Nov 122015
 

With thanks to Eoin Smith, Senior Account Executive, Tricker PR.

Fiona Kennedyfeat

Fiona Kennedy is a patron of NESMS.

Much loved Scottish entertainer Fiona Kennedy and influential actor and director John Bett, a founding member of the 7:84 theatre company, will lead the 40th birthday celebrations of the North East of Scotland Music School (NESMS) in November.

NESMS is the longest running independent music school in the area and has been the spring board for internationally renowned musicians such as Lisa Milne who has had lead roles in productions by both Scottish Opera and English National Opera and David Ferguson, the only Scot chosen by Gareth Malone for his Voices Choir.

The school’s major celebration will take place at its annual Keynotes Lunch which will be held at Norwood Hall in Aberdeen on Sunday 15th November.

Fiona Kennedy, long term patron of NESMS and John Bett are creating a musical tableau which will reflect NESMS’ history and contribution to cultural life in the north east since its inception. Current pupils of the school will perform in the tableau.

NESMS was founded in 1975 by the late Dorothy Hately who was awarded an MBE for services to music in 1987. Ms Hately, along with Lady Aberdeen, wanted to give young people who had musical promise the opportunity to have tuition which was not available to them through other pathways.

Dorothy encouraged the then director of education in Aberdeen to allow NESMS to begin classes in a part of the old Aberdeen Academy (now the Academy Shopping Centre) in Belmont Street.

NESMS opened offering teaching in four disciplines to just forty students. When work began on the transformation of the building into a retail centre, NESMS found a temporary home in the Methodist Church in the city’s Crown Terrace. Dorothy Hately’s tireless work on behalf of NESMS led to the awarding of a grant from the Scottish Arts Council Lottery Fund and from the Foundation for Sports and the Arts, to enable NESMS to purchase a permanent home.

In 1998, the school officially opened the door to its new premises and the Huntly Street centre was named the Dorothy Hately Music Centre in memory of its leading light who sadly died in 1996, never seeing the centre which she had worked so hard to achieve on behalf of the area’s musically talented youngsters.

From its early beginnings of four disciplines and 40 students, today NESMS offers 15 disciplines, taught by 20 tutors, to more than 250 students at its Huntly Street base with four teaching studios, a library and a lounge. And it’s not just students from the Granite City alone – talented musicians from the whole of the north of Scotland including the Highlands and Islands are pupils at the school … and they are not just youngsters!

The school welcomes enquiries from anyone who has reached a suitable level of attainment whatever their circumstances, age or musical background.

Potential students audition for entry to NESMS. Instrumentalists generally speaking should have attained Grade 5. Criteria for vocalists relate to voice maturity or experience of singing solo or in groups.

The range of instrumental tuition on offer is wide and includes brass (horn, trumpet), strings (violin, viola, cello, double bass) and woodwind (flute, recorder, clarinet, oboe, bassoon) and of course piano, with tuition in jazz as well as classical styles available. Students who wish to develop their ability to deal confidently with an audience are offered opportunities for both solo and ensemble public performances.

Students pay fees which are kept to a minimum through an active volunteer fundraising programme and the generosity of trusts, foundations, companies such as Aberdeen Asset Management and Mattioli Woods Plc as well as private individuals. There are scholarships which can be applied for annually. These are awarded on merit. Through assistance provided by the John Gordon Foundation and Aberdeen City Council a fund is available to pay lesson fees for students in financial hardship.

Barbara McFarlane, Chairman of NESMS, says that it is remarkable what the school has accomplished over the past 40 years.

Barbara says,

“Since Dorothy Hately founded the school in 1975 we have more than trebled the number of music disciplines that we offer. The number of students we teach has also increased by over six times since the school started.

“We are immensely proud to have reached this 40 year milestone and it’s a time to celebrate the fact that many of our students have gone on to become extremely successful musical composers, teachers and musicians.

“NESMS is also extremely fortunate to have such exceptional ties with the most distinguished music tutors in their field, many of whom are former NESMS students themselves, and also with our patrons who are all extremely passionate about dedicating their knowledge and expertise to the musical development of our students.

“Fiona Kennedy is a faithful NESMS patron and we are honoured that she and John Bett have both devoted their time to creating a musical portrayal of NESMS and all the effort it has contributed to Scottish music over the years.”

To book tickets for the NESMS Keynotes Auction Lunch, or for more information on how to enrol for lessons, phone North East of Scotland Music School on 01224 649685 or email nesms@dsl.pipex.com

Past and Present Notable NESMS Students:

The past 40 years have seen an abundance of notable and influential Scottish musicians begin their musical careers at NESMS.

Lisa Milne

Renowned Scottish Soprano Lisa Milne is one of the best known of NESMS’s alumni after a successful and extensive career in opera and classical music. Lisa was only 14 when she first started singing lessons at NESMS. After securing leading roles for world-famous operas such as The English National Opera, Metropolitan, New York and Scottish Opera, Lisa was awarded an MBE from the Queen in 2005 for her services to opera and music. She is now a vocal coach at The Royal Conservatoire of Scotland.

