Nov 122015
 
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Tim Martin of Ramboll Oil & Gas, meets pupils involved in Northsound Schools Energy Challenge.

With thanks to Eoin Smith, Senior Account Executive, Tricker PR.

Pupils from four secondary schools in the north east of Scotland attended the Aberdeen office of global engineering consultancy Ramboll Oil & Gas to take part in a quiz designed to test their knowledge of the energy industry.

Teams from Dyce, Fraserburgh, Inverurie and Hazlehead Academies took part in the quarter finals of the Northsound Energy Schools Challenge, a hotly-contested annual competition for school pupils in Aberdeen and Aberdeenshire.

But those wishing to learn the results of the hard-fought contest will need to tune in to local radio station Northsound One on Sunday, November 29 at 3.30pm.

Ramboll Oil & Gas has sponsored the popular energy industry quiz, run annually by Northsound One, in an effort to encourage young people to consider the energy industry as a career option. This comes after an announcement earlier this year that, despite the challenging economic climate, Ramboll Oil & Gas UK will expand its Aberdeen workforce by up to one third after securing £1.3m worth of new work since the start of the year.

Tim Martin, managing director of Ramboll Oil & Gas UK, says,

“At a time when other firms may not be looking to hire, we are in the very fortunate position to be looking towards expansion. There are still a great many opportunities for those wishing to enter the industry.

“The energy industry offers very rewarding career prospects, and we are delighted to be involved in a competition that fosters an interest in the industry amongst school pupils. Those competing in the Northsound Energy Schools Challenge are the future of the energy industry, and everything should be done to encourage their passion and enthusiasm.

“We were incredibly impressed by the knowledge and professionalism of all of the teams, and regardless of who is the overall winner of the competition I am confident that these pupils have long and successful careers in the energy industry ahead of them.”

The Northsound Energy Schools Challenge is broadcast on Northsound One every Sunday afternoon at 3.30pm.

Ramboll Oil & Gas is a business unit within the Ramboll Group. With more than four decades of experience, the company is a well-established, independent and highly regarded provider of offshore and onshore engineering consultancy services for the oil and gas industry. Today, Ramboll Oil & Gas has offices in the USA, Qatar, Abu Dhabi, India, Denmark, Norway and UK, and employs around 900 specialists.

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Nov 122015
 

With thanks to Eoin Smith, Senior Account Executive, Tricker PR.

Fiona Kennedyfeat

Fiona Kennedy is a patron of NESMS.

Much loved Scottish entertainer Fiona Kennedy and influential actor and director John Bett, a founding member of the 7:84 theatre company, will lead the 40th birthday celebrations of the North East of Scotland Music School (NESMS) in November.

NESMS is the longest running independent music school in the area and has been the spring board for internationally renowned musicians such as Lisa Milne who has had lead roles in productions by both Scottish Opera and English National Opera and David Ferguson, the only Scot chosen by Gareth Malone for his Voices Choir.

The school’s major celebration will take place at its annual Keynotes Lunch which will be held at Norwood Hall in Aberdeen on Sunday 15th November.

Fiona Kennedy, long term patron of NESMS and John Bett are creating a musical tableau which will reflect NESMS’ history and contribution to cultural life in the north east since its inception. Current pupils of the school will perform in the tableau.

NESMS was founded in 1975 by the late Dorothy Hately who was awarded an MBE for services to music in 1987. Ms Hately, along with Lady Aberdeen, wanted to give young people who had musical promise the opportunity to have tuition which was not available to them through other pathways.

Dorothy encouraged the then director of education in Aberdeen to allow NESMS to begin classes in a part of the old Aberdeen Academy (now the Academy Shopping Centre) in Belmont Street.

NESMS opened offering teaching in four disciplines to just forty students. When work began on the transformation of the building into a retail centre, NESMS found a temporary home in the Methodist Church in the city’s Crown Terrace. Dorothy Hately’s tireless work on behalf of NESMS led to the awarding of a grant from the Scottish Arts Council Lottery Fund and from the Foundation for Sports and the Arts, to enable NESMS to purchase a permanent home.

In 1998, the school officially opened the door to its new premises and the Huntly Street centre was named the Dorothy Hately Music Centre in memory of its leading light who sadly died in 1996, never seeing the centre which she had worked so hard to achieve on behalf of the area’s musically talented youngsters.

From its early beginnings of four disciplines and 40 students, today NESMS offers 15 disciplines, taught by 20 tutors, to more than 250 students at its Huntly Street base with four teaching studios, a library and a lounge. And it’s not just students from the Granite City alone – talented musicians from the whole of the north of Scotland including the Highlands and Islands are pupils at the school … and they are not just youngsters!

The school welcomes enquiries from anyone who has reached a suitable level of attainment whatever their circumstances, age or musical background.

Potential students audition for entry to NESMS. Instrumentalists generally speaking should have attained Grade 5. Criteria for vocalists relate to voice maturity or experience of singing solo or in groups.

