Oct 182012
 

With thanks to Kirsty Young.

Drag queen turned draughtsman, Donald Urquhart presents Big Jessie, a selection of bold, new hand printed works printed at Peacock Visual Arts.

Born in 1963, self confessed ‘big Jessie’ Donald Urquhart first gained public attention as the man behind the 90s high camp cabaret night The Beautiful Bend, but is now better known for his distinctive cartoon-like black ink drawings.

“Despite being black and white, Donald Urquhart’s bittersweet, droll, cartoon-like drawings are souvenirs of a colourful past. Comforting and disconcerting in equal measure, their elegant line and graphic finesse makes them immediately appealing, even though they sometimes dish out hardcore one-liners like seasoned cabaret artistes or twisted greetings cards.” Frieze Magazine

In Big Jessie Urquhart continues this style of work with pieces including The Scottish Alphabet, a screenprint portraying Urquharts homeland in twenty-six alphabetically ordered images counting Lulu, the Krankies and Molly Weir as important Scottish icons.
http://www.peacockvisualarts.com/archive/356/coming-soon-donald-urquhart
Exhibition runs until 27 October 2012

OilScapes // Various Artists

Curated by Dr Janet Stewart and Zeigam Azizov.

Zeigam Azizov, Peter Fend, Melik Ohanian, Aga Ousseinov and Owen Logan explore connections between oil, geopolitics and visual culture with particular emphasis on connections between the environment and mobility. Featuring an audio collage with voices from the University of Aberdeen’s Lives in the Oil Industry oral history archive.

OilScapes also features a number of events including Artist’s Talk a Workshop and OilScapes/Film screenings.

For the full programme: http://www.peacockvisualarts.com/events/379/oilscapes

Grotto // The Winter Exhibition

Submit your work in A4 format within the theme of “Grotto”, for your chance to be part of the annual PVA Christmas Exhibition, 2012 edition!  – Click here to Find out more
DEADLINE 31 OCTOBER 

Screenprinting Weekend Workshop // beginners

Explore the creative possibilities of this colourful, graphic and immediate approach to making repeat prints. No experience required – just a few images and a bit of creativity.  – Click here to Find out more
Sat 27 & Sun 28 October | 10 – 4.30pm | £130/95 conc.

Etching   Weekend Workshop // beginners

Sign up for the opportunity to learn the techniques and processes that are involved in the traditional art of etching. No experience required. – Click here to Find out more  
Sat 27 & Sun 28 October | 10 – 4.30pm | £130/95 conc.

Thursday Print Club is back again!

Get familiar with the workshops, practice techniques and gain confidence and benefit from regular supervision from Peacock Staff.  – Click here to Find out more
Every Thursday evening 8 November – 13 December | £60

Animation Class

Ever wondered how Wallace and Gromit move? Or what makes Pingu go? Well here at Peacock we’re planning an abundance of animation workshops to show you just that! – Click here to Find out more
Thursday 18 & Thursday 25 October

Mono Printing Workshop // beginners

Join Michael Waight for this one day workshop, where he will show you how to master the art of the single impression print.   – Click here to Find out more
Saturday 24 November | 10 – 4:30pm | £75/£65 conc.

Japanese Stab Binding Workshop// beginners 

This one day workshop with Mike Waight will show you wonderful ways to make handmade books. Ideal for personal Christmas presents!  – Click here to Find out more
Saturday 1 December | 10 – 4:30pm | £75/£65 conc.

Aug 032012
 

Peacock Visual Arts offers a programme of changing exhibitions in both the main gallery and shop/reception area. With thanks to Angela Lennon.

Language Barrier & Other Obstacles – Alina & Jeff Bliumis,

Language Barrier And Other Obstacles is an exhibition by Alina and Jeff Bliumis that examines cultural standards, foreignness and national identity.

Alina and Jeff Bliumis were born in the former Soviet Union; Alina is originally from Minsk, Belarus, while Jeff was born in Kishinev, Moldova. Both have lived in America for over twenty years and have been collaborating since 2000.

They have exhibited in a number of exhibitions internationally including: Castlefield Gallery, London; Assab One, Milan; The Victoria and Albert Museum, London; The Jewish Museum, New York; Moscow Biennale of Contemporary Art, Russia; Stanislas Bourgain Gallery, Paris; Busan Biennale, South Korea and Bat-Yam Museum, Israel.

