Sep 122014
 
Ollie and Quincy

Ollie Howell with legendary film soundtrack composer and record producer, Quincy Jones.

London-based drummer Ollie Howell, who brings his acclaimed quintet to Aberdeen next week, has some high profile admirers.With thanks to Rob Adams.

Howell ‘floored’ Quincy Jones, the legendary film soundtrack composer and record producer who worked with Frank Sinatra and oversaw Michael Jackson’s multi-million-selling album Thriller, during a performance staged to feature some of the best students at the Royal Welsh College of Music and Drama in Cardiff in 2009.

This led to Jones, who is affectionately known in the music business as Q, mentoring the Wallingford-born Howell and monitoring his progress as he has moved into a full-time professional career.

“Quincy’s one-quarter Welsh and was being presented with an honorary doctorate at the RWCMD when I was a student there,” says Howell.

“I was a big fan of his work on the Sinatra at the Sands album and when he invited me to New York to play with some of his friends after hearing me on that concert in Cardiff, I had to pinch myself. He later invited me to Montreux Jazz Festival and I’ll be visiting him in Los Angeles later this year to go through plans for my next album.”

Howell has also been taken under the wing of the legendary former Miles Davis drummer Jimmy Cobb, who featured on Davis’s classic Kind of Blue album, and is the first musical recipient of a Sky award, having won a Sky Academy Arts Scholarship earlier this year. A television documentary will be screened on the Sky Arts channel during 2015 as a result.

In between these and other career highs, which include winning the prestigious Peter Whittingham Development Award in 2012, Howell has had to deal with being diagnosed with a debilitating brain malfunction, which required urgent surgery. He has now fully recovered and named his first album, Sutures and Stitches, which was released on Whirlwind Recordings, after the experience.

His quintet, which features tenor saxophonist Duncan Eagles, trumpeter Mark Perry, pianist Matt Robinson and bassist Max Luthert, appears at the Blue Lamp, Gallowgate on Thursday September 18 at 8pm.

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Sep 052014
 

Voice’s Old Susannah takes a look over the past week’s events in the ‘Deen and beyond. By Suzanne Kelly.

DictionaryTally ho! It’s all happening in the Deen and Shire. The Fyvie Festival was last weekend, offering a nice day out including the chance to look at the priceless Tiffany window in Fyvie Kirk. Celebrate Aberdeen took place, rain and shine, across the city. Acts such as Youse Dancin’, The Black Gold Bandits, Iron Broo and The Gerry Jablonski Band entertained the soggy crowds.

Anthony Baxter’s film will open in cinemas across Scotland on Friday the 5th. Alex Salmond has been invited to the premier in Aberdeen with a Q&A session and panel.

He’s also been invited to visit the Menie Estate residents; it’s a shame he’s been too busy to visit his constituents there, but give him another few years to fit it in, and I’m sure he will. No word on whether Sarah Malone of Trump will attend.
This week I had planned to write about the menace the city is bravely tackling. Drunk Driving? The few slightly tipsy people occasionally seen in the city centre on weekend nights? Fuel or food poverty?

No, the problem we have all been afraid to face is finally in the spotlight: the sandwich board. These dangerous, frightening health menaces lurk outside sandwich shops (appropriately enough), restaurants, pubs and more: it’s a wonder anyone’s still alive.

The council is taking decisive action against these horrendous trip hazards, you’ll be delighted to know. Of course, the sign draws attention to itself (that’s its purpose you see), and you’d have to be as drunk as an ex-councillor not to see the signs.

A hardened cynic might ask the city why it’s going after sandwich board signs, given that one or two other cities round the world somehow manage to co-exist with these signs. I propose we sent our officers and provosts off on a round-the-world fact-finding mission; they are good at that sort of thing.

I suppose that since the city has smoothed every square inch of pavement and street that it is responsible for, it’s now time to turn its attention to the scourge of society, the sandwich board. I for one feel safer knowing that something will be done about the sandwich board plague. Chalk up another one for ACC; the writing’s on the wall for signs.

However, there is something nearly as important as the city’s challenge to the sign menace. This isn’t an Aberdeen or even a Scottish story, so we really should pay it no attention at all. However, I thought looking at the story of little Ashya King and how the police and Southampton Hospital had nobly gone to his rescue would be of interest this week.

A brain tumour landed this child in Southampton General Hospital; which would not fund a particular treatment his parents decided they wanted to try. It could prove life-saving. The hospital were certainly not able to guarantee that the treatment they offered would be the best or the only option.

The parents did their own research (kind of like those meddling parents who invented Lorenzo’s Oil when their child was ill ), and wanted their son to be treated at a clinic abroad, which said they would do the treatment now and worry about payment later (which in itself is rather a strange concept, almost as if treatment and medicine should be available to those who need it regardless of money concerns.I wonder if this might catch on in the UK?).

The parents had a crazy idea, and decided to get their son treated at this clinic, and moved to take Ashya there.

