Oct 312014
 

Ags ConnollyBy David Innes.

With a growing reputation for giving classic country writing and performance a new, contemporary British sheen, Ags Connolly impressed a respectable Blue Lamp crowd keen to see if the favourable reviews could be borne out.

It should never have come down to his competing with the Dons re-arranged Friday evening home game against Motherwell.

This show was trailed months ago, but promoter Martin Raitt is a Dons fan too and has no plans to organise gigs for 3pm on Saturdays, if they are ever played at that time again.

Coincidentally Ags revealed that his favourite player is Dons legendary ‘keeper Jim Leighton and wore red since he was in Aberdeen.

The songs from his debut album How About Now were the core of his interval-scorning 90 minute set, interspersed with classy songs from Connolly’s heroes and influences, including Kris Kristofferson, Shel Silverstein, Robert Earle Keen and Guy Clark.

Responding to audience requests, Ags delivered Johnny Paycheck’s ‘Trusty Companion’ immaculately, and led a Dale Watson singalong of ‘I Lie When I Drink’. The autobiographical ‘I Saw James Hand’, from How About Now paying homage to the ‘hillbilly spirit who appears as a man’ was followed by a Hand song in tribute. His single ‘When Country Was Proud’ was enthusiastically received, ‘my rant’ as he described it.

It is heartening that the original Connolly material, including the road-tests of new songs which he claimed tongue-in-cheek would ‘be on a bootleg within hours since this is no doubt being streamed to a pirate website’ stood up very favourably in the company of those of the giants to whom he paid tribute.

It was a delight to spend a couple of hours in this hard-working and affable man’s company. That second album promises to be a treat too.

Links:

www.agsconnolly.com
www.almostbluepromotions.com
www.youtube.com/watch?v=PPiEWhI_YaM

Oct 312014
 

Phil clouts at pianofeatWith thanks to Cindy Douglas.

Capetown-born pianist-composer Philip Clouts takes his new quartet to Scotland for the first time on a tour from Nov 1 featuring Aberdeenshire-based singer Cindy Douglas on the opening concert.

Clouts is steeped both in the music of his native South Africa and in a diverse range of world music  he has explored to critical acclaim with his larger outfit ZubopGambia (featuring BBC World Music award winner Juldeh Camara) and which continues to inspire his compositions.

His new group, which features saxophonist Tom Ward, of the Madwort Saxophone Quartet and Porpoise Corpus, former Yasmin Levy bassist Tim Fairhall and Yamaha Jazz Scholarship-winning drummer Dave Ingamells, plays uplifting melodic jazz in moods ranging from lilting calypso to driving Latin American grooves, hypnotic swirling melodies, klezmer, township rhythms and gospel-fired hymns.

After living in London for many years and building a career that has included appearances at Ronnie Scott’s, Symphony Hall, and Glastonbury and Womad festivals, Clouts moved to Dorset where he has added music reflecting the sights and sounds of the area to his canon.

He issued the first fruits of this new phase on the album Sennen Cove in 2010, attracting airplay on BBC Radio 3, Jazz FM, UK Jazz Radio, and Radio Bremen. A further album, The Hour of Pearl, followed in 2013, receiving enthusiastic reviews from leading UK jazz magazine Jazzwise and The Guardian and wide exposure on radio.

The album, which takes its name from American author John Steinbeck’s description of “the interval between day and night when time stops and examines itself,” will form the basis of the new quartet’s repertoire on this tour.

