Aug 072014
 

Yes campaigners in the North-east of Scotland have welcomed a new poll indicating that a majority of North-east voters will cast their ballots in favour of independence on September 18.

Ross_Cassie

Ross Cassie

The Survation Poll for the Mail on Sunday, published on August 3 indicates that voters are increasingly moving towards Yes in the North-east with 48.6% of respondents backing independence, 39.8% for no, and 11.6% undecided.[1] The poll follows steady increases for the Yes vote country-wide, with the overall figures for Scotland indicating 40.2% Yes and 45.9% for no – putting the Yes campaign within four points of victory. Yes Banffshire and Buchan Coast organiser Ross Cassie said:

“This latest poll illustrates that momentum is very much with the Yes campaign in the North-east of Scotland. The good people of the North-east are being persuaded by a positive, ambitious and aspirational vision for our future in an independent Scotland; and are fed up of the negative scaremongering of the no campaign which offers no change at all.”

“We will not be resting on our laurels and will continue to take our positive message to the streets and doors of the North-east in the weeks ahead. A Yes vote and a better future is within our reach and that is something that will enthuse and inspire many across the country.”

[1] Survation poll for the Scottish Mail on Sunday, August 3, 2014: http://survation.com/wp-content/uploads/2014/08/Scottish-Poll-Aug-3rd-MOS-Without-Demographics.pdf Comments enabled – see comments box below. Note, all comments will be moderated.

Aug 072014
 

Old Susannah gets to grips with Granite City Gripes such as shooting, snooping and serious tax avoidance, allegedly.  By Suzanne Kelly

DictionaryIt’s been a colourful week in the Granite City; referendum and Commonwealth Game Fevers have swept through town. Who can forget those beautiful Commonwealth Scottish uniforms with their pastel tartans paired with floral shirts, the Scottie dogs, and the dancing teacakes? It’s so good to see we’ve broken out from any stereotyping.

I do wonder how the other companies which paid to have their products promoted in the games feel, knowing that Tunnock’s were approached by the organisers who wanted to use their product in a dance number? The sale of Tunnock’s cakes is apparently up by over 60%.

I wonder if the same is true for well-known Scottish sponsors Kellogg’s, Gatorade and Heineken? I think a dance number with a sixpack of beer would have added to the festivities.

The artful dolphins dotted around town are great; it’s wonderful to watch kids climb them and break off little chunks of them for souvenirs. It’s great to know people are interacting with them by vandalising and torching them, as well. For those who want to have a good look at these great sculptures, I’d get in fast.

For those of you who don’t actually want to ride a dolphin sculpture or take a chunk of one home, then be sure to see the adorable mini dolphins in the libraries; there is a trail for kids to follow, and if they visit all the dolphins, they get a goody bag. This initiative may have been modelled on similar events in other cities, but it is a good one.

The Eid celebration took place in Union Terrace Gardens; could it be the city’s organisers are mellowing a little? Despite there being tents and crowds, there weren’t scores of police, private security, crowd barriers, anti-climb paint or any of the usual high security measures the city usually pays for when someone wants to have fun. Let’s hope they tool up for the next event.

With the good things that are going on, any little issues seem to pale into insignificance.  However, here are a few such little issues and some definitions.

Routine Patrol: (Modern English compound noun) – a beat or patch secured by police (formerly without guns).

Mark Williams, chief of Edinburgh’s police has put armed men on routine patrol. What could possibly go wrong? This is also what Police Scotland has done – increasingly armed its routine patrols. If the police are all now toting guns when responding to incidents, such as the recent argument in an Inverness fast food restaurant, it can only be a good thing.

The chief of police says there really aren’t that many more armed officers. He’s kindly taken it on himself to dole out the guns without bothering the nice folk in Holyrood, local government, or the citizens (heaven forbid). To give the guns out now, and deal with Holyrood later seems like a great strategy to me.