The range of instrumental tuition on offer is wide and includes brass (horn, trumpet), strings (violin, viola, cello, double bass) and woodwind (flute, recorder, clarinet, oboe, bassoon) and of course piano, with tuition in jazz as well as classical styles available. Students who wish to develop their ability to deal confidently with an audience are offered opportunities for both solo and ensemble public performances.

Students pay fees which are kept to a minimum through an active volunteer fundraising programme and the generosity of trusts, foundations, companies such as Aberdeen Asset Management and Mattioli Woods Plc as well as private individuals. There are scholarships which can be applied for annually. These are awarded on merit. Through assistance provided by the John Gordon Foundation and Aberdeen City Council a fund is available to pay lesson fees for students in financial hardship.

Barbara McFarlane, Chairman of NESMS, says that it is remarkable what the school has accomplished over the past 40 years.

Barbara says,

“Since Dorothy Hately founded the school in 1975 we have more than trebled the number of music disciplines that we offer. The number of students we teach has also increased by over six times since the school started.

“We are immensely proud to have reached this 40 year milestone and it’s a time to celebrate the fact that many of our students have gone on to become extremely successful musical composers, teachers and musicians.

“NESMS is also extremely fortunate to have such exceptional ties with the most distinguished music tutors in their field, many of whom are former NESMS students themselves, and also with our patrons who are all extremely passionate about dedicating their knowledge and expertise to the musical development of our students.

“Fiona Kennedy is a faithful NESMS patron and we are honoured that she and John Bett have both devoted their time to creating a musical portrayal of NESMS and all the effort it has contributed to Scottish music over the years.”

To book tickets for the NESMS Keynotes Auction Lunch, or for more information on how to enrol for lessons, phone North East of Scotland Music School on 01224 649685 or email nesms@dsl.pipex.com

Past and Present Notable NESMS Students:

The past 40 years have seen an abundance of notable and influential Scottish musicians begin their musical careers at NESMS.

Lisa Milne

Renowned Scottish Soprano Lisa Milne is one of the best known of NESMS’s alumni after a successful and extensive career in opera and classical music. Lisa was only 14 when she first started singing lessons at NESMS. After securing leading roles for world-famous operas such as The English National Opera, Metropolitan, New York and Scottish Opera, Lisa was awarded an MBE from the Queen in 2005 for her services to opera and music. She is now a vocal coach at The Royal Conservatoire of Scotland.

Ian Wilson

Ian Wilson began his exceptional career in music as a woodwind student at NESMS. Ian now shares his expertise with his very own NESMS protégés’ as he is a visiting recorder specialist at his former music school. After winning multiple music prizes during his time studying at Guildhall School of Music and Drama he is now the Principle Recorder Professor at Guildhall and Head of Woodwind at Eton College.

Ian has also spent time performing as a soloist with a variety of Europe’s period instrument orchestras and as a chamber musician in many European festivals.

Oliver Searle

Former NESMS piano student Oliver Searle was tutored at the school whilst studying for a degree in Music Education at Aberdeen University, he then went on to gain a distinction in his Masters degree from The Royal Scottish Academy of Music and Drama.

Oliver frequently collaborates with music charities, most recently with Drake Music Scotland for the London cultural Olympiad, he also regularly produces music for theatre and has been involved in a number of music projects for people with cochlear implants. He is currently Creative & Contextual Studies and Composition Lecturer at The Royal Conservatoire of Scotland in Glasgow.

Joseph Long

Accomplished composer and concert pianist Joseph Long studied piano at NESMS. He has vast concert experience in a number of world famous venues including The Grand Hall of the Moscow State Conservatory, The Calcutta School of Music and The University of Almeria in Spain. After leaving Aberdeen to study at Cambridge he is now back in his native city and teaches advanced piano at NESMS and Aberdeen University.

Donald Gillan

Aberdeen-born Donald Gillan was a cello student at NESMS, he later won scholarships to the Royal College of Music and the Royal Northern College. He has since toured with the Scottish Chamber Orchestra performing in countries including Japan, Spain and Germany. Donald also freelances for the BBC Scottish Sympathy Orchestra, Scottish Opera Orchestra, plays in duos and quartets and performed at three prom concerts at the Royal Albert Hall.

Sally Garden

Sally Garden is a musicologist, mezzo-soprano, and a former NESMS vocal student who has trained with distinguished Italian soprano Laura Sarti. She was also a finalist in the Mary Garden International prize and was later appointed Historical Musician in Residence at the Wighton Heritage Centre, Dundee. During her time there she was responsible for directing a three year programme of music events to unfold one of Scotland’s finest music archives.

She is now an Honorary Research Fellow at the Centre for Scandinavian Studies at the University of Aberdeen and has been able to dedicate her time towards recital work.