“Pulsating groove-orientated music…distinctive…spiritual and soul jazz…strongly melodic themes” – Jazzwise

“Combines lightness of touch with a rhythmic sensibility: a winning combination.” – All About Jazz

Sat Nov 1With special guest Cindy Douglas: Auchenblae Village Hall, Main Street, Auchenblae, Laurencekirk AB30 1WQ 8pm 07840 884973 www.cindydouglas.co.uk

Sun Nov 2: The Jazz Bar, 1a Chambers Street, Edinburgh EH1 1HR 9pm 0131 220 4298 www.thejazzbar.co.uk

Mon Nov 3: The Inn at Lathones (By St Andrews), St Andrews KY9 1JE 9pm 01334 840494 www.mundellmusic.com

Tue Nov 4: Lemon Tree, West North Street, ABERDEEN, AB 24 5AT 8pm 01224 641122 www.aberdeenperformingarts.com

Wed Nov 5: Glasgow Woodend Tennis & Bowling Club, 30 Chamberlain Road, Jordanhill, Glasgow G13 1QG 07944354459

Thu Nov 6: Carnegie Hall, East Port, Dunfermline KY12 7JA 8pm 01383 602302 www.onfife.com

Oct 242014
 

With thanks to Rob Adams.

cloutsYou don’t need a degree in Social Anthropology from Cambridge University to play jazz, but it certainly helped pianist and composer Philip Clouts.

South Africa-born Clouts, who brings his new quartet to the Lemon Tree in Aberdeen on Tuesday, November 4th as part of a Scottish tour, was just finishing his studies at Cambridge when he had an epiphany.

Realising that he wanted to contribute to his own culture instead of studying others, he decided to concentrate on music and specifically the South African jazz style that had followed him to London, where he grew up.

“At that time in the 1980s there were many exiled South African musicians in London,” he says.

“Some, like Dudu Pukwana, the great saxophonist, had come over in the 1960s, as my own family had done, with the Blue Notes who became celebrated very quickly for their vibrant music. But there were others from a younger generation, including drummers Brian Abrahams and Thebe Lipere and for me, most notably the pianist Bheki Mseleku who was a great source of inspiration, and who mentored me for a short while.”

The group that Clouts formed on returning to London from Cambridge, Zubop, benefited as a whole from the exiled musicians’ input into their playing. As well as Mseleku showing Clouts the ropes, Thebe Lipere joined Zubop for their first few gigs, playing his distinctive African drum kit, and with this “rubber stamping” of their efforts, the band went on to be very popular on the live music circuit.

The band subsequently expanded into ZubopGambia, which featured the BBC World Music Awards-winning riti, or one-string fiddle, player Juldeh Camara.

In 2006, Clouts decided to leave London for Dorset and began a new phase of music-making, inspired by the coast where he lives. He continues to draw inspiration from South African music and from music from all around the world, including Cuba and South America, but something of his father, respected poet Sydney Clouts’ talent has emerged too in Clouts’ compositions, inspired by the Dorset landscape.

“There are ways in which my composing has been shaped by both my father and my uncle Cyril Clouts, who was a musician and composer too,” says Clouts, whose new group features saxophonist Tom Ward, bassist Tim Fairhall and the Yamaha Jazz Scholarship-winning drummer Dave Ingamells.

 “Cyril created very expressive music in the 1960s and 1970s and my father was profoundly affected by the landscape around Cape Town, and I like to think that living near the sea has drawn me closer to his ability to express his response to nature, except I use notes where he used words.”

Oct 242014
 

Ags ConnollyfeatWith thanks to David Innes.

Ags Connolly, described as ‘the closest we’ve ever come to an English Willie Nelson’ by Duncan Warwick, of Country Music People, makes his Aberdeen debut at The Blue Lamp on Friday 24 November following on from his last Scottish show at Perth’s Southern Fried Festival in July.
His debut album ‘How About Now’ was released in February 2014 and reviews have been incredibly positive, especially for a first outing, and he has just released a video for his first single ‘When Country Was Proud

Almost Blue Promotions are excited about their coup in bringing Ags north, and this show is guaranteed to add to the agency’s already-excellent reputation in the city and its hinterland.