All these armed cops will probably save the taxpayer a fortune in trial costs in the long run. Perhaps it might seem to the unduly wary that when the police are dictating terms to the politicians, carrying guns where they didn’t before, searching thousands of children in on-the-spot, warrantless detentions, we are well and truly in a police state.

I’m sure you feel all the safer for it. The local Edinburgh councillors are against it, but what does that matter? They’re not the ones with the guns, so their opinion will remain just that, opinion.

Old Susannah does have one little question though: since the police and a host of authorities are spying on our computers, our phone calls and our video, wouldn’t it be better to prevent crime than to shoot people? Thankfully, the authorities say there won’t be any escalation in the criminal element getting armed as well. No, that would never happen.

Police Scotland is sending armed police to that hotbed of crime, debauchery and sin – the Belladrum festival. I’m sure all this information is comforting, but if you wish to join MP Danny Alexander, and petition the cops to lay down their arms, here is a link http://www.surveymonkey.com/s/HighlandPolicing

Actually, I have one other thought. This week (and not for the first time) American police shot the wrong man; this was in Los Angeles. It’s good to know that can’t happen here. This may be the same police force that laid siege to George Copeland’s empty flat, took him into custody days later, and tried to get him to say a pink feather duster could have been mistaken by them for a gun.

No, there will be no problems with this scheme at all.

Sure a few innocent people will be shot; Harry Stanley in London was shot when he carried an antique table leg securely wrapped in a blanket; a member of the public thought it could have been a rifle. Jean Charles da Silva e de Menezes was a Brazlian on his way to work on a tube train when he was shot several times.

Happily the police rallied round after the shooting – to tweak their stories and the records, and to spy on the bereaved family. I know I feel safer for it.

Spying on civilians? Surely that’s not going on. Well, maybe just a little, but only if there are really good reasons.

Springboard: (Modern English proper noun) company which monitors footfall and visitor movements in private and public spaces.

Inspired had an inspired idea – they’d spend £100,000 on the company Springboard to see where you and I are going in the Business Improvement District, how long we’re spending walking around, and how long we linger in shops. They say the data is all anonymous. They are also apparently holding it ‘permanently’ as per their website http://www.spring-board.info/technology

Do have a look at the technology being used – by tracing signals from your mobile / using sensors, they’ll know how long you stay in the tattoo parlour, how long you’re in the STD clinic, how long you linger in the pub, etc. etc. This is to understand your shopping patterns – anonymously of course. But with your phone number, and imagery.

Naturally you want some person knowing where you are and what you’re doing, and also being able to match that up with your credit card use in a shop if they really put their minds to it. It’s reassuring to know that such data is anonymous and will never be used other than for the purpose of monitoring your movements.

Alas, there are one or two issues. You don’t get the chance to opt out, even though various data protection agencies have grave concerns about this technology being anonymous.

Who will look at data, and will they be as saintly as the police? The police, sadly, have been in the news in the past, for the odd occasion when police officers have spied on their partners, ex-partners and so on, using surveillance info illegally. Don’t worry; it couldn’t happen in the private sector.

151011-1217001There was a time when I fell afoul of this technology in Aberdeen, and it wasn’t my shopping that the security guards were monitoring.

Back when we had a vote on the beautiful designs proposed for Union Terrace Gardens, I went to the Academy shopping centre the day before the opening.

A colleague had told me he was harassed for trying to take photos of the exhibition space – even though he was on the very public Belmont Street.

I went to see what was up. On Belmont Street I looked in the window, took photos and took photos of the exhibition poster which was placed on Belmont Street. Well, I also went inside the Academy, and all of a sudden noticed security guards were looking at me, and coming towards me. As I’d done nothing wrong, but wanted to avoid the hassle my colleague had, I abruptly left.

I walked around for a bit, then went into the Bon Accord & St Nicholas Mall. I hadn’t been inside for more than a minute when the guard from the Academy accosted me.