David Ferguson

Current NESMS student David Ferguson has been tipped for musical success after being handpicked by celebrity choirmaster Gareth Malone OBE after a nationwide search for a 17 strong choir. Before joining Gareth Malone’s Voices in 2013, David had been singing as a choirboy since the age of eight and had performed with a variety of different choirs throughout the UK.

After a CD release and a UK tour David joined up with four members of Gareth Malone’s Voices to form their own band, which they named The Harbour. David travels frequently to London to attend recording sessions and performances, as well as receiving voice tuition at NESMS.

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Nov 122015
 

DAK with bookBy Suzanne Kelly.

Dr David Kennedy – academic, educational reformer and educational observer. He is possibly best known as the former head of Robert Gordon University who handed his degree back in disgust and protest at the honorary degree handed to Donald Trump.

Honouring Trump seems more of a huge error in judgment, academically as well as moral, as each day passes.

Trump goes from disaster to disaster, having been linked to organised crime by the BBC’s Panorama, and having branded himself as a racist, nationalist, sexist self-publicist. Yet RGU stands by its decision. And Dr Kennedy stands proudly by his.

Dr Kennedy released a book in June on his experiences in Scottish education. What’s in a Name?

Stories of a decade in higher education is available from Amazon as hardback, softback, or electronic versions. It can be found here.

Kennedy gave me his book to read and gave me an interview in mid-August. Circumstances at my end have delayed my reading his excellent book and putting the finishing touches on our interview. I regret this for several reasons, not least being Dr Kennedy’s ongoing kindness towards me and his patience in explaining some of the more complex issues involved in the history of changes in Scottish education.

More importantly though, the changes in our education are having tremendous changes on our society, our values and our morals. Some say that we are hot-housing our children from far too early an age, separating infants and young children from their parents who need to earn money.

Are our children able to find education that suits their intellectual potential despite whether they come from rich or poor backgrounds? Are we stressing our children by too much school and too much homework? Are some subjects (phonetics, ‘new’ mathematics) unhelpful hoops we make children accept without question? Are we teaching children how to think and synthesise facts they discover themselves and how to structure logical arguments – or are we teaching them to memorise things temporarily to get good exam results?

And this is before we reach higher education.

When I wanted a higher education, I was interested in the liberal and fine arts; I wanted knowledge first, and any future earnings potential was a secondary consideration (if I ever considered money more important than knowledge). Now our higher educational system seems far more concerned with employment outcomes than learning outcomes.

Engineering degrees involve great specialisations. I know several financially successful engineers over the years who seem to have limited cultural, historic, artistic, ethical knowledge. Is it possible that an educational system which favours specialism and ignores history, classics, ethics, philosophy and arts contributing to a shallow, materialistic culture that is willing to sell the planet’s environmental future for profits today?

Perhaps we should ask Dr. Donald Trump. I know what I think, and look forward to discussing the issues with Dr. Kennedy.

We start our telephone conversation; I am reminded of our earlier interview when we discussed Trump and RGU. This time however, David has a huge amount of information he is eager to convey, and I don’t need to ask him any questions at all.

David: 

“The book expands over my experience of higher education in Britain; things I personally knew about. 

I think its relevance to the current situation in Higher Education (HE) lies in 5 issues:

  1. Significance of Higher Education for society, industry, and individuals
  2. Does “one-size fits all” apply to career education/training? [Relevant to student debt]
  3. Equivalence of Awards across subjects, institutions, and countries 
  4. Relevance of Research and Scholarship in HE [Both are essential learning activities for students]
  5. The gradual commercialisation of education and its significance in so many different ways.

The book was inspired originally by the fact RGU, originally RGIT, is very well known and certainly in Scottish education, everyone thought of it as being highly prestigious; with an enviable profile. It was regarded as the flagship of Scottish post-school education. At that time, Scottish universities considered themselves to be British rather than Scottish and argued strongly against coming under Scotish control.

I should say that there were different mechanisms of funding for tertiary education. One was through local authorities. Another was through a grants committee funded by Whitehall, but very much at arm’s length, run by a committee of academics. The third was direct funding by government and this was the case here in Scotland – education colleges and central institutions by the Scottish Office. This was unique to Scotland and highly relevant to what happened later on.

RGIT had a prestigious reputation. There were 14 central institutions in total in Scotland, and there were ten colleges of education. The central institutions were of two types – one a polytechnic type, the others monotechnic – examples are colleges of agriculture, domestic science colleges, colleges of art, of nautical studies, and so on. Glasgow, Edinburgh, Dundee and Aberdeen had polytechnic-type institutions; the monotechnics were spread around.

I was appointed principal of RGIT in November 1984 and took up post in May 1985. From the start, I knew things were not right. There was a lot internally that was wrong, but I never ever expected the mess to be quite as bad as I found it.

The early chapters of the book, which is semi-autobiographical, is a collection of short stories, all true, as experienced by me. They are clustered in ten chapters. The first is about the stresses of the job – it describes some of the outstanding problems I found on taking up the post.

