Apr 292016
 
Home-Start Aberdeen Mascot

Home-Start Aberdeen’s new mascot is seeking a name.

With thanks to Clare Scott.

Family support charity Home-Start Aberdeen is inviting primary children throughout the city to help name their new charity mascot.

The mascot, a full-size furry brown bear, has recently joined the Home-Start Aberdeen team and is set to enjoy a busy schedule attending its various fundraising events and activities.

Given the charity’s work with children in the city, the Home-Start Aberdeen team felt it would be fitting to offer local primary classes the chance to decide the mascot name.

The winning class will receive their own Home-Start Aberdeen teddy bear, along with a visit from the newly named mascot.

“We are all very excited about the arrival of our latest furry team member,” says Georgette Cobban, scheme manager, Home-Start Aberdeen.

“The mascot will be invaluable in terms of raising awareness of our work in the city. We want him – or her – to appeal to as many of our young people as possible. For these reasons, we thought it would be appropriate – and fun – to ask city schoolchildren to help us to decide on a name.

“Our work is all about engaging with communities. We already enjoy very positive working relationships with local schools and the competition provides an opportunity to strengthen this relationship with both our education professionals and young people.

“We hope to receive lots of entries and are looking forward to seeing what the children come up with.”

Classes who wish to enter Home-Start Aberdeen’s mascot naming competition can do so by emailing their suggested name, along with their school, class and contact details to admin@homestartaberdeen.org.uk by Friday, 20 May.

Home-Start Aberdeen is one of Scotland’s largest Home-Start schemes. The charity provides local families with emotional and practical support in their own homes, via its team of trained home visiting volunteers. Further information about Home-Start Aberdeen is available at www.homestartaberdeen.org.uk or by calling 01224 693545.

  • Comments enabled – see comments box below. Note, all comments will be moderated.

 

Apr 292016
 

A team of apprentices from Scottish fund management firm, Aberdeen Asset Management have been rewarded for their efforts in raising thousands of pounds for Scotland’s National Children’s Charity, Children 1st. With thanks to Beverley Tricker, Tricker PR.

Dragons Glen raises £150K for Children 1st Charity

(L to R) Scottish Entrepreneur Josh Littlejohn presents AAM apprentices, Constance Barelle, Maja Omorczyk, Stevie Low, Abbie Skene with their award in Edinburgh.

Five dedicated apprentices raised over £13,000 in just 6 weeks of fundraising as part of the Children 1st’s Dragons’ Glen initiative.

Dragon’s Glen is an entrepreneurial challenge for Scottish businesses which sees teams from across Scotland pitch for an investment of £500 and mentoring from a selected Dragon, who include some of Scotland’s most influential business leaders.

The team, comprising of Stevie Low, Maja Omorczyk, Abbie Skene, Constance Barelle and Phoenix Megginson received a special commendation for raising the largest amount of money in the shortest amount of time, collecting their award from Scottish entrepreneur Josh Littlejohn at a ceremony in Edinburgh on 20th April.

The Aberdeen Asset Management team reached their total of £13,527 by rolling out a number of fundraising activities in both their Aberdeen and Edinburgh offices. These included a Bonfire Night sponsored Fire Walk in Aberdeen, Office Bake Offs, Pub Quizzes, Friday Breakfast Rolls and a Team Piggybank Challenge. The funds raised by Aberdeen Asset Management, combined with the efforts of 16 other leading Scottish organisations, reached a grand total of £150,703.

Constance Barelle, one of the Aberdeen Asset Management apprentices, said:

“This whole experience has been an incredibly valuable and rewarding one for the whole team. To raise that much money in such a short space of time has been a real challenge, so we are really proud to have won this award and helped contribute to a fantastic total going to a great charity.”

The money raised will go towards supporting the work of Children 1st across Scotland. Children 1st provides practical advice and support to families in tough times and, when the worst happens, supports the survivors of abuse, neglect and other traumatic events in childhood to recover.

Lynn Brown, Apprentice Advisor at Aberdeen Asset Management, said:

“This challenge has been a great opportunity for the apprentices to work together towards a common goal.  They raised an amazing amount in such a short time and everyone in the office is very proud of their achievement”

Dragons’ Glen is a unique opportunity for companies to engage employees and support them to develop a range of skills. 92% of participants report an improvement in communication and 95% an improvement in entrepreneurship.

Barbara Kidd, Director of Fundraising for Children 1st said:

“The amount raised by Dragons’ Glen is phenomenal – enough to provide six months of support for 250 children and families who need help to overcome abuse or make homes safer for children. We could not do this work without our corporate partners.”