The story of that little encounter is here.  I contacted the Academy to protest my treatment by this guard, and to ask whether they tracked me (signs inside the mall advise that you are being tracked by your mobile; these are easy to spot if you are 8 foot tall). I never did get an answer.

I will let you know what Inspired have to say about this tracking system – and about their current financial issues (pay rises seem to have possibly been made to friends and family; this is being contested). Inspired are funded by the local businesses who incur extra costs for the bunting and spying. I wonder how a business would make up for increased costs?

Surely not by increasing prices to customers, though. Apart from the private funding, you and I gave them at least £50,000. More on that later. A spokesperson has helpfully been in touch to say they have nothing to say. We shall see.

Trust: (Eng. legal compound noun ) mechanism for ensuring a person or group’s money is used towards a specific purpose, governed by trustees.

In 2012 I was worried upon discovering The Wood Family Trust had only £29,163,000 in its treasury; it had spent £2,355,000 on an assortment of charitable acts, pensions for its personnel, and of course salary and overheads. At the time I suggested we should all pitch in.

Imagine my pleasant surprise to see that they’ve found a slightly more secure financial base – perhaps some of you did drop the odd tenner into their kitty. The trust might not be out of the woods yet, but they have a healthier £53,199,000 balance with some £5,388,000 going on charitable activities, salaries, pensions, expenses, etc.

They are still funding their competition; school children compete in groups with local charities (obviously animal charities are excluded) to work on presentations. After votes are cast, the winning charity gets the £53,000,000.  Sorry – the winning charity gets around £3,000 – give or take.

Those that didn’t win the popularity contest can console themselves that they expended time and money towards trying. This teaches children a valuable lesson – winning is all-important in this winner-take-all world. No doubt you’re as much in favour of them learning this lesson as I am.

The idea may still be to get into ‘venture philanthropy’ and kindly lend some of the millions to tea-plantation owners in Rwanda, apparently in partnership of some sort with Lord Sainsbury, who might be able to find some use for the extra tea grown by those they’ve lent money to.

The fact that tens of millions have been sitting around for a year or two should in no way suggest that any form of tax evasion is going on. It’s not as if it’s a scheme whereby people are paid via an offshore tax haven so that some company or other avoids paying UK National Insurance. I’m sure I heard of some company doing this immoral scheme. If I wood have remembered the company, I’d let you know.

‘Why not just give money away to good causes?’ I can practically hear you ask. How very naive.

In venture philanthropy, you lend money out to a good cause, and get a gold star for being charitable. The people you lend the money to are in your debt, until they, er, pay their debt. This of course bears no resemblance to the medieval feudal system. The rich would allow peasants to grow food on a patch of land, and the peasant would give a share to the rich lord.

It would never happen here. Or in Rwanda. Why give money away for free if you can avoid taxes and get some of it back in due course?

Poverty and Income Inequality in Scotland: (Scottish government report) – paper claiming that there are financial imbalances within Scotland. As far-fetched as it seems, it’s just possible that some children and pensioners are living below the poverty line, while at the same time, a small minority are living with extreme wealth. No, I’ve not seen any evidence for this, either.

However, the government has this to say:-

“Poverty in Scotland has increased in 2012/13. While the rate of poverty increased for all groups, the largest increase was in the rate of child poverty.

“Relative poverty, before housing costs (BHC) in Scotland has increased to 16 per cent for the whole population, a 2 percentage point increase on the previous year. In 2012/13 there were 820,000 people living in poverty, 110,000 more than the previous year.

“Relative child poverty (BHC), increased to 19 per cent in 2012/13, up from 15 per cent the previous year. In 2012/13, there were 180,000 children living in relative poverty in Scotland, 30,000 more than in 2011/12. This reverses the trend of declining child poverty over recent years.

“Relative poverty (BHC) among working age adults in 2012/13 was 15 per cent, an increase from 13 per cent the previous year. This brings the number of working age adults in relative poverty to 480,000, an increase of 70,000 compared with 2011/12.