Very early on, I discovered to my horror that if you are a boss, then other people perceive you as being something different, even if you think you are just like everyone else. Relationships are different, some deferential, some obsequious, some hostile, and others downright insulting.

One anecdote in Chapter 2 concerns the first day I arrived. There were great piles of papers that had accumulated over many weeks; some very urgent. The less urgent included a petition from staff about the food in the refectories. I decided to visit each in turn (there were 6 in all). On the second day, I went to a nearby refectory for lunch; there were a pair of staff sitting together in earnest conversation and a guy sitting on his own.

I sat with him and began to chat. He had little apparent interest in anything and I found it difficult to get him to talk. However, some of his colleagues joined us and an animated conversation took place.

A young woman sitting next to me asked where I was from. [I’m a Geordie; it’s a very recognisable accent]. I told her, ‘I’m from Tyneside. I thought you’d know by my accent.’ ‘No, where are you from in the institute?’ I said ‘The Principal’s Office’ . She thought she’d perhaps hear a bit of gossip and asked what I did there. ‘Well, I’m the Principal’. All eight of them upped and ran; it was like an explosion.

They perceived me as some terrifying being quite different from themselves; this was reinforced later, many times.

Chapter Two tells about students, colleagues, stratagems that were used to gain special advantage, or to do the Principal down!

Chapter Three is about oil-troubled waters. Far from pouring oil on troubled waters, this was about the oil industry and the problems it brought. I can’t really describe it all – you’d have to read the book. RGIT had a massive input into the oil industry; more than any other institute in the UK. It had a world-wide reputation for the work it did. Meanwhile, at the Scottish Office… well, there was massive and secretive manoeuvring going on.

I start the chapter by saying 1066 was probably the most dramatic year in history of Britain, while 1988 probably most significant for Aberdeen, with Piper Alpha, and for RGIT. It was a very dramatic year also for higher education because of political goings-on that we were told nothing about at the time. We found out later, to our cost.

Chapter 4 – Quis custodiet … (ipsos custodes)? – who guards the guardians?– is about the way public sector institutions are governed, and how control is exercised. The press often terms itself as the ‘fourth estate’ that casts light on those in charge, and particularly on wrongdoings; but does it do this both honestly and fairly? It provides facts about people who are given responsibility to run organisations on behalf of the taxpayer.

The chapter also describes some unfortunate consequences of media behaviour. 

There was always a shortage of accommodation and Aberdeen Journals would have stories about the hardships of students unable to find suitable accommodation.

There was an implied criticism of the institutions and their bosses, taking in too many students – for the money! In one year two Art students decided to sleep in tents on the banks of the Dee. They contacted the press about their ‘plight’. The press had a field day. It turned out these were rich kids, carrying out a prank. The media didn’t investigate, simply looked for good stories – and were strangely silent when the truth became known.

Chapter 5 – Night-flying. The English call it ‘flitting’; it implies something done in the dark. This chapter relates stories about people who’ve tried things on.  It’s about the misbehaviour of staff who were too entrepreneurial.

Chapter 6 – A Question of Quality. This recounts the operations of the Council for National Academic Awards, which awarded the degrees offered by the polytechnics in England and central institutions in Scotland. It was the biggest degree-awarding body of its day and set standards for courses and their delivery, for examination regulations and procedures, as well as for the awards themselves.

Everything was written out, purposes and processes made clear, with evidence and fact-driven judgements based on clear standards. 

I tried to explain its strengths and weaknesses. I played an active role in CNAA and assisted in more than 70 institutions of all kinds in Britain. CNAA was closed down by government in an act of educational vandalism. It was the biggest mistake by British government in higher education in the last 50 years.”

The interview will be continued shortly, with a review of the book ‘What’s In A Name?’

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Nov 102015
 

Ronnie Watt and Alain Verbeek By Charlie Abel.

Ronnie Watt’s National Karate Federation have returned from Berk, France where an international open competition was held on the 25th of October 2015.
The competition was hosted by French instructor Alain Verbeek (6th Dan).
Alain’s club trains in the doctrines of Alain’s late instructor, Taiji Kase (9th Dan). Kase is a widely respected Japanese Karate legend.

Our Aberdeen based NKF team did exceptionally well during the competition returning with 4 international medals against some stiff competition which included 1 Gold and 3 Silver – Nissara Kirk taking the Gold and 2 Bronze, and John McInnes taking a Silver.

There were 150 competitors in all so Ronnie and his squad can hold their heads high.

A special training course was held the day before the competition. Participants in the course enjoyed 6 hours of karate training the day before the competition from 4 different karate masters. Participants travelled from around Europe to reach Berck for this rare opportunity with competitors from Germany, Austria, Scotland, France and many from Brittany.

