Oct 242014
 

In the fourth of a controversial 52 part series Duncan Harley and Janice Catto take cognisance of the political comments on a wall near you.

polphail 2 duncan harleyWall art is not entirely about puerile penile fantasies and homophobia. Much of the creativity implies a need to be heard and a desire to communicate to an adult world.
The graphic sexual images, rudely erotic comments and insulting narrative may in essence be a cover for the need to be understood or indeed misunderstood.

“FUCK HITLER” when sprayed on a 1960’s damp concrete multi storey edifice may in reality be a subversive comment regarding planning policies.

“Mo Mo is Fat” when painted on a fast food outlet door is open to wide interpretation. Is Mo Mo fat because the business owners don’t care about the hydrogenated fat content of the burgers on sale? Or is this simply a meditative Buddhist take on the perception of a reality near you. Try reversing the text.

The east coast oil boom came to Aberdeen some 40 odd years ago and the effects are still resonating. Fast wealth, fast drugs, fast cars and some extremely fast ladies abound. Stories of rags to riches and of course success to poverty abound.

For the Hamish tagged westerners it was a wee bit different. Think poor disempowered fisher folk, betrayed crofters and the stealing of sheep.

Portivadie is a prime example. The Loch Fyne village consisting of some cottagers, a family run farm and around a dozen summer-time holiday hutters was bought over by a government agency in the 1960’s.

Intent on building oil rigs for oil hungry klondikers, the devil may care career civil servants offered householders a deal. Get out or get forced out was the message.

Keen to exploit the black gold, the UK government of the day with the complete compliance of the Scottish Office focused on a site which was intended to become an oil rig construction facility.

Despite extensive work costing the nation millions, the white elephant of Portivadie was never used for its intended purpose. In a moment of unmitigated madness, planners employed outdated thinking to an industry which they completely misunderstood. The assumption was that oil rigs should be constructed from the re-enforced concrete despite the industry’s total reliance on state of the art steel built drill platforms.

Shorelines were torn up, local folk were offered compensation for dwellings owned by generations and buildings were bulldozed. Local landmarks such as the Watch Rock were blown up and Pictish stones were thrown into the Loch Fyne.

No rigs were ever constructed or even ordered from the Portivadie facility and the construction site now functions as a marina.

Ironically the Civil Service blunder’s continued as Hansard (03 February 1981 vol 998 cc147-54) records:

“ £3.3 million of public money” was used “ due to an omission, an error, a blunder—call it what you may—by either the Scottish Office or the Department of Energy, or both, the ownership of the village passed to a company called Sea Platform Constructors (Scotland) Ltd. because the Department or Departments failed to buy the land from it. Under the provisions of Scottish law, the ownership of the village passed to the private owners of the land on which the village was sited.”

polphail 6 duncan harley The workers accommodation village built for the failed project still stands.It is full of bats plus the detritus of decades of neglect.

In October 2009, a group of six graffiti artists decided to paint the place.

Armed with a few dozen gallons of paint plus some long ladders, they transformed the derelict concrete village from a grey Stalinist concrete workers gulag into a point of contention.

The street artist combine “Agents of Change” consisting of Derm, Rough, Timid, Stormy, System and Juice126 initially contacted the site owner Alan Bradley to ask permission to re-decorate Polphail in a street-wise way.

Alan replied:

 “as long as you’re insured and you protect yourselves – go for it, guys!”

The results are stunning.

We visited in rain but were completely bowled over since the graphics occupy entire walls. Rarely are there any words and most of these are in good humour.

There are no “WANK IF YOU LIKE ME” comments here. The most contentious phrase might be “HAPPY BIRTHDAY SPARKAY” however we failed to penetrate the innermost sanctum due to deep puddles and a few dead sheep.

In June 2012 the workers village at Polphail was put up for sale. Word is however that it’s status as an Argyll Heritage habitat for bats may prevent demolition.

In June 2010, Glasgow photographer Brian Cumming visited the site to document the change since the arts project. His findings were that not much had changed:

“Polphail is still very much derelict with not much having happened over the last few years, it still really is a dark and gloomy mysterious yet fascinating place, especially for creative people such as myself.”

Watch Brian’s video on Polphail

Our graffiti Flikr page is at https://www.flickr.com/photos/duncanharley/sets/72157648822962775/ and we will add to it from time to time.

Yours creatively, Duncan and Janice.
Next time we will be looking at some Tibetan roadside wall art on the Gonggar to Lhasa highway.

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Oct 172014
 

Jenny Hartley bookBy David Innes.

Aberdeen Dickens Fellowship was honoured to have Professor Jenny Harley as guest speaker at its October 2014 meeting. Jenny is President of the International Dickens Fellowship and Scholar in Residence at the Charles Dickens Museum.

She is well-known to Dickensians for her publications The Selected Letters of Charles Dickens (OUP) and Charles Dickens and the House of Fallen Women (Methuen). The latter topic was the Fellowship’s focus for the evening.

Angela Burdett-Coutts, a woman of considerable means, being the heiress to Coutts Bank fortune, was a significant philanthropist, funding Ragged Schools and concerned about the plight of homeless and other unfortunate women in London Piccadilly.