Since its launch in 2012, Dragons’ Glen has raised over £280,000. It continues to grow in popularity and now takes part in five cities across Scotland: Aberdeen, Dundee, Edinburgh, Glasgow and Inverness. Children 1st is now accepting entries for the 2016-17 challenge, which starts in September.

To find out more about Dragons’ Glen, please visit www.children1st.org.uk/dragons-glen

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 142016
 

small Loch Affric TFL featWith thanks to Richard Bunting, Director, Richard Bunting PR

A quarter century of volunteering conservation action in the Highlands is being marked by Trees for Life this month, with a new initiative aiming to expand Scotland’s Caledonian Forest from Glen Affric towards the west coast.
The bid to restore life to deforested parts of the famous glen comes as the award-winning charity next week marks the 25th anniversary of its acclaimed Conservation Weeks, in which volunteers from around the world carry out practical conservation action to protect Scotland’s natural environment.

Trees for Life’s Back to Our Roots appeal is seeking to raise £18,000 for a new phase of tree planting by volunteers in Glen Affric this year – extending the endangered Caledonian Forest westwards of the area planted by the charity’s first Conservation Weeks 25 years ago, and creating vital habitats for wildlife.

“Back to Our Roots is an important new phase of our work in partnership with Forest Enterprise Scotland in Glen Affric. It will extend the native woodland beyond its current stronghold in the east of the glen towards Scotland’s west coast, creating a continuous corridor of forest across this part of the Highlands,” said Alan Watson Featherstone, Trees for Life’s Founder.

“Helping a new generation of young trees to take root further west in Glen Affric will create an important addition to what is the largest extent of least disturbed forest in the country. This will provide habitats for a host of species – including some, such as the red squirrel, that have been lost from these deforested landscapes for far too long.”

The Caledonian Forest is an internationally-important forest ecosystem, providing a home for spectacular wildlife. But today the forest occupies a tiny fraction of its former extent and – decimated by centuries of exploitation and overgrazing – it consists of small and isolated fragments, mainly old trees nearing the end of their lives.

Over the past 25 years, however, Trees for Life’s volunteers have helped to plant more than one million trees at dozens of locations across the Highlands. The first of those trees – 5,800 Scots pines – were planted in Glen Affric in April 1991, including during the charity’s first ever Conservation Week, which was based at Athnamulloch bothy and began on 20 April.

Since then, through the work of Forest Enterprise Scotland and Trees for Life, a remarkable transformation has taken place in parts of Glen Affric, with a new generation of trees creating a reforested landscape – in turn offering much-needed habitat that now supports a flourishing population of plants, insects, birds and wildlife, including the rare black grouse.

Through Back to Our Roots, Trees for Life aims to build on this success story, and to help achieve its ambition to establish one million more trees by planting and natural regeneration across the Highlands by 2018.

For more information, see www.treesforlife.org.uk or call 01309 691292.

 

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 072016
 

HWDT 6; 6 - 17th September 2009With thanks to Morven Russell.

The true identity of a famous killer whale known as ‘Dopey Dick’ – who sparked widespread attention when he swam into Derry-Londonderry almost 40 years ago – has at last been identified, thanks to photographs published on social media.

The orca attracted headlines in November 1977, when he made his way up the River Foyle and into the city, apparently in pursuit of salmon, before remaining five kilometres upriver of Loch Foyle for two days.

Incredulous at the sight and confused about the whale’s behaviour, locals dubbed him ‘Dopey Dick’ – presumably after Herman Melville’s fictitious Moby Dick.

Nearly four decades later, it has been revealed that Dopey Dick is in fact the killer whale known more affectionately as Comet – a member of the highly vulnerable West Coast Community of killer whales, the United Kingdom’s only known resident population of killer whales which is at risk of imminent extinction.

Dopey Dick’s true identity was discovered when old photographs were uploaded onto a Facebook page. Killer whale expert Andy Foote and Hebridean Whale & Dolphin Trust Science Officer Dr Conor Ryan recognised the whale in the images as Comet, last recorded by the Trust off Dunvegan, Isle of Skye in September 2014.

Comet has been photographed many times in both Scotland and Ireland by researchers and members of the public, enabling scientists to track his movements.

Dr Andy Foote said:

“When I saw the photos on Facebook, I noticed that the white eye patch of Dopey Dick sloped backwards in a really distinctive fashion. This is a trait we see in all the West Coast Community whales, but it’s not that common in other killer whale populations. The photographs were all quite grainy, but it was still possible to see some of the distinctive features unique to Comet.