“Relative poverty (BHC) among pensioners in 2012/13 was 15 per cent, an increase from 14 per cent the previous year. There were 150,000 pensioners in relative poverty in 2012/13, 10,000 more than the previous year.” http://www.scotland.gov.uk/Topics/Statistics/Browse/Social-Welfare/IncomePoverty/CoreAnalysis

I must admit I have seen relative poverty; my uncle Ned is always borrowing fivers.

If only there were some way to crack down on tax avoidance, and get money to those who need it for food and shelter. Oh well, if you think of anything, do let me know.

Next Week: How the city organises its important documents (or doesn’t), and that Nice Mr Trump turns his attention back to Menie

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Aug 072014
 

With thanks to Dave Macdermid.

The Friends of Duthie Park have announced that they have secured a sponsor for this month’s Open Day (Sunday 17th August), ensuring that the 2014 event, now in its fourth year, will be the biggest and most successful yet.

Locally based global fabrication company A-FAB (www.afab.co.uk) is providing financial support for the event, which takes place on Sunday 17th August from noon until 4 p.m..

Friends Chairman Tony Dawson believes the partnership underlines the affection that everyone within the area has for what is one of the country’s leading tourist attractions. Tony said:

“It’s fantastic that A-FAB is the latest prestigious name from the private sector that recognises what a jewel in the crown Duthie Park is and, thanks to A-FAB’s support, it promises to be another wonderful occasion a week on Sunday.

“I would also like to acknowledge the excellent work that Harvey Smith and the team at H-events have done in helping the Friends work closely with the private sector over the last few months.”

A-FAB director Marlene Mitchell added.

“Duthie Park has always been a favourite place for most people in the north east but after the recent restoration work, it really is stunning. The Friends do a great job in maintaining the profile of the park and working closely with Aberdeen City Council to make sure improvements are ongoing and at A-FAB we are proud to be able to assist with what is now an established event for all of the family.”

Among the attractions at this year’s FODP Open Day (www.friendsofduthiepark.co.uk), are

  • The Bon Accord Silver Band,
  • piper Calum Lawrie,
  • Bokwa with Jodie,
  • Zumba & powerhoops with Elma,
  • The Sharon Gill School of Dancing,
  • Wrestlezone Scotland,
  • The Airyhall Dancers,
  • AFC in the Community,
  • British Military Fitness,
  • First Aberdeen vintage vehicles,
  • various kiddies’ rides, the canoes and the pedalos,
  • and not forgetting Spike the Talking Cactus.

 

Aug 072014
 

By Duncan Harley

It’s officially 150 years since the first Turriff Show and the 2014 event drew record crowds to what must surely be Scotland’s premier agricultural event.

turra queenIn the blistering early August heat folk from far and wide turned up for a two day extravaganza of entertainment, fun and the meeting of guid’ friends.

Boasting well over 200 trade stands plus a selection of industrial and craft marquees and with everything from 90ft high wind turbine’s to the latest in sat-nav guided tractors on display, what was not to like?

It was indeed a show to remember with commentary on the Sunday by the North East’s favourite Doric broadcaster Robbie Shepherd plus a visit from HM the Queen on the Monday,

With pipe bands galore, vintage tractors plus dare-devil entertainment from the Bolddog Links Freestyle Motocross Display Team there was something for folk of all ages and interests.

The forestry area hosted interactive games and competitions while “Old MacDonald’s InFARMation“ tent provided hands on agricultural activities for youngsters.

In the Cookery and Butcher area award winning food writer Lady Claire Macdonald showcased Scotland’s best mouth-watering recipes using only the finest of Scottish ingredients such as Scotch Beef, locally sourced venison and wild caught Scottish salmon courtesy of Usan Fisheries near Montrose.

Show President Bruce Ferguson said:

“We enjoyed welcoming visitors from far and near to this year’s show.  Overseas visitors received a warm welcome in the Homecoming Marquee where they were offered hospitality and given a free show pack.”