She turned to Dickens to assist in creating a refuge for such women, some who would have been sacked servants without references, others prostitutes and not a few ex-prisoners.

The relish with which Dickens took aboard the project in 1846 is remarkable. He planned the refuge to replicate a familial environment, drew up a behavioural code, based on Maconnochie’s reward scheme, micro-managing the establishment of the house, Urania Cottage, in London’s Shepherd’s Bush.

It aimed to educate its unfortunate residents with a view to helping them to become ‘good domestic servants’, the type that would be attractive to employers. Yet the agreement was that those who had passed through Urania Cottage’s rehabilitation would need to be cut off from former immoral associates for fear of backsliding into former ways.

Transportation to the colonies to begin new lives was seen as the solution to this potential issue. Unfortunately for history, Dickens’s Case Book in which he recorded personal interviews with Urania Cottage hopefuls has been lost. He was notorious for fits of consigning personal records to bonfires.

The focus then shifted to the portal of ‘fallen women’ in Dickens’s writing. Oliver Twist (1837) had already shown Nancy in semi-sympathetic light, but in the novels which followed the establishment of Urania Cottage, Little Emily and Martha (David Copperfield 1849), Charley and Esther (Bleak House 1852), Sissy Jupe (Hard Times 1854) and Little Dorrit and Maggie (Little Dorrit 1855) are each examples of women suffering misfortune, saved by education, altruism or personal effort.

In the case of the Peggoty family in David Copperfield, there is even a successful and prosperous migration to Australia.

Urania_Cottage

It is reasonable to suppose, our guest commented, that character and outcome in these works were in some way influenced by Dickens’s Urania Cottage experiences.

In researching Charles Dickens and the House of Fallen Women, Jenny Hartley was painstaking. She described how her efforts eventually took her to Adelaide and Melbourne – “that was the fun bit” – to try to conclude whether or not the experiences of Urania Cottage had enhanced former residents’ lives.

Dickens himself made some comment. In Household Words, he wrote of seven successful marriages of Urania House women, but tracing those who had passed through its doors was difficult for Professor Harley, in no small way due to the reluctance of Antipodeans, in decades past, to acknowledge transportees in their family history.

The jewel in the crown, however, is Rhena Pollard, one of the more feisty and assertive of Urania Cottage residents, and on whom, Jenny mused, Tattycoram (Little Dorrit 1855) may have been based.

It was to audience delight that we were informed that Rhena was traced to Canada, married successfully in Ontario, bearing eight children to Oris Coles. Pictures of the prosperous-looking Mr and Mrs Coles and of a plaque commemorating Rhena’s story were a happy conclusion to a fascinating and highly-informative talk from a dedicated and genial Dickensian.

The local Fellowship’s next meeting is on Tuesday 11 November.

Our good friend Grahame Smith of the University of Stirling will kick off our series of meetings studying this session’s featured volume The Old Curiosity Shop, with a seminar, ‘Youth and Age in The Old Curiosity Shop: Nell as an Abused Child’.

We will meet at Grampian Housing Association, at the crossroads of Huntly Street and Summer Street, Aberdeen, from 1900-2100. Annual membership costs £20 and includes admission to all meetings. Entry to individual meetings costs £3. We are a welcoming and convivial collective.

Oct 172014
 

Elaine C Smith and Beast 13By Duncan Harley

Pantomime season arrived early this week as one of Scotland’s most talented performers, Elaine C Smith, made an impromptu appearance at Aberdeen’s Bon Accord Centre.

In full costume and accompanied by Prince Sebastion, perhaps better known as the Beast, Elaine mingled with shoppers and posed for the cameras as a prelude to her star role as Mrs Potty in HM Theatre’s 2014 Christmas panto production of “Beauty and the Beast.”

This is Elaine’s sixth year starring in pantomime at His Majesty’s Theatre in Aberdeen.

“Some folk think that when you do panto it’s a sign that your stage career is over,” said Elaine “in reality it’s quite the opposite, this is Aberdeen’s very own panto not just a touring show … it’s a real pleasure to appear here.”

Now grandmother to new baby Stella, ‘Granny Smith’ has arrived to a warm welcome from the Granite City and she’ll not be leaving until the Beast is once again transformed into a handsome prince.

Produced by Michael Harrison, this years production has been written by Alan McHugh will don his frock for the 11th year running to delight audiences as Dame Kitty Brewster while Jordan Young will no doubt be up to some extreme mischief in his role as Boabby Brewster.

The Beast is played by Luke Newton while Anne Smith, of Madam JoJo’s West End Club fame, will play the Wicked Witch. Dundee born Maggie Lynne plays the role of the beautiful Belle and Paul Luebke, of Taggart fame, is cast as Harris McTweed.

Rehearsals begin soon and the theatre doors open on Saturday 29th November with performances up to and including Sunday January 4th.

Tickets are available from Aberdeen Box Office on 01224 641122 and on line at www.boxofficeaberdeen.com

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Oct 172014
 

When Spear of Destiny played the Moorings Bar this past Saturday, it was a case of ‘they came, they saw, they conquered’ (in the words of Dod Morrison). Suzanne Kelly agrees.

