Sep 062013
 
The Dalai Llama In Inverness.

The Dalai Lama In Inverness.

By Duncan Harley.

It has been just over a year since the Dalai Lama visited Edinburgh, Dundee and Inverness.

The good folk of Dundee welcomed him with open arms and presented Tibet’s spiritual leader with a meditation stool and some very loud applause.

Some children from the city’s deaf school sang a song to him and several Dundee politicians refused to meet him. Seemingly, the Chinese Consul General to Scotland had met council leaders from all three cities scheduled for the tour.

The issue was raised during First Minister’s Questions in the Scottish Parliament, where opposition parties claimed China had put pressure on the SNP government over the visit.

First Minister Alex Salmond had visited China in December 2011 to strengthen trade, arts and cultural links following the arrival of two giant pandas at Edinburgh Zoo. One of the pandas may now be pregnant.

Deputy First Minister Nicola Sturgeon warned parties not to politicise what was a ‘pastoral’ visit, saying that no UK government ministers were meeting the Dalai Lama during his trip.

A UK government source later pointed out that both Prime Minister David Cameron and his deputy, Nick Clegg, met the Dalai Lama in May.

Ms Sturgeon – standing in for Mr Salmond, who had been on a US trade visit – said, ‘There has been no discussion or contact whatsoever between the Scottish government and Dundee City Council about the visit of the Dalai Lama.’

Scottish Liberal Democrat leader Willie Rennie claimed Mr Salmond had displayed an ‘ambiguous attitude’ to the issue of China’s human rights record.

He urged Ms Sturgeon to condemn practices in the country, which he said included the detention of 500000 people without trial, and forcing women to have abortions.

The Dalai Lama, one of the world’s most revered leaders, won the Nobel Peace Prize in 1989 and was awarded the £1.1m Templeton Prize at St Paul’s Cathedral in 2012 for his engagement with science and people beyond his religious traditions.

He has lived in exile in Dharamsala in northern India since 1959.

He’s an awfully nice man. The folk of Inverness, Embra and Dundee agree.

When he came to Inverness he was shown the usual tourist places. When asked about local politics he said, ‘I like my cats but hate what they do’.

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Aug 302013
 

The latest online bulletin from Aberdeen Cycle Forum (hey, we’re friends, let’s call it ACF) carries items of interest to anyone who’s taken advantage of the warm summer we’ve just enjoyed, to commute, exercise or just trundle a unicycle for leisure through Duthie Park. As their message says, ‘It seems like autumn may be sneaking up on us’. Thanks to ACF.

tourdeeside1 bicyclesAberdeen City Council has succeeded in persuading Pedal for Scotland to bring one of its rides to the city on Sunday 15 September.

It’s a short ride of about four miles around the Beach, and it will be motor traffic-free.

It’s specifically aimed at families or occasional cyclists and there’s a small cost to enter

If Aberdeen and the NE’s cyclists turn out in numbers, there’s every chance that we might see bigger and better Pedal for Scotland events offered here in the future.

The council’s also supporting In Town Without My Car on Sunday 22 September as part of European Mobility Week. ACF will be among several cyclist-interest groups at the event and will have a stall there on the day.  If you’re interested in coming along to help out, and to talk to your fellow Aberdonians on the delights of pedal-powered transportation, you can contact ACF at info@aberdeencycleforum.org.uk  We’ll carry the start time in Voice when it’s been confirmed.

There’s welcome news for those city centre two-wheelers, or unicyclists indeed, who stoically suffer jarred wrists and pain to their more delicate parts. The resurfacing of Union Street near Belmont Street, to replace the badly broken-up tarmac, is imminent. The Council has let ACF know that the smooth surface will be extended westwards over Union Bridge.

However, during the resurfacing, planned to take place between 9 and 27 September, the current cycle parking in the area is going to be replaced. New cycle stands have been ordered but may not be in place until mid to late October.  ACF’s website will keep interested cyclists updated.

ACF has been working to identify potential Quality Cycle Corridors for Aberdeen and make them available on the Forum website. The first of these is the Westhill route, in the form of a .PDF outline suggesting what needs to be done to raise standards for cyclists along this major commuter corridor. Comments are invited from anyone interested.