Well, Southampton General Hospital reacted in the only manner open to it: they instantly moved to take Ashya into custody, issued press releases saying that Ashya was in grave danger, called in the police and demanded Ashya’s return so they could get custody of him and continue to deny him the desired treatment.  Sounds perfectly reasonable and measured to me.

Obviously the hospital and its staff know best, just like they do up and down the UK. There might not be a specific law that says you have to keep your child in a hospital which refuses to pay for a treatment which might well help him. However, the police were only too happy to go on a Spanish vacation – sorry – suffer the hardship of going to Spain — to have the sick child put in isolation and his parents locked up, unable to visit.

(You might think that the Spanish police assisted by the dashing, intelligent, sensitive UK police force would be sufficient to stop two distraught parents from absconding from a hospital visit to their cancer-stricken son, but you would of course be wrong).

For some reason (perhaps the outcry of one or two people in the UK) the parents have been released from custody, an extradition order to the UK has been lifted, and if the hospital agrees, he may get treatment after all. We’ll see what happens next in due course; perhaps some related definitions will shed some light on the goings-on to date.

Neglect: (English Noun) to treat an individual or an animal in such a way their needs are not met; to ignore, fail to assist.

Of course, hospitals will only ever care about the patient’s welfare. Money, targets, shutting up whistle blowers and defending lawsuits never enter into it. If Southampton moved to take a boy with cancer away from his parents, it was only for his own health and happiness. I’m sure it consulted its best child psychologists in advance, and confirmed that no mental or emotional harm would come from their actions.

That’s why hospitals call the police on anyone who would disobey them, and that’s why the police and hospitals turn involved families into criminals – all for the patient’s welfare.

Southampton accused the parents of ‘suspected neglect’ for taking their son to get treated.

It may seem strange that in one part of the UK suspected neglect of one child results in police jetting off to Spain, and in another part of the UK like Rotherham it results in 1400 or more young people being sexually abused and absolutely nothing being done about it despite people coming forward, abuse accusations being swept under the carpet and victims discredited, but there you go. I guess you have to expect these minor regional variations in policing.

But let’s look at the august, professional men and women who run things at Southampton General Hospital, and why they have the right to accuse the King parents of neglect.

In 2010 a boy named Matthew Kenway, of Fareham, Hampshire, died at Southampton General Hospital ; he was going to have a routine kidney operation. No one checked his heart was still working; they didn’t hook up a heart monitor. Eventually they realised there was a problem, and still there seems to have been a delay in getting him help. A fatal delay, but it could have happened to anyone really. So, no negligence there then.

With the tiny amount of things that go wrong in the medical profession, and with the support and encouragement given to whistle-blowers (on the rare occasion they are needed), you wouldn’t think there would be such a thing as a website called www.clinical-medical-negligence.com – yet somehow there is. According to it:

“The family’s solicitor Patricia Wakeford, of Blake Lapthorn, said: “Evidence heard at the inquest raised grave concerns about the quality of care that Matthew received and the processes that were in place at Southampton General Hospital at the time of Matthew’s death. Shortly after 3am, the oxygen monitor probe appeared not to be recording his oxygen levels. The nurse initially thought the machine might be faulty, but it transpired that Matthew’s heart had stopped.

“Eventually, a cardiac arrest call was put out and the arrest team then attempted, for 40 minutes until 4.20am, to resuscitate Matthew but they were unsuccessful and he died. During the course of the two-day inquest, a series of key findings emerged suggesting there were serious shortcomings in the care Matthew received. At post-mortem it emerged that the stent placed in the left kidney was not in the correct place.
http://www.clinical-medical-negligence.com/2014_02_01_archive.html#.VATNj8J0zIU

These are just the sort of people you want wresting legal control of your son away from you.

I guess anyone can make a mistake. Except Southampton General. This might not be neglect, but there was a wee matter of apparent experimenting on patients. Southampton seems to have been involved in a trial of a new antibiotic made by Bayer; it must have been very exciting for the patients who got this drug.

Doubtless they were all made perfectly aware of the risks of this trial taking place in the hallowed surgical wards of Southampton; to do otherwise might have looked like neglect. Alas, one website isn’t that happy about it:

“This information [about the experimental drug] was not revealed to the hospitals before up to 650 people had undergone surgery, violating their human rights. The trials resulted in nearly half of the people at one test centre in Southampton developing potentially life-threatening infections. At least one patient died, and another developed an infection so severe that his relatives were initially told he would not survive. Nearly half the patients at Southampton Hospitals Trust developed post-operative wound infections requiring emergency therapy. Infection and mortality rates at the five other trial sites were never revealed on grounds of “confidentiality”

“Stephen Karran, a retired consultant surgeon from Southhampton, was concerned about the trial. He pointed out the flaw in the earliest possible stage, and contacted the press after the trial went ahead unaltered anyway. Bayer has confirmed that it knew of absorption problems with the drug before the study began. However, they still used the dangerous drug for two years, are still keeping trial results secret, and have not paid compensation to the relatives of patients injured or killed in the course of its unapproved trials.” http://www.corporatewatch.org/company-profiles/corporate-crimes-3

It might have been Bayer’s drug trial, but Southampton Hospitals Trust ran with it. I’d not want to be thought cynical, but often these drug trials involve a wee bit of money going to the institutions involved. The mega international pharmaceutical sector is every bit as benevolent as you would think.

