Jun 282013
 

Dr Paul Schlicke of the Aberdeen branch of the Dickens Fellowship has been in touch to confirm that an evening of first class Dickens-related activity will be going ahead on Tuesday 9 July in the University of Aberdeen’s Sir Duncan Rice Library.

Dickens, Journalism, and Fellowship: An Exhibition, Lectures and an Online Tour
will be hosted in collaboration with The University of Aberdeen Centre for the Novel and The Friends of Aberdeen University Library.

Dickens’s talents as a novelist and performer are well-known.

What can be overlooked are his considerable journalistic talents and his voluminous output, both as a Parliamentary reporter and as a periodical journalist.

Dickens lived in times of colossal social upheaval and chronicled the times as a journalist as well as a novelist.

To give further context to Dickens’s work in the journalistic field, visitors will have a unique opportunity to view the exhibition of 19th century journalism devised by Anthony Burton, Formerly Director of The Forster Collection at The Victoria and Albert Museum.

Paul is visibly enthused by the exhibition,

“The exhibition was devised for a conference on 19th century journalism at the University of Buckingham last year. It is quite simply stupendous. Don’t miss it! It will remain up in the library after 9 July”

The programme

5.30 pm: arrival, wine reception, and exhibition. Ground Floor Foyer, Sir Duncan Rice Library

6.00 pm: Lecture: An Introduction to Dickens’s Journalism by John Drew, Professor of English, University of Buckingham, and Director of Dickens Journals Online and Dr Tony Williams, formerly joint honorary secretary of the International Dickens Fellowship. Room 224, Sir Duncan Rice Library

6.40 pm: John Drew, An Online Tour of the Dickens Journals Online Project. Room 224, Sir Duncan Rice Library

7.00 pm: Tony Williams, A Brief History of the Dickens Fellowship. Room 224, Sir Duncan Rice Library

7.20 pm: questions and return to ground floor for final viewing of exhibition.

8.00 pm: Library closes

John Drew and Tony Williams are both particularly distinguished Dickensians and superb speakers. We are very fortunate that they are coming to Aberdeen, and they deserve a bumper turnout.

To plan for catering and seating, could anyone planning to attend please send an RSVP to scc.events@abdn.ac.uk

Jun 142013
 

By Duncan Harley.

I never really read Ian Banks. I mean, he was an Edinburgh man after all.
‘The Wasp Factory’ was published in 1984. My heroes then were Blair and Mandela.

Not the Labour Blair of course, but ‘Homage to Catalonia’ Eric Blair, and that Nelson Mandela man who was awarded the Freedom of the City of Glasgow.

My sons met him outside Glasgow City Chambers, just after the ceremony, but were then too young to recall the smiling eyes of the man and the air of peace and gentle power he generated.

Before his presidency, Mandela was of course an anti-apartheid activist and high ranking leader of the African National Congress, and its armed wing Umkhonto we Sizwe, which translates as “Spear of the Nation.”

Following his 27 years in prison on convictions for various crimes including sabotage but not murder, Nelson’s switch to a policy of reconciliation and negotiation led the transition to multiracial democracy in South Africa. Since the end of apartheid, he has been widely praised, even by former opponents.

Somewhat like Ian Banks however, Mandela will soon be out of this place except in our collective memories.

It was moving indeed to view the tributes to Ian’s passing. In particular I was struck by the fact that both Sky News and the BBC carried lengthy interviews with his writing and drinking pals. Also, the outpouring of dismay and affection by readers on the announcement by Ian regarding his imminent demise, spoke volumes about the impact the man made.

Comments such as “Ian Banks was a very sad loss, as for Mandela who can say anything but a working class hero” from Ruby Finnie, and Helena Petre’s “I’m sorry to hear about Ian Banks, loved his book about Whisky, and the TV dramatisations of his novels, though I did not read any of them”, say it all.

I may just buy the Wasp Factory on the strength of it.

The British National Party’s leader, Nick Griffin, has sparked some outrage

Then of course there are the detractors. As far as I am aware, the BNP have no issues with Scottish science fiction writers but it seems that in their view Nelson Mandela is a different matter.

The British National Party’s leader, Nick Griffin, has sparked some outrage with a series of tweets branding Nelson Mandela a “murdering old terrorist”.

Mr Griffin, who has been often been called a far-right politician, and who is of course NOT an MP, seemingly mocked the 94-year-old former South African president’s lung condition. He apparently wrote on Twitter that

“Nelson Mandela on last legs it seems. Make sure to avoid BBC when the murdering old terrorist croaks. It’ll be nauseating”; and

“‘Statesmen’ must be judged on results not rhetoric. Before Mandela, South Africa was safe economic powerhouse. Now crime ridden basket case.” Plus

“No surprise Mandela’s lungs are shot – all those burning tyres. Smoking necklaces very bad for the health.”