Finally, Facebook users, asks ACF, don’t forget to follow the ACF page. It’s growing fast from a slow start and there are more than 100 Facebookers who now like ACF and get automatic updates as they are posted. One recent post was viewed by over 700 people. There’s also been a significant number of new sign-ups to the Forum mailing list, probably connected to ACF’s increased visibility.

So, goes the plea, ‘Like, share, re-post or whatever, and we will slowly but surely raise the profile of cycling issues in Aberdeen’.

The next ACF monthly meeting is on Tuesday 27 August at 1930 in the Town House on Broad St. New faces are always welcome.
www.aberdeencycleforum.org.uk

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Aug 092013
 

By Bob Smith.

Cry ma beloved Scotland
Greet at wir foolish wyes
Ye tak aboard wir excuses
An listen ti aa wir lies
.
Ye hiv an embracin beauty
An we listen tae yer wails
Yet we sacrifice yer landscapes
Tae satisfy business holy grails
.
In yer mountain an yer moorland
There is a majesty unsurpassed
Yet winfairms an great motorwyes
Are creepin ower ye fast
In yer hills an glens we marvel
At nature’s fecht ti survive
Ower muckle fowk on yer pathways
Ower hillside tracks they can drive
.
Cry again my beloved Scotland
Greet eence mair at wir foolish wyes
Ye try tae mend the destruction
As ye let oot some mournfu cries
.
There’s fowk as wid help ye
An stop the folly aat’s aroon
We need aa ti be richt brave
As some wid ding us doon

©Bob Smith “The Poetry Mannie” 2013

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Jul 182013
 

I am pro-independence and an active supporter of the Electronic Frontier Foundation, says Steve Boyle whose article, he states, is not intended to be political, rather a means of initiating discussion.

On 18 September next year Scotland will vote on independence, and although both sides are campaigning hard, some thought needs to be given to what may transpire after the vote.

Should the poll be in favour of an independent Scotland, then on 19 September 2014 we can start with a clean slate. We need to consider what steps we should take to turn Scotland in to a 21st century democracy.

Constitutionally speaking

There is no real UK constitution at the moment. Most people believe that they have freedom of speech and other protected rights, but the limited protections they do have come from European law (Article 10) which became the Human Rights Act 1998.

Independence is a chance to start again from scratch. To this end, a constitutional committee should be set up using resources from the UK and international organisations as well as non-governmental organisations (NGOs). The committee outputs should then be voted on by the people, rather than politicians, before being passed into law.

This will be a chance to make Scotland one of the fairest countries in the world.

Electoral System

Is first-past-the-post the best voting system for a small country? There are many different voting systems and variations of the main three, each of which has its pros and cons:

–          majority rule

–          proportional representation

–          plurality voting

I’m no expert on these and have no specific favourite, but individual explanations of each can be found on the internet. A voting system utilised for 64 million people may not be the best system for a population of 5 million people. In Switzerland for example, where the population numbers just under 8 million, a system of half-direct democracy is used.

Under this system, the population has a more direct say on policy by voting directly on many topics. This does, however, mean that people have to turn out at the polls, or vote electronically, far more often.

The Parliament

I will not comment on the building here; we are stuck with it. However, we should review the set-up of the Parliament. Is the current system the right one for an independent Scotland or can we do better?

What Else?

Is the offer of independence on its own enough, or do we need to decide how to get the country’s future right and have plans in place to deliver this future, before 19 September next year? I don’t hear politicians from both side of the debate asking the questions I’m posing. We cannot afford to walk blindly into such an important decision for Scotland and the rest of the Union.

As this is a once-in-a-lifetime option, it is only right that there is a fair and frank discussion on what the future should hold and what shape this future should be. This discussion needs to be held at grassroots level and not left to self-serving politicians. Now is the correct time to look at the big changes and, if necessary, prepare for them.

We have the opportunity to live in one of the most egalitarian and democratic countries in the world. If we do not take this opportunity, we may have failed, regardless of the result.

It’s time to talk.
www.eff.org/about

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Jul 052013
 

By David Innes. 