What the reviewers have said:

“One of the best records you are likely to hear this year…so strong is Connolly’s writing, dare I suggest that Ags Connolly is the closest we’ve ever come to an English Willie Nelson? Yes, he’s really that good, and his voice is unique.” – Duncan Warwick, Country Music People

“How About Now is a masterpiece of British country” – Maverick

“A compelling debut” – Independent on Sunday

“One of the most promising new talents on the Brit country scene” – Record Collector

“Drop all the qualifiers, discounts, and rhetoric about origin, Ags Connolly deserves to be considered right beside his Stateside counterparts as one of the carriers of the country music holy ghost whose carefully-crafted songs can speak to the human heart universally, irrespective of borders” – Saving Country Music

“Extraordinarily accomplished…hard to believe that it’s a UK product. As good a country record as you’re likely to hear from anywhere this year” – Flyinshoes Review

Tickets are available now for £8.80 from

http://www.seetickets.com/event/ags-connolly/the-blue-lamp/803674/ or http://www.aberdeenperformingarts.com/events/ags-connolly

Buying directly from www.almostbluepromotions.com/#!buy-tickets/cq91 will avoid the booking fee, or, if there are tickets left, they’ll be available at the door for £10.

Links:

www.agsconnolly.com
www.almostbluepromotions.com

Oct 202014
 

614717_147651478707521_945393330_oWith thanks to Mike Tyers.

Interesting Music Promotions are delighted to announce a special tribute night in honour of John
Peel.
Ten years on from his untimely death, we will honour his memory and legacy by having a whole evening of eclectic music, lots of fun & a dance floor rammed full.

This Saturday 25th October #KeepingItPeel, no less than 7 local acts present great value for a reasonable ticket price, and represent the variety and that enthusiasm for the unique and unusual which John Peel will always be remembered.

Kasule:

Longstanding friends of IMP, “the best band you have never heard of” are utterly sublime, producing a unique post rock/electronica/dancey vibe.
https://www.facebook.com/pages/Kasule/212273908783486?fref=ts

Min Diesel:

Local indie band who are definitely moving out of the lofi into even more interesting music territory.

“An impatient Dinosaur jr (or) Shellac with more soul” – The Fly

Debut album out very soon.
https://www.facebook.com/pages/Min-Diesel/122142337808269?fref=ts

Autumn Hang (Dub Set):

Another local who is prolific at turning out cd’s and is starting (quite rightly) to get more live shows. His set tonight will be electronic based but we will “expect the unexpected” as we always do and we will delight in what he offers up.
https://soundcloud.com/autumn-hang

Kitchen Cynics (special Peel tribute):

Local music genius. There, I’ve said it. Expect something poignant and great for this special event.
https://www.facebook.com/kitchen.cynics?fref=ts

Sonically Depicting:

A new experimental band featuring Haylan Jay & John Cavanagh ( he of the walking music encyclopaedia & Scottish BBC). They are so new we don’t have a link to this project…yet.
https://www.facebook.com/john.cavanagh?fref=ts

Best Girl Athlete (Minty Fresh Records / Fitlike Records):

Without doubt one of NE Scotland’s best comedy acts, they are also very fine in the music they produce. Best new duo in Aberdeen in our opinion …Simply do not miss. They have  just signed to the really cool American label Minty Fresh Records as recently highlighted in a superb review of them in the Evening Express.
https://www.facebook.com/BestGirlAthlete?fref=ts

Strawberry Wine DJ’s:

Spinning some Peel faves and beyond. Amazing music knowledge and depth, and always hearing great new (old) music from their nights at Cellar 35.
https://www.facebook.com/pages/Strawberry-Wine/219642591474608?fref=ts

All proceeds after artist expenses to appropriate local or Scottish music charities to enhance musical inspiration.

Saturday 25th Oct 2014
Tunnels 1
Aberdeen
8 till late

Early bird tickets £7.50 available from – https://www.wegottickets.com/event/277357

Links:

http://keepingitpeel.wordpress.com/
https://twitter.com/keepingitpeel
http://www.facebook.com/interestingmusicpromotions.
http://www.twitter.com/IMP_aberdeen
https://www.facebook.com/events/760708197309272/

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Oct 172014
 

Sunset SonsWith thanks to Chuff Media.

