Jun 132014
 

SilverLynx1A new Aberdeen based literary journal has begun the process for ‘proving the existence of contemporary culture in Scotland north of Edinburgh – and refining it’. With thanks to Andrew J Douglas.

The Silver Lynx Sporadical, ‘a literary journal on an enigmatic publication schedule’, has launched an online campaign to spread awareness and has already started reviewing submissions for their debut print issue.

Intended as a throwback to when print was the foremost method of storytelling, The Silver Lynx was established by two friends who found themselves tired of constantly furrowing their brows in a vain attempt to understand the lack of original literature being read in Aberdeen by people who live in Aberdeen.

The Editors-in-Collective, Andrew J. Douglas and Christopher W. Bradley, may not have been born in our fair granite city, but they say the fact they have stuck the place out, living on the ‘breadcrumb’ line, is a reflection of a magic energy found here which is lacking in other cities.

Andrew said:

“We both moved to Aberdeen for Uni.

“I have an immigrant’s love for the place because it has afforded me with opportunities I found severely lacking in Glasgow.

“Glasgow and Edinburgh are seen as the bedrock of Scottish culture but who gives a shit? Aberdeen has always been a town of note throughout the world for its history but in terms of a city it has only really started to grow into itself since the oil was found.

“There are subcultures and lifestyles being lived here that no one knows about because traditional media in the city either ignores it or fails in its editorial responsibilities by reporting from a loaded point of view.

“The Sporadical is primarily a literary journal, but we have bigger plans on various back burners to turn it into a key weapon in the battle for the North-East’s heart, soul, voice and identity.”

The key players in The Silver Lynx certainly have the right kind of credentials for starting this kind if venture.

Editor-in-Collective Christopher W. Bradley is an English literature graduate whose prose style is heavily influenced by the Icelandic sagas (specifically Njal’s), and he harbours delusions of being:

” the world’s last skald with a Bukowskian twist”

Editor-in-Collective Andrew J. Douglas is a journalist and currently lead reporter at the Deeside Piper but writes fiction because he ‘can’t not’.

In-House Artist Ezra Fraserburg says his qualifications are being:

“gay, depressed and having access to sharpies.”

What kind of thing are they looking for?

Andrew:

“We don’t want anyone to be put off from submitting… except idiots writing thinly veiled porn and calling it chic lit, westerns, romance or fantasy.

We want to read about living here, being from here, moving here, that penny you found on George Street that changed your life, that abandoned building in Ferryhill, that night in Torry, that day in Duthie park… We just want to read anything that anyone who thinks they can write has written.

This is a place of struggle and opposing ideas. It is a breeding ground for creativity.”

Christopher:

“Everything Andy said, but I’ll add: if you’re not from the North-East nor writing about the North-East, still submit. We still want to read what you’ve got to write (assuming its excellent). Sure, The Beast sleeps in the granite city, and a large portion of the stories will be relating to Aberdeen, but the city’s just the conduit.

So long as it’s in English and we think it’s brilliant, it’ll probably go in.

“I see The Lynx as a significant turning point for the city, and if we get it right, a significant turning point for literature. Aberdeen is the frontier town of consumer-capitalism… black gold in the sea and what should be a cultural hub from all the nations it attracts people from for their share of it, but its not… yet.”

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 102014
 

Alex Pithie (3)Too old to rock and roll – too young to crochet. Alex Pithie shares his experiences as a seasoned, working musician.

All those years ago on the frosty and otherwise barren rock they call the United Kingdom, when I first picked up a guitar and eventually started making vaguely bluesy noises like Peter Green, Keef and Eric and Jimi, I was stoked enough to go out and bankrupt myself buying a ’69 Fender Stratocaster – a white one just like Jimi’s, but right-handed.

Call it naivety but it never occurred to me that I was doing anything that might make me a fortune or a star one day.

I was getting more than enough buzz off the HH amp, my cool Fender axe, fierce pedals and small town adulation to think seriously about actually making a living doing this. I spent most of my time worrying how I was going to pay for all that ‘hip’ gear.

I eventually spent years as a ‘rock star’ on the road in the UK, and after my last original band – ‘RUDE’ – finally broke up, I got a Marshall 4×12 speaker top cabinet, and a Shure 57 microphone in compensation for my troubles as lead guitarist for more than 300 gigs.

The cash from the 300 or so gigs we did had gone to pay for roadies, strings, petrol, replacement Ford Transit vans, Ford transmissions, food, lodgings and bail.

In them days, anyone in Scotland with an inkling to go the whole hog and try the superstar rat race had to go south to London where the showcase gigs, the record labels and the music press lived. But parochial hicks from the sticks like us were way too modest and humble to embarrass ourselves, and only a few ever made it down there, their ambition and talent overtaking their modesty.

And a few even made it. Well Annie Lennox did OK.

But when you’re a gigging musician even though you know there’s a bigger picture, more money, fame and fortune, record deals, the whole nine yards, when you are in love with music and the gig, the lifestyle, it’s really secondary that success may or may not await you.

Realism prevails, and a lifetime just playing well, practicing, surviving and hoping for the big break, any break, are part and parcel of being where you love to be best – on the road playing.

Sure, you write songs. You demo them. You even do the label tour hawking your songs. But if that fails, you know that you’ve got enough gigs ahead to pay for that sexy guitar you’re eyeing up! Or the new baby! (Or new hairstyle if you’re a drummer!)

you leave your nerves behind you the minute you cross that line on to the stage

Good musos do it all day-to-day, day after day and maybe make a living. The better ones plot for the big time minute by minute, and generally go for it, ending up at least on some Caribbean cruise ship ‘reading’ standards night after night for three months at a time. It’s kinda big time.

Or land a gig as a sideman with a star (Aberdeen’s Dave Flett and Manfred Mann’s Earth Band/Thin Lizzy) or write that hit song that puts them on the map, however briefly (Aberdonians, The Shamen).

But if you ever get on stage and the band really nails it and you play that cover or that groove right on the money, there ain’t no better feeling.

