixton’) among others.

At their best, Nouvelle Vague subverts and twist the original narratives of the songs and add new meaning and added depth to them.
The masculine toxicity lampooned in Dead Kennedys punk classic ‘Too Drunk to Fuck’ is retooled for the modern era and raises issues of consent when sang by a woman. Joy Division’s ‘Love Will Tear Us Apart’ allows us to see the other perspective of a break down in a relationship, far removed from the original male narrator’s perspective. 

It’s moments like those that make you stop and think, to re-analyse the song and the song writer – what is the meaning of Generation X’s ‘Dancing with Myself’ when sang by a woman? What does a female perspective bring to The Undertones ‘Teenage Kicks’?

All valid questions and the punters will all have their own opinions or ideas if they stopped to consider the song in question. However, it’s also a Friday and time to unwind – and The Specials ‘Friday Night, Saturday Morning’ is an appropriate choice, with its tales of drunken abandon and living for the moment.

The range of musical styles in their interpretations also adds to the occasion – whilst they are steeped in the Nouvelle Vague’s original Bossa Nova style, they’re not scared to let go with wild disco abandon or an introspective acoustic led style.

Entertainment is ultimately the name of the game and theatrical flourishes such as synchronised movement by the singers, a toast with a glass of wine before ‘Too Drunk to Fuck’ and a spirited kazoo solo during ‘Human Fly’ make a good show.

The band close their set with Modern English’s ‘I Melt Into You’, an appropriate and timely song with current events in Ukraine, which was written originally under the fear of nuclear war and depicting a couple making love as the bomb drops.

But such weighty topics are no excuse to not party and have a good time – and Nouvelle Vague easily provide that and leave a Friday night crowd in Aberdeen more than happy to carry on socialising into Saturday morning.

Setlist:
Fade to Grey (Visage cover)
Blue Monday (New Order cover)
Dancing With Myself (Generation X cover)
Ever Fallen in Love (With Someone You Shouldn’t’ve) (Buzzcocks cover)
Making Plans for Nigel (XTC cover)
Too Drunk to Fuck (Dead Kennedys cover)
Teenage Kicks (The Undertones cover)
Human Fly (The Cramps cover)
All My Colours (Zimbo) (Echo & the Bunnymen cover)
The Guns of Brixton (The Clash cover)
Enola Gay (Orchestral Manoeuvres in the Dark cover)
Road to Nowhere (Talking Heads cover)
Just Can’t Get Enough (Depeche Mode cover)
Heaven (The Psychedelic Furs cover)
Bela Lugosi’s Dead (Bauhaus cover)
Friday Night, Saturday Morning (The Specials cover)
Love Will Tear Us Apart (Joy Division cover)

Encore:
Don’t Go (Yazoo cover)
In a Manner of Speaking (Tuxedomoon cover)
I Melt With You (Modern English cover)

Mar 152022
 
New 3 screen cinema boasts ‘Costing the Earth’ Fest over March Weekend. With thanks to Suzanne Kelly.
 

A trio of critically acclaimed films are to unspool on the big screen at Montrose’s new community run £3.5m cinema later this weekend, as the town boasts its first ever film festival with live Q&As.

The festival kicks off with a tenth anniversary screening of the multi-award-winning documentary ‘You’ve Been Trumped’ on Friday March 18.

Aberdeenshire residents who stood up to Donald Trump’s bullying over his luxury golf resort plans will join director Anthony Baxter (pictured) for audience questions after the film.
 
Also at the ‘Costing the Earth’ screening will be Aberdeenshire Councillor Martin Ford – the politician whose casting vote derailed Mr Trump’s golf resort the first time around – and artist David McCue whose paintings of key characters caught up in the drama, won praise from around the world.
 
The £10 ticket price includes a drink with the director and other guests in the cinema’s new community room – from 6.45pm, with the film starting at 7.30pm.
 
On Saturday March 19 the event, which is part of Scotland’s climate festival, continues with a special screening of BAFTA winning Bill Forsyth’s iconic Local Hero’ in Montrose at 7.30pm.
 
The film, which stars the legendary actor Burt Lancaster, is about an American oil company representative sent to the fictional village of Ferness on the west coast of Scotland to purchase the town and surrounding property for his company.  A Q&A following the film, will also include special guests.
 