After a great year that has seen them play the prestigious Reading and Leeds and Boardmasters festivals, Sunset Sons, are heading out on a UK headline tour to support their new EP ‘No Bad Days’ (Polydor).
The tour starts at Cafe Drummond in Aberdeen on October 24th.

The Anglo-Aussie four piece have unveiled the official video for ‘Remember’, the lead track taken from their upcoming release,

Shot in the idyllic French surf commune of Hossegor where the band currently live, the ‘Remember’ video perfectly encapsulates Sunset Sons, cutting between shots of friends and locals living in the town and blistering live performance footage.

The tour includes a stop at the riverside venue Tamesis Dock for an intimate 150-capacity show before heading to Koko to play Club NME.

‘Remember’ is being released as part of the No Bad Days EP which is out on October 26th. This EP follows their debut release earlier this year, the Le Surfing EP which garnered much attention and firmly established Sunset Sons as the band to watch for 2015. Building on a dedicated community of fans in coastal UK towns, the band are picking up steam with huge support at national radio and champions in Fearne Cotton and Zane Lowe.

Tour Dates:

October 24th – Café Drummond, Aberdeen
October 26th – Sound Control, Manchester
October 28th – Oporto, Leeds
October 30th – Tamesis Dock, London
November 1st – Sticky Mike’s Frog Bar, Brighton
November 2nd – Sin City, Swansea
November 3rd – Cavern Club, Exeter
November 5th – The Hub, Plymouth
November 6th – The Watering Hole, Perranporth

 

Oct 172014
 

When Spear of Destiny played the Moorings Bar this past Saturday, it was a case of ‘they came, they saw, they conquered’ (in the words of Dod Morrison). Suzanne Kelly agrees.

Spear of Destiny (4) - Credit Julie ThompsonSpear of Destiny’s  show last year in Aberdeen was a powerful, heady affair.

This year was another triumph, and surely one of the best nights at the Moorings or any other local venue in ages. Striking new material from the new album XXXI added to the evening beautifully.

The  line-up if it needs re-stating is Kirk Brandon (guitars, vocals), Craig Adams (bass), Mike Kelly (percussion), Adrian Portas (guitar) and Steve Allan-Jones (keyboards).  If you’re touring exhaustively as they are, keeping things fresh for your audience is hard work – but they did it.

The set list was spirited away after the show by a frenzied, deliriously happy ‘Big Steve’, and alas, I can’t tell you precisely what order the music came in. I sort of just remember the overall effect of time going too quickly and overwhelmingly powerful, varied material.

Spear of Destiny (6) - Credit Julie ThompsonThe new track Sputnik was introduced by Brandon talking about the Russian satellite programme Sputnik and the monkey and dog it sent into space – the audience and Brandon were making animal noises, and it was all good fun.

Last year Brandon asked about the referendum, and took a little vote which saw the audience nearly split down the middle.

It might have been a bit soon for some to have contemplated the referendum result, and I’m glad he didn’t go there.

Sputnik, Titanium Man and Here Comes The Sun are infectious tracks from the new album; they went over beautifully.  World Service had the whole room singing.  Babylon’s Burning was covered powerfully (NB – The Ruts come to the Moorings soon), and we were left wanting more.

Apparently a review requires some negatives for balance, but I’m finding this a struggle. We didn’t get to hear everything we wanted to hear, but with a 31 year back catalogue, there was never going to be time to play all the favourites. (The only other criticism is that Kirk Brandon doesn’t seem to like BrewDog, proving that no one is perfect).  Wish I’d seen the opening act for that matter as well.

Spear of Destiny (5) - Credit Julie ThompsonIf I can’t find a bad word to say, then neither can any other person I spoke to on the night or who came forward since. Here’s what longstanding as well as new fans had to say.