KarateFranceShihan Ronnie Watt (8th Dan) from Aberdeen focused on speed technique to score points in kumite. Sensei Alain Verbeek  (6th dan) demonstrated Kase-ha sparring tactics, using various knife hand attacks in response to an attacker. Sensei Christian Le Romancer (Brittany) demonstrated bunkai and emphasised the importance of Kime (power, focus).

Sensei Dieter Langer (3rd Dan) from Germany demonstrated the structures behind the kata and the importance of form over strength.

Also present was the wife and daughter of Taiji Kase. They will soon publish a much anticipated book detailing the life and legend that was Taiji Kase. Kase was also a frequent visitor to Aberdeen and a close friend of Ronnie Watt.

Alain Verbeek has studied Karate for over 45 years and in this time Ronnie and Alain have become great friends.

At the end of the festival and competition Alain was surprised to receive a Samurai SHOGUN award for his service to karate and promotion of friendship between Scotland and France. The award was given after the closing ceremony of the competition in front of many guests and VIP’s including Chieko Kase (wife) and Sachiko Kase (daughter), the Mayor of Berk and the ambassador of Japan in France, Yoichi Suzuki.

The Auld Alliance is still strong. The NKF would like to thank the French families that hosted the NKF squad and for showing them such great hospitality.

warshell

After the tournament Ronnie and his NKF squad were invited to the Berck town hall to be treated to a special civic reception hosted by the Mayor of Berck, a senior MP and other VIPs from the area.

Ronnie was presented with a medal by the Mayor of Berk for promoting friendship and culture between France and Scotland through Karate.

Ronnie was also presented with a very special gift, from the people of Inverness, France.

This was an unexploded world war one shell (pictured right), encased in a special hand made box.

It had been fired into the area where the Scottish soldiers had fought, many giving their lives to fight for the freedom of France in the Great War, 1915.

Ronnie said he was “deeply moved” by this special gift.

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Nov 102015
 

David ForbesWith thanks to Future Choices.

Local charity boss and carer David Forbes was featured on STV’s Real Heroes on Monday November 9 in the ‘Carer of the Year’ category.

David is the only person from Aberdeen to appear in the show which is in it’s third series.

The film piece showed what not only what David does for his disabled mother who he cares for 24/7 but also in his voluntary role as Chairman of Future Choices, helping to get disabled people out of their homes.

David said:

“Since being shortlisted for this special award, it’s been completely overwhelming and im so proud to be representing the Granite City in this National competition.”

Voting is still open to vote for David, either by text or for free on the stv website. To vote for David by text, text HERO 18 to 86660.

Voting for this category closes on noon, Monday 16th Nov 2015

David added:

“I’m absolutely blown away with everyones support and people taking time out to vote for me, thank you all, im truly blessed to have so much support.”

The results show will be televised in December.

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Nov 092015
 

Shooglenifty2With thanks to James Soars Media Services. 

2015 has been an epic year for Shooglenifty, a band formed 25 years ago in Edinburgh.

Retaining four of their original members plus their bass player of 12 years standing, the line up has been invigorated in the past year by fiery young mandolinist Ewan MacPherson who contributes four tunes to their critically acclaimed new CD release The Untied Knot.

Also new in 2015 is ‘puirt a beul’ vocalist Kaela Rowan who graces the album with the first ever collection of Shoogle songs.

Shooglenifty’s sound springs from traditional Scottish dance music, energised by the beats and bass line of something altogether more contemporary. It is not a sit-down kind of music, it’s a join-in, and get on your feet kind of vibe.

Attempts to describe this almost uncatagorisable band include: ‘dub-diddly’,‘hypno-folkadelic-ambient-trad’ and ‘Acid-Croft’. Whatever it is, it has endured, evolved and, above all, entertained for quarter of a century.

The band are most at home playing live, and matching the excitement of releasing the new album, 2015 has been a year of very special gigs. They enjoyed not one, but three(!) 25th Anniversary Parties –  they sold out the city’s iconic Old Fruitmarket venue at Celtic Connections in January, they blew the roof off a packed Glenuig Hall in April, and, in May, celebrated at a late night album launch at La Belle Angele, Edinburgh, scene of their first residency in the early 90s.

Summer 2015 is packed with appearances at festivals at home and abroad: they include HebCelt in the Isle of Lewis, Cambridge, Rainforest World Music Fest in Borneo and Interceltique in Brittany (with current collaborators the Dhol Drummers of Rajasthan). The year is top and tailed by hogmanay celebrations on opposite sides of the earth – Woodford, Australia for 2014/5 and Edinburgh’s Hogmanay for 2015/6.

But before we hit the fireworks at midnight on 31 December, Shooglenifty is coming to a village/town/city near you. There will be dancing.

Celebrating their 25th anniversary, this is Shooglenifty’s seventh studio album. The breathtaking ‘puirt a beul’ (mouth music) of Gaelic vocalist Kaela Rowan brings a captivating and energising new element to the band’s sound, and the grittiness of the songs further confounds any attempt to categorise them.