They also have work in various public and private collections. These include the Saatchi Collection, Moscow Museum of Modern Art, Bat-Yam Museum, Harvard Business School and The Victoria and Albert Museum.  http://www.peacockvisualarts.com/events/376/language-barrier-and-other-obstacles

Happy All Smiles – Adam Bridgland

Happy, All Smiles is Adam Bridgland’s first solo exhibition in Scotland and launches three new prints made with Peacock’s master printmakers.

Alongside the three latest editions, the exhibition will also include new works, sculptures and vinyl installations that explore Bridgland’s fascination with the mundane and the everyday, and the constant pursuit of finding an escape from these.

Described as ‘your favourite leisure time artist’, Adam embraces the everyday object finding inspiration from the colouring book image, travel guidebooks, and scout camping paraphernalia.

Kitsch and humorous, yet equally poignant, Adam’s work rejoices in the mundane and is an investigation of the notion that holiday-making is just another ordinary everyday activity and that the holiday is essentially a fantasy that rarely lives up to our expectations.   http://www.peacockvisualarts.com/events/377/adam-bridgland-happy-all-smiles

Both exhibitions will run until 8 September, and more information about each can be found here: http://www.peacockvisualarts.com/exhibitions-and-projects/now

From Thursday 16th August to Thursday 20th September we will be running another 6 week course of our Thursday Print Club from 5.30 to 8.30pm. 

The cost to attend all 6 sessions is £60.

There are also Animation classes for children aged 10+ scheduled throughout August and September, each class is £35.

Please see:http://www.peacockvisualarts.com/get-creative/courses-classes for more information.

Peacock Visual Arts is also proud to announce that we will be taking part in the Aberdeen Art Fair again this year, which will take place on Saturday 18th and Sunday 19th August.

Entry to the fair at the Music Hall is £3 and times are 9.30am to 5.30pm on Saturday, 10am to 5.00pm Sunday. More information can be found here: http://www.peacockvisualarts.com/archive/353/peacock-at-aberdeen-art-fair-2012

For more information on PVA exhibitions, events, courses and workshops, see: http://www.peacockvisualarts.com/events/

Mar 292012
 

With thanks to Kylie Roux.

THE OBSIDIAN ISLE – Gayle Chong Kwan

The Obsidian Isle is a significant new body of work from Venice Biennale exhibitor Gayle Chong Kwan. The installation of large-format photographs & sculptures documents a fictional island located off the west coast of Scotland, on which reside one country’s lost and destroyed buildings and places.
The Obsidian Isle explores ideas of collective history, national identity, landscape, and tourism through the prism of the senses and the distortion of memories.

Exhibitions runs 24 March – 5 May 2012 

KIN – Gray’s pre-degree show

KIN is an exhibition by Gray’s School of Art’s BA Hons printmaking students.
The exhibition gives an exciting insight into a great variety of different approaches to print and printmaking and showcases a diverse range of works made in preparation for the students’ degree show later in the year. So come along to support the students and see the artistic talents of tomorrow.

Preview Night Friday 23 March | 6 – 8pm | all welcome!
Exhibitions runs 24 March – 5 May 2012

BIG JESSIE – Donald Urquhart

Drag queen turned draughtsman, Donald Urquhart presents Big Jessie, a selection of bold, new hand printed works in his distinctive cartoon-like black ink style, created at Peacock Visual Arts.

To be shown at The Brunswick Hotel, Merchant City, Glasgow.

Preview Thursday 26 April |Brutti Ma Buoni,
The Brunswick Hotel, Merchant City, Glasgow | 7pm – late
 Exhibition runs 27 April – 27 May 2012

TEMPORARY ART SCHOOL – Poets in the City Workshop + Meet-up

The Temporary Art School is a one month live project happening throughout the city of Aberdeen in March 2012. TAS was devised by a group of people living and working in both Aberdeen and Glasgow who have come together to put on classes and workshops for all which experiment with what an art school can be and continue in a long tradition of self-organised education.

This Friday Poet Gerard Rochford will be giving a new workshop on the word whether it be spoken, written or sprawled in the streets. Please bring along a poem of two which you have written you would like someone to have a look at it and if you have never written one, in Gerard’s words ‘by the end you will have.’ email atemporaryartschool@gmail.com to reserve a space.

Friday 16 March | 5-9pm

ABERDUINO – Electronic Jiggery-pokery

Aberdeen’s own electronic tinkerers and artist’s hackerspace will be running on the second or third Tuesday of every month from now on – so put the date above in your digi-diary.