“I couldn’t believe it – he was already a full grown male back in 1977, when I was just five-years old!”

Hebridean Whale & Dolphin Trust Science Officer, Dr Conor Ryan said:

“Most of what we know about this precariously small and isolated population of killer whales comes from photographs submitted to us by members of the public. The population is too small to study in a targeted way, so the public has a big role to play.”

Hebridean Whale & Dolphin Trust has been documenting the West Coast Community’s behaviour since 1994. The four males and four females are not known to interact with other orca populations in the north-east Atlantic, and since studies began, have never successfully reproduced.

Earth Watch Team 7;26th August 2007 - 3rd September 2007

Comet. Copyright: HWDT, Genevieve Leaper.

Sadly in January this year, one of the females – Lulu – perished after being stranded on the Isle of Tiree.

The discovery that Dopey Dick was in fact Comet is significant because it confirms suspicions that some of the whales in the endangered West Coast Community are very old.

They have not produced any calves since records began. Fears for their survival are heightened following recent discoveries that other killer whales in the region have very high pollutant burdens that can cause toxic effects, including infertility.

Photographs are extremely valuable when researching whales and dolphins as they allow scientists to identify individuals through unique markings.

Hebridean Whale & Dolphin Trust encourages people to report their sightings using an online form available at www.hwdt.org.

Comet has a distinctive dorsal fin about 1.8 m in height, which leans to the right and has a notch near the top. Photographs confirm that he was an adult male, at least 19 years old, in 1977 – making him at least 58 years old today. The latest match was made possible thanks to the Scottish Orca Facebook page, which shares excellent images of killer whales in Scottish waters.

Sightings Officer of the Irish Whale and Dolphin Group Pádraig Whooley said:

“This match places Comet very much at the upper limits of the typical life expectancy of male killer whales. Adult males generally live to around 30 years, but with an upper range of 50-60 years. So clearly time is not only running out for this individual whale – it is equally running out for whale biologists, who may not have much time left to gather information on this unique local population of killer whales that have made the waters of the British Isles their home.”

Hebridean Whale and Dolphin Trust and the Irish Whale and Dolphin Group are charities in the west of Scotland and Ireland respectively. Both seek reports from the general public of whale, dolphin and porpoise sightings via their websites: www.hwdt.org (west of Scotland) and www.iwdg.ie (Ireland).

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Mar 312016
 

Roughly 39 years ago some bored teenagers in Surrey started making music together. They became The Members.  Their first new album in 8 years was released recently.  What’s this new album like? Suzanne Kelly reviews.

300onelawThe punk anthem ‘Sound of the Suburbs’ summed up suburbia in the seventies. ‘Working Girl’ is a USA poppy but punk cult classic.  ‘Chelsea Nightclub’ was a fun, laddish, cheery youthful drinking song with a twist of sarcasm.  But time’s moved on, and we’re preparing to celebrate 40 years since punk started.  What would the new record ‘One Law’ be like?

Am happy to say The Members have come up with a solid, varied, enjoyable studio album which is a worthy addition to their body of work. They’ve mixed elements of their own sound while time travelling through the ’50s to the present, while pounding on the door of the future of punk as well.

There are tracks that evoke 1960s guitar bands (the sound of the Kinks comes through loud and clear; sometimes very hauntingly).  There are moments when they’re channelling surf music; then the next track is reggae.

It’s a punk album from punk stalwarts – and it’s also an evolutionary step for the band – possibly for the future of a kind of punk as well.  There’s something about the overall feeling of ‘One Law’ which is some kind of new grown-up punk – but not too grown up thankfully.

It must be great to sing / play / write / be cute – but however talented or good looking you are, if you’ve nothing better to say than ‘Bitch better have my money’ or ‘There ain’t no party like an S Club party,’ what’s the point? The Members have quite a lot to say.  People might have different takes on what punk is/should be – but many hold that if it’s not got anything to say about the messed up state of affairs we’re in, it’s not really punk.  If you think that way, this album should find its way into your collection.