I’m sure Southampton will be happy to explain more about people being experimented on, how informed consent was obtained, when they stopped the trials and how many people were at risk – oh, and how much money they got for this and other experimentations. Keeping people from risk and preventing neglect: that’s what Southampton is all about, as the King family will tell you.

It will be interesting to see what evidence there is that taking the little boy to be treated at a different hospital is tantamount to neglect.

If this ever reaches a courtroom, I hope no serpentine defence lawyer will ask the hospital any questions about neglect past and present. After all, the hospital wasn’t to know the boy was gone for 6 hours, despite his supposedly needing constant care and attention. You and I are of course laypeople, but to some that 6 hour gap in a young child’s cancer nursing might seem ever so slightly neglectful on the part of Southampton.

Communication Breakdown: (English compound noun) A deterioration or cessation of dialogue (also an excellent Led Zeppelin song)

According to the BBC:

“Dr Michael Marsh, medical director at University Hospital Southampton NHS Foundation Trust, said he regretted that their communication and relationship with the King family had ‘broken down’.”
http://www.bbc.co.uk/news/uk-england-29009883

The hospital was great at communicating. They communicated to the police and other authorities that they wanted custody of this boy, that he was possibly neglected, and that he was at great risk because a battery in a feeding tube system might die.

What a pity then that their paid in-house media people never noticed the video which spread like c-difficile across facebook showing a happy Ashya and his parents abroad, with no feeding or other problems. They would of course have backed off.

Old Susannah was trying to find out a few things about this feeding tube at the centre of the hospital’s attempt to get custody of the boy: what kind of battery did it have, how often did it need to be replaced, were the parents aware the battery had to be changed, did they try to call or text the parents to tell them about the battery?

Obviously they did all that and didn’t just run to the media and the police, complaining that communication had broken down. I will be very reassured to know how much effort the hospital made to tell the family about the feeding system when they had left.

I also was going ask other questions (What did the hospital think Ashya would be going through stress wise because of the hospital and police actions and how would that affect his emotions and health? Why was there a 6 hour gap between anyone visiting this ill child before they realised he was gone? – and a few other minor points).

Alas! There is indeed a communication breakdown. The hospital’s media team has failed to answer its phone on any of the many times I phone it. I left 3 messages on 2nd September with my email and my mobile number. Yes, a communication breakdown is a serious problem.It’s very good of Southampton to regret having one.

Obviously they don’t regret criminialising a family, adding to their anxiety, having people arrested, refusing to fund treatment, and trying to take custody of someone’s sick child. If they did, they’d have apologised for it. They are sorry however for the communication breakdown. Old Susannah can almost hear that familiar refrain so often given to the media: “we don’t discuss individual cases.”

Except when it suits them.

They told the world the age, sex, condition name of Ashya; they shared his and his parents’ images. It will be a breeze for them to prove in court that they only breached the data protection act after taking every other step possible. The phone log of their calls to the Kings will be a very reassuring document indeed.

Heroic: (English adjective) Having qualities of braveness, courage fearlessness and strength.

In this whole saga, the shining heroic actions of a few people show through. Not only was Southampton brave enough to issue press releases claiming the child was in grave danger and take custody away from the parents to the state, the police showed heroism as well.

They bravely lept to conclusions; they bravely got on a plane to Spain, they courageously raided Ashya’s grandmother’s house for a much-needed intensive search. A Belfast Telegraph article reports:

“Assistant Chief Constable Chris Shead said last night: “We have been told by medical experts that the battery life on the machine that administers his food is now likely to have expired. We don’t know whether the King family have any spares, the knowledge or any way of recharging the battery. If they don’t without properly administered food, Ashya’s condition will deteriorate very quickly. With each hour that passes our concern for him grows.””

If I didn’t know better, I’d start to wonder if the UK’s police have a shoot/arrest/taser/search/criminalise first and don’t ask questions later approach.

How come the hospital couldn’t tell the police whether or not the family knew how to work the apparatus? When it was shown that the boy was fine and happy wasn’t that the end of it? Thank goodness other such breaches in the Inspector Morse-like investigation techniques of the police are once in a lifetime.

Old Susannah also guesses that, like the hospital, no one at the police was quite heroic enough to call the family or leave them a message about the battery; doubtless we’ll find out what they did about the battery in due course. It would be cynical to suggest this was all a witch hunt. Much better it turned out the way it did. Let this be a lesson to other parents (or to people in the past who have tried to interfere with hospitals, like these people ).

Mrs King, the grandmother had this to say after her flat was searched (perhaps they would have found the family hiding in the chiller cabinet or under a bed?):

“They (the authorities) are the ones who are cruel because they have taken poor little Ashya who is dying of a brain tumour and they won’t let the parents, my son and daughter-in-law, they won’t let them see him at all.