Come along if you’re interested in micro-controllers, soldering irons, circuit bending, electronic jiggery-pokery and chin scratching.

Tuesday 17 April | 6.30 – 8.30pm | FREE
*Note – The event is FREE but call us on 01224 639539 to let us know if you’re coming along.

RELIEF PRINTING WEEKEND WORKSHOP – Beginners

Come along to try out the oldest form of printmaking. No experience necessary.

Saturday 7 + Sunday 8 April | 10 – 4.30pm | £130/95 conc. 

ETCHING WEEKEND WORKSHOP – Beginners

Learn the techniques and processes involved in the traditional art of etching. No experience necessary.

Saturday 21 + Sunday 22 April | 10 – 4.30pm | £130/95 conc. 

GET ANIMATED AT PEACOCK

Ever wondered how Wallace and Gromit move? Well book onto our animation workshops to find out.

Throughout April, July, August & October | 10 – 4pm | age 10 + | £35 

Call 01224 639539 for more information and to book a place on any of our courses.

Mar 152012
 

With thanks to Kylie Roux.

THE OBSIDIAN ISLE – Gayle Chong Kwan

The Obsidian Isle is a significant new body of work from Venice Biennale exhibitor Gayle Chong Kwan. The installation of large-format photographs & sculptures documents a fictional island located off the west coast of Scotland, on which reside one country’s lost and destroyed buildings and places.
The Obsidian Isle explores ideas of collective history, national identity, landscape, and tourism through the prism of the senses and the distortion of memories.

 Preview Night Friday 23 March | 6 – 8pm | all welcome!
 Exhibitions runs 24 March – 5 May 2012 

Event – Gayle Chong Kwan in Conversation

Gayle Chong Kwan in conversation with Dr Dominic Patterson, a lecturer in modern and contemporary art and theory at the University of Glasgow. To reserve your place please email sarah@peacockvisualarts.co.uk or call 01224 639539.

Saturday 24 March | PVA | 3 – 4pm | FREE  

KIN – Gray’s pre-degree show

KIN is an exhibition by Gray’s School of Art’s BA Hons printmaking students.
The exhibition gives an exciting insight into a great variety of different approaches to print and printmaking and showcases a diverse range of works made in preparation for the students’ degree show later in the year. So come along to support the students and see the artistic talents of tomorrow.

Preview Night Friday 23 March | 6 – 8pm | all welcome!
Exhibitions runs 24 March – 5 May 2012

TEMPORARY ART SCHOOL – Poets in the City Workshop + Meet-up

The Temporary Art School is a one month live project happening throughout the city of Aberdeen in March 2012. TAS was devised by a group of people living and working in both Aberdeen and Glasgow who have come together to put on classes and workshops for all which experiment with what an art school can be and continue in a long tradition of self-organised education.

This Friday Poet Gerard Rochford will be giving a new workshop on the word whether it be spoken, written or sprawled in the streets. Please bring along a poem of two which you have written you would like someone to have a look at it and if you have never written one, in Gerard’s words ‘by the end you will have.’ email atemporaryartschool@gmail.com to reserve a space.

Friday 16 March | 5-9pm

ABERDUINO – Electronic Jiggery-pokery

Aberdeen’s own electronic tinkerers and artist’s hackerspace will be running on the second or third Tuesday of every month from now on – so put the date above in your digi-diary.

Come along if you’re interested in micro-controllers, soldering irons, circuit bending, electronic jiggery-pokery and chin scratching.

Tuesday 17 April | 6.30 – 8.30pm | FREE
*Note – The event is FREE but call us on 01224 639539 to let us know if you’re coming along.

RELIEF PRINTING WEEKEND WORKSHOP – Beginners

Come along to try out the oldest form of printmaking. No experience necessary.

Saturday 7 + Sunday 8 April | 10 – 4.30pm | £130/95 conc. 

ETCHING WEEKEND WORKSHOP – Beginners

Learn the techniques and processes involved in the traditional art of etching. No experience necessary.

Saturday 21 + Sunday 22 April | 10 – 4.30pm | £130/95 conc. 

GET ANIMATED AT PEACOCK

Ever wondered how Wallace and Gromit move? Well book onto our animation workshops to find out.

Throughout April, July, August & October | 10 – 4pm | age 10 + | £35 

Call 01224 639539 for more information and to book a place on any of our courses.