Fact is, you leave your nerves behind you the minute you cross that line on to the stage and into the world of show business where nothing is more important than playing to the best of your ability to entertain the crowds.

After a pint or three of course.

You can impress them too with your skills or chops, but first and foremost – entertain them. You know you are working well when they tap their feet, dance, smile, sing along, cheer and applaud. The applause – what my friend Michael Joseph Kenny calls “spray” – is the most precious commodity in show business after talent (or a drummer who lives in the pocket).

And if the band is not smiling as they play, the spray when they stop will always do the trick – the exceptions being the drummer having a bad hair day or if the singer is pissed that he spilled beer on his new velvet trousers!

Rock on Grandad!

  • Comments enabled – see comments box below. Note, all comments will be moderated.
May 302014
 

whisky kisses pitlochry book launch duncan harley 1 small fileReviewed by Duncan Harley.

Pitlochry Festival Theatre’s summer offering for 2014, Whisky Kisses, certainly cuts it big time.

A finalist in the 2007 Highland Quest competition, the now finely matured musical is delightfully full of vibrant and highly explosive energy.

Indeed the storyline and musical score tear the heart out of tartan Scotland then put it back together seamlessly.

Inspired by New York’s Tartan Week, the Moray based Rightlines partnership comprising writers Dave Smith and Euan Martin plus Edinburgh based composer James Bryce have taken Sir Walter Scott’s romanticised view of the Highlands to the cleaners.

Indeed Mairi Morrison who plays Mary, the inheritor of the cash strapped Glenigma Distillery, literally hangs Glenigma’s tartan out to dry on the village washing line in full view of the audience while an oblivious pseudo Scot looks on in the form of New York tycoon Ben Munro played by Dougal Lee.

Nessie – the Loch Ness Monster – makes a quite forgivable but thankfully brief appearance as do some empty whisky barrels and there is an oblique reference to ‘President Salmond’.

2014 is after all Scottish Referendum Year so all is forgiven.

The plot follows a brave but narrow path between tartan for tartans sake and tartan because it makes hysterical sense.

The story concerns two cash rich entrepreneurs competing to buy the very last bottle of the 100 year old Glenigma malt in the entire universe. The Scottish Government intervene unhelpfully and the heir to the family fortune must decide how to proceed with the saving of the glen.

Without giving too much away, it is fair to say that it all works out in the end. There are subtle twists of course and a few tear jerking moments including the near demise of Mr Yomo, played by Siu Hun Li, on the slopes of Ben Igma.

As with all Rightlines Productions however, there is a deeper message which in the case of Whisky Kisses is the question of how to live with heritage, how to share it, and how to enjoy it; while also knowing when to let it go, and to stop living in the past.

The opening song ‘I gotta have it’ gives way to the concluding ‘Spirit of Living’ with ‘Alcoholics Synonymous’ and ‘The Road To Love’ in between.

Set design and lighting are slick and vibrant and the Pitlochry Theatre sound is as always superb with not a word missed. Sound designer Paul Hoolihan and Musical Supervisor Jon Beales are to be congratulated.

Whisky Kisses is a polished piece and after a near decade in the making it suffers from very few issues. Perhaps the Brokeback Mountain scene is a little subtle. However all in all, the 100 year old Glenigma malt has matured nicely since its initial 2010 tour of Aberdeen, Moray and Deeside.

Directed by John Durnin and with set design by Ken Harrison Whisky Kisses performs at Pitlochry Festival Theatre until October 18th.

© Duncan Harley
All rights reserved.

 

May 162014
 

With thanks to Kirsty Young.

!cid_42B9C865-FCFC-452D-9492-3B4D1597D1E1On Friday 16 May 2014, Aberdeen audiences will have the opportunity to see the results of Cecilia Stenbom’s participatory art project Manual.

The work will be shown on a loop in the gallery at Peacock Visual Arts from 9:30 – 5:30pm.

Cecilia Stenbom will then be present on the evening of Friday 16 May at 6pm for an informal question and answer session, for members of the audience to find out more about the project.

Manual started with a public participatory research event hosted by Peacock Visual Arts, which took place at Aberdeen City Council building, Seventeen, in November 2013.

The event consisted of a series of one-to-one interviews with members of the public that explore people’s everyday behaviours and habits in public space.

Participants were encouraged to talk about their own experiences, routines and preferences within the framework of everyday situations;  How do you choose a seat in a restaurant? What do you do in order to feel secure? Does surveillance make you feel safe or watched?

Do you take measures to avoid catching infections from other people? Do you have a system for staying safe in public space? How do you act when you run into someone you don’t want to run into? What do you find unacceptable behaviour? Do you have a preferred toilet cubicle?

The material recorded during this event was developed into a fictional artist film about how we deal with anxieties and hang-ups whilst in public space. Set entirely inside a shopping centre, the film follows the interactions between two sisters; one anxious about her personal safety, the other concerned with the invisible threat of infection.

The sterile atmosphere of the environment quickly becomes menacing as the women’s personal safety systems begin to fail.

Cecilia comments:

“I am really excited to come back to Aberdeen to show the work that came out of the participatory event ‘Manual’. The opinions and stories about behaviour in public space that I captured during the event in November is the basis for the fictional film about two women navigating a shopping centre. It is great to finally bring it back to Aberdeen to screen it.”

Manual has been supported by Arts Council England through the Grants for the Arts scheme.

Cecilia Stenbom (1976, Stockholm) is a visual artist and filmmaker. Originally from Sweden, has previously been based in Reykjavik, Helsinki and Glasgow and currently lives and works in the North East of England.

Q&A 6pm, Free admission. Please RSVP to sarah@peacockvisualarts.co.uk

Location: Peacock Visual Arts, 21 Castle St, Aberdeen, AB11 5BQ

Apr 182014
 

Old Susannah gets to grips with letting go of a great local talent, and the latest government wheezes, locally and nationally.

DictionaryAnother eventful week passes in the Granite City, bringing good news and some sad. Children have done arts and crafts in Union Terrace Gardens, organised by Aberdeen Inspired. This is despite the city’s officer Gordon McIntosh insisting the balustrades will fall down any day, and the gardens aren’t safe to use.