Adding

“I am particularly pleased that the Queen visited Turriff Show especially since some of her own Highland cattle from the renowned Balmoral fold were being exhibited” Mr Ferguson made reference to the monarch’s entry “Ruaridh 1st of Ubhadh” which won several awards including “Best Senior Bull born before 1st January 2013” and the Champion Prize for the “Best Highland Animal in Show.”

After touring the showground the Queen presented the Champion of Champions prize cup to Bruce & Partners Charolais “Balmaud Eclipse”, winner of the show’s top livestock award before returning to her estate in Deeside via a helicopter of the Royal Flight.

With preparations in hand for the 2015 Turra Show many folk will be curious to know how the Turriff and District Agricultural Association’s hard working team plan to top this year’s event.

Jul 182014
 

With thanks to Kirsty Young.

Berliners 3 1978 oil on canvas 119.5 x 188 cm (Private Collection)

Berliners 3 1978 oil on canvas 119.5 x 188 cm (Private Collection)

Aberdeen’s first exhibition of paintings and other works by major Scottish artist Alexander Moffat opens at Peacock Visual Arts next month (Exhibition opening on Friday 15 August 2014, 6 – 8pm).
Paintings as Arguments: Five Decades of Cultural and Political Change in Scotland, which runs 16 August – 20 September 2014, will question the role of art and culture in the independence debate.

The project opens enquiries into important changes and achievements in cultural expression and education, artistic means of production and dissemination in Scotland and their international contexts.

Moffat, an artist-activist opposed to establishment conventions, played a major role in the cultural changes sweeping Scotland and the world from the 1960s onwards. His main aim as an artist, curator, teacher and writer has been to place Scotland and Scottish art in a relationship with the rest of the world.

As the country prepares to answer the question of whether it wants self-government or not, Peacock Visual Arts asks what contribution have the visual arts made in taking us to the point where a referendum on independence is even thinkable, no matter the outcome.

What has been the role of the “success story” of Scottish art in increasing self-awareness of Scotland’s cultural distinctiveness? What are the cultural arguments for, or against, independence?

The exhibition will contain a number of large-scale oil paintings from both private and national collections. It will also showcase documentary material from the last five decades, including books, magazines and photographs.

An evening of debate, followed by music from the renowned composer, musicologist, and music historian John Purser, will allow audiences to voice their opinions and to learn more about the exhibition and its contents from Moffat and Alan Riach, Professor of Scottish Literature at the University of Glasgow (Wednesday 17 September 2014, 6:30pm at Peacock Visual Arts).

Peacock is publishing a book, a conversation between Moffat and Riach, which illuminates many of the major cultural changes that have taken place over the past half-century. This will be available to buy once the exhibition has opened its doors on Friday 16 August 2014 at 6pm.

Exhibition Runs: Saturday 16 August – Saturday 20 September 2014.
Opening Hours: Tuesday – Saturday, 9:30 – 5:30pm
Free Admission.
www.peacockvisualarts.com

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Jul 182014
 

Over five thousand Aberdonians packed the city’s Duthie Park for a free screening of The Royal Opera’s production of Puccini’s opera La Bohème last Tuesday evening. By Duncan Harley.

La Boheme Duthie Park small

Sponsored via a partnership between The Royal Opera House, BP Big Screen and eighteen other UK councils, Aberdeen was fortunate indeed to have been chosen as the sole Scottish venue for the event, which involved simultaneous screenings of a live performance at the Royal Opera House in Westminster’s Covent Garden.

With ticket prices at the London venue averaging around £140 per head, the ‘bring your own seat’, free outdoor event proved to be a resounding success, both entertainment- and weather-wise.

A timeless, potent and heartbreaking tale, Puccini’s La Bohème was first performed in Turin in 1896, just thirteen years after the 44-acre Duthie Park was laid out.

Based on a collection of vignettes penned by Henri Murger and depicting Bohemian life in the Latin Quarter of mid-19th Century Paris, the storyline describes the love and lives of the main characters, Mimi and Rodolfo.