Love them or hate them, the BNP are seemingly here to stay. Nick Griffin is currently holidaying in Syria “on a fact finding mission”.  He will shortly be meeting President Bashar Assad in Damascus.

With rhetoric such as “What he wants is to let people have a proper view of what is going on in Syria, because at the moment all we have is William Hague and his infantile war-mongering” and “He wants to ascertain just how many British citizens are fighting out there for the so-called Free Syrian Army and other elements opposed to Assad” from BNP spokesperson Mr Simon Darby, plus of course the infamous statement that “He”, presumably Nick, “ is sick and tired of seeing lads from Manchester and Liverpool coming back in body bags or with arms and legs missing because the Government got them involved in business that isn’t any concern of ours”.

What can the BNP spokesman mean? Body bags, arms and legs missing? Surely that is President Bashar Assad’s job.

Sources

Mr Griffin on Mandela, a comment: http://www.urban75.net/forums/threads/nick-griffin-sparks-outrage-with-sick-tweets-about-nelson-mandela.311430/

Mail on Line: http://www.dailymail.co.uk/news/article-2339568/BNP-leader-Nick-Griffin-visits-Syria-receiving-invite-President-Assad.html#ixzz2Vw2UAIII

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Jun 132013
 

Hall Harper takes a few moments to contemplate the death of Iain Banks.

Like many others I was saddened this week by the news of Iain Banks’s death at the age of 59, only a couple of months after doctors had diagnosed him with gall bladder cancer and given him around a year to live.

I first became aware of his writing over 20 years ago when I found myself in Chelmsford with some free time between an early afternoon meeting and an evening dinner arrangement, and wandered into a local bookshop in search of something interesting.

Scanning the shelves, my eye was drawn to the name Espedair Street which, to someone born and brought up in Paisley, immediately brought to mind a road in the south of that town.

Standing in that booksellers in Essex, though, it seemed unlikely that this could relate to the same tenement-lined street of my home town, but a quick flick through the first few pages revealed that it was.

The result was that I bought the book and spent the next few hours totally immersed in a fascinating story that almost resulted in me missing my dinner date.

Over the intervening years I’ve read his varied output and was constantly amazed at the brilliance of a master storyteller whose diverse and quirky range of works were always intelligent, perceptive and witty. I must admit, however, that I haven’t explored the science fiction titles of Iain M. Banks, as I’ve just never been able to warm to science fiction as a genre, but that’s my problem.

But it was mainly the wit that I was always drawn to.

This week, I have heard many observers quote the wonderful first sentence of The Crow Road, “It was the day my grandmother exploded,” which, I would wholeheartedly agree, must surely be one of the wittiest and best opening lines in a modern novel.

Nevertheless, my first memorable encounter with Mr B’s wit was in the early pages of Espedair Street where he described one of the less-salubrious districts of my birthplace:

“Ferguslie Park lay in a triangle of land formed by three railway lines, so no matter what direction you approached it from, it was always on the wrong side of the tracks.”

Let me assure those who are not familiar with the area, aka ‘Feegie’ or ‘The Jungle’, that this is a description which says more than a 200-page dissertation ever could.

But wit was clearly an integral part of the man who recorded that his reaction to being diagnosed with the terminal condition which brought his life to such a tragically premature end on Sunday was, “along the lines of ‘oh bugger!’” and who later asked his long term partner, Adele Hartley, if she would do him the honour of becoming his widow.

Now that really is raising two fingers at death!

So while I mourn the passing of someone I believe to have been one of Scotland’s finest writers, I suspect he would have scorned any display of grief at his demise preferring instead that those left raised a smile and a glass to his memory.

So cheers Iain – thanks for everything!

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Jun 072013
 

David Innes reviews Dr Fiona-Jane Brown’s new book which is published this month.

This eagerly-awaited book has been trailed for quite a while, but at last Hidden Aberdeen is unveiled, in more ways than one.

First impressions are quite surprising.

Although written by an academic, Hidden Aberdeen is no wordy narrative; neither is it a history text.  It’s not even published in portrait, all of which gives it a welcome air of informality.

The cover is attractive – plain white with colour thumbnail photos of several of the mysteries on which the author sheds light inside.  It almost demands to be opened.

Dr Brown employs no stuffy language, neither does she let her explanations of each of the city’s historical and cultural features stretch to over 500 words.  Call that a page and a half.

Yet, the economy of language deployed and the open writing style will give readers enough insight to the subjects featured to encourage them to find out more for themselves.

Further research is made easier by the provision of a detailed and comprehensive bibliography.

So, this is more a guidebook than an in-depth investigation into hidden Aberdeen, structured geographically to allow its users to walk easily and quickly between the city’s mysterious but often highly-visible landmarks.

Anyone working in the city centre, or Old Aberdeen, for example, will be able to explore more than one nearby attraction and still have time for a lunchtime snack.

It would spoil the fun of exploration to list here the features Dr Brown enthusiastically introduces.

