Jul 302015
 

When Big Country played The Lemon Tree last year as part of their 30th Anniversary ‘Steeltown’ Tour, fans had come from all parts of Aberdeenshire and further afield. The atmosphere was intense as well as friendly and warm, the band seemed to enjoy themselves as much as the large crowd. It was a great night – but when Big Country came to Huntly last week, there were a few new and special things going on. Suzanne Kelly reports. Photos by Rob Scott.

_MG_5337Big Country have seen many many changes during their long, hit-filled career. Huntly was the scene for a further lineup change with Simon Hough on vocals.
There was something about the intimate old venue with its high ceilings having a definite acoustic edge over venues such as Aberdeen’s Lemon Tree.

There was something about the crowd; all who spoke to Aberdeen Voice on the night having encyclopaedic knowledge of the act. There was something about the Aberdeenshire setting and the summer evening that made it the perfect time and place for Big Country’s decidedly Scottish unique sound.

As the photos show, they also looked great. Things look very positive for the rest of this year’s demanding tour schedule.

The opening act, actor and singer Tom Urie entertained with covers and good humour.

The band played their classic hits and live favourites including Harvest Home – Fields of Fire – In A Big Country – Chance – Wonderland – Look Away – The Teacher. 

This line-up was a new one for us all; and it worked. The band line up – BRUCE WATSON (guitars/vocals); MARK BRZEZICKI (drums, vocals); JAMIE WATSON (guitars/vocals) and former SIMPLE MINDS’ bassist/vocalist, DEREK FORBES – was augmented on stage by SIMON HOUGH, ex-front man for Denny Laine (Wings), Eric Bell (Thin Lizzy) etc.

Event organisers Huntly Live said:

“after a shaky sound start, we did really good. The band are getting tighter and the sound of Simon’s voice won’t be Stuart’s – but it ain’t far away.”

Any sound issues were minor if not unnoticeable to those front of house on the floor or in the balcony, where the sound was perfect. Perhaps a few larger / city centre venues could learn a thing or two from Huntly.

The organisers have a mission to bring acts out of the big cities to the lovely Huntly area. As they told Aberdeen Voice:

“The idea behind the company is a simple one. To provide good quality entertainment on our doorstep… we have some great venues around the region and it’s our plan to use as many as we can.”

They’d succeeded on the night.

On a personal note – I was taken ill (very ill), or I’d have had a few words from the band to share. This will definitely be redressed when they play Aberdeen later this year. And even though I could barely stand, when they played, my focus was on them and I forgot how badly I was doing.

For further information on the rest of the band’s 2015 tour dates, news and more, visit www.bigcountry.co.uk including their future Lemon Tree date.

Visit Huntly Live Entertainment for information about further shows.

Jul 162015
 

MorelandArbuckleFunky Blues Promotions Aberdeen is proud to present Moreland & Arbuckle at The Tunnels, Aberdeen on 25th July 2015

Guitarist Aaron Moreland and harpist/vocalist Dustin Arbuckle have spent over a decade exploring the edges of American roots music, in the process merging blues, folk and rock and building a reputation as an influential roots duo.

Moreland had grown up absorbing mostly rock influences including Led Zeppelin and Black Sabbath whilst Arbuckle had taken his inspiration from icons such as Little Walter and Sonny Boy Williamson.

Their journey began after meeting at an open-mic night in Kansas in 2001, and they made their debut as a duo on Telarc International with the release of Flood in 2010.

In July 2013 they released 7 Cities, a most ambitious work, telling the story of Spanish explorer Coronado and his fabled search for the seven cities of gold in the Kansas plains. The sounds of 7 Cities ranges from the vintage rock of ‘Kow Tow’ to the twang of ‘The Devil in Me’ and takes in a surprise version of Tears for Fears’ ‘Everybody Wants to Rule the World’, all rooted in the spirit of the Delta Blues.

“Filled to overflowing with guitar and percussion soaked rock, country twang and low slung blues, 7 Cities is proof that Moreland & Arbuckle have yet again hit the listener right between the eyes.” (World Music Central)

Tickets are available from the venue or from Aberdeen Box Office 01224 641122.

Links:

www.FunkyBlues.co.uk  or www.facebook.com/FunkyBluesAberdeen
www.youtube.com/watch?v=dWCrC7h5CjE
www.morelandarbuckle.com

Jul 142015
 

Tickets will be going fast for Big Country’s upcoming Aberdeenshire appearance. On Friday 24 July the band will be at The Stewart’s Hall, 15-17 Gordon Street, Huntly. With Thanks to Dave Hill.  