Finally, on Sunday March 20 at 3.30pm, ‘A Dangerous Game’ will screen – the 2014 follow up to You’ve Been Trumped.  Residents from Aberdeenshire will again join for a Q&A following the screening, with the £10 ticket price also including tea and cake.
 
Filmmaker and Montrose Playhouse Patron Anthony Baxter added:
 
“It’s wonderful for Montrose to be hosting our first ever film festival.  And it’s an honour to be welcoming residents of the Menie Estate who stood up to Trump to our town – 10 years after the release of You’ve Been Trumped.
 
“All of these films, in their own way, highlight the cost to the planet, if we allow money and power to override environmental concerns.”
 
Tickets can be booked online for all the screenings at this link.
Oct 082021
 

With thanks to Craig Chisholm.

The Quireboys finally make it to Aberdeen after rescheduling due to Covid restrictions.

They will be appearing at The Lemon Tree on Friday, Oct 15, and will be performing their landmark album “A Little Bit Of What You Fancy”.

To celebrate the 30th Anniversary of that iconic debut album the Quireboys recently released a re-recorded version with their distinctive gypsy rock and roll sound.

“A Bit of What You Fancy is where it all began for the Quireboys,” says the band’s frontman Spike.

“It was an incredible album that launched our career. However, the way we sound and play now doesn’t do it justice. Henceforth, it has been a pleasure updating it to our modern-day gypsy rock and roll sound. I’m sure everyone will enjoy this new version in all its glory, marking its 30th Anniversary.”

The Quireboys have always remained true to their roots from the start. The boy’s mission is simply to keep the spirit of good time rock ‘n’ roll alive and kicking into the 21st century.

The 30th Anniversary Edition of “A Bit Of What You Fancy” can be pre-ordered from www.offyerrocka.com/product- category/artists/the-quireboys

Troy Redfern and his three-piece band will support The Quireboys at all shows.

Hailed as Britain’s King of Slide Guitar, Hereford-based singer songwriter, Troy will perform songs from his critically acclaimed new album “The Fire Cosmic” which features the single “Ghosts” that was playlisted on Planet Rock and many other radio stations.

Says Music News.com:

“Troy Redfern is one of the country’s best players and writers and the album is a blast from start to finish.”

Taking up the guitar as a teen, Troy quickly absorbed his musical influences of the early blues pioneers and the energy of the 70’s and 80’s rock icons. The turning point came when he discovered open tunings and slide guitar.

“I immediately felt like I’d come home the moment I put a bottleneck on my finger and started playing slide, it instantly felt completely natural to me. This style of playing helped me find my true voice on the instrument”

The last few years has seen Troy shift into creative overdrive releasing five full length albums in 2020 alone, all receiving worldwide airplay and overwhelmingly positive reviews from the international press, “Island” and “Thunder Moon” both receiving multiple 5-star reviews.

Tickets are available in person at Aberdeen Box or online at https://www.aberdeenperformingarts.com/whats-on/the-quireboys/

Oct 062021
 

By Craig Chisholm.

True North continued to cement its reputation as one of Aberdeen’s musical highlights of the year with another excellent event that showcased an eclectic and varied bill of excellent music.

After taking a brief hiatus from crowds last year – the event was online instead – it was encouraging to see people back in the Music Hall, Lemon Tree and numerous smaller venues and enjoying live music once more.

The number of events is slightly stripped back this with less late-night shows and no shows at The Tivoli Theatre but what was missing in quantity was more than made up in quality.

The Lemon Tree is the venue for the opening Thursday night event – a triple bill featuring Lavender Lane, Edinburgh’s Swim School and the indie pop of headliners Peaness. Providing the perfect start to usher in the weekend.

Friday night provides an even more varied bill. Opening musical proceedings is Aberdonian Katie Mackie.

Sat behind a keyboard she provides a short set of soaring baroque, chamber-pop that features a cover of Steely Dan’s ‘Dirty Work’.

Scottish / Kenyan multi-instrumentalist and poet Beldina Odenyo performs under the moniker Heir of the Cursed. Tonight, she plucks on heavily reverbed guitar and her operatic, hypnotic voice is soothing, expansive, and ethereal.

Despite a light-hearted between song gripe about the cost of salad in Aberdeen, her set is calm and transgressive, taking the crowd to a higher spiritual and musical space.

Singer-songwriter Ayanna Witter-Johnson is another rare talent.