Amid all the rather grisly preparations to commemorate, aye that’s right, commemorate, the outbreak of The Great War next year and the undoubted attempts by the possibly-misguided to conflate the 700th anniversary of Bannockburn in 2014 with the Referendum, the 500th anniversary of the Battle of Flodden in September 2013 has all but been overlooked.

We were told about Flodden in school, when Proper Mannies’ history was taught, but this was a cursory mention, possibly because we were beaten, in the chauvinistically-patriotic tapestry of Miss George’s best attempts to apprise us of our backstory, following the gory glory of Stirling Bridge and Bannockburn.

In later years, over pints in the Prince, the trusties and I have often mused on why James IV elected to give away home advantage by charging down the hill and why it seemed he elected to put the sixteenth century equivalent of CND members and the forebears of the Greenham Common women in the striking positions upfront.

He didn’t of course, but he got it wrong, as the splendid and concise sleevenotes by Jim Paris explain.

The battle was needless anyway. James felt he was beholden to the Auld Alliance and sought to draw English forces away from an ongoing conflict with our French allies.

There was little need; there was no compulsion. Just like Blair and his slavish devotion to Bush’s barely-disguised war for oil in 2002 and 2003. Even tactically, the king erred. History tells us that from a strong strategic position on a hill, impregnable to the English army below, battle was joined in the hollow and the slaughter ensued.

On a much larger scale, the errors and assumptions of the pre-charge Somme onslaught in 1916 repeated James’s error. The king himself and significant numbers of Scotland’s nobility died at Branxton on 9 September 1513. Estimates say that around 9000 soldiers perished with them, a considerable number of Scotland’s youth and young manhood, who had been well-equipped and fit.

In 1940, it is said that there was hardly a family in NE Scotland not directly affected by the extirpation and capture of the 51st (Highland) Division at Dunkirk, and more especially, St Valery-en-Caux.

George Santayana’s words, re-interpreted by Churchill,‘Those that fail to learn from history, are doomed to repeat it’ ring ever more true.

Pipers Hill, where the English forces gathered has a simple granite cross, inscribed ‘To the brave of both nations’, to remind us of something from which future leaders might have learned. So, The Flooers O’ The Forest were all wede away. How well does Greentrax mark this painful and anguished turning point in Scottish history?

 Emotion has no bar code, no best-before date

The label itself says, ‘The album is dedicated to the memory of all those who fell on the bloody battlefield in September 1513. We hope it is a fitting tribute’. It is. With contributions from Dick Gaughan, Karine Polwart and Archie Fisher this was always going to be a stellar release.

The cast of lesser-known artists also impresses. Try the lusty natural chorus of the children of Drumlanrig and St Cuthberts Primary School, Hawick, reminding us of the tale of The Bonnie Banner Blue, to the accompaniment of what sounds like the assembly hall piano, the soft rock of New Zealander Steve McDonald’s Flodden Field and Lord Yester with Lau supporting Ms Polwart in expressing national grief and denial in personal terms.

Oh my love has gone tae Flodden grey Tae dance at Branxholme Lea And ere the night will turn tae day He will dance nae mair wi me

The title track features more than once, of course. It has resonated in the Scottish psyche for centuries and does not date. Emotion has no bar code, no best-before date. Dick Gaughan’s timbrous, resonating version must be among the best committed to any recording medium. It harnesses grief, resignation, anger and bitterness in an emotional and melodic tour de force.

Flooers o the Forest is our blues, our St James Infirmary our House of the Rising Sun, yet its almost nihilistic bleakness offers no hope of redemption. Does that not tell a story of Scotland with which we’re all familiar?

Greentrax makes no apology for including it in different guises, nor does the label apologise for featuring a pipe tune that is jealously and respectfully reserved by pipers for funerals and other mourning occasions.

With the added-in bonus of a CD of poetry and verse read in the stentorian and dramatic tones of Iain Anderson, John Shedden and Alastair McDonald, the full scope of the tragedy and its needless enactment is laid bare.

There are wonderful moments here, where the myths, superstitions and gory realities of Flodden echo down half a millennium, as chilling now as they were in the days when the memories were fresh and the needlessly-spilt blood in that silent Northumbrian field still warm.