Roddy Kennedy:

“Kirk’s been my hero/idol for near enough 3 decades so to have a wee chat like that with him was brilliant [note – the band could not have been more accommodating to their fans after the show – SK] I dunno if my review will be balanced, after all they are my favourite band of all time, but it’s definitely one of their best performances up here. Here Comes The Sun, The Wheel, Titanium Man and Babylon’s Burning were the stand out tracks for me and of course Liberator is always a crowd pleaser.”

Photographer Dod Morrison [who has seen god knows how many acts] :

“Yet again SOD came saw and conquered an captivated Aberdeen audience , they come back year after year and never disappoint…”

Shaun Young:

“SOD brilliant as always. great set list too, played all my favourites the new album I never listened too yet but sputnik and titanium man I think sounded great. the one that stood out was world service still sounding great so overall really enjoyed the gig and wouldn’t hesitate going to see them again. 5 times I’ve seen them now everytime’s a belter of a night.”

My friend Alex (who great  enjoyed speaking to Mike Kelly, who was most generous with his wine):

“Spear of Destiny gig – As a total newbie who has never heard any of their music I thoroughly enjoyed the gig. I’m a staunch lover of rock music and there were plenty of beats to enjoy bobbing around and stomping my feet to overlaid with some powerful vocals and catchy rhythms. Excellent performance, would see again.”

Victor Beattie:

“they were great. Mr Brandon’s voice has passed the test of time and their new material stood well with the old. The crowd seemed to enjoy it and I’d definitely go to see them again..”

A virtually unanimous thumbs up from a diverse audience.   Thank you Spear.

On a personal note.

Spear of Destiny (3) - Credit Julie ThompsonA failing on my part, which I can’t fully explain, is that I had never seen them live before last year.

Perhaps I was busy with other bands and genres; perhaps it was that I’d only moved to the UK in ’88. (Likely because I also got very jaded with the industry – I’d worked in some majors and that brings cynicism, well for me anyway).

Most likely it was that I expect far too much from live music and stuck to acts I knew to be flawless live.

Les Paul set the standard by which I would judge any guitarist; I grew up (as far as I’ve managed to grow up) by seeing him play as often as I could. I’d happily (and fairly frequently) walk out on any act that got on a stage and proved to me their music was a studio engineering feat and not a musical one. I knew SoD from albums.

No one was going to play like that live and make it gel, never mind excelling the studio work. And certainly no one was going to sing like Kirk Brandon outside of a studio. So, I never saw them live until last year. I guess I had a wasted youth after all. There’s a reason that so many people have followed them faithfully for a remarkable 31 years.

I will be back for more.

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Oct 172014
 

Jim Jones RevueA roadtrip, three gigs in 2 evenings and a spot of sightseeing  proved an exhausting but exhilarating weekend in and around Glasgow for Voice photographer Julie Thompson.

It might seem a bit of a hike to head for Glasgow for a small gig but it WAS the last ever show in Scotland for the Jim Jones Revue. Combine this with The Undertones the following evening and it made the trip even more enticing.

So, a hotel was booked – not in Glasgow but a bit out of town on the seafront in Helensburgh, just a short drive from Loch Lomond, meaning we could add a spot of sightseeing to the weekend. There was no enticement to hit the city during the day – I’m not one for shopping.

So, early Friday evening we arrive at Òran Mór, the venue for the first gig. We’re early – and hungry – so we head for the bar to grab a bite to eat, bumping into a couple of well known faces on the way in, who are also down for the gig. The food was OK, basic, but tasty and very hot. Just what was needed.

Checking the time, we have to dash for the door and head down to the basement for the support, which was partway through the first song when we arrive so it was a bit of a mad rush into the pit for some photos before heading to the bar for a drink and a listen.

John J Presley (no relation, I think) were playing – a 3 piece consisting of 2 guys (lead/guitar & drums) and a girl (keys). Mellow, bluesy music with driving guitar from the lead. Bass tones come from the keys section along with the interesting addition of a Harmonium. We actually had a long discussion – and some internet searching – with Jim Gellatly, a familiar face from the festival circuit, about what the instrument was actually called.