Bruce & Jamie Holland 2014

Following the incredible success of their 30th Anniversary ‘Steeltown’ Tour, Big Country set off again on tour to celebrate their stunning catalogue of songs, taken from their multi-million selling and Number 1 hit albums.

The band will perform classic hits and favourites including Harvest Home, Fields of Fire, In A Big Country,  Chance, Wonderland, Look Away and The Teacher.

Steeped in a stunning catalogue of proud and stirring hit songs such as Fields of Fire, Chance, In A Big Country (which sold 2 million), East Of Eden and their biggest UK hit Look Away, along with massive albums such The Seer, Steeltown, Peace In Our Time and the triple Grammy –nominated, The Crossing, Big Country continue to look beyond the next horizon in 2015

The band are Bruce Watson (guitars/vocals); Mark Brzezicki (drums, vocals); Jamie Watson (guitars/vocals) will be augmented on stage by Simon Hough ex-front man for Denny Laine (Wings), Eric Bell (Thin Lizzy) and more.

Seeing them in smaller spaces is a special experience; this is a show local Big Country fans will love.

Doors pen 7pm; tickets are £22 (inc BF) – contact www.brownpapertickets.com 07990978732

Jul 032015
 

9_to_5_by_Sid_Scott_1Duncan Harley reviews.

It is 1979 and the workers at Consolidated Industries have it in for the boss.
President of the company, Franklin Hart Junior, is a powerful but lecherous man who makes no secret of his lustful feelings for his secretary, Dolly Parton clone, Doralee Rhodes.

Rightly portrayed as a sexist, lying, egotistical bigot, Franklin piles on the pressure until at last “his girls” can take no more.

Some murderous drug fuelled fantasy ensues and quite by accident a dose of rat poison is poured into Hart’s coffee. He survives but following a series of hilarious events, including a confession of eternal love for Hart by office nark Roz Keith (Hilary Esson), is kidnapped at gunpoint and stripped of both clothes and dignity before being held in bondage in his own bedroom.

The ladies of Consolidated Industries must find a way forward or face a hefty spell in jail.

Aberdeen Opera Company is no stranger to HM Theatre Aberdeen having performed at the venue some five times during the past decade performing shows such as Phantom, Titanic and Sugar.

This seasons offering is yet another highly professional and engaging production.

The original 1980 comedy film ‘9 to 5’ featured Jane Fonda, Lily Tomlin and Dolly Parton in the lead roles which makes for a hard act to follow. Theatrical productions based on star strewn films are sometimes underwhelming.

Fortunately Aberdeen Opera Company’s take on the ‘9 to 5’ story is in itself a hard act to follow. From the opening Parton blockbuster ‘9 to 5’, performed by the full company, the song list fires effortlessly and confidently through classics such as Backwoods Barbie, Dance of Death and Cowgirls Revenge before concluding with a ‘9 to 5’ finale. The truly engaging duet ‘Let Love Grow’ with Violet and Joe (Gavin McKay) is worthy of special mention.

Super efficient office manager Violet Newstead (Samantha Gray) steals the show and is the undoubted lynchpin of the production. Now into her tenth year with Aberdeen Opera Company, Samantha delivers a powerful performance both as the competent sassy Violet and as the Snow White psycho-killer dreaming of murdering boss Franklin Hart Junior.

Pistol packing Texan Doralee (Leanne Craggs) and frazzled divorcee Judy (Amanda Watt) complete the leading lady ensemble and Scot Jamieson’s confident and darkly humorous portrayal of the loathsome Franklin will no doubt type-cast him as the leading villain in all future Aberdeen Opera Company productions.

With choreography by Irene Buchan and musical direction by Craig McDermott this is a production which will have the audience to-tapping from the moment the curtain opens. Go see it!

Directed by Judith Stephen – 9 To 5 plays at HM Theatre Aberdeen until Saturday 4th July
Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley, Images © Sid Scott.

Jun 252015
 
The Producers UK Tour 2015 - Jason Manford as Leo Bloom and company - photo credit Manuel Harlan

Jason Manford as Leo Bloom and company.

By Duncan Harley.