Although performed by The Royal Opera Company as far back as 1897, this week’s production dates from 1974 and has John Copley directing, with Cornelius Meister conducting. The role of the poet Rodolfo was performed by Italian tenor Vittorio Grigolo with Romanian soprano Angela Gheorghiu as the doomed seamstress Mimi.

Sadly, Aberdeen will not be hosting the September offering from the BP Big Screen, and so those wishing to enjoy Verdi’s Rigoletto on September 17th will need to nip over the border to the likes of Plymouth or Bristol, before speeding back the next day in good time to cast their vote in the referendum.

As an alternative, Scottish Opera will be touring with Rossini’s comedy La Cenerentola at the end of the year, with live performances in Glasgow, Edinburgh, Inverness and at His Majesty’s Theatre in Aberdeen.

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Jul 112014
 

With thanks to Suzanne Kelly.

day of protest image cut

Protests will be held across the UK on Saturday 12 July against a major trade deal being negotiated between the United States and the EU, which protestors say threatens democracy, the environment, and public services including the NHS.
Talks on the EU-US trade deal, also known as the Transatlantic Trade and Investment Partnership (TTIP), began in 2013.

The next round of negotiations starts in Brussels on 14 July.

The deal aims to set up a secretive ‘court’ in which multinational companies can sue governments if they think a law might harm their profits. Tobacco giant Philip Morris is currently using a similar court to sue the Australian government for billions of pounds because Australia introduced plain packaging for cigarettes.

The deal would also slash food, safety and environmental standards in the UK and the rest of Europe down to much lower US levels. Products like hormone-treated beef and pork, and chicken washed in chlorine, could go on sale in the UK.

The deal could also give big companies power to force further marketisation and privatisation of the NHS and education.

Miriam Ross, campaigner at the World Development Movement, said today:

“The EU-US trade deal is not really about trade. It’s about putting big business before ordinary people, and allowing companies to override elected governments. It’s a massive corporate power-grab. But there’s huge opposition to it, here in the UK, in the US and in other countries in Europe. If enough people stand up against this deal, we can stop it.”

For more information visit www.nottip.org.uk

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Jul 112014
 

91pBPhcD-eL._SL1500_By David Innes.

When Aberdonian Kerry Hudson’s debut novel Tony Hogan Bought Me An Ice Cream Float Before He Stole My Ma was reviewed in Voice about two years ago, I opined that it would be good to get an update on how Janie Ryan, that book’s central character, was getting on.

Resisting that reviewer plea, the author has turned her energies and talents to exploring a relationship born in unconventional circumstances, fulfilling the diverse but increasingly-convergent needs of a trafficked Siberian girl and a London security guard, both of whom have backstories of hurt and confusion.

The structure of Thirst sees the present-time gradual development of the pair’s relationship, a slow-burning one-step-forward-two-steps-back series of small joys and setbacks, juxtaposed with the history of horror, sleaze, cruelty and broken ambition experienced by both en route to personal fulfilment and Hackney.

You’ll care as much about these misfits as readers did about Janie Ryan, celebrating their simple joys and cursing the undeserved blows and external obstacles put in the way of their happiness. And it’s not only the main characters who are well-drawn and credible.

The immoral traffickers, Dave’s ill-starred mother, the party girl Shelley, the cabal of gossiping harpie-lites at the shop where the pair meet in unusual circumstances are all recognisable, if slightly caricatured, and add depth and colour as Dave and Alena circle each other warily and the denouement is played out.

Kerry Hudson has considerable dramatic abilities too, able to imagine the loneliness, terror and confusion of immigrants trafficked to London on false promises, the grime and filth the homeless have to endure, the oozing onion odour of the kebab shop downstairs, the sensory experiences of deliberately-inflicted bodily pain and the secure warmth and comfort of a cuddle with a loved one, no matter how fleeting or temporary.