Inspired even managed to hold their events without scores of crowd barriers or 7’ tall security guards. Rumours are that Gordon may be about to make some dynamic changes of one sort or another.

The campaign to save Bon Accord Baths is gaining more momentum; some £5 million pounds is needed. However, in a city with our level of wealth we should be able to do this. In fact, Aberdonians apparently have more disposable income than almost anyone else in the UK. 

We still need food banks, mind. In the UK, over one million people rely on food banks, but they’re probably just benefit scroungers and immigrants (remind me to look up the amount of this year’s UK defence budget again).

Surprisingly some good news comes from the city council, where funds from outdated, surplus accounts were given to local causes such as the Cyreneans. It’s not a huge amount of money, but after the Kate Dean/Kevin Stewart council’s assault on our charities and good causes, this is quite a turnaround.

I learned how to make pasta at an amazingly fun course at Nick Nairn’s school. You may remember the then city council almost didn’t give Nick Nairn an alcohol license. The licensing board were probably afraid that people would sign up for courses (costing upwards of £40), learn what wines go with what foods, have a glass of red or white, and then go wilding into the night, committing crimes.

Thankfully, it seems no one from the cooking school to date has gone on a crime spree, and clearly the city has the city’s serious drink culture under complete control.

Spring has arrived! Result! The signs are everywhere: the theft of cars and licence plates continues, the gramps are being set alight once more and travellers are moving from public space to public space, leaving debris behind them, presumably as a token of the esteem they hold us in. The council say the police should act; the police seem to be implementing a reverse discrimination favouring the travellers.

And I don’t want to spoil the surprise, but you and I will be paying for the necessary clean-ups. A dead dog and £22,000 worth of waste was left near the beach by the travellers, and history looks set to repeat itself just a little further north.

If you want to live as you please, it would be nice to do so respecting the rights of the rest of us to live as we please – well in some idealised fantasy version of reality anyway. While some of us are trying to preserve and enjoy what’s left of our open spaces, other people seem to think we don’t care about mounds of trash or the very real prospect of stepping in human waste or over dead dogs. Thanks.

The UK’s police were trying to deny there is a quota system

To the people who’ll tell me not all travellers are alike, I agree. However, these past 10 years I’ve not seen a single travellers’ site in Aberdeen left in good condition when travellers travel.

And down the road in Ross-shire, it’s now 20 birds of prey that have been poisoned. So that’s good news for the shooting estates catering to people who like to blast birds from the sky with guns. Fledgling game birds are bred in captivity like ill-used hens, and thrown out without a clue, to be blasted. The sporting life indeed; no wonder billionaires and famous TV stars like Trump are into this kind of pursuit.

So how do our police perform when it comes to saving our wildlife, stopping car thefts and stopping people trashing our green spaces (when they know exactly who’s doing it)?

Aberdeen got a mention in the Sunday papers; its police seem to like arresting children, and are very fond of random spot searches. A child of two was apparently charged with property damage. I’m sure they understood their rights and I’m sure the parents were the police’s first port of call. Police Scotland are also fond of telling people who own cars and houses to hide their goods or it’s their fault if they’re robbed.

The UK’s police were trying to deny there is a quota system in place for arrest and searches. Unfortunately, the truth leaked out, and there are indeed quota systems.

Justice may be blind, but she’s counting. It’s nearly one year since the police blew the budget (or so it looked) raiding the empty flat of George Copeland. Things may have been quiet on this story in the news, but I can promise you, the fight for a rational explanation and disclosure of information are ongoing. Who knows – there may eventually be some justice for George. Watch this space.

Other than that, I’ve had some fun (Malmaison, Temple Aesthetics, BrewDog of course and the Tunnels – Palma Violets were spectacular). But this week David Innes, drummer with the Gerry Jablonski band, passed away. A service is being held the morning of Friday 18 April, and later that night a concert takes place at The Forum.

We were privileged. I’ll remember the last times I saw him, including the Moorings in early March, the Jubilee party in Union Terrace Gardens where they entertained thousands, and the Lemon Tree when the latest Gerry Jablonski & the Electric Band album was launched.

There are performers 20 years younger who don’t have his enthusiasm, energy and stamina. There are performers 20 years older than he was who would have loved to have his talent and range. If Aberdeen is a city of culture (outside of bureaucrat speak), it is because of artists like David Innes. Condolences to his friends and family.

Life Expectancy Letters: (Mod. Eng. ConDem phrase) – letters to be sent to OAPs, telling them when they will likely pass away.

Well there is a new government initiative we can all be happy with; they are going to send everyone a letter, telling them when to expect to die. I can’t see any flaws in this cunning plan.

Then again, with Alzheimer’s setting in early in some cases, and looking set to be an epidemic in the near future, I’m sure all the guardians and children of those afflicted with forms of senile dementia will be very happy to get letters to advise when mother and father are expected to die.

I’m certain too that this is not some ploy to scare the elderly into saving well into later life. After all, you want to live in comfort with as few trips to the food bank as you can manage until you die at precisely 9 September in 2027, don’t you? Letting you know when you’re likely to die will just make you take better care of your health, and your money.

And of course should you fall sick or need residential care, then the government will take your savings off of you to pay for such care.

Of course most of us who work have been paying tax throughout our working life in the belief this would go to giving us good care when we’re older. Just don’t bank on it. I’m glad there’s no chance of another pension mis-selling scheme like we saw a few decades ago. No-one would take advantage of the elderly and sell them financial products they didn’t need, would they?

Pensions minister Steve Webb said that under new government guidance, experts could assess approximate life expectancy by looking at factors such as smoking, eating habits and socio-economic background.”

 As far as socio-economic background is concerned, I wonder if those living on the food banks will have the same life expectancy as those at the merchant banks

I’m sure this scheme to write to everyone with an expected death date is not geared to frighten us into getting into private pension schemes. That would only benefit bankers and financial institutions, and our government wouldn’t show the financial sector any special treatment, would it?