Ian Wilson

Ian Wilson began his exceptional career in music as a woodwind student at NESMS. Ian now shares his expertise with his very own NESMS protégés’ as he is a visiting recorder specialist at his former music school. After winning multiple music prizes during his time studying at Guildhall School of Music and Drama he is now the Principle Recorder Professor at Guildhall and Head of Woodwind at Eton College.

Ian has also spent time performing as a soloist with a variety of Europe’s period instrument orchestras and as a chamber musician in many European festivals.

Oliver Searle

Former NESMS piano student Oliver Searle was tutored at the school whilst studying for a degree in Music Education at Aberdeen University, he then went on to gain a distinction in his Masters degree from The Royal Scottish Academy of Music and Drama.

Oliver frequently collaborates with music charities, most recently with Drake Music Scotland for the London cultural Olympiad, he also regularly produces music for theatre and has been involved in a number of music projects for people with cochlear implants. He is currently Creative & Contextual Studies and Composition Lecturer at The Royal Conservatoire of Scotland in Glasgow.

Joseph Long

Accomplished composer and concert pianist Joseph Long studied piano at NESMS. He has vast concert experience in a number of world famous venues including The Grand Hall of the Moscow State Conservatory, The Calcutta School of Music and The University of Almeria in Spain. After leaving Aberdeen to study at Cambridge he is now back in his native city and teaches advanced piano at NESMS and Aberdeen University.

Donald Gillan

Aberdeen-born Donald Gillan was a cello student at NESMS, he later won scholarships to the Royal College of Music and the Royal Northern College. He has since toured with the Scottish Chamber Orchestra performing in countries including Japan, Spain and Germany. Donald also freelances for the BBC Scottish Sympathy Orchestra, Scottish Opera Orchestra, plays in duos and quartets and performed at three prom concerts at the Royal Albert Hall.

Sally Garden

Sally Garden is a musicologist, mezzo-soprano, and a former NESMS vocal student who has trained with distinguished Italian soprano Laura Sarti. She was also a finalist in the Mary Garden International prize and was later appointed Historical Musician in Residence at the Wighton Heritage Centre, Dundee. During her time there she was responsible for directing a three year programme of music events to unfold one of Scotland’s finest music archives.

She is now an Honorary Research Fellow at the Centre for Scandinavian Studies at the University of Aberdeen and has been able to dedicate her time towards recital work.

David Ferguson

Current NESMS student David Ferguson has been tipped for musical success after being handpicked by celebrity choirmaster Gareth Malone OBE after a nationwide search for a 17 strong choir. Before joining Gareth Malone’s Voices in 2013, David had been singing as a choirboy since the age of eight and had performed with a variety of different choirs throughout the UK.

After a CD release and a UK tour David joined up with four members of Gareth Malone’s Voices to form their own band, which they named The Harbour. David travels frequently to London to attend recording sessions and performances, as well as receiving voice tuition at NESMS.

  • Comments enabled – see comments box below. Note, all comments will be moderated.

 

Nov 092015
 

Shooglenifty2With thanks to James Soars Media Services. 

2015 has been an epic year for Shooglenifty, a band formed 25 years ago in Edinburgh.

Retaining four of their original members plus their bass player of 12 years standing, the line up has been invigorated in the past year by fiery young mandolinist Ewan MacPherson who contributes four tunes to their critically acclaimed new CD release The Untied Knot.

Also new in 2015 is ‘puirt a beul’ vocalist Kaela Rowan who graces the album with the first ever collection of Shoogle songs.

Shooglenifty’s sound springs from traditional Scottish dance music, energised by the beats and bass line of something altogether more contemporary. It is not a sit-down kind of music, it’s a join-in, and get on your feet kind of vibe.

Attempts to describe this almost uncatagorisable band include: ‘dub-diddly’,‘hypno-folkadelic-ambient-trad’ and ‘Acid-Croft’. Whatever it is, it has endured, evolved and, above all, entertained for quarter of a century.

The band are most at home playing live, and matching the excitement of releasing the new album, 2015 has been a year of very special gigs. They enjoyed not one, but three(!) 25th Anniversary Parties –  they sold out the city’s iconic Old Fruitmarket venue at Celtic Connections in January, they blew the roof off a packed Glenuig Hall in April, and, in May, celebrated at a late night album launch at La Belle Angele, Edinburgh, scene of their first residency in the early 90s.

Summer 2015 is packed with appearances at festivals at home and abroad: they include HebCelt in the Isle of Lewis, Cambridge, Rainforest World Music Fest in Borneo and Interceltique in Brittany (with current collaborators the Dhol Drummers of Rajasthan). The year is top and tailed by hogmanay celebrations on opposite sides of the earth – Woodford, Australia for 2014/5 and Edinburgh’s Hogmanay for 2015/6.