The Untied Knot drops additional pins in the Shoogles’ map of international influences, this time hitting the road from Scotland to Rajasthan. Watch out for James Mackintosh and Kaela Rowan’s ‘The High To Jodhpur’, a tune that makes that connection explicit, whilst Burn’s Tam O’Shanter is the ‘closer to home’ substance to the title track by Quee MacArthur.

Former band member Luke Plumb’s fresh compositions – the psychedelic ‘Arms of Sleep’ and ‘The Highway Carpark,’ a ‘hurry up and wait’ classic – are included, whilst new mandolinist Ewan MacPherson makes his mark with three tunes. His ‘Somebody’s Welcome To Somewhere’, a tongue-in-cheek Highland march, features the princely pipers of a guesting Ross Ainslie. Ewan also contributes a dark nautical romp ‘The Devil’s Breath Hornpipe’, and a speedy pair of reels clearly spawned by the Shoogle dance gene, ‘Samhla Reel/Scolpaig’.

A dazzling contribution by Garry ‘Banjo’ Finlayson ‘The Scorpian’ (sic) is a fascinating and enigmatic creature, whilst ‘Fitzroy’s Crossing’, the striking Antipodean closing track by Shooglenifty front man Angus R Grant, is proof positive that there is no musical journey this band can’t take.

The cover was designed by renowned John Byrne who previously created album sleeves for Gerry Rafferty, Stealers Wheel, Billy Connolly, and The Beatles, among others.

“This is a class act, truly in line for album of the year” – fROOTS.

“Remarkably exciting, and fresh *****” – Songlines.

“Top to bottom The Untied Knot is a fine piece of work awash with spectacular displays of musicianship and bewildering levels of innovation” – Folk Words.

“Gaelic vocalist Kaela Rowan fits Shooglenifty’s skilfully-knitted left-field sound as snugly as a kilt”  – The Australian.

THE UNTIED KNOT TOUR:

Friday 6 November 2015 | The Up Front Gallery | Cumbria | Find the venue | Buy tickets

Saturday 7 November 2015 | Mac Arts | Galashiels | Find the venue | Tickets available soon

Thursday 12 November 2015 | The Lemon Tree | Aberdeen | Find the venue | Buy tickets

Friday 13 November 2015 | Gardyne Theatre | Dundee | Find the venue | Buy tickets

Saturday 14 November 2015 | Gordonstoun | Elgin | Find the venue | Tickets available soon

Friday 27 November 2015 | Inchyra Arts Club | Perth | Find the venue | Buy tickets

Saturday 28 November 2015 | Sabhal Mòr Ostaig | Skye | Find the venue | Buy tickets

Friday 4 December 2015 | Applecross Community Hall | Applecross | Find the venue | Buy tickets

Saturday 5 December 2015 | MacRobert Memorial Hall | Tarland | Find the venue | Buy tickets

Friday 11 December 2015 | The Canteen | Bristol | Find the venue | Tickets available soon

Saturday 12 December 2015 | The Borderline | London | Find the venue | Buy tickets

Sunday 13 December 2015 | The Crescent | York | Find the venue | Buy tickets

Friday 18 December 2015 | Stereo | Glasgow | Find the venue | Buy tickets

Saturday 19 December 2015 | Memorial Hall | Resolis | Find the venue | Buy tickets

Sunday 20 December 2015 | The Old Bridge Inn | Aviemore | Find the venue | Tickets available soon

Monday 28 December 2015 | Astley Hall | Arisaig | Find the venue | Buy tickets

Tuesday 29 December 2015 | Tolbooth | Stirling | Find the venue | Tickets available soon

For more information and the latest tour news, please visit:www.shooglenifty.com

Nov 062015
 

The found footage supernatural horror series Paranormal Activity has now reached its sixth and final instalment. Aberdeen Voice’s Andrew Watson reviews The Ghost Dimension, more or less a sequel to Paranormal Activity 3.

ParanormalactivityNot many people came for the Tuesday midmorning showing at Union Square’s Cineworld, the film having being released almost a fortnight ago. It perhaps serves to prove that this franchise has run its course. Though not hackneyed in the sense it shows cupboard doors flapping of their own free will, it’s largely predictable.

Having said that, the you-know-it-is-coming moments frighten because you can never totally anticipate that split second they’ll make you jolt; though that’s the case for just about every horror film, good or bad.

Plus points, however, include when the besieged protagonists explore the nature of the demonic presence they seek to be rid of.

The plot itself generally revolves around father Ryan Fleege (Chris Murray), wife Emily (Brit Shaw) and daughter Leila (Ivy George). Ryan’s brother Mike (Dan Gill) joins the family for Christmas after breaking up with his girlfriend.

Suspicions regarding the house are roused when family friend Skyler (Olivia Taylor Dudley) comes on the go. She’s somewhat of a Feng Shui expert and her comment upon its ‘energies’ validate what soon takes hold.