I talked to an older citizens who was still of working age recently; they had decided to skive off work for a few months, and used a slipped disc as their flimsy excuse to get on the dole. I’m happy to say we made it as hard for this scrounger as we could; it was 6 weeks before they got any financial help, despite having worked all their life. Dipping into their savings to pay bills, they eventually bled the taxpayer for £78 per week.

Now if they knew what their death date was, they might have been convinced to save a bit harder, work more hours, and have more savings to burn through at the first sign of illness. This guy was not good at financial planning, either. All of his money was earned and taxed in the UK, and he didn’t shelter any of it offshore. Well, if you don’t save as much as you can, it’s simple. Just don’t fall ill or die.

Old Susannah is interested to see what factors are taken into consideration. I’m sure the ConDems won’t want to upset anyone by letting on that the air is now killing more people than ever before.

Perhaps this is such a good idea we should take it further, and make dying by the projected death date mandatory? I’d be surprised if some ConDem somewhere isn’t contemplating it.

Dune Management: (Modern Eng. compound noun) To preserve a natural area by changing it beyond recognition.

It would seem the Donald Trump school of sand dune management’s principles are taking off a treat.

the-end-of-the-road-for-trump-suzanne-kelly-by-collapsed-section-of-course-photo-by-rob-avA Cornwall-based council decided that they would ‘stabilise’ their own sandy beach by planting conifers on the beach. Somehow, this has displeased residents and visitors, who wanted to see beach at the beach, and not dying, dried out half dead trees that were never going to grow in the first place.

Of course the marram grass, gorse and trees Trump has planted has totally stabilised ‘The Great Dunes of Scotland’ as Trump Golf seems to call Balmedie Beach.

The dunes are so great I think travelling spice and silk merchants will be crossing them by camel to stay at the opulent MacLeod House.

Anyway, Trump saved our dunes for us, and that’s why there is no sand blowing around the greens or any other problems there.

My photo above shows just how stable the course is.

 Next week:  A Trump update and more definitions

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 082014
 

Charlie Abel by Julie ThompsonBy Bob Smith.

The barn wis wash’t and scrubbit doon
A job ower hard for ae wee loon
Seen aa the fleer wis fine an clean
Ready for a dustin o slipperene

Neipers an freens fae aa aroon
Cam doon the road ti wir fairm toon
There ti hae a dunce an celebrate
The hinmaist shaif throwe the cornyaird gate

There wis streamers hingin fae the roof
As roon the fleer the fowk did hoof
Gay Gordons, waltzes and foxtrots
Maist fowk wis swatin lots an lots

Music wis provided by twa chiels
Aabody got up fer an eichtsome reel
Syne fin they needed a wee bit rest
Samplin the food they did wi zest

Pies sandwiches an scones wi jam
Teas lemonade or maybe a dram
We aa sat aroon an hid a blether
Aboot the price o coos or the affa wither

Time ti gyang hame aroon een o clock
Some fowk in the mornin wid hae ti yoke
The horse up ti the sma box cairt
Fin gaitherin neeps they micht hae ti stairt

© Bob Smith “The Poetry Mannie” 2014
Comments enabled – see comments box below. Note, all comments will be moderated

Mar 312014
 

Valerie Watts served as  Aberdeen City Chief Executive on a six figure salary  from March 2011 until mid-March 2014. She scrapped her job as Derry Chief Executive and came to Aberdeen to give us the benefit of her experience. What benefits exactly have we reaped from the experience of Valerie’s tenure? ‘Watt’ should not be forgot? By Suzanne Kelly.

town-house-rain-featBackdrop

Valerie Watts’ stewardship as Aberdeen’s Chief Executive of Aberdeen City Council could and should have been a huge triumph by default.

Thousands marched against cuts imposed by the LibDem/SNP alliance in 2008.

The reigning LibDem/SNP coalition not only imposed cuts – they then turned around with some serious audacity to march along with thousands of those whose services they had cut.

Service slasher and budget protest marcher Kate Dean said at the time:

“I will be marching under the banner calling for a fair deal for Aberdeen. I can understand why people need to protest against these cuts but we also need to protest against the reason why we have had to make the cuts which in my opinion is mostly to do with the distribution formula.

“If we had the same funding as Glasgow we would have something like £60m a year more. We have the lowest funding settlement per head of population of any council in Scotland.”
http://www.heraldscotland.com/councillors-to-join-protest-over-service-cuts-1.845949 (Note – when Labour today use this argument in the council, they are derided. It is almost as if politics overrode logic).

LibDem Kate Dean imposed cuts while the city lost millions and gave land away for a song. Then Dean marched alongside people protesting her cuts.  LibDem Aileen Malone, an elected councillor, later participated in a protest against the council she was part of (over the failure to build a structure in Union Terrace Gardens).   Perhaps this form of protesting against yourself is a LibDem thing.

Some £11 million was written off under Dean as bad debt in one year; a property sale scandal came under her as well. Choices Day Care Centre was controversially closed. Could the then administration have found £60 million to benefit people in need? Not if it also wanted a shiny new office building.

Guess which need won the day. Sue Bruce apparently had enough of the Chief Executive post and scarpered.

Prologue

Watt’s immediate predecessor Sue Bruce moved to Edinburgh by January 2011; Bruce also received a six figure salary. Before her we had the spectacle of Chief Executive Douglas Paterson retiring due to ill heath in June 2008, (coincidentally concurrent with the Audit Scotland investigation into the property sales) days after announcing that he would not resign.

For further background on the property sales including how Stewart Milne was virtually handed land in Kingswells, see past issues of Aberdeen Voice.

Kate Dean and SNP coalition councillor Kevin Stewart tried to sweeten Paterson’s leaving package for reasons only they would understand, but sadly the pair were unsuccessful, as this extra money proved too unseemly even for Paterson to swallow. http://www.dailyrecord.co.uk/news/scottish-news/fury-over-pay-off-for-chief-exec-981139 .

some of her less shiny milestones from three years in Aberdeen should be remembered

In the end, Audit Scotland couldn’t decide if the city was amazingly inefficient or criminally negligent.