But before we hit the fireworks at midnight on 31 December, Shooglenifty is coming to a village/town/city near you. There will be dancing.

Celebrating their 25th anniversary, this is Shooglenifty’s seventh studio album. The breathtaking ‘puirt a beul’ (mouth music) of Gaelic vocalist Kaela Rowan brings a captivating and energising new element to the band’s sound, and the grittiness of the songs further confounds any attempt to categorise them.

The Untied Knot drops additional pins in the Shoogles’ map of international influences, this time hitting the road from Scotland to Rajasthan. Watch out for James Mackintosh and Kaela Rowan’s ‘The High To Jodhpur’, a tune that makes that connection explicit, whilst Burn’s Tam O’Shanter is the ‘closer to home’ substance to the title track by Quee MacArthur.

Former band member Luke Plumb’s fresh compositions – the psychedelic ‘Arms of Sleep’ and ‘The Highway Carpark,’ a ‘hurry up and wait’ classic – are included, whilst new mandolinist Ewan MacPherson makes his mark with three tunes. His ‘Somebody’s Welcome To Somewhere’, a tongue-in-cheek Highland march, features the princely pipers of a guesting Ross Ainslie. Ewan also contributes a dark nautical romp ‘The Devil’s Breath Hornpipe’, and a speedy pair of reels clearly spawned by the Shoogle dance gene, ‘Samhla Reel/Scolpaig’.

A dazzling contribution by Garry ‘Banjo’ Finlayson ‘The Scorpian’ (sic) is a fascinating and enigmatic creature, whilst ‘Fitzroy’s Crossing’, the striking Antipodean closing track by Shooglenifty front man Angus R Grant, is proof positive that there is no musical journey this band can’t take.

The cover was designed by renowned John Byrne who previously created album sleeves for Gerry Rafferty, Stealers Wheel, Billy Connolly, and The Beatles, among others.

“This is a class act, truly in line for album of the year” – fROOTS.

“Remarkably exciting, and fresh *****” – Songlines.

“Top to bottom The Untied Knot is a fine piece of work awash with spectacular displays of musicianship and bewildering levels of innovation” – Folk Words.

“Gaelic vocalist Kaela Rowan fits Shooglenifty’s skilfully-knitted left-field sound as snugly as a kilt”  – The Australian.

THE UNTIED KNOT TOUR:

Friday 6 November 2015 | The Up Front Gallery | Cumbria | Find the venue | Buy tickets

Saturday 7 November 2015 | Mac Arts | Galashiels | Find the venue | Tickets available soon

Thursday 12 November 2015 | The Lemon Tree | Aberdeen | Find the venue | Buy tickets

Friday 13 November 2015 | Gardyne Theatre | Dundee | Find the venue | Buy tickets

Saturday 14 November 2015 | Gordonstoun | Elgin | Find the venue | Tickets available soon

Friday 27 November 2015 | Inchyra Arts Club | Perth | Find the venue | Buy tickets

Saturday 28 November 2015 | Sabhal Mòr Ostaig | Skye | Find the venue | Buy tickets

Friday 4 December 2015 | Applecross Community Hall | Applecross | Find the venue | Buy tickets

Saturday 5 December 2015 | MacRobert Memorial Hall | Tarland | Find the venue | Buy tickets

Friday 11 December 2015 | The Canteen | Bristol | Find the venue | Tickets available soon

Saturday 12 December 2015 | The Borderline | London | Find the venue | Buy tickets

Sunday 13 December 2015 | The Crescent | York | Find the venue | Buy tickets

Friday 18 December 2015 | Stereo | Glasgow | Find the venue | Buy tickets

Saturday 19 December 2015 | Memorial Hall | Resolis | Find the venue | Buy tickets

Sunday 20 December 2015 | The Old Bridge Inn | Aviemore | Find the venue | Tickets available soon

Monday 28 December 2015 | Astley Hall | Arisaig | Find the venue | Buy tickets

Tuesday 29 December 2015 | Tolbooth | Stirling | Find the venue | Tickets available soon

For more information and the latest tour news, please visit:www.shooglenifty.com

Nov 062015
 

Staring up from the depths of a fluorescent blue cocktail served in a fishbowl is a beautifully carved goldfish made of pumpkin. Skull-splitting metal of some sort is making conversation nearly impossible. A Ninja in full regalia at the door is having a pint with a goth who’s wearing fangs as neon Tiki figures shimmer on the walls in the black light. If not for Spear of Destiny playing in an hour’s time, this could have been your average night at Krakatoa.

Suzanne Kelly goes to her third SoD Moorings – sorry Krakatoa – show.

Spear of Destiny Ocy 2015 (8)Tonight is the penultimate night of the current Spear tour; tomorrow they have to be in Whitby headlining a goth festival, as you do. Would they be pulling their punches and going through the motions tonight? Other acts have done so when hitting Aberdeen, but resting on past successes isn’t part of the ethos for Spear.