Spear of Destiny (4) - Credit Julie ThompsonSpear of Destiny’s  show last year in Aberdeen was a powerful, heady affair.

This year was another triumph, and surely one of the best nights at the Moorings or any other local venue in ages. Striking new material from the new album XXXI added to the evening beautifully.

The  line-up if it needs re-stating is Kirk Brandon (guitars, vocals), Craig Adams (bass), Mike Kelly (percussion), Adrian Portas (guitar) and Steve Allan-Jones (keyboards).  If you’re touring exhaustively as they are, keeping things fresh for your audience is hard work – but they did it.

The set list was spirited away after the show by a frenzied, deliriously happy ‘Big Steve’, and alas, I can’t tell you precisely what order the music came in. I sort of just remember the overall effect of time going too quickly and overwhelmingly powerful, varied material.

Spear of Destiny (6) - Credit Julie ThompsonThe new track Sputnik was introduced by Brandon talking about the Russian satellite programme Sputnik and the monkey and dog it sent into space – the audience and Brandon were making animal noises, and it was all good fun.

Last year Brandon asked about the referendum, and took a little vote which saw the audience nearly split down the middle.

It might have been a bit soon for some to have contemplated the referendum result, and I’m glad he didn’t go there.

Sputnik, Titanium Man and Here Comes The Sun are infectious tracks from the new album; they went over beautifully.  World Service had the whole room singing.  Babylon’s Burning was covered powerfully (NB – The Ruts come to the Moorings soon), and we were left wanting more.

Apparently a review requires some negatives for balance, but I’m finding this a struggle. We didn’t get to hear everything we wanted to hear, but with a 31 year back catalogue, there was never going to be time to play all the favourites. (The only other criticism is that Kirk Brandon doesn’t seem to like BrewDog, proving that no one is perfect).  Wish I’d seen the opening act for that matter as well.

Spear of Destiny (5) - Credit Julie ThompsonIf I can’t find a bad word to say, then neither can any other person I spoke to on the night or who came forward since. Here’s what longstanding as well as new fans had to say.

Roddy Kennedy:

“Kirk’s been my hero/idol for near enough 3 decades so to have a wee chat like that with him was brilliant [note – the band could not have been more accommodating to their fans after the show – SK] I dunno if my review will be balanced, after all they are my favourite band of all time, but it’s definitely one of their best performances up here. Here Comes The Sun, The Wheel, Titanium Man and Babylon’s Burning were the stand out tracks for me and of course Liberator is always a crowd pleaser.”

Photographer Dod Morrison [who has seen god knows how many acts] :

“Yet again SOD came saw and conquered an captivated Aberdeen audience , they come back year after year and never disappoint…”

Shaun Young:

“SOD brilliant as always. great set list too, played all my favourites the new album I never listened too yet but sputnik and titanium man I think sounded great. the one that stood out was world service still sounding great so overall really enjoyed the gig and wouldn’t hesitate going to see them again. 5 times I’ve seen them now everytime’s a belter of a night.”

My friend Alex (who great  enjoyed speaking to Mike Kelly, who was most generous with his wine):

“Spear of Destiny gig – As a total newbie who has never heard any of their music I thoroughly enjoyed the gig. I’m a staunch lover of rock music and there were plenty of beats to enjoy bobbing around and stomping my feet to overlaid with some powerful vocals and catchy rhythms. Excellent performance, would see again.”

Victor Beattie:

“they were great. Mr Brandon’s voice has passed the test of time and their new material stood well with the old. The crowd seemed to enjoy it and I’d definitely go to see them again..”

A virtually unanimous thumbs up from a diverse audience.   Thank you Spear.

On a personal note.

Spear of Destiny (3) - Credit Julie ThompsonA failing on my part, which I can’t fully explain, is that I had never seen them live before last year.

Perhaps I was busy with other bands and genres; perhaps it was that I’d only moved to the UK in ’88. (Likely because I also got very jaded with the industry – I’d worked in some majors and that brings cynicism, well for me anyway).

Most likely it was that I expect far too much from live music and stuck to acts I knew to be flawless live.

Les Paul set the standard by which I would judge any guitarist; I grew up (as far as I’ve managed to grow up) by seeing him play as often as I could. I’d happily (and fairly frequently) walk out on any act that got on a stage and proved to me their music was a studio engineering feat and not a musical one. I knew SoD from albums.

No one was going to play like that live and make it gel, never mind excelling the studio work. And certainly no one was going to sing like Kirk Brandon outside of a studio. So, I never saw them live until last year. I guess I had a wasted youth after all. There’s a reason that so many people have followed them faithfully for a remarkable 31 years.

I will be back for more.

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Oct 172014
 

In Part 4 of the series on issues with UK policing, Suzanne Kelly looks at the recent decision taken by Police Scotland to award itself the power to have armed personnel on duty as a matter of routine. The use of stun guns / tasers is said to be an effective, safe alternative – but is it? Do we really need to start arming police in Scotland routinely? We and our elected officials should have been asked, not told.