Aberdeen Voice tried to find the report Audit Scotland directed Grampian Police to produce on the matter.

However, Police Scotland has said they cannot find any record of a report on a multimillion pound real estate debacle they were directed to create by Audit Scotland. It would be difficult to find such a document as you can imagine.

In short, it was a sorry catalogue of scandals that swept through the city’s previous administrations (best not mention a curly-haired councillor disgraced for financial misappropriation or another councillor done for ‘kerb crawling’ while being appointed to work with youths).

Surely the woman who brought Derry its City of Culture status would turn our fortunes around, stop any corruption, and make accountability to the taxpayer a priority, and ensure our vulnerable citizens, our environment and our wildlife would be protected. The only way was up. So we thought.

While some newspapers are busy lauding her accomplishments, whatever they may be, perhaps some of her less shiny milestones from three years in Aberdeen should be remembered too.

She was not amused: Early days at Marischal College

It was not an auspicious start.  She was not long into the job when the glorious refurbishment (read gutting and disposal of many architectural and historic items) of Marischal College was announced and an opening scheduled.

The taxpayers were supposed to be forelock-tuggingly appreciative as to how the project apparently came in under budget and on time – a first for Aberdeen by any reckoning. A mere £60 million pounds or so was spent refitting the interior of the Victorian building, designed in such a way that new, smaller office furniture had to be bought to fit the space. All the while, school closures were considered and further cutbacks appeared.

Valuable Victorian books were thrown in a skip (and their rescuer was threatened for saving them by a construction worker).

Amid much fanfare over the £60 million spend when it could have been £80 million, the ceilings leaked dubious substances onto the council offices from a men’s loo.

it looks as if marischal itself will prove a popular meeting place perhaps no need to build in utgThis £60 million gutting of an architectural gem might not have seemed a bargain to those harmed by swingeing cuts. Since the city doesn’t actually own the building, was this re-fit really a great bargain and the only solution to office space?

The council owns hundreds of office properties for one thing, and surely before embarking on such a project, carefully researched options and costs would be studied. Value for money?

An Aberdeen Voice request to see the costing of alternatives to the Marischal College refit was rebuffed; it was claimed the financials were actually the ‘intellectual property’ of the accountants, not the taxpayers whose money was under discussion and who ultimately had to foot the bill.  And Ms Watts had just taken the reins of power. According to STV, she said:

“The City Council has brought to fruition a remarkable project which has created a stunning new public building for all the people of Aberdeen. It will be admired far and wide by citizens and visitors alike and will become the iconic (iconic is a hard word to avoid in Aberdeen) image for this proud city.”
http://news.stv.tv/north/19847-marischal-college-opens-its-doors-to-customers-for-first-time/

For those who opposed the previous budget cuts and saw their effect of people in need, ‘pride’ was hardly the appropriate word for this £60 million pound office building which gutted a gem. So the principle of pride and edifice before people was established in the opening speech.

Alas, nothing could stop the opening of the grandiose ACC offices at Marischal.

Unfortunately, someone leaked the date to the Friends of Union Terrace Gardens and other grass-roots groups, whose members peacefully showed up with placards at the launch of the new Marischal College, protesting the plans to turn the only city centre gardens which happened to be common good land into a development opportunity.

On the day the opening took place, these peaceful protestors arrived with placards. Some politicians chatted to the group; some VIPs seemed bemused. One woman on the scene positively seethed with rage according to several accounts.

As a protestor put it – Valerie Watts (for it was she) might have been fairly new in the job, but it was clear she was ‘fizzing with anger’. Watts had apparently been both on holiday and spray painted an orange/brown tan shade for the event, earning her the nickname in some quarters ‘fake bake.’

Responsibility:

Newly-ensconced Watts said:

 “This is an exciting time in the life of Aberdeen. We are facing the tightest squeeze on public spending that almost any of us can remember but this gives us the chance to use our imaginations and rise to the challenges.

“It is my role as Chief Executive to take responsibility for leading on the priorities which elected members and the people of Aberdeen have set for this organisation – and I am bringing together all the strengths of this great city to make sure it continues to thrive.”

No one knew what she meant by ‘continues to thrive,’ but at any rate, Valerie was set to turn things around.

Deer Oh Deer:

Coinciding with Watt’s tenure, the LibDems and in particular their leader, Aileen Malone, were determined to plant ‘A Tree For Every  Citizen’.  This noble-sounding scheme somehow didn’t seem so noble when it was eventually revealed in Aberdeen Voice that the herd of deer on Tullos Hill, had been set for the cull before the consultation was published.

Deer had existed on Tullos without any cull for 30 years – all for trees which probably would not grow due to soil condition and decades of dumping (including industrial, household waste and some traces of radiation).

somehow her turning seven council departments into three departments wasn’t meant to mean job losses

Aileen Malone, Lib Dem, held all the cards when she was the convener of the Housing & Environment Committee; she issued the unprecedented ultimatum that the public had to come up with £250,000 in a short space of time, or the deer would be killed as the most ‘economic’ way to turn Tullos Hill into a forest.

Watts didn’t bat an eyelash and animal charities and opposition politicians called this unprecedented blackmail.  Those in the know, including the Scottish SPCA derided the scheme and its cruelty; much of which has already been written. But it is to the part Valerie Watt played in the destruction of a herd of deer that should be looked at.

Should anyone want to view source documents and a report, they can be found here along with her letter to me.

A whole raft of information was put to Watts as to why the cull was unnecessary, cruel and flawed.

Animal Concern Advice Line, the Scottish SPCA, local residents, community councils all objected specifically to this particular cull and its circumstances. Watts’ behaviour in denying any possible options or  alternatives to killing the animals, and her dismissal of all arguments from the opposition might have reminded those she left behind in Derry of her stance on jobs cuts she proposed as a parting gift.