Opening Act Mark Ayling (pictured below) said:

“I had a great night, Spear of Destiny were on form and played a great set and it was nice to see a good crowd out to support live music.

“it’s the biggest crowd I’ve seen at an Aberdeen gig for a while.”

Some of the wiser, more experienced fans, or ‘Spear Family’, prudently decided to stay back from the front of the stage.

6bwTonight wasn’t quite as frenzied and bruise-inducing as usual, perhaps in some part due to the presence of Spear virgin Alan Gray. I was a bit concerned about him, as he happens to be a wheelchair user.

Knowing that anyone in vicinity of the dance floor at a SoD show is likely to wind up covered with bruises and marinated in beer, I mentioned to a few nearby guys to please keep an eye out for Alan.

Before I could finish speaking, they’d opened up a path for him to the front of the stage.

Only once towards the end was I worried about him, but I needn’t have been when the floor turned into the expected frenzy.

So – did Alan like his first ever Spear live show?

“I waited 30 years to see them live. It was everything I wanted it to be and a lot more.” 

He left with a copy of their latest album, 31, and a huge smile on his face.

It’s been said I’m partial to this band, and indeed I am, but you’d not be able to find any fault tonight. The pacing of the set, the well-honed but fresh, energetic musical calibre – all great stuff. I’d love to give you the full set list but for the fact I was looking after others’ limbs, my own limbs, drinking a pint and trying to write in a little notebook at the same time.

At any rate they opened with World Service; most of the audience naming that tune and screaming for it before the first measure had been played.  Never Take me Alive soon followed, then to Roddy Kennedy’s delight Once in Her Lifetime.

Spear of Destiny Ocy 2015 (3)From the most recent album 31, Spear played Sputnik, Fascinations (single from the album) and The Failure.

In all these pieces you can hear subtle or large differences from the studio work; at the risk of repeating myself from previous reviews, this is why you come to live performances; to hear something new brought to the arrangements.

For many bands displaying basic musical competence outside of a studio is a stretch; for SoD playing live seems to be something they truly relish.

For others, the reason to go see a band has to be to take selfies and record the show on a mobile, so you can watch it back later, and don’t have to stop talking to your friends about who’s going to win either celebrity bake-off or the ladies’ Queen of the South v Hearts match. I pity these people.

Truly, some people are incapable of letting a 3 minute song go without speaking; tuning them out seems to be becoming an art form.

This is not to be confused with the people who for instance wouldn’t normally speak to each other at all, but when hearing Mickey (my favourite anti-war anthem) will sing every word and dance with their arms around each other’s shoulders.  And that’s how it should be.

WE also had Everything Has A Price, Soldier Soldier, and close with I Liberate. Brandon said something about Edward Snowdon – or at least I think he did.  The only fault was that it was over too soon.

The band genuinely seemed to have had an enjoyable evening in Aberdeen; Aberdeen loved having them.

When they got to Whitby the next night they did a stunning version of The Sisters of Mercy’s Temple of Love (on a cobweb-decorated stage no less) with Craig Adams taking lead vocals. Have a look at that here. https://www.youtube.com/watch?v=WANdYppeJVU&feature=youtu.be

But yes, it was all over in a flash; the band, the cocktail with the fish and the Ninja all disappeared. But I dare say Aberdeen will welcome Spear with open arms again next time.

Oct 222015
 

Philip Clouts Jazz Quartet_©Lucas Aliaga-Hurt-1With thanks to Rob Adams.

Pianist Philip Clouts’ quartet plays the Blue Lamp in Gallowgate on Thursday, October 29 as part of a UK tour to mark the release of a new album, Umoya, one of the first releases on the new jazz imprint of American classical label Odradek.

It’s an album that confirms the Cape Town-born Clouts’ ongoing love affair with South African music as well as encompassing rhythms and melodies from around the world.

“Jazz and world music have been important to me throughout my musical life,” says Clouts, who grew up in London.

“I’m inspired by both the freedom of jazz and the rootedness of world music with its sense of dance, community and spirituality. Listening to both genres always suggests a variety of rhythmical, harmonic and melodic approaches.”

Although he came over to the UK from Cape Town with his family as a young child in the early 1960s, Clouts grew up hearing the music of his homeland thanks to his parents having brought their favourite records with them.

After his two older brothers began taking piano lessons, he impressed the family by picking up what his siblings were playing by ear. His own piano lessons didn’t go so well initially but hearing the great British pianist Stan Tracey on a television programme when he was twelve attracted him to jazz and made him take the instrument more seriously.

He later formed the band Zubop and toured all over the UK, playing jazz with a definite South African flavour, before he moved to his current home in Dorset where he put together a quartet that continues the African connection and embraces his other musical influences. Sufi music, Nigerian dance rhythms and folk music from Romania and Southern Italy, as well as gospel music, all figure in his latest compositions.