PoliceLinePicfeatUnder The Gun

Perhaps the most controversial issue in Scottish policing today was the unilateral, non-legislative supported police decisions to award themselves the power to routinely carry firearms on routine patrols.

Local councillors and other elected representatives were dismayed throughout Scotland; Kenny MacAskill is being asked to resign (over several issues including this
one).

Highlands Police were showing up to incidents in low crime areas equipped to maim or to kill. A suggestion was made that the guns should be made ‘less visible’ – hardly a suggestion that respects the rights (or intelligence) of the electorate which is demonstrably against routine armed patrols.

The police had implemented this escalation instead of asking for permission to do so. They were instead attempting to reassure officials, judges, experts and Holyrood that all was well.

This unilateral action is on a par with the clearly illegal activities of those men deep undercover who slept with and impregnated women they were spying on as per the previous article in this series. This disregard for law, procedure and basic human rights shows us how badly skewed the system is. Thankfully, the gun policy has been changed. There are calls for MacAskill to stand down.

In August, Lord McCluskey, one of Scotland’s most senior former judges, called for the resignation of Mr MacAskill over a range of issues including the routine arming of officers.

He described the policy change by Sir Stephen as an example of “secretive decision-making”, and said Mr MacAskill knew about the move but did not share the information or hold a public consultation.

“In the US, we have seen the dangers of police with guns: put simply, if police have guns, there is a greater risk of someone being shot, unintentionally or otherwise.”
– http://www.telegraph.co.uk/Police-Scotland-arming-of-officers

We do know from recent polls that the public did not want regular armed police on the beat. A recent Scotsman article reports:-

“The nature of policing in this country is very important, and there is a danger that would change if we routinely equipped officers with firearms. We showed during the G8 (summit) how important it is that we don’t come out heavily armed taking a heavily defensive position” – Peter Wilson, president of the Association of Chief Police Officers in Scotland”
http://www.scotsman.com/scottish-police-do-not-need-guns-1-1110360

Police are still carrying handguns to serious crimes; many are carrying ‘taser’ type weapons as well. A taser surely must offer safety to the suspect and the police; it can be fired from a distance, and causes no lasting effects – or so we are told.

What is a taser?

A taser is a machine that delivers in the area of 5000 volts into a human body, causing temporary neurological incapacity. Tasers are for sale in the United States, where they come in a range of colours (yes really). One manufacturer/seller offers a video showing the superiority of the taser over other weapons or gas. In the video, a man is meant to be being shot by a taser.

Barbs shoot from the hand-held device into the man’s body, and he falls backwards, caught by colleagues. And all for upward of about $900. Surely this is a safe alternative to guns?

Taser dangers

We have been told that tasers are harmless, won’t cause cardiac problems, and are just temporarily debilitating. We are still being told this is the case, despite mounting evidence to the contrary.

A Guardian article warns that tasers fired at the chest can cause injury – and death. The article quotes the manufacturer’s guidance which says shooting into the chest can cause serious problems, and that a huge proportion of police taser shots are to the chest. This article followed the death in Manchester of Jordan Begley who was said to be carrying a knife. Apparently the cause of death of this young man could not be established. What is established is that he was tasered.

Tasers simply are not safe. They are not being used as the manufacturer recommends; and if any deaths are related to their use at all, a re-think is needed. They are also not being used lawfully in some instances.

Stunning

Here is a West Midlands Police video showing ‘how tasers keep our communities safe’. It explains how the police and public are safer with taser deployment. In a simulation, a (badly acted) drunk is tasered, and seconds later says he will do whatever the police say.

Supposedly this acquiescence is reassuring; it is also very frightening.  If the police can inflict a brief torture – and this is an extremely painful weapon even if briefly so – and it makes people compliant, then what safeguard of rights will we have left? The video explains that a taser is used ‘only in situations of violence or threats of violence.’ A taser will not damage a pacemaker or the heart. We are also reassured that officers are intensively and rigorously trained.

They say that everything that happens in the US comes to the UK ten years later. Here is a video of a man being tasered – for a disputed driving offence – and ‘not obeying the traffic policeman’s instructions’. It is believed the man was later awarded a settlement. It is harrowing. The man asks for his rights and is threatened with another taser shot.

As well as demonstrating that tasering is painful and being used as a means for social control, it demonstrates the mental state of the people we are handing dangerous weapons – tasers and uniforms – to.

Perhaps not all UK police forces are as responsible and rigorous as the West Midlands Police claim to be. Here is a video clearly showing Nottingham police repeatedly tasering a man on the ground, and beating him.

Parting Shots

Peelian Principles (named after Sir Robert Peel, the originator of the UK’s police forces) have been virtually overlooked when it came to this recent arms escalation. Theoretically, the police cannot work without the mandate of the citizenry. But they are doing just that, as well as breaking laws, subverting human rights, and discriminating, as previous articles in this series have demonstrated.

Thankfully there was a climb down with regard to regular arming of routine police, and those responsible are being called to account (although whether any sanctions will be issued is another matter).