Get it from http://greentrax.com/music/product/the-battle-of-flodden

More info:

The Flooers O’ The Forest – Various Artists
(Greentrax Recordings)

CD1 – Songs And Music Of Flodden (15 tracks): Flooers O’ The Forest (Dick Gaughan) * Ettrick (Archie Fisher and Garnet Rogers) * Flodden’s Green Loaning (Celticburn) * Lord Yester (Lau vs Karine Polwart) * Flodden Field (Steve McDonald) * The Flodden Ride (Rob Bell) * Flodden Field – Child Ballad 168 (The Owel Service and Alison O’Donnell) * The Bonnie Banner Blue (Children of Drumlanrig and St Cuthberts Primary School Hawick) * The Recruiting Service Drum / Sons Of Heroes (McCalman, Quigg and Bayne) * Sorrowlessfield (Karine Polwart) * Auld Selkirk (Gary Cleghorn) * The Wail Of Flodden (Scocha) * Soutars O’ Selkirk / The Deid Cat (Drinkers’ Drouth with Davy Steele) * The Ears Of The Wolf (Robin Laing) * The Flooers O’ The Forest – instrumental (Gary West).

CD2 – Poems And Prose Of Flodden (7 tracks): Flodden Hill (Iain Anderson) * The Tale Of Richard Lawson (John Shedden) * The Warning To The King At Linlithgow (Iain Anderson) * The Flodden Dead Mass (John Shedden) * Edinburgh After Flodden (John Shedden) * Flodden (Iain Anderson) * Flodden (Marmion) / Flooers O’ The Forest (Alastair McDonald).

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Jun 212013
 

Peacock Visual Arts is proud once again to be the Scottish partner gallery of the Standpoint Futures Residency Programme.

This offers artists working in Scotland the chance to spend a structured period of four to six weeks living and working in London, where Standpoint Gallery, an artists run gallery and studio complex in Hoxton, will, as well as providing studio and living accommodation, coordinate a programme of introductions to critics, curators and other artists.

There is also the possibility of an exhibition at Standpoint and, after the residency, of working with Peacock Visual Arts to create further new work.

The residencies will run from October 2013 to April 2014. Artists receive a modest per diem & travel allowance.

Deadline for applications is Monday 1st July, then interviews will take place at Standpoint on Monday 22nd July.

Application fee: £15.00

The panel will select 5 artists – one from Scotland, one from Wales, two from England, and one early career artist, who may be based anywhere in the UK.

To download more information from our website click here.

Standpoint website.

Standpoint Futures 2012 tumblr.

Jun 142013
 

Thursday June 20th sees the joining on stage of two of Scotland’s best acts! With thanks to Ruth Sawers.

Finding Albert, crowned 2012 best new Scottish band at the Scottish variety award, and last year’s runner up Amy Sawers will be appearing at Aberdeen’s exciting new venue, Downstairs, where the ethos is all about quality entertainment at an affordable price.

With support from the very talented Craig John Davidson this night is a special treat for Aberdeen’s live music lovers, and an admission charge of £5 – a mere 45p per musician – makes this an event not to be missed.

Finding Albert

In April 2012, Scottish 5-piece Finding Albert released their ‘Life & Times’ EP as a follow-up to their self-titled debut album released six-months earlier.

Even before release, the EP was already turning heads – recorded and produced entirely within the band, a process critical to their style and development (with assistance from Calvin Harris), before being mastered at Abbey Road Studios in London.

It rounded off a fantastic year for Finding Albert, which saw them grow out of obscurity to become regular festival performers, enjoying frequent radio play, and playing alongside some of the UK’s biggest acts.

A band that believes passionately in the translation from recording to live, they are known for their high-energy performances, whilst still retaining the musicianship and delicate (and frequently orchestral) arrangements that have won them so many followers.

The band won the coveted Herald/Clyde1’s ‘Best New Scottish Act’ at the Scottish Variety Awards in March 2013. In the same month, Finding Albert released their long-awaited second album “feints” – which they consider their best creative achievement to date. The band is currently touring the UK and Europe.