His quartet currently features saxophonist Samuel Eagles, bass guitarist Alex Keen and the Yamaha Jazz Scholarship-winning drummer Dave Ingamells, all players who have, says Clouts, taken to the multi-cultural mix of his music with real enthusiasm.

“Umoya is the Zulu word for ‘life force’. It can also be translated as ‘soul’ and ‘spirit’ and I’m really pleased with the way Sam, Alex and Dave bring out these aspects out of the music,” says Clouts.

“We played at the Lemon Tree in Aberdeen about a year ago, with a slightly different line-up, and we’ve heard a lot about the Blue Lamp being the best jazz venue in Scotland. So we’re really looking forward to being back up there.”

Oct 152015
 

With thanks to John Morrison, Marketing & Communications Manager, Peacock Visual Arts.

TIPA_Flyer_Cover_500_3After the success of TIPA Aberdeen in 2011, Peacock Visual Arts is delighted to host ‘This Is Performance Art’ (TIPA), a 3-day series of events celebrating the history of performance art from across the globe.

TIPA is curated by Nikki Milican OBE and will run from the 29-31 October 2015. The event will include performances in the main Peacock gallery, Aberdeen City Centre, as well as workshops, film screenings and opportunities to meet the artists and hear them discuss their work.

This edition’s roster of performance artists, many of whom are visiting Scotland for the very first time, are social, political, and always questioning, with the aim of inspiring viewers to explore performance art beyond TIPA.

TIPA’s global roster includes Sinéad O’Donnell, Nigel Rolfe, VestAndPage, Ilija Šoškić, with Dragica Cakic, Wladyslaw Kamierczak & Ewa Rybska, who are all highly acclaimed artist within the field of performance art.

The 3-day event will be in conjunction with Performance Art East, Northeast, West, which is being run by Aberdeen University from 30-31 October 2015.

Tickets are available on the door, in advance from Peacock Visual Arts, or by calling 01224 639539 and cost £5 per day, or £12 for a 3-day pass. Concessions cost £3 per day and £10 for a 3-day pass.

About Peacock Visual Arts:

Peacock Visual Arts is the leading contemporary visual arts organisation in Aberdeen and the NE of Scotland, bringing artists and the public together through exhibitions‚ events‚ talks‚ residencies‚ film screenings‚ gigs and workshops to make and present art in exciting and innovative ways.

More Info: What’s on at Peacock Visual Arts October 2015

Oct 152015
 

LucyRoseWith thanks to Warren Higgins, Chuffmedia.

Lucy Rose is pleased to announce details of a new single, ‘Till The End, released on 9th October 2015. It is taken from her critically acclaimed, top 10 second album, Work It Out, released through Columbia Records.

Produced by Rich Cooper at London’s Snap Studios, Work It Out finds Lucy Rose at her most direct, fully electrified, and unashamedly flirting with the notion of having created a bold pop record.

It’s a sound that has resonated with radio stations’ playlists and the general public alike, and the confidence at which Lucy Rose performs them has transformed this previously unassuming acoustic musician into a whole new field.

An interactive video of ‘Till The End which allows fans to select which instrument they’d like to see Lucy performing was a fantastic opportunity to see the multi-instrumental talent of this young Warwickshire musician, and it’s a song that has quickly become a live favourite this Summer.

Following Work It Out’s debut in the UK top 10, Lucy has been enjoying a Summer of festival performances ahead of her huge UK headline tour in October and November which culminates in a date at London’s Forum on 18th November.

She plays The Lemon Tree, Aberdeen on the 27th October.

Autumn Tour:
19th October – Manchester Academy 3
20th October – Bath Komedia
21st October – Cardiff Tramshed
23rd October – Norwich Waterfront
24th October – Wrexham Central
25th October – Carlisle Brickyard
27th October – Aberdeen Lemon Tree
28th October – Glasgow Oran Mor
29th October – Belfast Empire
30th October – Dublin The Button Factory
1st November – Leeds University Union
2nd November – Exeter Phoenix
3rd November – Southend-on-Sea Chinnery’s
7th November – Liverpool O2 Academy2*
8th November – Oxford O2 Academy*
9th November – Leicester O2 Academy2*
10th November – Northampton Roadmender
12th November – Newcastle Riverside
13th November – Warwick Arts Centre
14th November – Portsmouth Wedgewood Rooms
15th November – Nottingham Rescue Rooms
17th November – Stoke–On-Trent Sugarmill
18th November – London The Forum

www.lucyrosemusic.com

*Tickets from ticketweb.co.uk / 0844 477 2000

For more info contact warren@chuffmedia.com on 020 8281 0989

Oct 082015
 

1. Hector by David Gooderson Directed by Kate Nelson L.R Steven Duffy (Hector) Gowan Calder (Christina) Photo credit Peter Dibdin Photographer 2With thanks to Liz Smith.