Perhaps rather than creating an arms race and/or using the threat of painful tasering torture to subjugate, the police might instead want to listen to experts who admit there are dangers, and take tasering-related deaths as a reason to treat tasering more seriously, and to halt repeated tasering as happened in Nottingham.

Increased gun crime is evident in England and Wales, where gang warfare is implicated in this increase. The culture in Scotland is different, and if the police used their investigative powers not to spy on and sleep with women environmentalist protestors but to try and counter gun proliferation, perhaps that might be a more constructive use of undercover operatives.

Among the many problems with weapons are lethal results, weapons being taken from civilians or officers and used against them, attempts at the use of weapons enraging suspects, and the fact that there will always be those who panic and pull the trigger first, and ask questions later. Or rather than asking questions, seek to cover up information about force incorrectly used.

Sadly, the family of Charles de Menezes, shot on a London tube train for no legal reason, can attest to the truth of this.

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[Aberdeen Voice accepts and welcomes contributions from all sides/angles pertaining to any issue. Views and opinions expressed in any article are entirely those of the writer/contributor, and inclusion in our publication does not constitute support or endorsement of these by Aberdeen Voice as an organisation or any of its team members.]

Oct 172014
 

Jim Jones RevueA roadtrip, three gigs in 2 evenings and a spot of sightseeing  proved an exhausting but exhilarating weekend in and around Glasgow for Voice photographer Julie Thompson.

It might seem a bit of a hike to head for Glasgow for a small gig but it WAS the last ever show in Scotland for the Jim Jones Revue. Combine this with The Undertones the following evening and it made the trip even more enticing.

So, a hotel was booked – not in Glasgow but a bit out of town on the seafront in Helensburgh, just a short drive from Loch Lomond, meaning we could add a spot of sightseeing to the weekend. There was no enticement to hit the city during the day – I’m not one for shopping.

So, early Friday evening we arrive at Òran Mór, the venue for the first gig. We’re early – and hungry – so we head for the bar to grab a bite to eat, bumping into a couple of well known faces on the way in, who are also down for the gig. The food was OK, basic, but tasty and very hot. Just what was needed.

Checking the time, we have to dash for the door and head down to the basement for the support, which was partway through the first song when we arrive so it was a bit of a mad rush into the pit for some photos before heading to the bar for a drink and a listen.

John J Presley (no relation, I think) were playing – a 3 piece consisting of 2 guys (lead/guitar & drums) and a girl (keys). Mellow, bluesy music with driving guitar from the lead. Bass tones come from the keys section along with the interesting addition of a Harmonium. We actually had a long discussion – and some internet searching – with Jim Gellatly, a familiar face from the festival circuit, about what the instrument was actually called.

John J PresleyÒran Mór itself as a venue was actually pretty good. There are layers to this converted church. Food is served upstairs, where there is also a function room, there was a wedding going on somewhere and the basement was the live music spot and separate doors take you to the different spots. A very versatile place.

The popular A Play, A Pie and A Pint thing that comes to The Lemon Tree every so often, has a home here. Starting in 2004, they do lunchtime sessions and now put on 38 new plays a year.

Of course, we were here for the Jim Jones Revue. They recently announced that they were stopping recording and that this was their last tour – the ‘Last Hurrah’ tour in actual fact – so we had made a special effort to make it down for this – their last ever gig in Scotland.

By now they will have finished their tour ending back where they began, in London, but leaving a lot of disappointed fans behind.

They began their set as they meant to go on – at 100 miles an hour – blasting out their old school rock and roll like it was going out of business. We had a mad 10 mins in the pit (the length of the first 3 songs) before squeezing into the crowd to watch the rest of the gig. It was hot, sweaty and bouncy, even that early on.

Up on the stage there was a lot of thrusting guitars, splayed legs – in fact, all the moves you’d expect to see. The crowd wasn’t much different except they were thrusting their mobile phones into the air.

I spent a bit of time trying to figure out who Jim Jones reminded me of. Then it came to me – he looked a bit like Alan Rickman (except he was packing a guitar and yelling into a microphone) in Dogma. Well, it made me smile.

Not having seen Jim Jones Revue before, I was totally unfamilar with their work. I’d heard they were worth catching live and they really were. I am very glad to have had a chance to see them before the end.

Before we’d left Aberdeen my gigging partner, G, had spotted that a band we’d been wanting to catch were playing their last residency gig at Broadcast in the city centre. It was a late gig, so the timing was perfect for us. We’d decided to wait and see how we felt after Jim Jones Revue before deciding whether to head down for our second gig of the evening.

Just across the road from Òran Mór is the Botanical Gardens, where we had parked, and walking back to the car we spotted a food van. The aroma captured us as we wandered past – we were hungry again after bouncing about for a couple of hours. We didn’t have the advertised Scoobie Snack (1/4lb burger, sausage, cheese, bacon, egg & potato scone, all in a burger bun – for £3.40) but we did demolish a cheeseburger each.

Laura St JudeReplenished and re-energised we headed off down the road to Sauchiehall Street for a spot of Baby Strange, arriving shortly before their support, Laura St Jude, was due on stage.