The current line up is JC Carroll (a host of instruments and vocals), Nigel Bennett (guitars and vocals), Nick Cash (drums) and Chris Payne (bass, vocals).  JC Carroll wrote or co-wrote all the tracks (there’s 15 on One Law), and he’s certainly not short of social critique or things worth saying. ‘Emotional Triggers’ starts the album – it also has a great video that goes with it – find it here.  If you’ve never considered how cynically we’re all being psychologically played by the media/advertising/marketing powers that be, or if you’re angered/pissed off/a bit sad when you hear The Ramones used to sell you something, or David Bowie (RIP)’s ‘Changes’ used to make you want to buy a car, Carroll’s got it covered.  The song starts with a nostalgic description of the music he grew up with, and takes us to where we are today:  “The songs that meant so much to me are adverts on the tv… we’re social networking; on YouTube we’re twerking; our iPhone are beeping, we’re constantly tweeting… emotional triggers are making us bitches.”

‘Chelsea Aggro’ is a punk song with guitar, harmony, and a beat that evokes the early 1960s. Nigel Bennett’s guitar work might well make you want to do the twist.  Or something.  It’s got the kind of laddish London feeling that ‘Chelsea Nightclub’ had – just not in a cheery way.  A cracking track.

membersFor a nice piece of political commentary, ‘Robin Hood in Reverse’ delivers a nice attack on the powers that be with vocals that are restrained but clearly quietly angry. I thought of the song when ‘Robin Hood in Reverse’ was a newspaper headline this week.

‘Apathy in the UK Part 1’ is just as apt an anthem for 2016 as ‘Sound of the Suburbs’ was in its time.  Again more great guitar work from Bennett.

Tension and stress are given a darkly humours treatment in ‘Incident at Surbiton’, a tale of rat-racing commuter 9-5 stress ending in tragedy: “I never thought my life would be like this.. I worked hard for my GCSE… don’t push me ‘cause I’m way too close to the edge.”

“It really is a shame to live your life like a machine.”  You can easily picture the scene at the train station Carroll’s painted.  Nice syncopation too.

A further video is out for ‘Working The Night Shift’ which comically uses the dark world of voodoo and its mystical figure Baron Samedi.  Carroll’s accordion playing adds atmosphere to the piece – it’s a most unusual fusion of calypso/reggae/ and maybe due to the accordion – there’s something Eastern European.. something Tiger Lillies – something different going on.

The Members have things worth saying which they get over in a straightforward way, using great music, and drawing on their – and our – emotional triggers.  There was one complaint on Facebook about it, amid a large group of compliments from fans.  Someone fumed that ‘…they hate it when punk bands take years to put out an album.’  A bizarre criticism, especially for a band that’s been touring, exploring many avenues and individual projects all this time, and for a band that still managed to play when Bennett was up to his thigh in a leg cast with a nasty, nasty break not that long ago.  If there is a punk work ethic somewhere that albums have to come out frequently, it’s a stupid rule.  You can’t dictate when inspiration will find you, or write on a schedule. This is a great album for 2016.  It’s a thinking-person’s diverse collection of evocative and thought-provoking track to be enjoyed.

On a personal note

This little review, brief as it is, has taken ages to get out. It’s not that I wasn’t listening to it and enjoying it.  It’s one thing writing about straightforward news stories, but I find it a bit hard to write a critique of people who are professional writers.  Some music critique makes me cringe.  A local reporter just wrote ‘rock idols wowing fans’ ‘stomping’ and clapping, having ‘witnessed a masterclass in musical manipulation…’ Other reviewers delve into detail that only the band’s guitar tech would know (but likely wouldn’t appreciate), and still others review with a view to doing as much name-dropping and sophistry as possible.  I’m trying to avoid the pitfalls.  I wonder whether I am.

Aside from how I feel about writing reviews, there were other things going on.  First, I got bogged down in a story I was working on that took over my life completely for a month, which still hasn’t died down yet.  The ‘One Law’ CD I bought went missing.  My iPod also disappeared, leaving me without the album for a bit.  I had two talks with JC and Nigel, and my meticulous notes wound up in a watery pulp when my roof flooded (again).  Then I decided I’d wait until The Members played a show at Aylesbury to hear the new work live (NB – was a great line-up – Kirk Brandon acoustic, The Members, and Big Country).  However, the sets that night were short, and not much of the new material was aired.  A million and one other things got in the way of getting this simple review out as well, not least the passing away of David Guthrie, an Aberdeen Voice founder.  He was a musician who very much cared about where our insanely greedy government is taking us and social ills.  He’d have loved ‘One Law’.  So, apologies for the late running of this service.  It’s not nearly as worth waiting for as this album was I know, but there you go.  The bottom line – you ought to get this and you ought to go see them.  SK  PS – it’s on orange vinyl too.