The Scottish Premiere of Hector, a co-production between Eden Court, Comar and Ed Littlewood Production, opens on Wednesday 21 October at Eden Court, Inverness, followed by an extensive Scottish tour and concludes with two performances at the Ambassadors Theatre, London in December. Aberdeen’s Lemon Tree will host the production on Tuesday October 27.

The play tells the story of a crofter’s son, Hector MacDonald, who became a Knight of the Realm and Queen Victoria’s favourite general.

Kate Nelson directs and Steven Duffy plays Scottish legend and fallen hero Sir Hector MacDonald and features a stellar cast including  Gowan Calder, Stevie Hannan, Raj Ghatak, Valentine Hanson and  Kevin Lennon.

The Composer and Sound Designer is Pippa Murphy, Artist in Residence at the Scottish Parliament, set design is by Ali Maclaurin and lighting design by Simon Wilkinson.

Based on new and extensive research Hector reveals the true story of “Fighting Mac”, Sir Hector MacDonald, and is an exploration of the elitist English class system, the poisonous influence of rumour and gossip and the devastating power of the global press.

Rising from humble beginnings, MacDonald was the son of a crofter, born and raised on the Black Isle to Gaelic speaking, Presbyterian parents. After briefly working as an apprentice to a draper, he joined the army and rose through the ranks to become an NCO.

As a result of distinguished service during the Second Afghan War he was offered either the Victoria Cross or a commission. Unusually he took the commission and eventually rose to the rank of Major General. He was knighted in 1901. Following his appointment as Commander of Ceylon, allegations of scandalous liaisons surfaced, and he was forced to return home under a cloud.

Sir Hector MacDonald is buried in Edinburgh, as are his wife and son. He did not have a military funeral and despite the efforts of his family to have a private burial, 30,000 people turned out to pay their respects. Today, in Scotland,  he is still considered a hero and a statue to commemorate his memory was erected in Dingwall in 1907 and an annual service of thanksgiving and remembrance for his life of is still celebrated in Malbuie, his birth place.

Was he guilty? Or was he the victim of a plot fabricated by an English Establishment to remove a Gaelic-speaking upstart who got above himself? The only way to find out is to book now for an evening packed with suspense, tension and drama.

Hector is a new production of So Great a Crime, originally developed at the Finborough Theatre in 2013

Hector is supported by Creative Scotland

Listings Information:

 Eden Court, Inverness

Wednesday 21 October 7.30pm
Tickets: £16/£14
Box Office 01463 234 234
www.eden-court.co.uk

Paisley Arts Centre

Friday 23 October 7.30pm
Tickets: £10/£6 + £1 booking fee
Box Office 0300 300 1210
www.renfrewshireleisure.com/arts

The Brunton, Musselburgh

Saturday 24 October at 7.30pm
Tickets: £12.50/£10.50 Under 18s £7.50
Box Office: 0131 665 2240
www.thebrunton.co.uk

The Lemon Tree, Aberdeen

Tuesday 27 October 7pm
Tickets: £13.20
Box Office 01224 641122
www.aberdeenperformingarts.com/venues/the-lemon-tree

The Kirkgate, Cockermouth

Thursday 29 October 7.30pm
Tickets: £12/£8
Box Office 01900 826448
www.thekirkgate.com

Adam Smith Theatre, Kirkcaldy

Friday 30 October 7.30pm
Tickets: £12.50/£10.50
Box Office 01592 583302
www.onfife.com

Birnam Arts, Dunkeld

Wednesday 4 November 7.30pm
£12/£10/£5 U16s
Box Office: 01350 727674
www.birnamarts.com

Woodend Barn, Banchory

Thursday 5 November at 7.30pm
Tickets: from £6.50-£11.00
Box Office 01330 825 431
www.woodendbarn.co.uk

The Byre Theatre, St Andrews

Friday 6 November at 7.30pm
Tickets: £12/£10
Box Office 01334 475000
www.byretheatre.com

Gardyne Theatre, Dundee

Saturday 7 November 7.30pm
Tickets: £12
Box Office 01382 434940
www.gardynetheatre.org.uk

Traverse Theatre, Cambridge Street, Edinburgh

Tuesday 11 & Wednesday 12 November 7.30pm
Tickets: £16/£13/£8
Box Office 0131 228 1404
www.traverse.co.uk

Druimfin, Tobermory

Saturday 14 November at 7.30pm
Tickets: £10/£8
Box Office: 01688 302211

Astley Hall, Arisaig

Tuesday 17 November 7.30pm
Tickets: £8/£6
01687 450264 & on the door

SEALL@Sabhal Mòr Ostaig, Isle of Skye

Wednesday 18 November at 7.30pm
£12/£5 students
Tickets 01471 844207
www.seall.co.uk

Victory Hall, Benderloch

Thursday 19 November 8pm
Tickets: £9/£7
01631 720498

Innellan Village Hall, by Dunoon

Friday 20 November 8pm
Tickets on the door: £9/£7

Ambassadors Theatre, London

Wednesday 9 December at 2.30pm & 7.30pm
Box Office 08448 112 334

Oct 082015
 

Hugh_Rowson_500featPeacock Visual Arts presents ‘PUTNEY POEMS’ an exhibition by Hugh T. Rowson.