“It’s terrible, it is so cruel it is unbelievable.”

She added:

“To try and make out that he has been neglected… Why haven’t we got any human rights? They keep on, the EU, about human rights. Where are our human rights? We have got none.”
http://www.independent.co.uk/news/uk/home-news/ashya-king-brother-of-fiveyearold-boy-defends-parents-actions-in-new-video-9702977.html

Before ending this definition of heroics, the police and hospital might well have got away with it, if it weren’t for some meddling kids. Naveed King, elder brother to Ashya has been spending his time campaigning, raising awareness, looking after his other siblings, dealing with the media, raising funds, posting updates on Facebook and other such activities.

Surely he should have been doing his homework instead or playing video games? The other King children held fast as well. Let’s see whether there isn’t some bureauocrat out there ready to criticise Naveed’s impertinence. We can’t have young people running around criticising authorities and sticking up for their families now, can we?

Next week: don’t expect answers from Souuthampton, but I’ll keep asking.

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Sep 052014
 

Paul Rodgers – Free, Bad Company, The Firm, and an astounding solo career – and with his wife Cynthia a patron of Willows Animal Sanctuary. Paul will play an amazing one-off show on 3 November 2014 at London’s iconic Royal Albert Hall: All the proceeds from Paul Rodgers RAH show below will go to the Willows Animal Sanctuary and Animal Assisted Therapy Unit in Aberdeenshire www.willowsanimals.com. Joining Paul on stage will be the Deborah Bonham band. Deborah is likewise a generous supporter of Willows Animal Sanctuary. Thanks to Frontier Promotions.

Paul_Rodgers_Mic_Credit_Jim_McGuire featGrowing up listening to such artists as Ray Charles, Sam Cooke and Otis Redding would have a profound effect on Paul Rodgers. From his early work with Free, through to Bad Company and many successful collaborations and solo projects, those early R&B influences have always been with him.
With his latest album ‘THE ROYAL SESSIONS’, recorded in Memphis at Willie Mitchell’s Royal Recording Studios, Paul Rodgers finally realised his life-long dream of making a classic soul album, using studio musicians who played on so many of his favourite records that he heard at an early age.

Paul and the studio players now bring ‘THE ROYAL SESSIONS LIVE’ to The Royal Albert Hall on Monday 3rd November 2014.

From Jim Stewart’s Stax studio, home to classic recordings by Otis Redding, Sam and Dave, Wilson Pickett and Isaac Hayes, to Chips Moman’s American Studios, where such timeless soul records as James Carr’s ‘Dark End of the Street’ were recorded, Memphis was the heartbeat of American soul music.

Willie Mitchell’s Hi Records label would emerge from this amazing music city and find worldwide success, particularly with Al Green and Ann Peebles, all recorded at Willie’s Royal Recording Studios.

The reaction has been exceptional, with the album going to No.1 on the Billboard Blues Chart and with singles from the album, ‘I Thank You’ a No.1 and ‘Born Under A Bad Sign’ a No.2 on the Mediabase Classic Rock Charts.

The band features:

Reverend Charles Hodges Sr. – Hammond B3,
Leroy Hodges Jr. – Bass Guitar,
Archie “Hubby” Turner – Wurlitzer,
Michael Toles – Guitar,
Steve Potts – Drums.

The Royal Horns:
Marc Franklin – Trumpet,
James L. Spake – Baritone Sax,
Gary Topper – Tenor Sax,
Lannie “The Party” McMillan Jr. – Tenor Sax.

The Royal Singers:
Shontelle and Sharisse Norman

Paul_Rodgers_Royal_Studios (2) (1)Cynthia Kereluk and husband Paul Rodgers are more than just check-writing patrons; they are actively promoting and fundraising on a personal level. Their memorable visit to Willows in 2012 greatly helped to raise Willow’s profile; more on their visit can be found here https://aberdeenvoice.com/2012/06/rock-n-roll-animals-paul-rodgers-cynthia-kereluk/

They are genuine animal lovers, and have rescued many strays personally over the years.

Deborah Bonham, currently on tour with the Deborah Bonham Band promoting her widely-acclaimed new album, Spirit, is also a devoted animal lover, supporting Willows and other animal charities.

Deborah posted on her Facebook page:

“I’m ecstatic to tell you that it’s confirmed that Pete and myself will be opening for PAUL RODGERS at THE ROYAL ALBERT HALL NOV 3RD. This is Paul’s Royal Sessions show with the guys from Memphis and I have to say it’s a total honour to be a part of this show. After much discussion we felt that it would right to do the show as a duo so this is a new challenge for Pete and I and it’s exciting!

“All profits from the night will go to Willows Animal Sanctuary of which Paul and his wife are Patrons and which Pete and I have supported for a long time.

“In fact, we are doing the ‘Willows Challenge’ to try and get 4000 people all paying £1 per week to keep this charity afloat and take care of the many animals incl racehorses, ponies, donkeys, pigs, sheep, rabbits, cats, dogs….. If you want to get involved, go to willows website http://www.willowsanimals.com/ and set up a standing order for £1 per week.