Broadcast is a small, low ceilinged space in the basement of a bar, across the road from The Garage (where we would be the following night) and accessed via a spiral staircase. It’s pretty dark and red lit, not the best place to be with a camera and no flash but we’re always game for a challenge.

We had time for a drink and a sit down before the music began. Laura St Jude is a bonny girl – all dark hair, long eyelashes, high heels, long legs and a lovely voice. Mellow tunes strummed on her guitar, supported on lead guitar by a familar face to anyone who has seen The Amazing Snakeheads (who recently played The Lemon
Tree).

Dale Barclay is a lot more restrained (and fully clothed) here. In fact, Laura has also been known to hop up on stage with The Amazing Snakeheads for a couple of songs – as she in fact did at The Lemon Tree just a few days ago.

The mellow music is a nice break from the fast and furious pace we’d just experienced and the place gradually began to fill up as the set progressed.

We’d last heard Baby Strange from a distance at the Wickerman Festival but I’d previously seen them in Inverness at the GoNorth music festival and had been hoping to catch them again. Here we got up close and personal with them and a very bouncy crowd – literally bouncing off the ceiling at times.

Baby StrangeThey’ve been doing a residency here at Broadcast for a while – playing here regularly and building up a following at the same time. It’s an interesting concept that some Aberdeen places could think about trying. Anyway, this is their last night of residency and they went out with a bang.

It was hot and sweaty and very lively, we had great fun here and G was pleased to finally have seen Baby Strange. They have a new fan and we hope they make it to Aberdeen sometime soon.

It was pretty late (early if you prefer) by now, so we went back to the car and began the drive back to the hotel. it was mostly motorway and pretty quiet so we made good time. I seem to remember faceplanting onto the bed and being off to sleep pretty quickly.

Morning found me a bit bleary but in need of sustenance. A walk along the seafront found a hot food shop where a bacon roll was gratefully accepted. I also managed to begin my Christmas shopping on the way back. Then we went for a drive up to Loch Lomond.

Heading north along the western shore we were disappointed by the lack of places to stop. There were lots of private no access roads until we got a bit further north. Then we hit the roadworks.

I’d forgotten the road got washed away some time ago and they are still fixing it. The queue northbound was maybe a half to three quarters of an hour waiting time. When we finally got to the head of the queue, the stop/go sign man let two lots through from the north with a long gap between where both ends had to wait (moving roadwork vehicles I guess), leading to a man in a car behind getting out to remonstrate with him.

We finally got through the fairlt hefty road workings only to find about 2 cars waiting to go south. We counted around 80 waiting to go north when we went back through a little later on.

Loch LomondHeading to a hotel/pub at the tip of the Loch we had a look in – it was dead and the car park was full of signs effectively saying ‘Don’t park here unless you’re going to spend money’ which put us off.

So we decided to get lunch elsewhere.

We stopped at one point and managed to get down to the Loch shores and had a wander along the banks.

There was so much rubbish there I spent some time picking up bits of emergency tape, old batteries and other nasties to dispose of properly. Not the reason we wanted to be there. All in all we found Loch Lomond a bit of a let down.

We found some information about the Loch Sloy hydroeletric scheme (the largest conventional hydroelectric power plant in the UK, begun in 1945, completed in 1950, built partially by German prisoners of war, 21 men killed during the construction) in the Inveruglas Visitors Centre and found our lunch in Luss, before heading back to Helensburgh to change and collect the gear for our next gig.

We were heading to The Garage – handily located across the road from Broadcast, so we were familiar with the area.

Supporting tonight were Esperanza – a fast 7 piece ska band, which struck me as a strange warm up for the Undertones. However they did a sterling job, and the place was busier than might have bee expected so early on.

The UndertonesThere was some jovial banter – ‘Hey Robert, where’s your hat’ – from a crowd who were obviously familar with them.

Their bass player is a tiny female, who was only slightly taller than her bass, sporting a batman belt buckle. Later we spotted her right in the middle of the lively moshing and having a whale of a time.

Ah, The Undertones. Tunes from my teenage years. I remember my first kiss – it was a guy called Nigel who cringed whenever a certain popular The Undertones tune came on the radio. Oddly enough, this was the show opener.

They have lost the distinctive vocals of Feargal Sharkey of course, but Paul McCloone provides a lively replacement.

Post photo shoot, we joined the crowd just on the edge of the moshpit. A few songs in, the bloke in front turned around and said ‘I apologise for what I’m about to do’ and with a giant grin he launched himself into the fray gone wild as ‘I’ve Got Your Number’ began.

The encore was 5 songs long, bringing the set list to 29 songs in total – and even then people did not want it to end.

Post gig, we located a fish and chip shop for some late night supper (bumping into one of the Security folk we’d seen in the Garage). G asked her for a funny story while we were waiting for the orders – she mentioned some of the things found when they searched people on the way in; a breast pump; one guy had some condoms, to which his girlfriend said ‘why have you got them, we don’t use them…’ – and so to the car and back to the hotel for bed.