Mar 242016
 

With thanks to Leanne Carter, Account Manager, Tricker PR.

Pery Zakeri 1Plans for a brand new festival that will bring Speyside’s whisky producers together under one roof for the first time were highlighted at a major tourism conference on Wednesday.
Organisers of the world-class Spirit of Speyside Whisky Festival outlined their proposals for the event to delegates attending the Moray Speyside Tourism Summit.

Festival manager Pery Zakeri (pictured) said the three-day event taking place in the area’s capital town of Elgin from September 9 – 11 would deliver a boost to tourism businesses, bringing more visitors into the area at a time when the traditional summer season is drawing to a close.

The new event will feature up to 28 different whisky distillers from the region, along with local beers and gin and a wide range of food producers. There will also be a whisky retail shop organised by renowned specialist outlet, The Whisky Shop Dufftown.

Visitors will buy a ticket to attend one of four different sessions over the course of the weekend. Entry to each session will be limited to just 300 people, and demand is expected to be high when tickets go on sale later this year.

Festival manager Pery Zakeri told delegates at the conference,

“This is a brand new weekend for Moray Speyside and we are hoping to attract a new, younger audience that will be different to the audience we attract to the May festival.

“We are looking to draw in people from Inverness, Aberdeen and the rest of Scotland and the UK, and while there might be an international audience, it will have more of a local focus in the initial years.

“It’s a unique event that will drive tourism to the region, and one that will add to the local events calendar and whisky events calendar.”

Although different whisky brands have been working together as part of the Spirit of Speyside Whisky Festival for almost two decades, all of the activities for the that event tend to take place in their own distilleries.

This will be the first time that the area’s distillers will come together on their own doorstep under one roof. Elgin Town Hall has been selected as the location because it is the central point in Moray Speyside with good transport connections for road and rail, delegates at the Alexander Graham Bell Centre in Elgin were told.

Organisers believe the smaller, centrally located event will appeal to those who want to enjoy and learn more about Speyside’s whisky but do not want to plan a five-day itinerary for a major event like the Spirit of Speyside Whisky Festival.

It comprises over 400 different events from distillery tours and tastings and from ceilidhs to comedy, and events are staged everywhere from Kingussie in the south to Forres in the west and Buckie in the east. The Spirit of Speyside Whisky Festival takes place from April 28 to May 2.

Commenting on what the new event will offer, Pery told the conference,

“There will be world class whiskies, local gin and craft beers and of course a range of food producers. But the main thing will be the chance to meet Speyside’s whisky stars in one place at the same time.”

Tickets for the September festival are expected to go on sale in June this year and will be available at www.spiritofspeyside.com

Mar 222016
 

Fire Exit presents ‘International Waters’, in co-production with Tron Theatre. With thanks to Liz Smith.

International Waters Photo credit Tommy Ga-Ken WanThe social fabric has finally torn. Airports are closed, roads are blocked. Now even the 1% need to seek asylum. Four obscenely rich members of the elite pay through the nose to join an exclusive party on the last ship leaving London.

They stay alive using the only things they know – money, sex and madness. But the ship is sailing in the wrong direction.

They realise they don’t know each other. They don’t know the Captain. They don’t know what the hell is going on.

Like a perverse Aesop’s fable for the apocalypse, the twisting plot explores how progress can sometimes turn out to be a trap.

In this case it involves elegant glamour, brutal food poisoning, cyborg finance, Mack The Knife and a delicious bull testicle meringue.

The room keeps inexplicably shaking with an ear-splitting mechanical growl. Is this exile, extradition, extraordinary rendition?  Are other passengers hidden on board? What’s their dangerous cargo? There’s a rumour it’s animals. Pairs of animals.

An aging pop crooner, a hapless trophy wife, a foul-mouthed photojournalist and a neurotic civil servant all know much more about the outside world than they’re letting on…

International Waters comes from multi-award-winning writer and director David Leddy, who has been called ‘Scotland’s leading theatrical innovator’ (Times) a ‘maverick’ (Guardian), a ‘genius’ (Scotsman), an ‘iconoclast’ (List) and an ‘institution’ (Independent).

The show features a stellar team of award-winning designers and actors. The four actors are: Selina Boyack (Nominated Best Actress TMA Awards, The Stage Awards and CATS Awards); Claire Dargo (Nominated Best Actress at The Stage Acting Excellence Awards, Sub Rosa, The Duchess of Malfi); Lesley Hart (March of Women, The Events, Dear Scotland); Robin Laing (Band of Brothers, Filth, Mary Stuart).