“I really hope to see some of you at The Albert Hall and hope you will sign up for our £1 per week challenge. Much love to you all always and forever, Deborah.”

More on Deborah’s album, her fantastic band, and tour dates here: http://www.deborahbonham.com/

Willows animal sanctuary takes in domestic, farm and wild animals and will never destroy a healthy animal.

Unfortunately in today’s economically-challenged times, the cost of food and veterinary care are going up, and many people are abandoning horses, cats and dogs. Willows has been inundated with more mouths to feed, and is reliant on the donations to do its work with animals and its animal assisted therapy. Please join the Willows Challenge.

Aberdeen Voice will have a review of the Paul Rodgers Royal Albert Hall show in due course.

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Sep 012014
 
Richard Thompson by Julie Thompson (4)

Richard Thompson – Image Credit: Julie Thompson

Suzanne Kelly reviews. Photographs by Julie Thompson.

You would be very hard pressed to think of another musician who plays like Richard Thompson, let alone sings or writes like him. You simply won’t find another singer/songwriter/guitarist that even approaches his calibre that has had a career spanning 6 decades, from his days with Fairport Convention through to the present day.

Seeing him over the years has been astonishing in another respect as well, for his voice, vocal range and playing aren’t ageing at all.

In fact, the consensus reached by musicians and fans on his Aberdeen Music Hall performance is that he’s not getting older, he’s getting better (and that’s saying something). It was quite an evening.

The night was always going to be a generational celebration of acoustic guitar. Steve Milne from local act The Little Kicks opened the show. He was, as he admitted, a bit nervous – how could he not have been? His playing and vocals didn’t betray any nervousness as he grew comfortable quickly on stage.

Not only was he opening for a legendary acoustic performer – but his granny was in the audience as well. I hadn’t really thought of the acoustic abilities of the guitarists in The Little Kicks; I’ve enjoyed their electric shows (they have become a fixture at BrewDog AGMs and brewery parties for one thing, and have always gone down a storm).

The lyrics in Milne’s works evoked love, loss, uncertainty and anticipation. He said:

“I was generally really pleased with the set and once I had conquered my initial nerves I felt like I gave a fairly good account of myself and the band/ the songs. The audience were lovely and firmly on side, and I got a lot of kind words at the interval and end, which was really nice.

“Obviously as a local loon the opportunity to play the Music Hall is a massive personal dream of mine and I will as I said always remember that night. Here’s to many more shows there and to hoping it’s not a one off and that I can do it again some time!”

Steven_Milne by Julie Thompson (2)

Steven Milne – Image Credit: Julie Thompson

Steve’s set was: Call Of Youth, Girl, Heartbreak Pt 1, Don’t Give Up So Easily, Often (new song), Heartbreak Pt 3, Before Today. All the songs aside from the newbie are available on the last two LKs albums ‘Put Your Love In Front Of Me’ 2013 and ‘The Little Kicks’ 2011 – I picked up the 2013 album on the night.

Richard came out; he opened with Stony Ground – a rousing, rowdy folk rock number.

It always amazes me how he can make a six string sound like there are other musicians on stage with him.

After we walked on stony ground; he had us walking on a wire, a sad, slow number. Richard moved to Valerie which evokes a 1950s rockabilly sound, with some caustic lyrics. The playing is amazing; the lyrics in his works have great twists and turns, assuredly one of the reasons his music is so compelling.

Before long the audience were singing along to a sea-shanty inspired tale of fidelity (or lack of it) in the family life of a travelling ceilidh band musician. The introductory patter has us all laughing; the song’s lyrics are humorously dark and paint a vivid portrait of a dysfunctional couple; Thompson has us singing along on the chorus (which we do enthusiastically, but alas, not all that musically).

He tells us we were marginally better than Tokyo (which is generous of him).

An audience member starts a (slightly too long-winded) chat with Thompson about his recent live appearance on a television cricket programme. Thompson has us all laughing again, and then we’re back to the music.

For me – for many in Aberdeen’s audience – the outing of new song Fergus Lang is a highpoint. This song concerns an <ahem> fictional overblown real estate magnate:

“Fergus Lang is a beast of a man, he stitches up and fleeces
He wants to manicure the world and sell it off in pieces…
Fergus Lang he builds and builds,
but small is his erection…
Fergus has a fine head of hair
When the wind’s in the right direction.” – Richard Thompson

I have no idea why this is so popular with the audience; it’s almost as if there were some local issue or character that this new work hits squarely on the head. (I later discuss the track with Richard, who advises it’s about a fictional character whose self-satisfied, self-indulgent egotism comes at the expense of the environment.

Somehow, that rings a bell. It also reminds me of the excellent TV Smith song, March of the Giants. Both are recommended listening; Richard’s song will be released in the near future).

Richard Thompson by Julie Thompson (1)

Richard Thompson – Image Credit: Julie Thompson

Richard has been doing protest songs for decades; he treats us to Genesis Hall. Safe to say the art of protest is alive and well.

The saying goes, ‘make the impossible possible, the possible easy, and the easy beautiful’.