Stirling CastleWe headed home cross country on the Sunday, the last day of the Ryder Cup at Gleneagles, joining the M9 at Stirling, stopping for lunch in a lay-by close to Stirling Castle while enjoying the view, before heading finally for home.
So back to my original thought – it might seems a long way to go just for a gig, but if you plan a little, you can turn it into something so much more. Why not?

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Oct 102014
 

carpenter n mayBy David Innes.

Almost Blue Promotions, to the delight of main man Martin Raitt, is starting to go places.

Or at least fill them, but the one downside to this increasing popularity is that they seem to attract a small
proportion of punters there to socialise noisily rather than watch and listen to the high quality acts now prepared to travel to our city.

It’s not unique to shows in Aberdeen; it’s a growing problem everywhere, disrespectful to performers, to audience members who can behave appropriately and to promoters like Martin who work hard to bring great music to what has been, for years, a neglected geographical backwater.

Fortunately, Tim Carpenter and Fred May, with co-conspirators Matt Flinner (banjo and mandolin) and the mischievous Todd Phillips on bass, delivered more than enough scintillating, swinging bluegrass to delight those there for the right reasons on the final night of their week-long Would It Kill You To Buy A CD? tour of Scotland.

The band’s stirring set was a sublime combination of fleet-fingered instrumentals and respectful and often unique takes on material by, among others, Merle Travis, Flatt and Scruggs, Tom Paxton, The Mississippi Sheiks and Woody Guthrie.

‘When You’re Smiling’ has been recorded, re-packaged, kicked around and generally abused by performers and producers alike since Satchmo made it a standard in the 1920s, but in the hands of these maestros it was delivered with almost visible swing and jaw-dropping instrumental prowess.

Everybody and their bar band has covered a Lennon and McCartney song, but We Can Work It Out is rarely given a makeover, never mind such a wistful but energetic 22-string melodic assault. I’m sure that Tim’s guitar solo is making George Harrison smile somewhere.

The band’s great friend, fiddler Ian Patton joined them for two emotional Celtic-flavoured tunes before, charging to a finish, Neil Young’s Out On The Weekend and Bill Monroe’s Jerusalem Ridge were given loving and lively Carpenter and May treatment.

Two encores, vociferously demanded, somehow managed to bring together the diverse and divided-by-decades joys of Dire Straits and The Stanley Brothers, as these marvellous craftsmen’s versatility and interpretive abilities dazzled the 80-strong Lampie crowd, privileged to be witnessing one of the live musical events of the year.

Links:

http://www.carpenterandmay.com/
http://youtu.be/RRaCLV3qYt4
http://youtu.be/HXhoc0_KeaM
www.almostbluepromotions.com

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Oct 102014
 
Eurasian lynx (Lynx lynx) in winter birch forest, Norway (c).

Eurasian lynx (Lynx lynx) in winter birch forest, Norway © Peter Cairns www.northshots.com

With thanks to Richard Bunting. 

The return of predators, such as the lynx and wolf , were in the spotlight at a topical lecture featuring acclaimed writer George Monbiot and award-winning conservationist Alan Watson Featherstone of Trees for Life, in Edinburgh on Wednesday
With enthusiasm for ‘rewilding’ spreading quickly in the UK, the Rewilding the World event highlighted the significant benefits that this could bring to Scotland.

George Monbiot said:

“Rewilding offers us a big chance to reverse destruction of the natural world. Letting trees return to bare and barren uplands, allowing the seabed to recover from trawling, and bringing back missing species would help hundreds of species that might otherwise struggle to survive – while rekindling wonder and enchantment that often seems missing in modern-day Britain.”

Alan Watson Featherstone, Trees for Life’s Executive Director, said:

“Rewilding offers an exciting vision of hope, through the positive and practical work of renewing and revitalising ecosystems. In the Highlands we have the opportunity to reverse environmental degradation and create a spectacular, world-class wilderness region – offering a lifeline to wildlife including beavers, capercaillie, wood ants and pine martens, and restoring natural forests and wild spaces for our children and grandchildren to enjoy.”

The latest thinking on rewilding – including recent and remarkable scientific discoveries – has been captured in George Monbiot’s highly-praised and gripping book, Feral, that lays out a positive environmental approach in which Nature is allowed to find its own way.

Today few areas of the world are truly wild and Scotland is no exception. Long-term deforestation and overgrazing by too many deer and sheep has left the land depleted and barren, with much wildlife in retreat or missing altogether. The Caledonian Forest – Scotland’s equivalent of a rainforest – is now one of the UK’s most endangered habitats, with many of its rare species in danger of extinction.

Yet action across Scotland in recent years has offered signs of what could be achieved by restoring natural processes and protecting wilderness areas, and by reducing human interference in ecosystems.

In the Highlands considerable efforts to restore and expand native forests have led to the establishment of a new generation of trees – and their associated plants, insects and other wildlife – at many sites. High-profile successes include the re-establishment of healthy populations of birds of prey such as the sea eagle, osprey and red kite, and the trial reintroduction of European beavers at Knapdale in Argyll.

George Monbiot and Alan Watson Featherstone argue that far more needs to be done however, and advocate a more ambitious approach to bring wide-ranging benefits to wildlife and people, while putting Scotland on the map as a wildlife tourism global hotspot.