John J PresleyÒran Mór itself as a venue was actually pretty good. There are layers to this converted church. Food is served upstairs, where there is also a function room, there was a wedding going on somewhere and the basement was the live music spot and separate doors take you to the different spots. A very versatile place.

The popular A Play, A Pie and A Pint thing that comes to The Lemon Tree every so often, has a home here. Starting in 2004, they do lunchtime sessions and now put on 38 new plays a year.

Of course, we were here for the Jim Jones Revue. They recently announced that they were stopping recording and that this was their last tour – the ‘Last Hurrah’ tour in actual fact – so we had made a special effort to make it down for this – their last ever gig in Scotland.

By now they will have finished their tour ending back where they began, in London, but leaving a lot of disappointed fans behind.

They began their set as they meant to go on – at 100 miles an hour – blasting out their old school rock and roll like it was going out of business. We had a mad 10 mins in the pit (the length of the first 3 songs) before squeezing into the crowd to watch the rest of the gig. It was hot, sweaty and bouncy, even that early on.

Up on the stage there was a lot of thrusting guitars, splayed legs – in fact, all the moves you’d expect to see. The crowd wasn’t much different except they were thrusting their mobile phones into the air.

I spent a bit of time trying to figure out who Jim Jones reminded me of. Then it came to me – he looked a bit like Alan Rickman (except he was packing a guitar and yelling into a microphone) in Dogma. Well, it made me smile.

Not having seen Jim Jones Revue before, I was totally unfamilar with their work. I’d heard they were worth catching live and they really were. I am very glad to have had a chance to see them before the end.

Before we’d left Aberdeen my gigging partner, G, had spotted that a band we’d been wanting to catch were playing their last residency gig at Broadcast in the city centre. It was a late gig, so the timing was perfect for us. We’d decided to wait and see how we felt after Jim Jones Revue before deciding whether to head down for our second gig of the evening.

Just across the road from Òran Mór is the Botanical Gardens, where we had parked, and walking back to the car we spotted a food van. The aroma captured us as we wandered past – we were hungry again after bouncing about for a couple of hours. We didn’t have the advertised Scoobie Snack (1/4lb burger, sausage, cheese, bacon, egg & potato scone, all in a burger bun – for £3.40) but we did demolish a cheeseburger each.

Laura St JudeReplenished and re-energised we headed off down the road to Sauchiehall Street for a spot of Baby Strange, arriving shortly before their support, Laura St Jude, was due on stage.

Broadcast is a small, low ceilinged space in the basement of a bar, across the road from The Garage (where we would be the following night) and accessed via a spiral staircase. It’s pretty dark and red lit, not the best place to be with a camera and no flash but we’re always game for a challenge.

We had time for a drink and a sit down before the music began. Laura St Jude is a bonny girl – all dark hair, long eyelashes, high heels, long legs and a lovely voice. Mellow tunes strummed on her guitar, supported on lead guitar by a familar face to anyone who has seen The Amazing Snakeheads (who recently played The Lemon
Tree).

Dale Barclay is a lot more restrained (and fully clothed) here. In fact, Laura has also been known to hop up on stage with The Amazing Snakeheads for a couple of songs – as she in fact did at The Lemon Tree just a few days ago.

The mellow music is a nice break from the fast and furious pace we’d just experienced and the place gradually began to fill up as the set progressed.

We’d last heard Baby Strange from a distance at the Wickerman Festival but I’d previously seen them in Inverness at the GoNorth music festival and had been hoping to catch them again. Here we got up close and personal with them and a very bouncy crowd – literally bouncing off the ceiling at times.

Baby StrangeThey’ve been doing a residency here at Broadcast for a while – playing here regularly and building up a following at the same time. It’s an interesting concept that some Aberdeen places could think about trying. Anyway, this is their last night of residency and they went out with a bang.