We are more than an hour into a rich, varied set, and Richard has made the most complex playing and singing seem absolutely effortless and completely fresh. And everyone’s loving every minute.

As we reach the end, Richard explains he is involved in a collaborative Arts Council project concerning World War I.

He plays a slow, pain filled song; its words are taken from letters and cards written by those caught up in ‘the war to end all wars’.

He later tells me of his research in the Imperial War Museum and how moving it was. His grandfather had been in the war, and had been gassed.

Drawing to the close of the set the audience is calling out songs it wishes to hear; he plays Good Things Happen To Bad People, a personal favourite, from the 2013 album Electric, which entered the UK Independent chart at No. 1 when it was released.

Stony Ground is also on this album. We are treated to Saving the Good Stuff For You, which everyone sings along to.

There is a new album out, also in the UK charts; Acoustic Classics contains many of the anthems we’re about to hear. The cheering I Want To See The Bright Lights Tonight is tempered by the stinging Beeswing.

As the Proper Distribution website reminds me as I brush up on my Thompson discography:

“Thompson was named by Rolling Stone Magazine’s as one of the Top 20 Guitarists of all time and considered one of the UK’s most outstanding songwriters and musicians. The recipient of a BBC Lifetime Achievement Award, Mojo’s Les Paul Award and curator of the prestigious Meltdown Festival at the Southbank in 2010, Thompson was most recently honoured with a Lifetime Achievement Award for Songwriting by the Americana Music Association.”

The night really couldn’t have been better (although close to where Julie Thompson – no known relation – was sitting, there were a few incessant chatterboxes who were more interested in speaking than in Richard). It was also quite refreshing to be in an audience and see the performer instead of a sea of disembodied arms rising from the dark theatre holding aloft smart phones recording the show.

There are people of all ages; they’ve responded enthusiastically to Steve and Richard, and the atmosphere was a very positive one.

Richard’s off to York for his next show tomorrow; we’ve all had an amazing evening – old favourites; great banter, young talent, and the protest spirit from the 60s is still there, along with that voice and that playing. I’m off home to listen to my newly-purchased Acoustic Classics, and book another date on this tour.

Acoustic Classics can be found at the usual record outlets, or at http://richardthompson-music.com/ where info on tour dates, news and other merchandise can be found.

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Aug 292014
 

Celebrate Aberdeen logoWith thanks to Paul Beaton.

The Granite City will erupt with colour and talent this weekend when an event aimed at celebrating all that’s great about Aberdeen takes place.

The gathering, Celebrate Aberdeen, will feature the very best in local talent, with a host of performers and community groups set to take to stages within the city’s Union Terrace Gardens and Academy Shopping Centre courtyard, as well as on Denburn Viaduct, St Nicholas Deck and St Nicholas Street.

The stellar line-up features more than 70 acts, including the Aberdeen Rock Choir, north-east wrestling organisation, WrestleZone, and local comedy club Breakneck Comedy.

Meanwhile, an event aimed at showcasing the city’s rich cultural diversity will also be incorporated into Celebrate Aberdeen, with One World Day organising a range of activities along Denburn Viaduct, where stalls will sell a mix of fairly traded and ethical goods, over the course of the weekend.

The group will also host a stage, where entertainers will perform music, dance, poetry, storytelling, and much more.

The wider Celebrate Aberdeen event – organised by the big-hearted team of volunteers behind the Celebrate Aberdeen Parade, in partnership with Aberdeen City Council – builds on the success of the parade, which saw more than 3,500 people from 130 different third sector organisations come together on three occasions to highlight the exceptional work carried out by local charities.

This new event, which is being sponsored by Aberdeen head-quartered oil and natural gas operator CNR International, has the same ultimate aim as the parade; to unite people in a positive manner to celebrate the great people of Aberdeen.

Celebrate Aberdeen’s Morven Mackenzie commented:

“We’re extremely excited that Celebrate Aberdeen is now upon us and look forward to treating the people of the city to an action-packed weekend.

“Organising the event has involved a lot of hard work but we’ve been overwhelmed by the response we’ve received from performers, businesses, charities and community groups, who have all been eager to celebrate all that’s great about the Granite City.

“We would just urge the people of Aberdeen and visitors to this great city to show their support by coming along and joining in the fun!”

More Info:

Facebook.
Weekend Schedule.

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Aug 292014
 

This is a great time to be a musician; it’s also a very hard time to be a musician as well. Arguably technology is behind this paradox. On the one hand, because technology has made it both easier to record and share new music, there has never been more competition in the music industry, and good bands have to stand out against a huge pool of talent all clambering for attention on YouTube and the like.

On the other hand, the ability to harness technology successfully is essential for fledgling acts and producers, and mastery of technology is what makes certain acts sound unique and separates them from the crowd. The more an aspiring musician knows about the aspects of the arts of performing and recording, the better their chances are for success.

The Ruptured Ducklings and their members are not leaving their success to chance; they’re going down every avenue of the industry, as I find out. By Suzanne Kelly.