Set and costume by Becky Minto (Glasgow 2014 Commonwealth Games, Prague Quadrennial 2015 World Stage Design Exhibition); lighting by Nich Smith (Lighting Design Awards Best Public Building 2008, Cryptic, Long Live the Little Knife, Sub Rosa); sound by Danny Krass (Swallow, Huff, Who Cares); Production Manager Niall Black (Complicite, Royal Court, NTS).

Fire Exit presents, in co-production with Tron Theatre,

INTERNATIONAL WATERS.                

Tues 5th April, 7.30pm.
The Lemon Tree,
5 W N Street,
Aberdeen,
AB24 5AT

Tickets: £13.20 inc bf | Students £5
http://www.aberdeenperformingarts.com/events/international-waters

Mar 172016
 

A Multi-millionaire leading a charmed life due to commercialisation of punk has denounced the commercialism of punk.

“just by focussing a little bit of money in the right direction you can make things happen and that’s amazing” – Joseph Corre C 2009

As Joseph Corre, son of Malcolm McClaren and Dame Vivienne prepares to destroy £5,000,000 worth of punk memorabilia, Aberdeen Voice’s Suzanne Kelly asks What the actual?

Fire (6)Whether or not you believe that punk is now 40 years old because of the pending anniversary of the Sex Pistols’ God Save the Queen, various celebrations are going to take place in the UK.

The establishment has acknowledged punk by having the odd event as have several museums, businesses and artists.

Some people hate this idea passionately; some are bemused that punk’s attack on the State is now something to be looked back on fondly.

In November in Camden, people will drink at the Underworld. They will listen to bands at the Dublin Castle. They’ll buy Ramones t-shirts in the market. Knox Carnochan and his band of volunteers will run Rock ‘n Roll Rescue, the charity shop selling music memorabilia (and then at closing probably spill into the Dublin Castle for some pints of Camden Hells).

Somewhere in Camden this November, Joseph Corre has announced in Rolling Stone Magazine that he will be burning £5,000,000 worth of punk memorabilia. This is a protest, or so we’re told, at the commercialisation of punk and by the state’s endorsement of same. Well, Corre would know a tiny bit about both, wouldn’t he?

Meanwhile, Knox will be doing his best with the donations that he can get.

Rock ‘n Roll Rescue’s mission is:

“We are trying to help local people through supporting food banks, then helping the womens’ refuge up in Kentish Town, helping people at the bottom end of the welfare system, and have been helping Jennie Bellstars’ Hari Krishna food van, etc., etc. An ever growing list of stuff that needs help. (Look around you!)”

Looking around you seems like good advice for at least one of us.

What Other People interested in Punk, Music and Compassion said:

“He [Corre]could have flogged it all and given the money to a charity or a good cause like Saving The Music in Denmark St. Twat! I’M FUMING!”
– Henry Scott-Irvine, ‘Save Tin Pan Alley’ campaigner

“I will just say that in my time volunteering at the shop [Rock ‘N Roll Rescue], I’ve seen a lot things that led to my little rant on why it’s not good to burn the punk memorabilia in Camden in November and why Joseph Corré is a plonker. First, because it’s history. I’ve seen the eyes of men and women light up and watched them become teenagers again as they rummage through the old vinyl, posters and magazines on offer at Rock ‘N Roll Rescue.

It isn’t long before they start telling stories of their first concert or the first time they heard a song. For many, items of punk and music memorabilia are deeply personal and in the broader sense, are a record of a brief, albeit very important part of musical history. Second, because, like it or not, we live in a Capitalist society wherein the material items we place historical or personal value on also carry monetary value.

It’s not very punk, but it’s how things are and we must deal with reality as it is. It is also true that currently, the divide between rich and poor is greater than ever. All you have to do is walk through Camden to see this. It serves no purpose to burn these items other than to prove to the ego of a millionaire, that he hasn’t sold out and to gain publicity. All of the anarchist posturing is bullshit. His parents packaged it and sold it.

He grew up wealthy, on money made off of the musicians and fans of that movement. How about giving back to the community that bought what his parents were selling? Ever have the feeling you’ve been cheated?”
Jennifer Upton, volunteer, Rock ‘n Roll Rescue, Camden

I asked his press people a few questions by email:

“How you square your decision to destroy material with the knowledge people (including many punk musicians) have serious financial problems which a sale rather than destruction of your goods could do much good?

“Do you think that your own financial success is in any part due to your parents’ financial success in the punk era?