“If there’s any justice, this band will be selling out stadiums next year.”- A McCrae, BBC Radio1

“Destined for greatness…may just be Scotland’s best kept secret, but not for long.” – J Gellatly, The Sun

Amy Sawers

Recent recording at the Diving Bell Lounge, Glasgow (Snow Patrol, Frightened Rabbit) has borne fruit in the guise of ‘Laburnum‘, which Amy will shortly be touring.

Named runner up in Herald/Clyde1’s ‘Best New Scottish Act’ at the Scottish Variety Awards in March, things have been busy for this Amy and her band.

The early days saw Amy recording with Fat Hippy Records, releasing an EP and Mini-album (“Feather” and “So Called Love Stories…” respectively) to further acclaim amongst peers and professionals. These recordings ensured regular radio play on both Radio Scotland and Northsound Radio, and one track “Black Bones” even made it to the No.3 spot in the Australian Indie Radio Charts (Feb 2008).

 “Beneath A Canvas Sky And A Cardboard Sea” (self-released) has seen the band taking even further strides into the public consciousness. One track, “Free Like The Sun” was chosen to feature in the cult Channel 4 series ‘Skins’ (series 3).

Her music also features on the soundtrack to the independent movie “Attack Of The Herbals

Amy has shared stages with Alabama 3, Brakes, The Phantom Band, Dawn Of The Replicants, Eugene McGuiness, Ida Maria and even Girls Aloud (odd but true!), and hosting the main stage at Stonehaven’s new year celebrations.

Craig John Davidson

Craig John Davidson is well known within the Aberdeen music circles and has in the past self-released 3 albums:

Soaked In Harm (2008),
Curiosity (2009)
All In Song (2010).

Craig signed to Fat Hippy records with in January this year and released his fourth album, entitled ‘The Last Laugh’ on April 29.

“Davidson plays all of the sounds on the album apart from some strings on one song and it’s the rippling and intricate acoustic guitars which stand out from the off as Davidson wraps them in layers and swathes of sound” – Paul Kerr
http://paulkerr.wordpress.com/2013/04/27/craig-john-davidson-the-last-laugh-fat-hippy-records/

The night is also being put on by local events company seesaw events. For any further enquires please contact Ruth at seesawevents@live.co.uk or on 07858703467

Finding Albert,
Amy Sawers,
Craig John Davidson.

Downstairs @ The Malt Mill
Thurs 20th June
£5 Admission

Jun 132013
 

Hall Harper takes a few moments to contemplate the death of Iain Banks.

Like many others I was saddened this week by the news of Iain Banks’s death at the age of 59, only a couple of months after doctors had diagnosed him with gall bladder cancer and given him around a year to live.

I first became aware of his writing over 20 years ago when I found myself in Chelmsford with some free time between an early afternoon meeting and an evening dinner arrangement, and wandered into a local bookshop in search of something interesting.

Scanning the shelves, my eye was drawn to the name Espedair Street which, to someone born and brought up in Paisley, immediately brought to mind a road in the south of that town.

Standing in that booksellers in Essex, though, it seemed unlikely that this could relate to the same tenement-lined street of my home town, but a quick flick through the first few pages revealed that it was.

The result was that I bought the book and spent the next few hours totally immersed in a fascinating story that almost resulted in me missing my dinner date.

Over the intervening years I’ve read his varied output and was constantly amazed at the brilliance of a master storyteller whose diverse and quirky range of works were always intelligent, perceptive and witty. I must admit, however, that I haven’t explored the science fiction titles of Iain M. Banks, as I’ve just never been able to warm to science fiction as a genre, but that’s my problem.

But it was mainly the wit that I was always drawn to.

This week, I have heard many observers quote the wonderful first sentence of The Crow Road, “It was the day my grandmother exploded,” which, I would wholeheartedly agree, must surely be one of the wittiest and best opening lines in a modern novel.

Nevertheless, my first memorable encounter with Mr B’s wit was in the early pages of Espedair Street where he described one of the less-salubrious districts of my birthplace:

“Ferguslie Park lay in a triangle of land formed by three railway lines, so no matter what direction you approached it from, it was always on the wrong side of the tracks.”