Scotland is also ideally placed to be a world leader in an international drive to slow, halt and reverse global forest loss. In a major announcement at the UN Climate Summit in late September, world leaders, companies and campaigners pledged in the New York Declaration of Forests to restore 150 million hectares of degraded landscapes and forests by 2020 and end deforestation by 2030.

Future rewilding could involve the reinstatement of missing species, including apex predators such as the Eurasian lynx and even the wolf, both of which play a crucial top-down regulatory role in ecosystems.

While the reintroduction of predators is often proposed as a means of reducing excessive numbers of red deer in the Highlands, its main impact would likely be in disturbing deer populations, causing these animals to move more frequently so that their grazing is less concentrated in specific areas.

The lynx – already reintroduced to areas of Europe such as the Alps and Jura mountains – offers little threat to sheep. It is a specialist predator of roe deer, a species which has multiplied in Britain in recent years and which holds back the natural regeneration of trees through intensive browsing.

Leading volunteering conservation charity Trees for Life is restoring Scotland’s ancient Caledonian Forest, and has pledged to establish one million more trees by planting and natural regeneration by 2018. To mark its 25th anniversary this year, it is offering expanded opportunities for volunteers to support its work and gain conservation experience.

The Rewilding the World event was organised by the University of Edinburgh’s Department for Social Responsibility and Sustainability as part of Edinburgh World Justice Festival.

George Monbiot – well known author and columnist for The Guardian – is currently setting up an organisation to catalyse the rewilding of land and sea across Britain. See www.monbiot.com.

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Oct 032014
 

Spear of Destiny is going to be in Aberdeen at The Moorings venue next Saturday, 11th of October.

SpeardestinypicKirk Brandon has now been leading SPEAR OF DESTINY for over 30 years. 2014 sees the release of the band’s 13th studio album ’31’ (Thirty-One).

These brand new recordings will be released on vinyl, CD and digital via kirkbrandon.com, Code7 Distribution and The Orchard Digital Platform.

To coincide with the new album’s release on September 15th, an extensive UK tour commenced on September 18th and concludes on October 19th.

Fresh from being described by NME.com as a Brilliant 80s Band, Kirk appeared on Jools Holland’s BBC Radio 2 show on Monday 22nd September where he played three of his favourite tracks, premiering two tracks from ’31′ and joining Jools’s band to cover a very special song.

Jools accurately described ’31’ (Thirty-One) as ‘possibly [Spear of Destiny’s] best album in 20 years’.

Oct 032014
 

StopwarfeatWith thanks to Jonathan Russell.

The Wests policy again and again in the Middle East has been to use military action. In the case of Iraq, Afghanistan and Syria firstly we arm groups to fight what we see as enemies.

Then when they go much further than we had planned we demonise them whether this is the Taliban, Sadam Hussein, Qaddafi, Assad or ISIS. We use this demonisation to get the public on our side and then we attack them.

We have seen the results of action by the West in Afghanistan, Iraq and Libya which include the killing of innocents, the destruction of infrastructure, fragmented broken societies and the creation of bitterness and violence.

We fail to learn from previous experience and keep doing the same again like a stuck record. We have failed to understand the Middle East and its religious and ethnic complexity and have turned different sections in societies against each other and made lots of money by arming all sides and in the taking of military action ourselves.

In the case of Syria, Western Governments were quite happy in letting Saudi Arabia, Quatar and Turkey give military and financial support to Islamic groups.  The enemy was seen as Assad and his Iranian, Hezbollah and Russian backers. Assad was painted as black and his opposition were angels fighting the just cause. No wonder young impressionable muslims have gone to fight with this appalling ISIS.

The beheadings by ISIS were barbaric and made worse by the fact that those they beheaded were aid workers and in the case of James Folley a strong critique  of NATO intervention. However the Israelis killed 2,100 people in Gaza including hitting schools with children in them so why have there been no airstrikes on Israel.

Saudi Arabia who have been the main funders and suppliers to ISIS have beheaded 59 people so far this year why not bomb them—oh no they are our allies and we make lots of money out of them by selling them arms. One Shia militia selected rounded up 40 Sunnis in Baghdad so why do we not bomb them?

Over 2,400 people have been killed by US drones with people having their heads blown off. why don’t we bomb the White House?

Hundreds of thousands of people have died in the conflicts in Iraq, Libya and Afghanistan and we have almost totally destroyed the infrastructure of these countries yet our leaders walk around with immunity. Since the bombing has begun ISIS has it says gained 6,000 recruits.

Phylis Bennis in The Progressive gives four reasons why ISIS has grown and goes onto suggest six alternative steps to deal with ISIS.

A demonstration against the bombing of Iraq and Syria is to take place on Saturday 4th October in Glasgow. A demonstration is also planned for London on Saturday where protesters will march to Downing Street.

Stop Bombing Iraq! Stop Bombing Syria! Don’t Fuel the Growth of ISIS! Scottish National Stop the War Demonstration 
Saturday at 13:00, Buchanan Street at the steps of Royal Concert Hall (Donald Dewar statue), Glasgow.

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