DSC_0031Jonny Lees and Calum Farquhar meet me at their new recording studio/practice space in Aberdeen called D-Range, off Holburn Road. Tucked away in a beautiful garden setting, D-Range is in pristine shape.
The two met at Aberdeen College, both studied music and went on to complete an HND in Sound Production.

Their main music preference is for Rock but they have a wide music taste; Green Day was mentioned, as was admiration for Butch Vig, producer of Nirvana’s Nevermind.

Partners Lees and Farquhar have designed an impressive recording/rehearsal room and offer state-of-the art engineering/production facilities. Local acts are beginning to gravitate to D-Range, but that is only part of Lees’ and Farquhar’s enterprise.

The duo is in a band together.

The Ruptured Ducklings are Jonny Lees – Vocals; Mike Love – Lead Guitar (Backing Vocals); Calum Farquhar – Rhythm Guitar (Backing Vocals); and Allan Constable – Drummer. The act has just had a date at the Moorings which went down very well by all accounts. They have another gig coming up on the 20th September at The Moorings and will be giving away free EP’s. The band can be found on Facebook; they can also be found on soundcloud.

Calum and Jonny’s interests aren’t limited to running the studio and promoting their band; they are working towards launching their own label.

The_Ruptured_Ducklings_LogoWe discuss the pros and cons of music in Aberdeen; the two think the city is in one of its upwards cycles. They feel the opening of the venue Downstairs and acts like Semperfi and Akord who played download last year are helping to bring a positive energy to the local music scene.

They are very interested in helping young, developing talent. They want to bring high standards of recordings up in Aberdeen so bands don’t need to go elsewhere for the standards they require. And it seems to me that they have a great deal to offer in that regard.

What does the future hold for D-Range? Their plans and services include monthly live streaming of bands, hosting band nights, voice overs for tv & radio, selling Acoustic Treatment products. D-Range also offers low tutor/solo rates between 10am – 5pm Monday to Friday. Their goal is to constantly sustain their high standards; I think they definitely will.

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[Aberdeen Voice accepts and welcomes contributions from all sides/angles pertaining to any issue. Views and opinions expressed in any article are entirely those of the writer/contributor, and inclusion in our publication does not constitute support or endorsement of these by Aberdeen Voice as an organisation or any of its team members.]

Jul 182014
 
Hot-Seats-2

The Hot Seats tour Scotland for the sixth time.

A band that has appeared at just about every major festival in the UK, Virginian livewires The Hot Seats, return to tour Scotland for the sixth time, says Brookfield Knights promoter Loudon Temple.

After gracing Gateshead’s Summertyne Americana Festival, Scottish fans will get the chance to hear blistering material from their brand new album, officially released to coincide with their arrival.

The Hot Seats have been praised following performances at prestige events including Celtic Connections, the Didmarton Bluegrass Festival, Maverick Festival, HebCeltFest, Speyfest and Edinburgh Festival Fringe.

They picked up a Herald Angel, the biggest accolade possible from Edinburgh, for their outstanding contribution during a sell-out run at The Spiegeltent.

They were hailed as one of the outstanding acts at last year’s Shetland Folk Festival, winning attention with their fiery brand of blistering Appalachian old-time mixed with left-of-centre bluegrass and a sprinkling of their own compositions.

Frontman Josh Bearman, a multi-instrumentalist, like several of his sidekicks, said they were delighted to be heading back to NE Scotland where they are no strangers.

It’s great to play on the big festival stages, but we love it too, whenever we get a chance to take our music into the more intimate performance spaces,” he said,“We’re playing at three UK festivals this year, as well as returning to some smaller clubs and halls, so the balance is just how we like it.”

The band started out fine-tuning their skills on the redneck bars and college clubs circuit where they experimented with a suitcase-full of assorted toys to supplement the guitar/mandolin/banjo/fiddle/bass line-up, employing everything from jawharp to washboard, tin can percussion and vintage trap-kit drum set.

Their original music is simultaneously hard to classify and is instantly identifiable, combining the virtuosic soloing and tightness of bluegrass, the band-driven rhythm of old time, the jerky bounce of ragtime, and the swagger of good old rock and roll.

NE Scotland dates are:

Thursday July 24 Universal Hall, Findhorn
Friday July 25 Glenbuchat Hall, Strathdon
Saturday July 26 The Salmon Bothy, Portsoy

According to the critics…

“Astounding” – R2
“Old-time music with attitude” – The Washington Post
“Bonkers but brilliant” – Maverick magazine
“Sensational” – The Herald
https://aberdeenvoice.com/2013/07/the-hot-seats/

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Jul 182014
 

Over five thousand Aberdonians packed the city’s Duthie Park for a free screening of The Royal Opera’s production of Puccini’s opera La Bohème last Tuesday evening. By Duncan Harley.

La Boheme Duthie Park small

Sponsored via a partnership between The Royal Opera House, BP Big Screen and eighteen other UK councils, Aberdeen was fortunate indeed to have been chosen as the sole Scottish venue for the event, which involved simultaneous screenings of a live performance at the Royal Opera House in Westminster’s Covent Garden.