Opening – rather boldly – with a dance, she picks up the more familiar cello for the remainder of her set.

Using a loop pedal she sounds like an entire band as opposed to one woman and an instrument.

Despite an unexpected power cut, Witter-Johnson delivers a strong, inspiring set that uplifts the audience.

Saturday night is the first of the Music Hall gigs.

Opening act Rachel Sermanni plays an intimate, minimalistic set. She somehow manages to make the cavernous Music Hall seem small and cosy, drawing the crowd into her private space.

A unique Scottish talent, she returns to The Lemon Tree in December.

Headliner John Grant is magnificent.
He cuts quite an imposing figure on stage – a large, hirsute bear of a man – but his voice is soothing but powerful.

Alternating between piano led torch songs and disco influenced bangers, he runs through a 100-minute set of dark humour, heartfelt confessionals, and unbridled joy. A stunning performance well deserving of the standing ovation at the end.

For those still looking to party into the night then the Lemon Tree is the place to be. Local rapper Ransom FA headlines an evening of beats, breaks and raps with support from DJ Home Alone, Bemz and Sean Focus.

Sunday night at True North is the traditional tribute night, curated and performed by a star performer.

This year, the performer is the talented Grammy Winner Corinne Bailey-Rae, and the subject of the tribute is the mercurial Stevie Wonder.

Looking radiant in a sparkly gold sequined dress, Bailey-Rae is every inch the superstar.

But this is not about her tonight, and she happily gives over the spotlight to guest vocalists such as Paix, Angus Munro, Jalen N’Gona and Little Acres.

And each more than hold their own and breathe new life in the songs of Stevie Wonder. The hits are all there – ‘Signed, Sealed, Delivered’ and ‘Don’t You Worry About Thing’ by Bailey-Rae are particular highlights – but there’s also plenty of deep cuts, forgotten classics and album tracks to keep the die hard Wonder fans happy.

The night – and the weekend – is brought down with a rousing, run through of Wonder’s classic ‘Superstition’ that has the crowd on their feet, hungry for more and ecstatic at the collective feeling of joy.

Yet again, True North has proved to be a success and a jewel in the crown of the Aberdeen Music Scene.

With next to no concerts in the last 18 months, it’s been a cathartic and joyful event, a light at the end of a very long, very dark tunnel and credit is due to the organisers, the venues, and the performers for pulling it all together in such a short, potentially unpredictable time.

Here’s to True North 2022, long may it continue!

Oct 062021
 

Glasgow’s The Ninth Wave  release new single “Piece and Pound Coins”, a new taster of their next full length body of work, due 2022. By Craig Chisholm.

A compelling piece, “Piece and Pound Coins” was produced by the band themselves and mixed by Max Heyes (Massive Attack, Doves, Lucia & The Best Boys, Primal Scream). Amidst a distinctly chilling atmosphere, rolling piano lines weave their way through chugging percussion with the track standing as a stark examination of grief and loss.

Speaking on the release of “Piece and Pound Coins”, singer Haydn Park-Patterson said: 

“I wrote this song about a friend who passed away a number of years ago. I’ve never really felt like I wanted to/could write about him for a number of reasons, but I guess the main one was because that for a long time, I wouldn’t have known what to write.

“Writing about death is a world away from writing about heartache/love/friendships because there’s nobody to listen to the song and wonder “is that about me?”.

“It’s a strange feeling, to write a song about someone that you know can’t ever hear it. The song also touches on the thought of wondering what he’d be up to now, 5 years on in his life, and how weird a thought it is that we’ve all continued on with our lives but his had a start and end point, and that’s it. No more memories to be made.

“The song also lets out a bit of confused anger that I felt not long after he passed, as I watched how a few people reacted to his death and the way in which they talked about it. That’s the meaning behind the line ‘death makes some people sad and some people ugly / and some people took your name for their own sake’.

“I like to think that he’d like the song, as he was one of the most supportive and positive-minded people I’ve ever had the pleasure of knowing.”

The track has been released alongside a stunning video directed by Rianne White. She commented: 

“I feel completely in awe of this song and Haydn’s ability to frame such an immense feeling. Embraced by the catharsis of nature, the heights of grief and identity are expressed through a journey of Haydn’s internal growth accompanied by a symbolically poignant lone wolf.