An idle half hour’s stroll, with a copy of Hidden Aberdeen tucked into a handbag or pocket to discover the city’s little-known physical history, will be time well spent by anyone with a sense of heritage and civic pride.

As has been demonstrated in the past couple of years, there are many around who have passion enough for their city to want to fight to retain its character.  For them, and for those just keen to broaden their knowledge, Hidden Aberdeen is an indispensable resource.

You can meet Dr Brown and have a copy of Hidden Aberdeen signed, at WH Smith, St. Nicholas Centre, at 13:00 on Saturday 8th June, or at Waterstones, Union Bridge (Trinity Centre) at 18:30 on Tuesday 18th June.

Hidden Aberdeen – History On Your Doorstep and Under Your Feet is published in hardback by Black and White Publishing and costs £9.99 from all good bookshops.

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May 312013
 

This has nothing to do with Derek McInnes keeping secret a raft of new players destined to bring the Dons trophies next season. Rather, it’s “a fascinating look at the history of the Granite City”, according to Black and White Publishing, learns David Innes.

“From Dr Fiona-Jane Brown, folklorist, educator, storyteller and founder of Hidden Aberdeen Tours, comes a book that will open your eyes to the hidden, the forgotten and the abandoned remnants of the past which lie under your feet as you walk round the city today.”

Our review copy is being digested by one of the Voice team, who almost qualifies as a forgotten and abandoned remnant of the past, and that review will appear in Voice very soon.

You can get your own copy and meet the author at the same time, as she’ll be greeting the public and signing copies of Hidden Aberdeen at WH Smith, St Nicholas Centre on Saturday 8 June and at Waterstones, Union Bridge on Tuesday 18 June.

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May 272013
 

By David Innes.

The March and April meetings of the nascent Dickens Aberdeen group saw lively discussions of Hard Times Parts 1 and 2 take place, and the rest of that less well-known Dickens novel will be discussed at the group’s meeting on Wednesday 29 May.
The meeting will run from 1900-2100 at Grampian Housing Association, 74 Huntly Street, at its crossroads with Summer Street.

There is free parking adjacent to the building. Everyone is welcome.

Dr Paul Schlicke, a driving force behind the group, has also informed us of his delight that negotiations are well advanced for Dickens-related activities in July.

Professor John Drew of Buckingham University, project director of Dickens Journals Online, and Dr Tony Williams, past secretary of the Dickens Fellowship, will be in Aberdeen on Tuesday 9 July. They will be bringing for display the fabulous exhibition of 19th century journalism devised by Anthony Burton, emeritus curator of the collection of Dickens manuscripts in the Victoria and Albert Museum.

They will be giving talks that evening. Further details will be publicised as they come our way.

Keith O’Sullivan, Senior Rare Books Librarian of the University of Aberdeen’s Special Collections and Museums has been in touch to enthuse about the Wanderlust exhibition the Exhibitions Gallery. Details below are from the University’s website.

The exhibition at the Gallery of the Sir Duncan Rice Library features vivid writing contained in some of the travel journals and explorers’ notebooks held with the University’s Special Collections.

Wanderlust describes a yearning for distant places; an irrepressible compulsion to discover the unknown. Travel journals survive in many shapes and sizes. Spanning four centuries, not only do these writings give evidence of that compulsion to go beyond the horizon, but they also open an intimate window into lost worlds.

Gallery Opening Times

Monday to Friday: 10:00 – 16:30

Saturday 4 May – 1 June, inclusive: 10:00 – 16:00
Saturday 8 June – 7 September, inclusive: 10:00 – 12:30

Sunday: 12:00 – 16:00

scc.events@abdn.ac.uk

May 242013
 

Voice’s Old Susannah takes a look over the past week’s events in the ‘Deen and beyond. By Suzanne Kelly.

Another busy week flies past in our future Capital of Culture: this weekend sees some great artistic talent on show.  The Aberdeen Artists’ Society exhibition is a great, enjoyable, eclectic collection of contemporary art, currently running at the Art Gallery.

There were some interesting interactive works (bring your smart phone), a few very striking works (one by Mr Florence particularly caught my eye), and some intricate glass etching.

Keith Byres was one of the exhibitors, and I will be stopping by at Under The Hammer on Saturday to see some of his other new work.

The River Don Project is a collection of photographic images reflecting the River Don area. The opening for this show is on Saturday 1st June from 5pm to 7 pm in St Machar’s Cathedral, and all are welcome.

Local photographers spent time with Alicia Bruce documenting the river. In particular there are some amazing wildlife images which caught my eye, of birds, seals and beautiful plants along the river. We have a great many artist-led cultural initiatives; please do show your support by visiting some if not all their shows.

The creative arts are assuredly flourishing, but perhaps it is in creative writing that our area truly excels. Never mind the likes of authors John Aberdein, Fiona-Jane Brown, Graeme Milne and Stuart MacBride; it’s the civil servants, planning officials, newspaper execs and ATOS which have provided some amazing prose this week.