When she was leaving Derry to grace Aberdeen with her presence, she created a plan to restructure Derry’s council. In a BBC report entitled ‘No Job Losses’ at Derry City Council, Watts ‘denied there will be any job losses under restructuring plans’. This then turned out to mean ‘I have worked out that potentially there may not be any job losses, but that depends on the willingness of employees to apply for these new jobs as they are advertised’.

In an article filled with rhetoric, Watts was said to have refused to negotiate over the restructure (as she refused to negotiate over the future of Tullos Hill’s deer), and somehow her turning seven council departments into three departments wasn’t meant to mean job losses, even though people had to apply and be accepted for jobs.

With such a command of logic and mathematics, it is no wonder she had a few lapses in terms of arithmetic with deer-related issues in Aberdeen.

These included losing track of a 3,000-strong petition against the cull and the tree scheme presented to the council’s representative Aileen Malone on national television.  She also managed to lose track of anti-Tullos deer cull postcards (thought to be a much higher figure) which were hand delivered to a receptionist at the Town House who said he’d seen ‘tons’ of the postcards.

She used her Watts logic and claimed this  had no bearing at all on the question asked

Hundreds of cards were handed out; dozens of people advise they posted their cards in, and over 60 were handed to the receptionist. Watts claimed to have received 35. The Scottish SPCA made a specific objection to the Tullos Cull, calling it ‘abhorrent and absurd’ to kill deer where trees were highly unlikely to flourish.

When given that quote, Watts replied to Aberdeen Voice that there was no evidence the Scottish SPCA opposed deer culls. She had taken a statement made by a senior Scottish SPCA officer directed specifically at the Tullos cull, and managed to come up with a statement which had nothing to do with the fact she was presented with.

This strategy of taking a specific fact and contorting it to either a specific focus or a widely painted assertion seems to be a Watts trademark, whether it is denying facts on deer killing or potential job losses during her Derry job restructuring.

When asked if a previous failed tree planting scheme on Tullos Hill cost Aberdeen’s taxpayers £44,000, Watts colourfully asserted that this was not the case. When pressed, she admitted that £43,800 (which seems to the lay person as being rather close to £44,000) had been repaid to the Forestry Commission for a failed tree planting on Tullos.

She used her Watts logic and claimed this  had no bearing at all on the question asked, because the money was paid in March and the question was asked in May. Surprisingly animal welfare campaigners were not impressed.

Aberdeen Voice also uncovered the fact the cull was being planned, but was kept out of the public consultation (which only mentioned putting in rabbit fences rather than slaughtering deer). Watts wrote the consultation was ‘robust’ and that it wasn’t necessary to spell out what was required to have the projected forest.

She never did explain why then it was spelled out that deer fencing was mentioned in the consultation as a method for the plantation if it was not necessary to say what was going to happen to the deer if the trees were approved.

Several community councils, thousands of petition signers disagreed.

Eventually Aberdeen Voice found out the city spent tens of thousands of pounds on consultant Chris Piper, who would be paid if the trees were planted and the deer culled.

case after case of financial misappropriation arose

Watts could have stopped all this and saved money for the city in the bargain with saving deer, but she didn’t do anything except defend the cull, rejecting the wishes of elected community councils.

(It should be noted that at the following election, the LibDems who supported their ‘tree for every citizen’ scheme so staunchly were themselves culled. Kate Dean lost her seat, and a campaigner who tried to save the animals, Andy Finlayson, was elected).

Thirty four or thirty five deer were destroyed – and the fact remains the soil reports say the hill – a former refuse dump with a radioactive history on record – cannot grow trees that won’t eventually topple in strong winds, something Aberdeen has in abundance.

In the City’s Hallowed Halls:

Watts also oversaw a few internal struggles, as case after case of financial misappropriation arose. People apparently stole money from the council just before her time as well as during it. People engaged by the city to look after the elderly and otherwise infirm turned out to be thieving money from their vulnerable clients  The council then had a colourful time as it bungled the potential cut of 150 jobs.

There have been other amusing stories as to the city’s mismanagement (well, amusing if you are not the people involved).

Valerie, while head of the operations, was surely not responsible for what was going on under her. That seems to have been outwith the remit of taking responsibility.

As the council meandered from one pointless expensive exercise to another (remember the City Garden Project anyone?), Valerie found time to invest our money in trying to relive her glory days.  Back in Derry she had won the (apparently) coveted City of Culture Award, and she was going to go for it here, too.

Forgetting the fact that the city of culture has not seen any increase in tourists jetting into Derry, and that some of that city’s cultural infrastructure for music is facing financial ruin, Watts nevertheless pursued the Culture accolade for Aberdeen. This would have been a huge comfort to, for instance, the Torry-based artist collective Limousine Bull, which went out of existence.

Rita Stephen to come up with the goods and create a bid

They had provided art courses, exhibition space and studio rooms in Torry which were popular in the area. Bull ran out of money, and for want of a relatively small sum of money, died. Still, we managed to find money for the ‘Retail Rocks’ scheme in Torry.

Virtually all of the shops created in Torry (where shop holders were exempt from paying various taxes and got advice for their shops) folded, but there was no money for the Limousine Bull collective. Rather disappointing in a would-be city of culture trying to regenerate its poorer areas.

Selecting culture expert (???) Rita Stephen to come up with the goods and create a bid, Watts allowed a fair few Aberdonian’s tax pounds to be invested in pursuing the bid, in the process inventing the risible ‘gigs on rigs’ scheme.

City officials thought rock stars and the like were willingly going to go and perform on drink free, non-smoking, oil rigs in the rough North Sea so we could watch the concerts via video linkup in Aberdeen bars; of course these concerts could have been beamed to any onshore location. All of this was rolled out poignantly in what was formerly one of the city’s few independent record shops which also showcased bands, One Up  records on Belmont Street.

Before leaving the issue of culture, it would seem that the approved arts organisations and people had no problem with funding.

SHMU, which undoubtedly does some good work, receives some £200,000 per year from the city, whereas Limousine Bull couldn’t get a few extra thousand. A city employee involved in the distribution of Creative Scotland arts funding managed to win enough money to create a film. Precisely who evaluated his bid as successful over the artists who failed to win funding will form a future story.