Peacock Visual Arts is delighted to announce ‘PUTNEY POEMS’, an exhibition by Hugh T. Rowson.

The exhibition will include paintings and a new print produced at Peacock.

Rowson has provided a quote from his son to accompany the exhibition:

“Any theory about how the mind thinks or learns should be considered with due care, because thinking and learning are highly idiosyncratic processes and difficult to model without violating their inherent complexity.”
– 
Chess for Zebras by Dr. Jonathan Rowson 2005

About the artist:

Hugh Rowson seeks to bring life to inanimate objects in a variety of mediums. Personal poems are juxtaposed to create watercolour fluidity. The medium of pen and ink facilitates a depiction of detail in architectural subjects. Rowson typically transfers images from thumb-nail sketches to completed paintings; a process full of uncertainty and chance.

Rowson also creates special ambiguity with the use of strong, meaningful, pattern and decoration as common themes in a symbolic language.

Opening: Saturday 10th October, 2-4pm
Exhibition runs from: 10th October – 7th November

More Info: What’s on at Peacock Visual Arts October 2015

Sep 252015
 
Paul Rae and Garry Seagraves

Paul Rae accepts the Jocky Scott Trophy for Entertainment from Aberdeen Magical Society president Garry Seagraves.

With thanks to Aberdeen Magical Society.

A local magician is celebrating after winning a highly competitive magic contest. Paul Rae was awarded the Jocky Scott Trophy for Entertainment by members of the Aberdeen Magical Society.

The trophy was presented by president Garry Seagraves after a close competition on Tuesday, September 22.

To fight off tough competition from four other local magicians, Paul performed a unique routine in which he predicted the outcome of a superheroic battle to pick up the trophy, which is awarded for pure entertainment value.

Paul says,

“I am almost speechless. I really never expected to win. I have been playing about with this idea for a while, as I wanted to create something that was interactive and fun with lots of laughs.”

The Jocky Scott Trophy for Entertainment, named after a popular former member of the society, is one of three annual competitions held by Aberdeen Magical Society, and was first awarded in 1985. Judged by a panel of magicians and invited members of the public, the award is given to the competitor who – simply – is the most entertaining.

Aberdeen Magical Society was founded in 1926, and is one of the most active magical societies in the country. With a membership ranging from full time professionals to amateur hobbyists, all those with a genuine interest in magic are welcome to join. Providing a warm and welcoming environment for magicians in the north east of Scotland, Aberdeen Magical Society is dedicated to developing the art of magic. In 2016, the society will celebrate its 90th anniversary.

For more information, visit www.aberdeenmagic.com or like Aberdeen Magical Society on Facebook at www.facebook.com/aberdeenmagicalsociety

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Sep 162015
 

Richard Thompson returned to Aberdeen Music Hall, and as they say, ‘he owned it’. Biased devotee Suzanne Kelly reviews. Photographs by Julie Thompson.

It’s always a treat when Richard Thompson comes to town.  The Music Hall lobby was filled with fans before the show, speculating on what he might play, and comparing notes on when they’d last seen him.

Richard Thompson Music Hall (3) I only found out that The Rails were opening on the night; I’d long wanted to see them live.

Richard’s daughter Kami Thompson and her husband James Walbourne are giving us pure folk music, beautifully arranged with haunting harmonies and beautiful playing. You’d expect no less though.

They explain their new CD has been delayed, or they’d have it for sale tonight.

Happily, you can get more info on The Rails and their CD here.

They seem relaxed and seem to be enjoying it – but it can’t be easy opening up when your father – or father-in-law is basically a living benchmark.

“We still keep falling for the same old lies. Times are tough, times are tough, but that’s enough.”

Thompson opens with the rousing call to protest song ‘That’s Enough’. He explains it’s from the family album, and that he intended it for Occupy Wall Street but ‘was about a year too late’ with it. The night’s going to be filled with astonishing music, but a piece like this reminds you that aside from the 200 mile per hour riffs, haunting acoustic melodies, straightforward honest rock, it’s not just the guitar you come for, it’s the writing.

You have to love the directness and simplicity of a piece like this, but when it’s performed with harmonies supplied by his daughter and son-in-law filling the Music Hall, you remember what live performance at its best is.

Richard Thompson Music Hall (5)Genuinely, the impact of this song as performed was immense. I hope someone’s going to get a recording of this piece with all three musicians. Genetics. The stuff that gives you a family of Bushes or Kardashians. Or, if you’re really, really lucky, a family of Thompsons.