People have sent me replies that they’ve had from ATOS and the Press & Journal. I think you’ll enjoy these. I’ve read the recent report by Anne Ramsay of Aberdeenshire Planning Office, recommending a green light for Trump, despite deviation from the approved plan. He got his way, which is of course a huge surprise.

He couldn’t have done it without Ms Ramsay’s report-writing skills. With a few strokes of the pen, a giant, unapproved bund of earth plonked in front of Susan Munro’s cottage, which brought many problems has been transformed into a landscape feature. The pen is mightier than the sword, or indeed than the truth in this case.

In fact, the pieces of writing I’m referring to are amazingly convincing, so much so that I want to share them.

You too will realise that the Trump course is the greatest spot on the planet, that the P&J is the champion of truth and accuracy, that ATOS really cares deeply about everyone it deals with, and that there are no drawbacks whatsoever to building an industrial marina in Nigg Bay.

It is time for some truth-related definitions and more importantly, some of the greatest examples of creative writing you’re likely to come across outside of a Jeffrey Archer novel. Diogenes was a figure in Greek mythology who searched high and low for an honest man. He clearly should have stopped into our Shire council offices and newspaper’s newsrooms.

Universalism: (noun) A school of thought in which truths are unchanging black-and-white facts acknowledged and recognised.

A Universalist believes that some truths are fixed and unchanging. ‘A Site of Special Scientific Interest’ means a legally-binding designation which protects areas from damage or development.  This would once have been an example of Universalism. In this school of thought, facts are respected and held to be true unless proved otherwise.

This school of thought has no business in the city or shire today. We are happy to compromise on inconvenient facts and truths concerning planning law, environmental protection, anything really, just to prove that we are ‘open for business’. What we need for the ‘smart successful Scotland’ we’ve been promised is a little less Universalism and a whole lot more Particularism.

Particularism: (noun) A school of thought in which ‘truth’ is subject to change, depending on circumstances, depending on relationships between people and groups, and other factors.

‘A Site of Special Scientific Interest’ means a flexible designation which may or may not matter depending on who wants the designation removed. This is an example of Particularism. And we certainly do have our own Particular brand of truth in the Deen.

Let me share some examples of this convenient form of truth to illustrate the point.

Letter from ATOS

You may remember a recent Aberdeen Voice article on the experiences of David Brazendale with ATOS. He was ordered out of his post-op bed to go and get a work assessment.

Arriving at the Aberdeen ATOS centre, he was told he’d have a two hour minimum wait. Any other person who’d just been under the knife would have been happy to sit on a hard chair in an empty waiting room for two hours or more.

I guess David was just being difficult, but for some reason, he wasn’t happy. To be fair to ATOS, there was a crowd of one other person in the waiting room. David really shouldn’t have bothered the terribly busy receptionist, but he asked if he could come back in two hours rather than hanging around. Obviously, this was not possible.

For some reason or other, David wasn’t satisfied with this state of affairs.

The written ATOS policy statement says people will be telephoned if there are cancellations or delays. Of course, people have no excuse, surgery included, for missing an ATOS appointment, and rescheduling is not an option given to the ‘clients’, as ATOS chooses to call people.

Mr Brazendale wrote a letter of complaint, and got a wonderful, warm, helpful reply:-

“I have obtained comments from the Service Delivery Manager responsible for Atos Healthcare in Edinburgh… I was very sorry to read of the upset and inconvenience caused by the waiting times….On this occasion the reason for Atos Healthcare not being able to conduct an assessment was because more customers attended appointments than anticipated and the assessments took longer than anticipated to complete, which caused a delay and in some cases, customers had to be sent home unseen …the receptionist did not call you beforehand to advise you of this, as she had no indication of how many customers would arrive for their appointment or how long each assessment would take.   I do sincerely apologise for the upset and inconvenience you have experienced…”

Some people might think the above is just a bunch of meaningless drivel with little application to the actual truth of the matter. But we know better, poor ATOS.

Not only do they seem to have no manager in Aberdeen, they have absolutely no way of telling who will come to an appointment or how long an appointment will last. Amazing. I pity the poor receptionist who has no idea who’s coming or how long they might be. Perhaps they are using crystal balls and tarot cards?

The way my medical practice operates is this. They have this thing called a ‘schedule’. They know how many doctors will be in each day, and they make these things called ‘appointments’ for patients.

They limit the number of ‘appointments’ and ‘patients’ so that there aren’t any long waits. If for instance a morning appointment was running very, very late, they would actually use a ‘telephone’ and call the next ‘appointment’ to let them know about the lateness. It is complicated, but I think ATOS should be told.

The worst part is that because of David’s selfish complaint, the poor, overworked ATOS manager had to look into the situation all the way from Edinburgh and issue a sincere apology. The ATOS manager is now probably very very upset and worried about causing someone an inconvenience, as they’ve never done this before.