I like to think of Hayden and the wolf as one, both finding their way back to their truest states of being with wild untamed hearts of companionship and eternal loyalty. “

The new single arrives off the back of the band’s recent singles ‘Everything Will Be Fine’ and ‘Maybe You Didn’t Know’; their Faris Badwan (The Horrors)-produced EP ‘Happy Days!’ (2020) and their AIM Award and Scottish Album of the Year-nominated debut album Infancy (2019).

Constantly developing and pushing their sound into exciting new territory, sonically The Ninth Wave are challenging expectations and preconceptions of their music with this new material.

Leaning toward influence from contemporaries such as Massive Attack, Young Fathers, Mount Kimbie and Portishead – the quartet assuredly retain their own distinct songwriting craft and approach.

Lyrically the new material also promises to be more upfront than ever before.

Celebrating honesty and real life, The Ninth Wave want their listeners to find comfort in their music. They want their fans to feel safe; to be confident in who they are, and to know they’re not alone with their feelings and anxieties.

“It’s a cathartic thing for both us and the listeners; we want to help with normalising being emotional and finding comfort within your stadness”, the band went on to say.

The Ninth Wave are widely praised across the board from The Guardian to Wonderland Magazine, NME, Dork Magazine, DIY Magazine and more – with radio support from BBC Radio 1 (Jack Saunders, Huw Stephens, Phil Taggart and Abbie McCarthy), BBC 6 Music (Steve Lamacq), and Radio X (John Kennedy).

Elsewhere the band’s music has been remixed by The Horrors, Dream Wife, The Twilight Sad, Mogwai, Low Spirits and Working Mens Club, along with tours and shows with Editors, Pussy Riot, CHVRCHES, Franz Ferdinand, Suede, The Magic Gang, Yonaka, and The Blinders.

The band play a date at Aberdeen Tunnels on 19th October.

Tickets are available here.

Band Website – https://theninthwave.online

Watch, “Piece and Pound Coins”: https://youtu.be/Sods9jZatuw

Stream, “Piece and Pound Coins”: https://theninthwave.lnk.to/PAPC

Sep 172021
 

Ayanna Witter-Johnson

By Craig Chisholm.

Aberdeen Performing Arts’ award-winning music festival, True North will return from 23-26 September for a weekend of live music and free events, boasting an inspirational and vibrant line up of shows and Fringe events at venues across the city.

True North will be based around the theme of Rise Up, celebrating freedom of expression, diversity and community as we prepare to re-open and welcome back audiences to the Music Hall, Lemon Tree and His Majesty’s Theatre for the first time since March 2020.

American singer songwriter and former Czars frontman John Grant will headline True North at the Music Hall on the Saturday evening.

John Grant

Described as ‘the misfit’s misfit’, Grant is too weird to be mainstream, too mainstream to be weird; too sad to be happy, too sharp not to crack a mordant joke about it.

The dolorous ace in his song-writing pack is to gauge impressionistic childhood experiences against their amplified adult consequences.

Rachel Sermanni

He will be supported by acclaimed Scottish performer Rachel Sermanni.

Grammy and MOBO award-winning star Corinne Bailey Rae will close the festival on Sunday with a specially curated concert at the Music Hall called “A Celebration of Stevie Wonder by Corinne Bailey Rae.”

The evening will see Corinne joined by special guests to perform the many legendary hits from the catalogue of Stevie Wonder songs in what promises to be an extraordinary evening of music.

.

With previous True North curated concerts celebrating the music of Neil Young, David Bowie and Kate Bush among others, this concert at True North has become a highlight of the festival and a firm favourite among audiences.

Headlining on Friday night at the Lemon Tree with a Night of New Voices is the soulful, eclectic Ayanna Witter-Johnson.  A singer, songwriter, cellist, composer, producer and arranger with phenomenal musical prowess, mesmerising vocals, uncompromising lyrics and mastery of the cello. Ayanna unapologetically imprints her unique musical signature into her music.  

Heir of the Cursed, Robyn Davidson and DJ Rebecca Vasmant complete the line-up.

Ransom FA

Aberdonian grime rapper Ransom FA will head up late night at the Lemon Tree on Saturday.  The fast-rising artist, was a contestant on the UK TV show, The Rap Game, where he battled other budding rappers for a record deal.  

Prior to the Rap Game, Ransom had already shared the stage with many of the biggest UK rappers, such as Skepta, Wiley, Mist, M Huncho to name only a few. He will be joined by Chef, Sean Focus and DJ HomeAlone.