Now that we’re all riled up and ready to start a protest there and then, the music is taking us elsewhere. ‘All Buttoned Up’ leads with its uptight staccato tension leads into folky ‘Sally B’.

We hear a new piece, ‘Broken Doll’ – slow, haunting, touch of menace – in the way Richard makes wholly his own. As he does.

‘Al Bowlly’s in Heaven’ is introduced and explained by Richard. It’s the tale of a veteran who feels forgotten (lack of support for veterans sadly is still a huge issue and the UK fails its service people badly). The protagonist, a down-on-his-luck veteran remorsefully muses on the death of his musical idol. Al Bowlly’s gone to heaven, but our veteran is in limbo.

‘Guitar Heroes’ is an amazing voyage through the styles of the artists who inspired Richard including Les Paul and Chuck Berry. In this piece, the guitar tech is brought on to provide acoustic rhythm guitar support. “Sorry it’s for the same money,” Richard tells him.

The song is an extraordinary piece seeing Richard channel Les Paul to such a degree that I get teary; it was just like listening to Paul again in person like I did, enrapt, over 25 years ago.

To play this song, jumping in and out of styles, is a phenomenal workout. Everyone in the audience is loving the exhilarating, perfect work; it gets massive applause. I’m exhausted for them by this point; but they’re keeping on.

Clearly no one’s going to get onto a bill with Thompson if they’re not the business, but the bass and drums are such you’d have to go far and wide to find talents anything like these. I’ve heard percussionist Michael Jerome before touring with Thompson, but tonight he’s absolutely on fire.

Richard Thompson Music Hall (7)The range of techniques; the variety of the playing, the expressiveness is on particularly great form.

If it seemed like, if Thompson was channelling Les Paul, then Jerome was channelling Krupa and Bonzo.

A solo he’s got about halfway through the night has Davey Faragher making his bass speak like I’ve never heard anyone do before. Other than when his bass takes the lead, it’s always just right – never dominating, always creatively underlining; always felt. We’re liking this line up an awful lot.

The guitar solos exceed expectations. Maybe he has six or seven fingers? How’s he moving that fast? Why did they call Clapton ‘Slowhand?’ A few frivolous thoughts like that come quickly to mind and go. The greatest metal lead guitar players would have a hard time doing this material justice. The music and the material has me thinking and feeling some wonderful things; I’m finding this exhilarating, battery-recharging, and empowering. And I want to go and protest things even more.

Then he slows it all down with If Love Whispers Your Name ‘next time I promise I will be ready, ready to move when the clouds roll apart

It ends too soon. Afterwards, over a quick drink or two (the road manager is celebrating his 60th birthday – though he seems more like 20 to me), Richard’s got an effortless nonchalant demeanour; ‘down to earth’ doesn’t even quite do it justice; he’s just being a top bloke.

What others said:

Gemma Louise Cook said:

“it was a fantastic night and a real treat to be there – RT Electric Trio and The Rails gained two more very enthusiastic fans in Scott and I Thursday night.”

Portrait artist Keith Byres said:

“Blistering performance! Richard Thompson is a musician who doesn’t believe he’s a guitarist…. He just knows!!!!! This is true art!!!”

and Shaun Young said:

“great performance loved the new album too. enjoyed the rails too. great vocal. , the drummer from the electric trio was incredible couldn’t take my eyes off some of his drum beats very impressive.”

On a personal note:

Richard Thompson Music Hall (2)There was this particular point, maybe it was a solo early on in the proceedings, but I realised that something was missing – then I realised that someone was missing. Her name was Ruth MacPherson; she loved Richard’s music, and one year I was going to take her along, but on the night she was just too ill from her fight with cancer to make it. She’d have loved being here tonight.

Most musicians gracefully sign photographs and pose for photos as if they were an exhibit; I generally try to avoid asking them for any such favours when I could just be talking with them.

On that long-ago night though, I got Richard to sign a backstage pass or some such for Ruth. I slipped it under her door one day with a copy of ‘Electric’. She was ecstatic. I wished she was here.

I also got slightly teary like a silly girl when Richard’s ‘Guitar Heroes’ got to the Les Paul section. You try not to be disappointed over the many ‘would have/should have/could have’ moments. Still, the last time I had the opportunity to hear Paul play, I got conscripted against my will into something I didn’t want to do instead.

‘I’ll just go see him play next time’ I thought. There never was a next time, and there won’t be one. Maybe I finally learnt my lesson about following my instincts and appreciating what is available in the here and now. I’d like to hope so. But when I closed my eyes, it was just like being back in Fat Tuesday’s, sitting a few feet away from Les, and hearing those golden tones that no one else can match (Richard did it though).

On a less maudlin note, I would have liked to hear ‘Fergus Lang’ at the Music Hall, like Thompson did last year. That was the first time I’d seen it live, and I’ll try and make sure I see Richard perform it again. I hope RT realises that for a good number of people, that song is pure tonic (Trump not being one of them).