David should be ashamed, and the manager should take some time off work to recuperate from stress, much like ATOS lets others recover from stress and illness.

Fabrication: (noun) An invention or creation; an untruth.

While I was trying to think of examples of fabrication, I coincidentally came across the web page for Trip Advisor.

I had been looking for reviews of the Trump course and clubhouse following a harsh Press & Journal review of the clubhouse restaurant. They’d only given it 27 out of 30 points, which just goes to show how fair and impartial the P&J is. While trying to find other reviews for this excellent restaurant, I wound up on Trip Advisor. Well, I was not sure whether I was on Trip Advisor or Confused.com…

Having read the superlative review by a Press & Journal writer of the Press & Journal Editor’s wife’s company restaurant, I expected that others would also adore the course and the food. From the polarised reviews of the course and the food, I felt sure there must be two Trump International premises in Scotland. To some reviewers one seems to be the best golf course ever invented.

To others, the Trump complex is an expensive waste of time and money. I suspect there is some fabrication going on.

Apparently there are people who actually place fake reviews on Trip Advisor! These people fabricate reviews to endorse or condemn hotels and resorts.

Clearly, it is a wonderful course with great food, all affordably priced and perfect.

Worse, these people often hide behind pseudonyms and/or don’t disclose whether they have a connection to the place they’re reviewing. I can hardly believe someone would conceal an interest in a place while writing about it, it’s enough to make a bride blush.

How can you tell which are genuine reviews and which are fake? Perhaps a clue can be found in how long the reviewer has been with Trip Advisor and how many other reviews they have submitted, I thought. You might for instance be suspicious of reviewers who have only reviewed one or two venues and who are brand new to Trip Advisor.

However, my theory didn’t stand up to the test, for many if not most of the pro-Trump reviews are from those who have only been to one other place and/or are brand new to Trip Advisor. Clearly, it is a wonderful course with great food, all affordably priced and perfect.

I suspect the people who said they didn’t like it are guilty of fabricating negative publicity, and the people who say it is great must be the honest ones with no possible self-interest. Here are some of the comments:-

Trip Advisor pro-Trump comments:  Obviously Genuine:

Tony M (1 review) “If you have one course to play in your lifetime, make it this one… facilities and staff are superb… (Trump) has done a fantastic job… only problem I can see in the future is if they stick this wind farm up….”

GolferKnowledge (1 review) “…the course is to-date in very good condition… extremely playable… not a course to miss if your [sic] serious about your golf.”

PHFJones (1 review) “(Trump) has created a wonderful addition to the top 20 courses in the world… if you like links golf, this is one that must be on your list…”

James B (2 reviews)  ”… if it is not listed as not just the best course in Scotland but the best course in the world in the next 5 years… then it is an absolute crime”.

It’s almost as if these people were reading from the same hymn sheet. Since they all agree, they have to be right. Now to the less favourable comments from people who think the greens are greener elsewhere.

Trip Advisor anti-Trump comments:  Obviously Fabrications:

Jack G (2 reviews)  “overpriced … must be to buy more grass seed as there is missing grass on the fairways, many more traditional links nearby for half the fee.”

StuckinAberdeen (5 reviews) “Half of the fairways looked like Roger Moore’s hairweave, acres of sandy soil crisscrossed by interlocking thin green lines of freshly planted grass that had failed to grow this season…. We were given no warning how poor the fairways were…The course should not be opened until it is in a playable condition.”

GeraintE (3 reviews) “the condition of this course is worse than any other I have played in Scotland. Staff are blaming the weather, but the fact is they have the wrong type of grass on the fairways!”

Poor Mr Trump! Poor Malone Bates! How anyone can complain about the marvellous course is unclear. I hope Trump will start issuing some more lawsuits to see off the fake reviewers, and that Trip Advisor will likewise have a look at the reviews on its website to see if there are any patterns indicating that fabrication is going on.

Disingenuous: (adjective) To knowingly feign ignorance or innocence; to distort the truth deliberately.

As you know, the happy union of Sarah Malone (VP Trump International, Face of Aberdeen) and Damian Bates (Press & Journal) is a fact – or Universal Truth, to use a previous definition. There is a marriage license.

Seeking more information on our favourite power couple, someone wrote to ask why the P&J didn’t make more of this happy event, which mysteriously got no press cover in Bates’ paper. I wonder why that could be. The letter writer asked why Malone, so often quoted in the P&J, Evening Express and more on behalf of Trump, and Bates getting married wasn’t front page news.

I am grateful to have been copied in on the wonderful response the P&J sent.  Here is what the P&J have to say on the matter:-

“Beware of using Private Eye as the sole basis for your assumptions about the Press and Journal! I would say their tone on this particular subject has been skewed in a certain mischievous direction. As a result, you have duff info, I fear: the Trump employee to whom you refer is not his “chief spin doctor” and neither has Press and Journal coverage been biased. Sorry to spoil the story!