Whilst preparing the house for the festivities they find a box of tapes they’ve never seen before. Out of curiosity, brothers Ryan and Mike view some of them not realising that they’re family videos belonging to the previous family that lived there.

In fact, the current house is built upon the site of that very family’s house, which burnt down. The footage, which is not only weird and potentially satanic, references the current householders despite being recorded years ago; describing them in great detail.

The main debate with this is whether this girl with her eyes closed in the video is picturing the future, or is in fact viewing these viewers in some sort of spiritual plain within the present. Being honest, it seems a tad reminiscent of the girl coming out of the screen of the television in The Ring.

Leila starts acting up, though it begins innocently as what they think is her talking to an imaginary friend. It turns out that this imaginary friend seeks the young girl in a bid to take a physical form.

Things escalate to the point where they call in Father Todd (Michael Krawic), a priest. Despite being bitten by Leila during a fit of rage, he doesn’t think that she’s possessed.  He therefore elects for a cleansing, and not an exorcism.

Concern had already grown for Leila, and they’d placed a camcorder in her room in a bid to get a handle on what’s going on. During another very active night, Leila is seen via this surveillance walking through a passageway that has appeared in a crack above the headboard of her bed.

Perhaps this is the same spiritual plain within the present in those family videos, ‘the ghost dimension’.

One thing you cannot knock these films for is a lack of unhappy, and in turn conceivably realistic, endings. No psychics battling spirits of the netherworld, at least not this time round. Just feeble, mortal men and women clinging onto life; logic and reason leaving them as panic overtakes them.

Nov 062015
 

Middlefield 1 backdropWith thanks to Esther Green, Tricker PR

Disadvantaged children living in Aberdeen and Edinburgh have enjoyed well-deserved breaks – some going on the first holiday of their lives – through funding from the Aberdeen Asset Management Charitable Foundation.

Scottish children’s charity HopScotch secured £9,000 from the firm’s Charitable Foundation to enable 36 children to enjoy a total of 180 days of respite at its holiday centre in Ardvullin in the Scottish Highlands.

A dozen children each from three organisations – Edinburgh Women’s Aid, Aberdeen’s Middlefield Community Project and Waverley Care in Edinburgh – were selected for the much-needed breaks allowing them to spend time in safe and secure surroundings while escaping the stresses of home life and gaining and building confidence, in a caring and supportive environment.

Waverley Care works with children who are living with, and affected by, HIV/Hepatitis C in Edinburgh. Many of the families struggle to take youngsters on holiday due to poor health and financial constraints. Children live in stressful situations and often act as carers to their parents/younger siblings and rarely get the chance to socialise or form friendships.

Middlefield Community Project is based in an area of multiple deprivation in Aberdeen, in the top five of Scotland’s most deprived areas.  Families suffer as a result of parental drug or alcohol misuse, severe poverty, domestic violence, parental health issues and neighbourhood disputes. Many young children are left to fend for themselves, often playing in the streets at night.

Edinburgh Women’s Aid provides practical and emotional support to those who have been, or are, experiencing domestic abuse and many of the children will have witnessed abuse or even been abused themselves. Recovery is a lengthy process for some and an opportunity for a respite break is very beneficial in very many  ways.

At Ardvullin the children try a range of activities like horse riding, canoeing and indoor climbing, boat trips, biking and visiting the beach.

One youngster who went to Ardvullin said:

“I loved my Hopscotch holiday and didn’t want to leave.

 I did lots of exciting things like hill climbing, walking in the forest, canoeing and lots more.  I loved the big, massive swing park out the back garden.  My favourite part was when I made it to the top of the hill and the snow was really, really deep.” 

The Edinburgh-based charity’s 2015 programme has provided around 350 children with a respite break at Ardvullin and this year HopScotch has worked with organisations from the Highlands, Ayrshire, Strathclyde, Perthshire, Tayside, Lanarkshire, Midlothian and Aberdeen City and Aberdeenshire to identify those children most in need.

HopScotch manager Roberta Mckay said that the support given by the Aberdeen Asset Management Charitable Foundation had allowed children – many of whom have never been to the countryside or the seaside before – a chance to have a break away from their problems in a safe and secure environment. For children who are young carers, it may be the first chance of respite from their caring responsibilities.

Roberta commented:

“Good childhood memories last a lifetime. We are so grateful for the support of Aberdeen Asset Management during 2015 which helps our work to continue in providing free respite break for Scotland’s most vulnerable children.

Karin Hyland of Aberdeen Asset Management’s Charitable Foundation said:

“HopScotch holidays provide something which  every child should be entitled to – the chance to enjoy a carefree break in a safe and caring environment where they can make new friends, have fun and experience the beauty of the countryside.”