“Had you looked at alternatives such as sales/donations of your old punk memorabilia and decided that it was better to announce a public, theatrical event rather than doing something beneficial to others? (you could have given it all to Knox Carnochan of the Vibrators for his shop Rock N Roll Rescue in Camden – or done one of a thousand other beneficial thing).

“How supportive is your mother, Dame Vivienne Westwood, of your action, given her titled status?

“Ideally Mr Corre, I’d like to get you to reconsider what to me is the act of someone who’s never know what it’s like to have to go without. It seems as if a slap in the face to the poor is your response to the establishment’s acknowledgement of punk’s place in UK history.”

If an answer is sent, you’ll hear about it. In the mean time, we’ve someone who’s made their point – there is no need to follow through with the destruction. Punk is commercial. It went commercial when his dad steered it that way – for some groups. Show me how TV Smith, just for one instance, has gone commercial. Punk was commercial when Vivienne started sheltering her fashion income from taxes using overseas avoidance schemes, took a title, and paid low wages to those making her garments. I missed the part when Junior objected to these instances of punk commercialisation in his own family.

It would be good to know how and when Joseph got elected to teach us lessons in what punk should be all about. I’d really like to know that he’s just making a joke to get a story (the Rolling Stone reporter would be pissed off, but there you go). In fact, when it comes to ‘punk’ there are as many different opinions as to what it means as there were bands and fans.  Maybe his cosmetics venture isn’t selling as many £19 pound lipsticks as he’d like it to (although good on this venture for being cruelty free).

I’ve read about his hard life while researching this. He had a bad time at a boarding school in Wales (has he helped expose the school’ alleged cruelties so no one else has to suffer?). He had a tough time of it because of his parents and had a failed marriage. I guess no one else could relate to this suffering.

“My new job won’t even take my phonecalls; my mother’s throwing me out of the house; I’m at my wit’s end.”

– someone with a serious, nearly untreatable syndrome that makes work nearly impossible posted this on social media today; this woman is doing all she can to earn money and stay as healthy as she can. What would £5,000,000 do for people like this? For animal charities, the hungry, children in poverty? What message does burning clothing send to the refugees and the people who don’t have £30,000,000 in the bank unlike our patronising, would-be philosophy instructor? Not a particularly kind or punk one.

The Rolling Stone piece continues to quote our man:

“People don’t feel they have a voice anymore… The most dangerous thing is that they have stopped fighting for what they believe in. They have given up the chase. We need to explode all the shit once more”.

‘They’ might seem to have stopped fighting – if you’re Corre looking out over the battlefield from a castle. People haven’t stopped fighting – but they could use a bit of financing. Not a bonfire of the vanities.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Mar 172016
 

With thanks to Esther Green, Senior Account Executive, Tricker PR.

rocket-car

Aberdeen CORE, the state of the art pure fibre network, is continuing to take root transforming Aberdeen into Scotland’s first Gigabit City. Aberdeen CORE continues to be rolled out, delivering a brand new ultra-fast fibre network and helping prepare city businesses for the explosion of data predicted in the years ahead.

The work continues as the Institute of Directors (IoD) has called on new targets to be set for world-beating broadband for the UK, amid claims that the UK is lagging behind many European nations when installing fibre optic cables that enable the fastest broadband connections.

ISP provider Internet For Business (IFB) partnered with CityFibre in the multi-million pound investment that is turning Aberdeen into one of the best digitally connected cities in the world.

Graeme Gordon, chief executive officer IFB believes that ultra-fast network offers resilience to businesses in the city.

He says:

“The amount of data generated globally is set to increase by 500% over the next 5 years.  90% of the world’s current data has been created within the past 2 years. 

“This indicates the requirement for businesses to transfer data and connect to the internet in a fast and secure manner is set to increase, meaning the demand for bandwidth will continue to increase.  There is an increasing requirement for businesses to ensure they have a sufficient amount of bandwidth to manage data now and into the future.  Gigabit enabled connectivity is a way in which businesses can manage this data growth effectively.

“In line with the global trend, IFB’s clients’ bandwidth consumption has been steadily increasing over a 15 year period, and is set to continue to grow. The demand for bandwidth is going to increase through time and supports the trend of increasing data usage.”

North Sea oil and gas plants alone each create and transfer an incredible 1TB of data every day.

Through close collaboration CityFibre and IFB developed a network route, covering the major business locations throughout the City and began the network build in April 2015.  The network route covers the key business areas within Aberdeen: the city centre, Altens and Tullos, Dyce and Bridge of Don, with businesses in these areas already taking advantage of the ultra-fast speeds of the Aberdeen CORE.