It was hot and sweaty and very lively, we had great fun here and G was pleased to finally have seen Baby Strange. They have a new fan and we hope they make it to Aberdeen sometime soon.

It was pretty late (early if you prefer) by now, so we went back to the car and began the drive back to the hotel. it was mostly motorway and pretty quiet so we made good time. I seem to remember faceplanting onto the bed and being off to sleep pretty quickly.

Morning found me a bit bleary but in need of sustenance. A walk along the seafront found a hot food shop where a bacon roll was gratefully accepted. I also managed to begin my Christmas shopping on the way back. Then we went for a drive up to Loch Lomond.

Heading north along the western shore we were disappointed by the lack of places to stop. There were lots of private no access roads until we got a bit further north. Then we hit the roadworks.

I’d forgotten the road got washed away some time ago and they are still fixing it. The queue northbound was maybe a half to three quarters of an hour waiting time. When we finally got to the head of the queue, the stop/go sign man let two lots through from the north with a long gap between where both ends had to wait (moving roadwork vehicles I guess), leading to a man in a car behind getting out to remonstrate with him.

We finally got through the fairlt hefty road workings only to find about 2 cars waiting to go south. We counted around 80 waiting to go north when we went back through a little later on.

Loch LomondHeading to a hotel/pub at the tip of the Loch we had a look in – it was dead and the car park was full of signs effectively saying ‘Don’t park here unless you’re going to spend money’ which put us off.

So we decided to get lunch elsewhere.

We stopped at one point and managed to get down to the Loch shores and had a wander along the banks.

There was so much rubbish there I spent some time picking up bits of emergency tape, old batteries and other nasties to dispose of properly. Not the reason we wanted to be there. All in all we found Loch Lomond a bit of a let down.

We found some information about the Loch Sloy hydroeletric scheme (the largest conventional hydroelectric power plant in the UK, begun in 1945, completed in 1950, built partially by German prisoners of war, 21 men killed during the construction) in the Inveruglas Visitors Centre and found our lunch in Luss, before heading back to Helensburgh to change and collect the gear for our next gig.

We were heading to The Garage – handily located across the road from Broadcast, so we were familiar with the area.

Supporting tonight were Esperanza – a fast 7 piece ska band, which struck me as a strange warm up for the Undertones. However they did a sterling job, and the place was busier than might have bee expected so early on.

The UndertonesThere was some jovial banter – ‘Hey Robert, where’s your hat’ – from a crowd who were obviously familar with them.

Their bass player is a tiny female, who was only slightly taller than her bass, sporting a batman belt buckle. Later we spotted her right in the middle of the lively moshing and having a whale of a time.

Ah, The Undertones. Tunes from my teenage years. I remember my first kiss – it was a guy called Nigel who cringed whenever a certain popular The Undertones tune came on the radio. Oddly enough, this was the show opener.

They have lost the distinctive vocals of Feargal Sharkey of course, but Paul McCloone provides a lively replacement.

Post photo shoot, we joined the crowd just on the edge of the moshpit. A few songs in, the bloke in front turned around and said ‘I apologise for what I’m about to do’ and with a giant grin he launched himself into the fray gone wild as ‘I’ve Got Your Number’ began.

The encore was 5 songs long, bringing the set list to 29 songs in total – and even then people did not want it to end.

Post gig, we located a fish and chip shop for some late night supper (bumping into one of the Security folk we’d seen in the Garage). G asked her for a funny story while we were waiting for the orders – she mentioned some of the things found when they searched people on the way in; a breast pump; one guy had some condoms, to which his girlfriend said ‘why have you got them, we don’t use them…’ – and so to the car and back to the hotel for bed.

Stirling CastleWe headed home cross country on the Sunday, the last day of the Ryder Cup at Gleneagles, joining the M9 at Stirling, stopping for lunch in a lay-by close to Stirling Castle while enjoying the view, before heading finally for home.
So back to my original thought – it might seems a long way to go just for a gig, but if you plan a little, you can turn it into something so much more. Why not?