Artists have approached Aberdeen Voice concerned that the City seems to have used their artwork without prior consent or remuneration.

All this was on Ms Watts’ three-year watch. Where did the buck stop exactly?

Resigned:

Why did Valerie go? Could it have been due to her crossing swords with Alex Salmond over his unauthorised visit to the Bramble Brae primary school during a by election? No other political parties were given a chance to pose with children for photo opportunities at the grammar school. The SNP locally are saying, as published in the local Press & Journal, that Watts was finally tired of Labour embarrassing the city.

It is tempting as an idea, but if Watts were the embarrassed type, she waited quite a time to show it. Alas for the SNP, she’s said Labour was not to blame.

There is no word as to whether a leaving card or a collection is being made. Aberdeen Voice will keep you posted on any card signing, and what kind of severance package is being offered. Who will take the job next remains to be seen.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Feb 042014
 

With thanksto David Officer, Box Office and Marketing

WoodendBarn600Woodend Barn is pleased to confirm that we have been successfully awarded capital funding, by Creative Scotland, which will enable us to upgrade our facilities significantly, to ensure a first class experience for our audience when attending our diverse programme and to help us develop artist residencies here on Royal Deeside.

Woodend Arts has been awarded £126,277 as part of Creative Scotland’s Large Capital Programme, sharing a fund worth £9.4 million which is being spread across 12 cultural organisations in Scotland.

While this is a substantial award, it represents 50% of the total needed for redevelopment.  If you would like to help Woodend Barn you can still do so by donating at our Local Giving page or joining our 100 Club.

Nicola Henderson, Woodend Arts Director:

“We are extremely excited to receive this grant from Creative Scotland towards our redevelopment of Woodend Barn. It gives us a chance to improve the Woodend Barn experience for our audiences and artists. We will be improving our seating, sound and lighting equipment and adding artist accommodation that will allow us to support more artists in residence that will enable the creation of more new work in Aberdeenshire.

“This investment in our infrastructure will help see the arts in Aberdeenshire flourish and allow us to continue to take the lead in the performing arts for the North East of Scotland.”

Janet Archer, Chief Executive of Creative Scotland, said:

“These funding awards support important elements of the cultural infrastructure across Scotland and will enable exciting and important projects  to progress and develop. All of these awards, and those that have come before, help to ensure that more people, in more parts of Scotland, can continue to access and enjoy excellent artistic and creative experiences.

“These announcements mean that there has been £166m of National Lottery funding for Capital and public art projects provided through Creative Scotland, and previously the Scottish Arts Council, since the creation of this funding route in 1995.”

This funding ensures our audience experience, which is already highly regarded, will improve further and allow us to further develop our artistic programme, proving our commitment to the arts in Deeside.  We thank our audience and volunteers for their continued support and hope they’re as excited about this award as we are.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jan 312014
 

By Bob Smith.

“Music has charms to soothe the savage breast” – So wrote the 17thc poet William Congreve.

Jablonski Electric Band 1 -  Credit: Julie Thompson

Music his the ability tae calm ye richt doon fin ye git yer knickers in a twist. Masel if a git trachelt or upticht a relax bi lis’nin tae a bittie o Beethoven or Mozart, or sometimes Japanese or Native American flute music. Bit aabody’s different an as lang as the music his a calmin enfluence it disna maitter fit ye listen tull.

A dinna cum fae a musical faimily tho’ ma faither fin his airm wis twistit cwid drag a gweed aneuch tune oot o the melodeon.

As for masel a’m disappyntit noo aat a didna cairry on ma accordion lessons fin a wis a loon,bit a didna gyaang back efter haein ma appendix oot. Still a can jist aboot manage a tunie on the moothie, an am fair tae middlin on the kazoo an the Jews harp.

A confess tae likin maist types o music fae Sibelius tae the Scottish Celtic folk-rock band Skerryvore tho’ am nae aat fond o punk, rap an modern jazz an lis’nin tae music played a big pairt in ma life fin a wis a loon an it still dis. Ilka Setterday nicht we wid sit roon the wireless an fair enjoy Scottish Dunce Music on the Scottish Hame Service.

Ma faither an me wid hae freenly discushins aboot faa hid the best band Jimmy Shand or Jim Cameron. Tho’ a did like Shand a hid a preference fer Jim Cameron. A think it wis the playin o Dod Michie on his cornet fit clinched it fer me. Ma mither likit Housewives Choice an Music While You Work an a learn’t aa the latest tunes an sangs bi lis’nin tae the Licht Programme afore it chynged tae BBC Radio 2

Music cairry’t on in ma teens fin a learn’t the airt o duncin in the village halls o Echt, Garlogie an Skene tae the music o Bert Duff’s Band  an Mary Milne’s Band tae name bit twa, syne twa quines fa work’t wi me in the offices o the S.A.I. perswaadit me tae gyaang wi them tae the duncin in Aiberdeen.

So a coontit masel lucky tae be  able tae dunce tae music fer the Gay Gordons an a Eichtsome Reel on a Friday nicht an Quicksteps an Slow Foxtrots on a Setterday nicht, firstly in the MacRobert Hall at Robert Gordon’s College (MacRobs), syne at The Beach Ballroom an The Palace.

Nae contint wi the music a heard on Friday an Setterday nichts a jined the Abergeldie Jazz Club fit eence wis doon in the Hardgate an ilka Widnesday nicht wid jive awa tae the resident band o Sandy West or listen tae weel kent guest bands. Kenny Ball, The Clyde Valley Stompers, The Alex Welsh Band an Terry Lightfoot and his Jazzmen aa pit in an appearance at the Abergelgie.

A hinna a great voice bit a hiv bin perswaadit noo an agin tae sing

Noo a coont masel affa lucky tae hae bin in at the stairt o the “Rock ‘n Roll” era, an fin a hid some spare siller wid buy the latest hits o the likes o Elvis, Little Richard, Jerry Lee Lewis, The Everly Brothers or Chuck Berry.