Leaving the pair in Alena’s run-down Siberian hometown, Thirst ends on a hopeful note, and as with the author’s debut novel, it would be nice to know how they’re faring, if at all. On the other hand, perhaps the skill of the writer is to leave readers with enough information to imagine the outcome and future for themselves, and Kerry Hudson is proving to be a developing master of this art.

http://www.randomhouse.co.uk/editions/thirst/9780701188689
https://www.goodreads.com/author/show/4444090.Kerry_Hudson

Kerry Hudson – Thirst
Chatto & Windus
328 pp
ISBN 978-0-701-18868-9
£12.99

 

Jul 042014
 

caitlinFor a third year, Suzanne Kelly reviews the student end-of-year exhibition at Gray’s School of Art; Kelly has a BA (hons) painting from NYIT and a MFA (hons) painting from Edinburgh College of Art.

A good end-of-course degree show in the arts exists to showcase high calibre work and place the students in as good a light as possible, launching them into the art and design worlds.

If the students have been encouraged to think and discover for themselves as well as learning their respective crafts, then the resulting degree show will be a wide-ranging conglomerate of styles, approaches and values.

In cases where students are encouraged to mimic a tutor’s values and styles, to play it safe, and/or to pursue a career in the arts as merely a means to commercial success, the resulting degree show will be about as exciting as a trip to a housewares department of a conservative department store.

Unhappily, with today’s economic situation, all too many UK graduates are going into the arts with money as an end goal and any aesthetic, social, creative, adventurous outcomes are secondary.

alex aitchison 4 poynernookHappily, this year’s graduating students and their work are cause for optimism in the fine arts and design sectors.

Students in design have chosen to tackle social issues; they have embraced technology; they are creating work that challenges, soothes, engages, and even charms.

Alex Aitchison has examined the timely issue of food banks in Aberdeen, one of Scotland’s most prosperous cities (for some).

He explained:

“4 Poynernook Road is a project aimed at removing the illusion that has been created around poverty in Scotland. With programmes such as Benefit Street creating a new ‘poverty porn’ entertainment where people tune in to see “the poor”, the actual effects of poverty are horribly distorted.

“The series of images taken over a period of 4 months this year show the actual life of the volunteers and workers at a Food bank, which livelihood is helping these people. I want this work to start a conversation about the way we view poverty. In a city such as Aberdeen that exists in a wealthy oil bubble, we still have a massive divide between the rich and poor.

“By talking to each other about this and making ourselves more aware of the situation, we can begin to work on creating a better society.”

The resulting photographs bring home the reality of the situation it should be viewed by anyone who would ignore this issue or those who would penalise the poor and arrest those who beg. It definitely should be viewed by those who would avoid paying their fair share of personal or corporate tax so they can see the result of their clever evasions. As such, work like this is essential.

winnie shekOne student created a utilitarian APP for students who need to find accommodation in Aberdeen, an increasingly expensive task.

These and other examples showcased the purpose of design to fill social needs and to bring attention to social problems.

Another design student worked with a manufacturer to enable people to choose their own laminate surface to use on kitchen tables and laminated cabinets.

In an increasingly impersonal, mass-produced IKEA-esque world of home decoration and furnishing, this initiative returns individuality and the power of creation and design to those who want to take an active part in how their personal environment looks.

When an idea such as this is presented to the public, it is easy to think how simple it is, and how easy it must have been to come up with this design concept; to those who understand the process of good design, the work involved will be clear. Good ideas such as this seem simple and natural to the end user; that is one of the criteria for good design.

Lewis CJ AllenThere is of course nothing wrong with designers working to create something people will wish to buy. Winnie Shek designed black and white china and cutlery featuring different cat motifs. This work is at once whimsical, smile-inducing, gentle, fun, and as such offers relief from the problems and issues we all face.

The different endearing designs would not be out of place to the aesthetics of Art Deco, 1930s Western, and even ancient Egypt.

Winnie explained:

“Over the years we have built a strong presence for cats online due to sharing images, videos and blogs about them, etc.  I wanted to provide images that cat fans would enjoy so my repeat pattern images of cats are a reflection of our culture and societies fascination and interest with them. 