“The integrity and fairness of the Press and Journal has always been one of our core strengths and remains so today. We actually check the accuracy of stories before publication, would you believe! If you were a regular reader, you would know this already. Perhaps I could interest you in taking a subscription!”

It may be tricky, but I suspect some Voice readers may spot one or two disingenuous sentiments in the above. And mischief making is going on as well! Never mind that the newlyweds have such mutually entwined interests, which no doubt adds to their marital bliss, the information is ‘duff’.

Sarah Malone, VP at Trump, might be the person in Scotland who makes the statements to the press, but clearly Private Eye’s description of her as ‘chief spin doctor’ is wildly inaccurate, and throws the whole story into disrepute. Alas! The story is spoiled, according to the email’s sender, David ‘whata’ Knight.

As to the Knight’s tale: the integrity and fairness of the P&J, and the accuracy of its stories, checked before publication, well, words fail me. I am certain Private Eye will now print a complete retraction and apology as soon as they are aware of Knight’s email.

Obviously our trusted officials, newspaper supremos, planning officers and ATOS managers  wouldn’t put pen to paper to say something which wasn’t true. The point is that truth is no longer straightforward.  I’m certainly not going to call any of the writers I’m talking about blatantly dishonest, self-serving, disingenuous liars, although I can see why some people might.

Next week:  Hopefully a reply from MEMAG:  they were asked questions about environmental protection at Menie as this is their remit.  I’ve been waiting since January, no doubt a detailed response to allay environmental concerns can’t be far off now.

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May 172013
 

Last week, Voice offered two copies of Richard Gordon’s marvellous Glory In Gothenburg as prizes for answering the question, “Who tripped as he dashed from the dugout at the final whistle in the Ullevi Stadium and was trampled all over by his fellow occupants of the dug-out?”. By David Innes.

It was, of course, the man who couldn’t be kept out of the news last week as he announced his retirement, Sir Alex Ferguson.
Hang your heads Bryan Gunn, Stuart Kennedy, Doug Bell, Ian Angus, Eric Black, Archie Knox, Teddy Scott and Roland Arnott. You have no respect, but I bet you laughed like overflowing Ullevi drains at the time! The gaffer probably did too.

Our lucky winners are:

Richard Simpson of Aberdeen whose book I posted through his letterbox personally on Tuesday night and Richie Bisset of Queensferry, whose copy was put in the post the day after. Both Richards are probably devouring their namesake’s mellifluous prose at a single sitting as we go to press.

Enjoy the prizes, fellas, and thanks again to Black and White Publishing for their donation. Commiserations to the others who entered but were unsuccessful.

Further good news from Black and White.

Hidden Aberdeen, a fascinating look at the history of the Granite City. From Dr Fiona-Jane Brown, folklorist, educator, storyteller and founder of Hidden Aberdeen Tours, comes a book that will open your eyes to the hidden, the forgotten and the abandoned remnants of the past which lie under your feet as you walk round the city today”.

This is being published very soon and the author will be signing copies in WH Smiths on 8 June and Waterstones (we’ll find out which one) on 18 June. A review copy is on its way and we’ll do the honours, of course. With a bit of luck we’ll have a word with the author and run that in Voice too.

May 092013
 

Voice’s Nicola McNally interviews writer Maggi Sale, and explores the fascinating background to her first book.

Nicola: Congratulations on the publication of Dying Embers and Shooting Stars, Maggi. You’re joining the ranks of Scots women authors such as Janice Galloway, JK Rowling, Carol Ann Duffy and Liz Lochhead.

Yet I feel your novel is more comparable with Aberdeenshire author Lewis Grassic Gibbon’s Sunset Song. 

Your Dying Embers and Shooting Stars is alternately forthright and lyrical, haunting and challenging, and beautifully written with a strong narrative voice.

You introduce us to a captivating, resilient and increasingly self-aware character, Margo, a Scots lass like Grassic Gibbon’s Chris Guthrie, whose life also reflects the social, political and spiritual background in her country. So, what inspired the title of your novel?

Maggi: I wanted to convey that sense of circularity and interconnectedness of all things…. ‘out of the ashes, the Phoenix rises’. The book cover also suggests that notion of ‘looking through/beyond’ and hopefully conveys the concepts of space and wonder which are so lacking in our modern lives.

“Margo” is pretty close to home, of course, and there is no doubt that the reader is invited into her head, but I’d like to think that the situations and circumstances that she experiences are recognisable as being fairly universal. Yes, a lot happened to young Margo, but she survived to tell the tale! I write from the perspective of believing that what matters is not so much what happens to you, as how you respond to it!