The Aberdeen Asset Charitable Foundation was established in 2012 to formalise and develop the Group’s charitable giving globally. The Foundation seeks partnerships with smaller charities around the world, where funds can be seen to have a meaningful and measurable impact and  the firm encourages its employees to use their time and skills to support its charitable projects.

For more information visit http://www.aberdeen-asset.co.uk/aam.nsf/foundation/home

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Nov 062015
 

Cash for Kids SuperheroesWith thanks to Eoin Smith, Senior Account Executive, Tricker PR.

Superheroics, baking expertise and sporting prowess: they’re maybe not the first things that spring to mind when you think of a successful hotel. But for staff at The Aberdeen Altens Hotel, raising thousands of pounds for a local charity is top on their super powered to-do list.

From team bowling nights to a breakfast bake sale – which attracted the Northsound One Breakfast Show team – the hotel’s staff have taken part in a variety of unusual fundraising challenges throughout 2015 to raise much needed funds for Aberdeen charity, Cash for Kids.

As part of Cash for Kids’ Bed Appeal, which seeks to provide much-needed beds for disadvantaged children, members of staff were sponsored to wear their pyjamas and slippers to work. The staff also participated in a bed making challenge for the appeal, putting their hospitality skills to the test to make the perfect bed against the clock.

Many of the team have also had their running shoes on, taking part in the Colour Me Rad race, and providing catering and marshalling for the annual Baker Hughes 10k.

Another event saw the staff dressed as superheroes performing random acts of kindness to those visiting the hotel. Most popular amongst guests was the effort of two members of staff who dressed as Teenage Mutant Ninja Turtles and made it their mission to hand out the characters’ favourite food – pizza – to hotel guests.

Julia Leitch, Aberdeen Cluster Sales Office Manager, says,

“It was important to us that the charity we supported in 2015 worked with the local community. The staff were all involved in selecting the charity, and Cash for Kids ticked all the boxes: the work they do with children in the north east is incredibly important, and we are proud to have been fundraising for such a worthwhile cause.

“At the beginning of October we held out first ever Volunteer Recognition Dinner in the hotel, which celebrated the efforts of Cash for Kids’ volunteers. But the year is not over yet, and we are looking forward to taking part in even more fundraising events between now and Christmas.”

The Aberdeen Altens Hotel still has a number of fundraising events coming up. As part of Mission Christmas, the hotel will become a drop-off point for presents for disadvantaged children in the area. New and unwrapped gifts can be handed in for children and young people aged 0-18, and many of the staff have already pledged their support for the cause. The team will also aid the Coats for Kids Appeal.

The Aberdeen Altens Hotel is part of The Hotel Collection, which has two other venues in the city – The Caledonian Hotel and The Aberdeen Skyway Hotel. There are 446 bedrooms across the three venues, and each has conferencing and banqueting facilities. The Aberdeen Altens Hotel also has a health and leisure club. Further information is available at www.thehotelcollection.co.uk/aberdeen

 

 

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Nov 062015
 

CLAN logo2With thanks to Phil Moar, Account Manager, Citrus Mix.

A leading north-east cancer support charity is giving people the chance to get into the festive spirit early this year when it hosts a Christmas Fayre next week.

The CLAN Cancer Support event will take place at CLAN House on Saturday, November 14, from 10am to 4pm.

A range of stalls will be on offer, giving attendees the chance to pick up potential Christmas gifts including various crafts, knitted goods, handbags, jewellery and scarves. Stocking-fillers, cards and wrapping paper will also be on display for purchase.

Entry fee is £2, which includes hot drink and home bake, with all funds raised going towards the charity’s provision of free support services to anyone affected by cancer across the north and north-east of Scotland.

Susan Crighton, CLAN’s fundraising manager, said:

“With Halloween now past, attentions are beginning to turn towards Christmas and we’re looking forward to hosting our annual fayre next week.

“This year’s line-up of goods and items is fantastic and will present the perfect opportunity for many to get their Christmas shopping started in earnest. Our Christmas Fayre is always a great way of picking up a couple of lovely presents alongside helping raise funds for a local charity; we hope you can join us on the day.”

For more information, please contact Moureen Wilson at CLAN on 01224 651028 or email moureen.wilson@clanhouse.org. More details on the event can also be found at www.clanhouse.org or through the charity’s dedicated social media channels.

CLAN Cancer Support is an independent charity which provides comfort support and information, free of charge, for anyone, of any age, affected by any type of cancer. CLAN aims to support people to reduce anxiety, stress and to increase their ability to cope with the effects of a serious illness.

Based in Aberdeen, the charity covers the whole of north-east Scotland, Moray, Orkney and Shetland. CLAN has a presence in Ballater, Banchory, Elgin, Inverurie, Fraserburgh, Lossiemouth, Peterhead, Stonehaven, Turriff, Kirkwall and Lerwick.

For further information about CLAN Cancer Support please call (01224) 647 000 or visit www.clanhouse.org

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