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Oct 102014
 

With thanks to Jonathan Russell.

OneWorldDoveAberdeen and District CND will be hosting a Peace and Justice Concert at the Blue Lamp on Sunday afternoon 2-5.30pm on 19th October as part of a number of events for One World Week. There will be Music, Poetry and Dance performed by local artists from Scotland, India, Nepal, Vietnam, Germany, China, Japan, Spain and South America.

One World Week aims to bring people together across the world in the cause of Peace and Justice.  The event is dedicated to all people suffering injustice worldwide.

Artists playing will be Dave Davies and friends, Colin Edwards, Nigel and Mark Lammas, Precious Few from Köln in Germany, Nabin Chhetri Nepalese poetry, Rev Dr Isaac Poobalan and Dr Amudha Poobalan Indian music,

Mukal Dahal Nepalese poetry, Fuji Toyonobu and friends  Japanese music, Colin Edwards poetry,  Minh Tri Tran Vietnamese guitar, Yoleah You Li Chinese violin, Imagine ensemble, Tommy Campbell reading Hilda Meer’s poetry / Simon Gall sings Hilda Meers followed by Simon Gall and Xavier Ortiz sing Latin- Columbian music, Nepalese Dance, Javier Dominguez and friends Flamenco and Dance.

There will be a finale of Bob Marley’s One Love and Stand up for your Rights with everyone either playing instruments dancing or singing

The event is free but donations will be welcome for the Local CND group and the World Development Movement

Please come along and join in the fun

For further information please contact Jonathan Russell

E-mail: jhamiltonrussell@hotmail.co.uk
Mobile: 0758-245-6233

Oct 102014
 

carpenter n mayBy David Innes.

Almost Blue Promotions, to the delight of main man Martin Raitt, is starting to go places.

Or at least fill them, but the one downside to this increasing popularity is that they seem to attract a small
proportion of punters there to socialise noisily rather than watch and listen to the high quality acts now prepared to travel to our city.

It’s not unique to shows in Aberdeen; it’s a growing problem everywhere, disrespectful to performers, to audience members who can behave appropriately and to promoters like Martin who work hard to bring great music to what has been, for years, a neglected geographical backwater.

Fortunately, Tim Carpenter and Fred May, with co-conspirators Matt Flinner (banjo and mandolin) and the mischievous Todd Phillips on bass, delivered more than enough scintillating, swinging bluegrass to delight those there for the right reasons on the final night of their week-long Would It Kill You To Buy A CD? tour of Scotland.

The band’s stirring set was a sublime combination of fleet-fingered instrumentals and respectful and often unique takes on material by, among others, Merle Travis, Flatt and Scruggs, Tom Paxton, The Mississippi Sheiks and Woody Guthrie.

‘When You’re Smiling’ has been recorded, re-packaged, kicked around and generally abused by performers and producers alike since Satchmo made it a standard in the 1920s, but in the hands of these maestros it was delivered with almost visible swing and jaw-dropping instrumental prowess.

Everybody and their bar band has covered a Lennon and McCartney song, but We Can Work It Out is rarely given a makeover, never mind such a wistful but energetic 22-string melodic assault. I’m sure that Tim’s guitar solo is making George Harrison smile somewhere.

The band’s great friend, fiddler Ian Patton joined them for two emotional Celtic-flavoured tunes before, charging to a finish, Neil Young’s Out On The Weekend and Bill Monroe’s Jerusalem Ridge were given loving and lively Carpenter and May treatment.

Two encores, vociferously demanded, somehow managed to bring together the diverse and divided-by-decades joys of Dire Straits and The Stanley Brothers, as these marvellous craftsmen’s versatility and interpretive abilities dazzled the 80-strong Lampie crowd, privileged to be witnessing one of the live musical events of the year.

Links:

http://www.carpenterandmay.com/
http://youtu.be/RRaCLV3qYt4
http://youtu.be/HXhoc0_KeaM
www.almostbluepromotions.com

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