I’m very honoured that you should link me with the likes of Grassic Gibbon. All I’d really written before this novel were hundreds of Social Background Reports on other people. My role as an inner-city Social Worker gave me the Statutory Duty, but also great human privilege, to ‘do a nosy’ into people’s lives.

This was usually at times of great crisis and I was both fascinated and humbled by the current ‘human condition’ and how different folk dealt with the challenges that beset them. Many were broken by them of course, but some seemed able to tap into something deeper and I would then really enjoy the task of writing fulsome Court Reports that would ‘bring them alive’, or so said the Sheriff! But he still sent them down.

I didn’t set out to write a Book as such. Things happened that I felt the need to record and I would print them out on the work’s printer. Colleagues would pick them up while I was out on a home visit and I’d return to clamours of “more”! They would usually be falling off their seats laughing in the tea room. We really are a heartless lot.

There is nothing quite like walking the length of the country to get the measure of the land and its people

Increasingly though, I was approached by individuals who were personally touched by the ‘story’ and I started to realise that it might have real therapeutic value. So I continued, while working full-time and also hosting a Global Exchange Group from India, and a “Book” was born in exactly five months. Sunday was the only day I could really put aside for it, so the lads cooked….or starved.

Nicola: It’s a real Scots novel, isn’t it, in setting and language, with a great emphasis on traditional Celtic hospitality, set in Glasgow and Edinburgh, and with a Peace March through Scotland via Aberdeen in the plot!

Maggi: There is nothing quite like walking the length of the country to get the measure of the land and its people. I’d like to think that the book reveals the roots of Margo’s sense of common humanity, by which she strives to live. I have no idea whether the images in my head have been conveyed via words on the page to the reader’s inner landscapes, but I’d like to think so.

I think it was the ten years that I spent in Africa that gave me a perspective on this wee country of ours that I might never otherwise have had. My children spent their early years in Zambia and the book gave me a chance to record those early influences that determined many of the values by which we live to this day.

As a Scot, I was often treated differently to my English husband, and I was amazed at the affection that was expressed for the Scots, who have a tradition of living alongside the indigenous people of Central Africa.

The book gave me an opportunity to express my gratitude for being part of the ‘ben-the-hoose’ hospitality that I experienced in my own Scottish childhood and in Central Africa.

There is a theme of water flowing throughout the book and that is no  accident.

When you have experienced water-deprivation while trying to breast-feed your child, you never take it for granted again.

I have been very privileged to have lived in many diverse places and contrasting social conditions throughout my life, so let’s just say that I didn’t have to ‘imagine’ much when writing Margo’s story.

Nicola: So, was it your intention to present the often harsh realities of inner city life from a woman‘s perspective? And in contrast, the most beautiful and enduring aspects of the human condition from a woman’s perspective?

Maggi: Perhaps that’s what came through for you, Nicola, but that was not my intention. The main character is incidentally a woman, but the main thrust of the story is the pain and distress that results from denial, really. That can, and does, happen to anyone who is brought up in a culture of, ‘we don’t talk about that’!

I saw this so much in my professional life too, and it nearly broke me.

Another theme of the book is the help and support that comes from very unlikely quarters, and Margo’s growing realisation of the source of this as she faces many dilemmas. Confidentiality would prevent me from revealing the actual people concerned so the characters are composite and the situations are scrambled; but they reveal a human resilience in the face of adversity that often left me humbled.

I think we have lost our way as a coherent society in recent decades and the book certainly reveals the dark underside of lost generations who are turning to drugs and crime in place of a lost identity. But I hope it reveals their humanity too.

Nicola: There’s a humorous element to the book, in spite of the often painful subject matter. How important is this?

Maggi: Absolutely crucial! I was totally shocked when I first came to live in Glasgow and couldn’t believe it when the toddler would answer the door and call, “Maw! It’s the f…ing Social worker!”…and the reply would come, “Aye! C’min Hen! The kettle’s oan!” Coming from Edinburgh, via Africa and rural Dumfries and Galloway, I didn’t know what to make of it at first.

My colleagues were equally earthy and soon knocked me off my ‘professional’ perch. And really, when you saw some of the truly horrendous social situations and circumstances that we had to deal with, you either laughed, or you cried. And I cried! After four years, I suffered a complete mental and emotional breakdown and felt quite suicidal.

We have to accept that the FOSSIL AGE is OVER….or WE are!

But as is often the case, it was that total collapse that brought me face to face with myself, and the pretensions that held my own pain at bay! It was that earthy, and honest, Glasgow humour that got me back to work. I really learned to laugh, and I haven’t stopped since.

 Nicola: The book is published by Balboa Press, a division of Hay House, and you have very generously promised the proceeds from your book sales to causes close to your heart. Will you tell AV about these?

 Maggi: As a grandmother of nine creative young people, all of whom are gifted musicians, artists, performers and students, I have a huge vested interest in securing their sustainable future. We are living in very troubled, but dynamic, times and my work over the years with VSO Global Exchange has convinced me that we do indeed have a future; but only if we radically change our ways as a species.