With ticket prices at the London venue averaging around £140 per head, the ‘bring your own seat’, free outdoor event proved to be a resounding success, both entertainment- and weather-wise.

A timeless, potent and heartbreaking tale, Puccini’s La Bohème was first performed in Turin in 1896, just thirteen years after the 44-acre Duthie Park was laid out.

Based on a collection of vignettes penned by Henri Murger and depicting Bohemian life in the Latin Quarter of mid-19th Century Paris, the storyline describes the love and lives of the main characters, Mimi and Rodolfo.

Although performed by The Royal Opera Company as far back as 1897, this week’s production dates from 1974 and has John Copley directing, with Cornelius Meister conducting. The role of the poet Rodolfo was performed by Italian tenor Vittorio Grigolo with Romanian soprano Angela Gheorghiu as the doomed seamstress Mimi.

Sadly, Aberdeen will not be hosting the September offering from the BP Big Screen, and so those wishing to enjoy Verdi’s Rigoletto on September 17th will need to nip over the border to the likes of Plymouth or Bristol, before speeding back the next day in good time to cast their vote in the referendum.

As an alternative, Scottish Opera will be touring with Rossini’s comedy La Cenerentola at the end of the year, with live performances in Glasgow, Edinburgh, Inverness and at His Majesty’s Theatre in Aberdeen.

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Jun 242014
 

Jasmine Minks release a new single in tribute to a lost friend and colleague, and stalwart of Aberdeen’s early indie/punk scene.

Jasmine MinksBackground

Positivity is required. It’s 2014 and the World Cup. France are flying, England are…. well, doing what England tend to do in World Cup finals… keep everyone on tenterhook’s as to how it will go.

Scotland didn’t make it but we did beat the 2006 runners-up France on their own turf which felt as good as winning the world cup and the Jasmine Minks were there to witness it.

It was to be the last real get together for us with our friend and roadie Mark (aka SCARS). He died not too long after.

This song is a tribute to the Man; he was a soul that shaped us in so many different ways. He was one of us. It’s a song about remaining strong through a time of change and so often to many adversity and worry.

Production rationale

The main constraint to music these days is appetite. What drives us to keep on doing what we do? Positivity that’s what!

We believe in the capacity of (good) music to make a change for the better. We made a positive change. We have for the first time in a career spanning over 30 years included the bagpipes on a Jasmine Minks song.

Think the Minks meet McCartney on a boozed up Mull of Kintyre giving it a “wishing we were Brian Wilson” kind of vibe with some Jethro Tull flute thrown in for good measure with a twist of guitar alongside power drumming and you have a cocktail to provoke the senses that will leave them shaken and most likely stirred too.

Investment rationale

We made a genius move and have invested our lives in building our WALL – this WALL enables us to do our thing despite being in different areas all over the place – it’s a construction of our Work Art Life and Love

We did it ourselves via technology, the internet and the skill set of a group of musicians spread from fields afar such as Norway, Aberdeen and Glencoe to the London outskirts of Sutton to make this positivity happen. We hope you enjoy!

Available via digital download from iTunes, Amazon etc from 22nd June.

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Jun 242014
 

There’s a weekend of top punk bands playing next month at The Tunnels. Voice’s Andrew Watson previews this upcoming event.

Oi Polloi

Oi Polloi

‘Freedom of Aberdeen City’ is the area’s summer punk rock festival which is brought to you by DIY promoters Bile Yer Heid and Eck Ruffneck on Friday 4th at 18:00 and Saturday 5th July at 13:00.

Friday’s lineup is Steve Ignorant & Paranoid Visions, Rubella Ballet, Shatterhand, The Cundeez (Dundee) and local noise punks The Obscenities.

Paranoid Visions are Ireland’s most infamous punk bands, and have Steve Ignorant, the vocalist from Crass, guesting on this year’s tour.

Rubella Ballet, who scored a Top Ten hit in the UK Indie Charts, will be playing their first Scottish gig since the early 1980s..

Saturday sees The Mob, Oi Polloi, Hooligan (Dublin), The System (Wigan), Black Light Mutants (Manchester), Battery Humans (Northumberland), Subvision (Fife), Down To Kill (Edinburgh), The Eddies (Dundee), Aberdeen City’s Toxik Ephex, Against All Flags (Inverness/the West Highlands), and Aberdeenshire’s Mark Ayling and Skizofrenik.

The Mob are straight off the back of a USA tour, having recently reformed. The south-west of England melodic punk band have not played Aberdeen since around 1983.

Oi Polloi return to Aberdeen for the first time in three years and have new, original Gaelic-language numbers to play for the punks and skins.

This will be a complete one-off event with many notable and influential political punk rock acts, coming from all corners of England, Ireland and Scotland.

A Friday gig ticket is £15 for five bands, a Saturday gig ticket is £15 for thirteen bands. To see all eighteen bands over the two days duration is only £25. Tickets are available from Cafe Drummond, or from www.bileyerainheid.blogspot.com.