So far as a’m concerned pop music stairtit tae gyaang doonhill in the 70’s tho there wis a fyow exceptions, like Queen, The Eagles, Dire Straits an Status Quo.

Folk music fae aa ower Britain and the USA aye wis o great interest tae me speeshally the protest sangs o Woody Guthrie an Pete Seeger richt throwe tae early Bob Dylan.

Noo some fowk micht nae agree wi ma opeenion aat Bothy Ballads or Cornkisters cum unner the heidin o folk bit a leuk on them as bein the folk sangs o N.E. Scotland. A hinna a great voice bit a hiv bin perswaadit noo an agin tae sing the likes o “Nicky Tams” or the “Muckin o Geordie’s Byre” at faimily waddins. No am nae takin ony bookins!!!

As a grew aulder a stairtit tae appreciate the soonds o classical music. Nae the heavy stuff like Wagner mair yer licht classics bi Beethoven an Mozart or late 19thc/early 20thc composers like Edvard Greig or Frederick Delius. There’s nithing better than pittin on the heidphones an littin yer myn relax tae Beethoven’s “Pastoral” Symphony or “Morning” fae the Peer Gynt Suite No 1 by Greig.

A’ve afen bin ask’d fit ma faavrit piece o music or sang is. There is a gweed fyow aat wid qualify bit tap o the pile maun be aat Scottish quine Eddi Reader singin “My Love is like a Red Red Rose” screived bi the man himsel Rabbie Burns.Een o the greatest love sangs ivver  if ye ask me.

So there ye hae it – “music has the charms to soothe the savage breast” accordin tae Congreve or as Wullie Shakespeare wrote, “If music be the food of love, play on”.  So far as am concerned baith chiels war richt.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Nov 252013
 

Modo, a social enterprise that uses high quality engagement in circus and street theare to allow young people to change for the better, has been shortlisted for a People’s Millions Award and we need your vote!

RCM_Modo-148

Modo has been shortlisted for a People’s Millions Award

Best known for the big parades and events, Modo has worked in Aberdeen City and Aberdeenshire for the past few years putting on some stunning parades and performances such as the Scottish Samurai at Bridge of Don, The Port at the Aberdeen International Youth Festival in 2012, Pandemonium and Leviathan in Peterhead  and Fantasmagoria and Maelstrom in Fraserburgh 2012.

We have just finished the Shell Fireworks Parade 2013 at Aden Country Park, Mintlaw, when a capacity crowd of 5,000 came to watch a thrilling evening’s entertainment in the woods.

In addition Modo works in schools and youth groups across the city and shire.

The exciting news is Modo is up for a People’s Millions award. This would be an amazing opportunity to establish long term Circomodo programmes with all the benefits to participants, volunteers and community. Equally importantly it would secure the future of Modo in the North East. This is not just about the possibility of creating real and exciting opportunities.

It is also about Modo’s chance to establish itself fully in the North East, and have the chance to build on all the work done so far.

Who are Modo?

Modo uses circus to engage young people across Aberdeenshire and help them to change their lives for the better. Harnessing the skills and thrills of circus, Modo helps young people to improve life chances, skills, confidence and self-esteem. 16 young volunteers have recently gained their Saltire and Yava Awards working in partnership with Volunteer Centre Aberdeenshire.

What would the award do?

This award would allow us to run free weekly circus programmes in Mintlaw, Peterhead and Fraserburgh for a whole year.  Young people will gain real skills, helping them in life, school and into training and employment, while having fun, making friends and becoming more engaged with their communities.

“I love coming to Modo, its magic. You’ve given me a new life to look forward to and with the awards and stuff it’s completely changed me. I’m so happy about what I’ve achieved and I feel like I have finally made my mum and dad proud and you’ve helped me to do that. I just wish I started ages ago.”

IMG_1216How do I vote?

Voting is done by phone on Wednesday 27th November. You can vote from 9.00am until midnight on the day and you can vote 10 times from the same phone.

The actual number is only released on the day, so sign up to our Facebook page so we can let you know the number.

Spread the word.

Find Modo Scotland on Facebook or Twitter and tell the world! If you can spare time to help us campaign for votes, please get in touch! We are going to need to get every vote we can to win!

Spend a pound to keep us around.

Every phone can be used ten times to place a vote, so for as little as £1 you can place ten votes for Modo. Every vote counts so please vote ten times.

Circus with Purpose.

Circus is exciting, requires teamwork and has within it clearly defined achievements. Through learning new skills, Circus gives young people a real sense of achievement. As well as pride in their own accomplishments, it allows young people to perform to their community and to gain accreditation, experiences and opportunities. It changes people’s lives through the passion it brings, raising aspirations, excitement and perseverance.

Modo in Aberdeenshire.

Having worked in Aberdeenshire since 2008, this year Modo has set up a permanent base in Peterhead. Although maybe best known for the big parades, behind the scenes Modo has worked with young people across the region.

This year alone we have:

  • run over 600 hours of workshops to over 6,000 participants
  • worked with young people to perform to an audience of over  20,000
  • employed 16 staff, trained & supported 12 volunteers and accredited 100 young people enabled young folk to attend festivals in France, Italy, Germany, Edinburgh and London
  • helped a dozen participants go on to employment, college, and  training

“What Modo achieves with young people is beyond belief. They transform their lives, build confidence and get these youngsters believing in themselves again. I know of a young girl who had a chaotic life, getting into trouble all the time with her family and at school. I will never forget the day she came in to see me all smiles, and all because she was involved with Modo. Now her attitude to life has turned around, she is more positive about where she can see her life going, all this is down to Modo.”

Why we need to be around long term.

By being around long term, we can gain trust and build relationships. To create real progression, we need to spend time with young folk to support them in their development. For young people to commit, they need to know that we are committed. Modo wants to make a difference, and with this award Modo can commit 100% to young folk in Aberdeenshire.

Find out more:

Peoples Millions
Facebook
Twitter @modoscotland
Flickr
Youtube 
Website

Vote Modo – Give Circus a Purpose www.facebook.com/votemodo

  • Comments enabled – see comments box below. Note, all comments will be moderated.