Mar 092012
 

The black calendar of Aberdeen’s civic history has a new entry: 2nd March 2012, the day that its citizens, evident sufferers of apathy and myopia, handed both its natural heritage and its economic future to a cabal of businessmen.  Arthur Taylor writes.

The fight to retain and improve Union Terrace Gardens hit the buffers on that day when the public – or rather 27.5% of them – voted to support the plans to destroy this unique piece of the city’s heritage and replace it with a concrete monstrosity – presumably confused by the smoke and mirrors of the PR campaign which branded it “The Granite Web”.

Whether the battle turns into a war, protracting the debate, and driving further wedges between parties already badly divided, remains to be seen, but it is hard to see a rapid healing of the wounds that this process has created.

It is also difficult to stop the passion that fuelled the Retain campaign from dissipating, before all avenues of challenge are exhausted against a process labelled as democratic – but which in reality has been anything but that.

What is clear is that events from 2008 to now should be reviewed and recorded for posterity, so that future generations when looking back can seek to understand a number of things:

  • why we allowed our heritage to be given away to a clique of egoists and nepotists, who deluded the public and maybe even themselves into believing that they were altruists and philanthropists
  • why the local authority whose primary function is to act in the citizenry’s best interest handed control to an unelected quango, immune from public scrutiny
  • and why we allowed the city’s future to be mortgaged on the most questionable of business cases, flagged up as high risk by Audit Scotland in the final days of the campaign – when most votes were already cast.

Not that this was a revelation: Friends of Union Terrace Gardens had identified the risk months before, but their claims were played down in the media.

The last two months have seen a referendum conducted by a returning officer who sought to have the campaigns run to a fair set of rules.

The dominance of the local print media in forming and steering public opinion, and its incestuous relationship with local business, is deeply concerning.

While it appears that the retain groups stayed within their £8000 budgets, the pro groups – aided and abetted by the collaborators in the local media – spent an estimated £1,000,000 to buy the votes of the people of Aberdeen. Their cynical campaign saw radio adverts dressed as public information broadcasts, and a drip-fed daily editorial in the local press, with each day’s evening paper offering more extravagant promises than the last, as part of a fawning hysterical clamour.

That the retain groups, variously composed primarily of grey-haired men, beardies, tree-huggers and an enthusiastic schoolboy, ran the referendum right to the wire, losing by such a slender margin, is testament to their energy, enthusiasm and resourcefulness. That they did this against a campaign co-ordinated by the BIG Partnership, Scotland’s largest PR agency, is little short of a miracle.

The dominance of the local print media in forming and steering public opinion, and its incestuous relationship with local business, is deeply concerning.

The public need a source of true facts rather than propaganda dressed as objective reporting.

That said, there have been two positives to emerge from the press coverage of the campaign: the amusement derived from watching the Evening Express contorting itself like an India-rubber prostitute in a bid to champion the development, while not entirely abandoning its habitual council-baiting; and the emergence of the STV Local site as a place where all parties can present their voice without editorial bias.

It is hard not to see the future of local journalism as lying in hyper-local online spaces, as counterpoint to the shrinking of print to the point of complete insignificance.

the dead-eyed, gape-mouthed novelty-seekers who lurch zombie-like through the malls

Returning to the proposed development itself, it should be remembered that Union Terrace Gardens is the only part of the city where one can see the original topography of the land on which the city is built.

Sadly the local authority in the last century has allowed almost all traces of the city’s history to be erased like some embarrassing legacy instead of retaining and celebrating its character. Compare this with Edinburgh’s old town or York’s centre.

We are now confronted by the effacement of the final part of our history in order to satisfy the dead-eyed, gape-mouthed novelty-seekers who lurch zombie-like through the malls that have brought about the systematic homogenisation of the city centre and obliterated all individuality and character.

If we do not continue to challenge this proposed act of civic vandalism, by:

  • opposing the planning application,
  • challenging the use of Common Good land,
  • exposing the business case as one which will leave the city bankrupt (as it was last in1817)  when the TIF scheme plays out as feared,

then we should at least ensure that we record for posterity the names of the businessmen who proposed this vanity project; note the politicians and faceless unelected quango-ists who eased its path to realisation; and ponder the many, many idiotic consumers who swallowed the hype, without challenge or analysis.

If we do nothing else, we should record those names on the black calendar’s page for 2nd March 2012.