“I knew that there was a market there already that provided things for cat lovers but I wanted to try and create something a bit more special.”

The plate I bought for £8 takes the cat motif, and repeats it radiating from the centre, which creates an interesting geometric pattern which is pleasing and interesting above the cat motif itself.

One of the award-winning artists displayed work that is neither social commentary nor practical applied design. Lewis CJ Allen made an exploration of sound, probably best described in his words:

“I see myself primarily as a graphic designer however throughout the course of my honours year I found my work developing down the route of digital illustration and sound art.

“Sound, a leading theme in my work, has always inspired me and this year I aimed to incorporate it in my design work, creating images that inspire a sense of viewership and listenership. … As the climax of the year approached I combined my findings into a final project that considered the fundamental elements of digital sound and digital image – the Digital DNA.

“By juxtaposing the two subjects to create an aural and visual comparison from code, I directly assert the ideas of identify and beauty in contemporary culture as we are faced with hyper-realistic images that are a hybridisation of fashion, sexualisation and photoshop.”

It is always interesting to visit the painting section of the Gray’s degree show.

catherine smith paintingAs ever, the entire complex was packed with students, proud friends and relatives, visiting business dignitaries and academics. The BP hospitality tent’s occupants had many positive things to say about the works they’d seen; unsurprisingly each had their own favourites.

The wide range of approaches, techniques and messages in the paintings was impressive and a credit to the students and their mentors.

Work by Catherine Smith on the theme of home, memory place and experience translated into highly-evocative, beautifully composed and executed large paintings with an impressive sense of colour and draftsmanship.  In her statement Smith said:

“Just as my house has been built and repaired, my paintings have been constructed and altered in a similar way. The paintings have been ‘cultured’ from a dense collection of memories of my home.

“I have layered these memories in the paintings to convey the traces left on the place. I have painted paths which weave through faded memories which direct you to ones that are bolder.”

The approach to painting taken by Sarah Jamieson was quite a different one. Her soft colours and gentle work is as compelling, but for different reasons. Jamieson wrote:

“My work this session has focused on the idea of place through mapmaking and the language that maps deploy. In my practice I have been exploring the idea of an ever-changing place using organic patterns, subtle colour changes and geometric shapes to represent the terrain.

“I represent the environment of a place through the objects and forms that are found there and what is created represents something about the physical experience of the world.”

caitlin 2Caitlin Hynes presented 2- and 3-d work which seemed to combine elements of George Calder (whimsical pieces), Niki de Sainte Phalle (playful, colourful 3d figures), and Rousseau (evocative, primitive dreamscapes) and world religious iconography from around the globe.

Her work intrigues, enchants, pleases and impresses.

“I have been inspired by the concept of ‘pilgrimage’- a journey which leads us. It leads us to a physical and/or spiritual place, where singular identity can join with others into a group identity, a group of believers. There is comfort and peace in belief and belonging.

“It is important for me to collect and create objects and artefacts, records and traces of my journey, where I have been and where I am going. I value those things that are significant and meaningful, however small or ephemeral.

“I am interested in theatre and costumes. My work is raw and playful and reflects an individual journey, as it happens, in the ‘now’ of this life, and in the belief that when we come together as individuals,  we can create a positive and life giving energy that is greater than ourselves.”

Sarah Jamieson paintingThe opening night was too short; and like this brief review, taking in all the work, mentioning those artists who merit mention, and giving the work the time it deserves was not possible.

But even after the degree show ends, the artists and designers will without doubt continue their work and we shall hear more from them – soon it is hoped.

There is a piece I still remember from the previous degree show – ‘Even Elephants Sometimes Forget’ – a work by Susannah Leake  for children, designed to explain senile dementia issues to them.

This was a gentle, poignant, sensitive and useful example of the art of design.

In a year’s time, some of the work seen tonight will likewise still be remembered.

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