I established a small group based on non-violent direct action principles called HOPE, or the Human Order for Peace on Earth. Over the years it has challenged nuclear waste dumping and nuclear weapons, and is currently challenging fracking, which is the chemical extraction of gas from shale, which threatens our very existence.

We have to accept that the FOSSIL AGE is OVER….or WE are! The choice is now water, or oil and gas! Scotland has the expertise, ingenuity and opportunity to seek and develop sustainable alternatives, and we must!

I also teach English as a Second Language to asylum seekers and refugees, and provide refuge and respite in my village home and practical assistance when they are given ‘leave to stay’. I’m a’ body’s ‘Auntie’ and they call me Bumma! We work on the basis of ‘Living Simply, that Others may Simply Live’…. and we are a’ Jock Tamson’s Bairns undivided by creed or culture.

I was also chosen as “Grandmother of the Burning Hearth” by the Grandmothers Circle the Earth Foundation. Their Hopi prophecy states, “When the Grandmothers speak, the World will be healed!” Perhaps my title of “Grandmother of the Burning Hearth” from GCEF had something to do with the ‘Dying Embers’ title of my book.

We now have a Council in Scotland and I’m the Granny of the Grannies, being the oldest at 70 in June! I have now used up all my savings doing this sacred work and any income from my book will allow me to continue.

Nicola: Thank you, Maggi Sale, for talking with us, and many congratulations on your book’s publication. Maybe it’s the first part of a trilogy, a Scots Quair for the 21st century ?

Maggi: As an honorary Glaswegian, my reply to that is, “Aye! Right!”

Further information:

Grandmothers Circle the Earth Foundation is a non-profit organisation that brings together women of all ages and races, cultural, social, professional and spiritual backgrounds, to create practical and sustainable solutions to the most pressing issues they face today.

Its mission is to respond to requests for guidance, resources, professional expertise and administration in creating sustainable Grandmother Councils and culturally relevant Women’s Circles.

These bring together ceremonies, medicines and wisdom teachings of indigenous people from many nations, as valuable tools and bridges for addressing universal issues around the world, such as: Developing Community, Sustainability, Renewable Resources, Elder Care, Developing Youth Leadership, Domestic Violence, Business Development and more.

Voice readers can order a copy of Maggi Sale’s book ‘Dying Embers and Shooting stars’ online. It’s now available on www.amazon.co.uk in paperback and kindle editions.

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Apr 292013
 

With thanks to Clare Rochford.

A new collection by city based poet Gerard Rochford was launched on Thursday 25th April.

Aberdeen Voice is delighted to have been granted permission to publish 3 extracts from Morning Crossword, which features images by local artist Esther Green.

Having got her hands on a copy ahead of the launch, 14 year old Jayde Naylor commented:

‘’These poems create strong emotions which draw you in. The images are mysterious and really cool.’’

.

Helga’s Hat

I knew it was you, seen even from behind,
entering the gallery. I was going to sketches
of nineteen-forties fashion,
you, in your hippy-indian-sixties bonnet,
to the Diane Arbus photographs upstairs.

This synchrony means nothing.
The forties, sixties, the now of you and me,
our guarded secrets. Only you would know
the meaning of the hat. Arbus could have snapped us,
called it: ‘Old Man , Old Hat.’

Yet there we were chatting about your friend,
my daughter, how we want her to study art,
thinking of the future, surrounded by the dust
artists have left to decorate our minds.
I said: Arbus killed herself.

Then I regretted exposing the negative
in this hall of echoes, where the fountain
gathers coins, and Epstein’s
‘Girl with Gardenias’ could be Eve,
inviting us to savour nakedness.
Helga climbed the staircase and I left.

.

Tod Death

My mother, after the fashion of her day,
wore a dead fox to decorate her neck.
Sometimes, when she was out, I tried it on.

It fastened with a button made from bone
and a loop of leather like a hangman’s noose,
those glass eyes pleading:

not quarried by the bloodied riders of winter,
but shot for its pelt to glamourize a coat.

Mother, who would cry at the death of a bird,
sported a fox around her elegant neck.

.

Climbing the Malverns

Reaching the top we would lean upon the wind,
my brother and I trusting its fathering power,
our coats spread out like wings.

And those invisible hands held us,
pushing on our backs and driving us forth,
or facing the past, the drowned-out voices
growing faint as osprey riding the thermals.

In the east we saw the sun
reflected from our father’s house,
to the west, the Black Mountains of Wales,
an unknown land.

The summit café was owned and served by a person
neither man nor woman – confusing for a child.
We took our pennies there for tea, stole glances.
I wonder what happened to them –
the man-woman and the boys we were.

Morning Crossword is published by Malfranteaux Concepts in association with Koo Press.
ISBN 978 1 8709 82 8.
Price: £10.

http://www.malfranteaux.co.uk/