Let me assure those who are not familiar with the area, aka ‘Feegie’ or ‘The Jungle’, that this is a description which says more than a 200-page dissertation ever could.

But wit was clearly an integral part of the man who recorded that his reaction to being diagnosed with the terminal condition which brought his life to such a tragically premature end on Sunday was, “along the lines of ‘oh bugger!’” and who later asked his long term partner, Adele Hartley, if she would do him the honour of becoming his widow.

Now that really is raising two fingers at death!

So while I mourn the passing of someone I believe to have been one of Scotland’s finest writers, I suspect he would have scorned any display of grief at his demise preferring instead that those left raised a smile and a glass to his memory.

So cheers Iain – thanks for everything!

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May 262013
 

By Bob Smith.

“Wee sleekit cow’rin tim’rous beastie
O what a panic’s in thy breastie”
So said Burns aboot a moose
Afore Eck Salmond wis in Bute Hoose
.
Trump is nae a happy chiel
Thinks “Wee Eck” a bliddy feel
Accusin the billie o tellin a porker
Tae yon affa brash New Yorker
.
The Donald he is gyaan tae court
The winfairm micht spile his resort
Claimin it breaches Human Richts
He’s takkin iss tae great hichts
Noo he’s tryin the olive brunch
Askin Eck tae gie peace a chunce
If the winfairm project wid ging awa
Aathing he’s sure it wid be braw
.
The latest fae iss bliddy chancer
Is win turbines they cause cancer
Unless the winfairm it is scrapped
His hotel’ll nae be unwrapped
.
Wull Eck be proven man or moose?
Maybe he’ll vacate Bute Hoose
Or wull he tell DT tae bugger aff
An nae tae be sae bliddy nyaff

Bob Smith”The Poetry Mannie” 2013

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May 242013
 

With Thanks to Claire McBain.

After welcoming almost 3,000 visitors to its spring fair at Easter Anguston Farm on Saturday 11th and Sunday 12th May, social care charity VSA raised £14,581 at an event which marked the re-opening of the farm for the summer.

This figure is significantly more than ever raised before at either their spring fairs or the charity’s VSA Days which were previously held in Duthie Park.

While the farm’s new donated pygmy goats – which can be seen on YouTube at http://ow.ly/kz3Nf  – were the highlight of the day, visitors were also kept entertained by Segway experiences, a bouncy castle, face painting and games.

VSA services also hosted stalls, spreading the word about the good they do and fundraising for their individual causes.

Staff and service users from VSA’s Arrdeir House, a long-term residential support for adults with varying degrees of mental health difficulties who would struggle to cope alone in the community, focused their efforts on fundraising for a trip of a lifetime to Disneyland.

By working in the Farm’s café on both days, the group exceeded their target and will be able to send two long-term service users on their dream holiday.

Doreen Murray, team leader at Arrdeir House, said:

“It’s fantastic! 

“Elspeth [Donald] and Richard [White] have been with VSA for 21 years but neither of them have been on an aeroplane, or even been out of Aberdeen. 

“Now they can!”

Debbie Fotheringham, event and fundraising co-ordinator at VSA, said:

“Of course, the most important thing about the day is the cause behind it. 

“VSA is the largest charity in the north-east, an umbrella to more than 30 life-changing social care services. 

“VSA supports thousands of the most vulnerable people in the community, reaching out to newborn babies, children with additional support needs, young and adult carers, adults with mental health difficulties and older people. 

“The services include a nursery, school, play schemes, respite, advice, care homes, day care, respite opportunities, a bookshop and, of course, the farm.”

For the last six years the charity has taken over Duthie Park for the VSA Day, but this year the Peterculter-based farm incorporated the landmark event with its annual spring fair, raising awareness of the local work which VSA does in looking after thousands of people, and celebrating those who have supported the charity over the past year.

Easter Anguston Farm will now be open daily throughout the summer, from 10.00 a.m. until 5.00 p.m., when visitors will find all the usual attractions – the coffee shop, education centre, farm shop and garden centre – in full swing.

For more information about VSA and other events visit www.vsa.org.uk or www.youtube.com/supportvsa