The IoD has called for faster broadband access for homes and business, with members saying that better broadband speeds could increase business productivity, make them more competitive, and enable them to offer more flexible working to their staff.

The IoD report follows communication watchdog Ofcom calling on BT to open up its cable network and allow competition to improve UK internet connections. Ofcom claimed there was a digital divide in the UK between those with the latest technologies, and those without and stated that decent, affordable broadband should be a universal right.

Graeme Gordon comments:

“BT routes go right back to nearly 170 years ago and like an incumbent national provider that has been deregulated it has struggled to keep competitive pace.

“It is heavily regulated in what it can and cannot do for good reason as the national infrastructure needs predictability and stability – if you look at the US for example where no single national provider exists for many reasons the areas of not spots and super-fast connectivity vary wildly, along with costs and service levels.

“In saying that we shouldn’t be looking back at how badly BT was deregulated or is performing but looking forward at the infrastructure and services levels we need from our national digital network.

“The end user cost and speed options for copper-based connections have plateaued over the last 3 years and the majority of land-based digital connections continue to drop in price per megabit and continue to deliver breath-taking increases in speeds.

“It is this drive for fibre to premise networks, such as IFB delivers with the Aberdeen Core network, that we should be looking to BT and other providers to deliver.

“Government can help here through smarter planning – where digital infrastructure must be part of granting planning permission for a new building or development as electricity and water are. Government should also look at how taxation affects the roll out of new fibre network and could encourage these through a lightening on the ‘fibre tax’ together with more progressive view on planning applications.”

As well as being a lead partner in Aberdeen CORE, IFB designs, deploys, manages and supports key services including Cloud, Backup and Recovery, Internet Access, Networks, Hosting, Workplace Recovery and Telecoms across the UK from its Aberdeen data centre.

For two decades IFB has been providing critical connectivity and ICT services to the UK market place. IFB service over 900 clients throughout the UK, with its key markets include the demanding on and offshore oil and gas sector, professional services and public and third sector.

For more information about IFB, visit www.ifb.net or call 0845 270 2101.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Mar 172016
 

Inside_the_Bon_Accord_centre_-_geograph.org.uk_-_1241608featWith thanks to Phil Moar, Account Manager, Citrus:Mix.

One of Aberdeen’s most popular city centre
car parks is to undergo a £2million
refurbishment.

Bon Accord & St Nicholas’ Loch St car park, which on average welcomes over one million users a year, has been earmarked for a number of innovative improvements that are set to enhance the parking experience for those visiting the centre.

A fresh parking surface, brighter energy efficient LED lighting as well as the grouping of both disabled and parent and children spaces to the same location on each level are all part of the plans.

Funded by centre owner BMO Real Estate and managed by specialist retail agency Savills, work on the car park is expected to be completed by the end of October.

Craig Stevenson, centre manager at Bon Accord & St Nicholas, said:

“We’re delighted to be working with both BMO Real Estate and Savills to enhance the car park experience for our loyal customers in what is a significant refurbishment project for the centre.

“We want customers to get their visit to Bon Accord & St Nicholas off to the best possible start and we appreciate the role that a bright, modern and accessible car park plays in an individual’s shopping experience.

“Work will only be carried out on one level at a time in an effort to avoid disruption for those coming and going from the facility; we look forward to welcoming visitors to the enhanced parking provision in the coming months.”

Throughout the programme of work, the car park will be open until 8pm instead of 11pm. On a Thursday only, it will be open until 10pm. The neighbouring Harriet St car park is unaffected by the works.

Bon Accord & St Nicholas are at the heart of Aberdeen city centre’s retail sector, offering 840,000 sq ft of prime space and home to around 100 stores.

Scotland’s largest Next, Aberdeen’s only Topshop and Topman standalone store as well as the City’s largest New Look and River Island are among the key retailers, as well as H&M and New Look. Bon Accord also boasts a boutique store line up with retailers including Jigsaw, Hobbs, Phase Eight and Jo Malone.

The centres, which attract an average of 275,000 visitors a week, are owned by BMO Real Estate Partners and managed by specialist retail agency Savills. For further on the centres visit www.bonaccordandstnicholas.com.

Picture Credit: “Inside the Bon Accord centre – geograph.org.uk – 1241608” by Stanley Howe. Licensed under CC BY-SA 2.0 via Commons 

  • Comments enabled – see comments box below. Note, all comments will be moderated.