Playing on Thursday 23 September and kicking off True North 2021 will be Peaness, who will be bringing their catchy, fuzzy, harmony-driven indie-pop songs about love, friendship, frustrations, Brexit and food waste to the Lemon Tree.

Formed in 2014 in Chester university digs, the trio have secured nationwide and international shows with bands such as The Beths, Kero Kero Bonito, The Cribs, We Are Scientists, The Big Moon and Dream Wife. They will be joined at the Lemon Tree by Swim School and Lavender Lane.

A spoken word event specially commissioned by Aberdeen Performing Arts and headed up by award winning poet and three-time slam champion Jo Gilbert will focus on the festival’s theme of Rise Up.

Four local spoken word artists will produce new work based around this theme and showcase their work at the Lemon Tree on Sunday in an event which promises to challenge and inspire in equal measure.

Fringe events are planned to take place in venues across the city over True North weekend and details will be announced shortly.

Ben Torrie, Aberdeen Performing Arts’ Director of Programming and Creative Projects said:

“We are thrilled to announce the lineup for True North 2021, which feels like a huge step in the return of live performance at our venues. It feels really good to be able to bring the festival to a live audience once again.

“It means a lot to us to be able to put this on for people in Aberdeen, and to shine a spotlight on so many talented performers and musicians is a privilege that has never been so important.

“The theme of this year’s festival is Rise Up. It’s a positive message about rising up to bring people together, marking the re-opening of our venues, and celebrating the power of music to help us stand up for the things we believe in. We could not be prouder of this festival at this time.”

Tickets for all True North events are available from www.aberdeenperformingarts.com

 

Sep 072021
 

By Craig Chisholm.

After a COVID induced hiatus, live music is finally making a return to the Granite City and one of the first major events to happen will be a gig by veteran Scottish indie legends Teenage Fanclub at the city’s iconic Beach Ballroom.

Touring in support of recent acclaimed album ‘Endless Arcade’ – their 12th studio album – the iconic band will undertake an extensive UK & Irish tour that includes dates in Edinburgh, a sold-out Glasgow Barrowlands and, of course, Aberdeen.

The band are no strangers to Aberdeen having played some of the city’s most famous venues including the Lemon Tree, Moshulu, Music Hall & AECC. They actually played the Beach Ballroom in one of their earliest gigs in Aberdeen, supporting Primal Scream way back in 1989.

Teenage Fanclub play the Beach Ballroom on Wed, 15th September. Support provided by Poster Paints’.

Tickets to the Beach Ballroom are available on Ticketmaster now.

Jan 102021
 

With thanks to David Forbes.

Saltire Awards Achiever Volunteer, Lucas Mackenzie, 13, from Tillydrone, Aberdeen is fundraising for Local voluntary led charity Future Choices, but isn’t asking for your donations directly.

He’s launched an online shopping fundraising effort which enables members of the public to help Future Choices’ users by simply shopping as they normally would after registering with shopping websites Easyfundraising and Amazon Smile

Once registered,  members simply do their normal shopping and a small percentage is then donated to the charity by the retailer – not the customer.

Lucas stated:

“To be fundraising in this way is really good as it actually raises money without the buyer giving any extra. So it’s a win-win all round.”

So far Lucas has raised around £26. He has produced an information film which can be watched on the following link; https://youtu.be/DmIHu_vf0ZM

David Forbes, chairman of Future Choices and Lucas’s mentor added:

“To have Lucas leading this unique fundraiser is these most challenging times shows real determination to still help and support the most vulnerable.”

There is a Facebook page so that the public can keep up to date with the ongoing project.
https://www.facebook.com/ShoppingFundraiser/

May 152020
 

With thanks to Alec Westwood.

A new series exploring true stories from Aberdeen’s mysterious and murky past has been launched.
Delivered as a podcast, ‘Darkside Of The Deen’ is presented by Aberdonian actor Alec Westwood.

Following on from playing Sgt Howie in the audio drama sequel to The Wickerman, Alec set up a home studio and began working remotely with writers and producers Richard Skinner (Turriff) and Cliff Hughes (Peterhead).

Known for his role Folly the Jester in cult childrens’ TV show Knightmare, Davy Reins in the BBC’s Roughnecks and portraying Robert Louis Stevenson on Radio 4’s Great Lives,  Alec also enlisted help from a number of fellow local actors and musician/Inverurie Postmaster, Rory Will to bring dark stories from Aberdeen’s past to life.

In the show Alec presents a different true story from the shadier parts of Aberdeen’s history in each new episode, from bubonic plague, to bodysnatching, all the way to more recent, intriguing, true crimes.

The first episode (available now) recounts the time in 1964 when the city was hit by the biggest typhoid outbreak in modern day history.

He investigates the causes of the outbreak, the effect it had on local individuals and the lessons learned that are relevant more than ever during the current Covid-19 crisis.

There will also be special episodes that will bring strange stories from further afield in Scotland, such as the mysterious disappearance of three lighthouse keepers from the remote island of Eilean Mor in the Outer Hebrides during the festive period of 1900 – an event which inspired the 2019 Gerard Butler film The Vanishing.

Alec is enthusiastic to bring interesting stories from Aberdeen’s past to a global audience via Darkside Of The Deen.

Episode one ‘The Summer of 64’ is available now on Acast, Spotify, Apple Podcasts and Youtube.

Listen on Instagram
Listen on Youtube

Jul 222019
 

Review and photos by Craig Chisholm.

It’s the end of an era at the AECC as tonight’s gig marks the conclusion of the venue’s live music history before attention turns to the new P&J Live as the new home of large scale arena rock in Aberdeen.
Throughout the venue’s history, it has seen some genuine rock and pop legends tread the boards in the main arena.

From its debut as a live venue in 1990 – when Scottish pop stars Wet Wet Wet provided the first live entertainment – household names, legends of rock, country stars, hip hop titans, heavy metal heroes and genuine music royalty have tread the boards.

Acts as diverse and eclectic as Bob Dylan, Dolly Parton, Iron Maiden, AC/DC, Lady Gaga, Kylie, Rhianna, Kings of Leon, Motorhead, Take That, Oasis, Foo Fighters, David Bowie, Johnny Cash, Radiohead and much, much more have had memorable nights in the Bridge of Don venue.

Were you there? You should have been!

Alas, all good things must come to an end and tonight sees the final party at the venue hosted, as it began, by another Scottish act but this time in the shape of an undoubted legend – the indefatigable and evergreen Rod Stewart.

However, for tonight only, the gig is not inside the venue itself but outdoors in the adjacent car park in order to accommodate a crowd more than twice as large as could be accommodated indoors.

The concert itself has already been postponed due to the vagrancies and unpredictability of the North East weather – Wet Wet Wet would surely have been appropriate band on the original date scheduled for last month – but tonight there are no such issues with the weather remaining relatively dry and pleasant, albeit with the odd shower.

So finally, a few weeks late, the show must go on.

At the age of 74 you’d think Rod would be happy to retire to his country pad and tinkle with his legendary train set, but it seems as those days are still a long way off as he gives a sprightly and energetic performance that would shame performers half his age, if not less.

Running through a back catalogue that stretches back over six decades the sprightly rocker pulled out all the stops as he performed crowd pleaser after crowd pleaser from his formidable and extensive back catalogue and from latest album ‘Blood Red Roses’.

Setting the tone with the opening cover of Sam Cooke’s ‘Having a Party’ and his stage entrance to spectacular pyrotechnics the stage is set for a spirited romp through Rod’s eclectic back catalogue with cover versions, re-interpretations and classics such as ‘Baby Jane’, ‘Maggie May’, ‘Da Ya Think I’m Sexy?’, ‘Some Guys Have All the Luck’ and the Tom Waits penned ‘Downtown Train’.

The party mood is paused on occasion for poignant slow burners and ballads including the melancholic ‘Every Beat of My Heart’ whilst his feted reworking of Crazy Horse’s ‘I Don’t Want to Talk About It’, a song which he has long since made his own, is performed as part of a stripped back section of the show.

Costumes are changed; footballs are booted into the crowd and a good time is had by all before the night is ended with the poignant classic ‘Sailing’ and Rod leaves the ecstatic crowd in raptures with another sterling professional, performance lasting over 2 hours.

So, after nearly 30 years of gigs, the AECC ends it’s tenure as Aberdeen’s biggest music venue on a high – finishing with one of the biggest names in showbiz in front of one of the biggest crowds it has ever had.

Rod, however, will be back – he’s already announced a date at the P&J Live on Saturday December 7th for what is bound to be another sell out performance.