It’s not often that the theatre audience gets a buy one get one free offer but in the case of The Producers that’s the deal.

This is after all a musical about the production of a musical and the resulting musical within a musical is a hilarious triumph.

When fast fading theatrical producer Max Bialystock (Cory English) and his newly hired accountant the timid Leopold Bloom (Jason Manford) realise they could strike it rich and go to live in Rio by producing the worst musical ever to open on Broadway, the search is on for a production guaranteed to belly flop spectacularly on the first night.

Bialystock, the producer not the Polish city, has a track history of theatrical flops and critical reviews include classic lines such as “by the end of the production everyone on stage was dead – they were the lucky ones!” However a dead to rights sure-fire flop is required and no chances whatsoever can be taken.

The search is on for the worst musical ever written and Springtime for Hitler by gun-toting Nazi playwright pigeon breeder Franz Liebkind (Ross Noble) appears to fit the bill in every way.

With a liberal sprinkling of swastika laden ultra-camp storm troopers, a sparklingly gold sequined Liberace pastiche of Adolf “Elizabeth” Hitler plus a few dead pigeons what could possibly go right on the night?

Adapted from the highly regarded 1968 Mel Brooks film of the same name, The Producers works well as a musical. The original screenplay initially bemused audiences who had no clear idea whether to laugh or leave the cinema in protest at the outrageously funny but uncomfortable lampooning of Herr Hitler and his entourage. Indeed a 2009 German language production of the musical at Berlin’s Admiralspalast, reputedly the Fuhrer’s favourite theatre, closed after only a few weeks.

The Aberdeen theatre audience however are left in no doubt from the very start of the production that belly laughs are the order of the day and that an evening of mad-cap comedy entertainment is in store.

This is a high energy production. The story and action literally proceed at a furious pace. Slap-stick gags, catchy songs and toe-tapping dance routines combine with spectacular lighting and a stunning set to dazzle the audience.

With big names such as Northern comics Ross Noble and Jason Manford plus veteran New York Broadway actor Cory English, The Producers is a production not to be missed.

As a bonus you get the musical “Springtime for Hitler – A Gay Romp with Eva and Adolf at Berchtesgaden” thrown in for free.

Directed by Matthew White, The Producers plays at HM Theatre Aberdeen until Saturday 27th June.

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

Words © Duncan Harley, Images © Manuel Harlan

 

Jun 252015
 

Shooglenifty UntiedGraham Stephen reviews the album by Shooglenifty, ‘The Untied Knot’.

In the 1990s Scottish music exploded out of the buttoned-up confines of strict-tempo and village ceilidhs into the arena of dance, rave and world music thanks to innovators like Shooglenifty, who along with other maverick experimentalists such as Martyn Bennett and Afro Celt Sound System, gave Celtic music a much needed skelp in the lug, adrenalising the traditional by adding irresistible grooves and beats to jigs and reels.

On their seventh studio album, The Untied Knot, Shooglenifty celebrate their 25th anniversary by adding another dimension, the ethereal vocals of Mouth Music’s Kaela Rowan.

Diehard fans should be reassured that the recognisable Shoogle components are all basically intact. The jingling mandolins, tinkling banjos, swampy guitar breaks and the free-flowing fiddle of Angus Grant are all grounded by the rhythmic empathy of drummer James Mackintosh, whose importance in modern Scottish traditional music is immeasurable.

Tunes like the enigmatic, eastern flavoured ‘The Scorpian/Devil’s Breath Hornpipe’, the dancy, funky drive of ‘The Highway Carpark’ and Ewan Macpherson’s hypnotic ‘Somebody’s Welcome to Somewhere’, all create familiar multi-layered soundscapes of intricate instrumental interplay. The latter is particularly enhanced by the invaluable guest appearance of Ross Ainslie on pipes, whose whistle also delivers the poignant slow air of the title track.

Yet it is Rowan’s vocal input that defines the album, ‘Peaches/Monkwell Road/ Meal Do Bhrogan’ shows how effectively her voice can be integrated into the established band sound, becoming another instrument, rhythmically winding melodies around the groove, adding a human edge to the cascading tunes.

Perhaps the novelty of having a singer means that her voice is a little overused, with occasional drifts towards bland Capercaillie territory, where a little more cross cultural edginess would be more intriguing. However, any reservations are more than compensated by tracks as strong as former member Luke Plumb’s uplifting ‘The Arms of Sleep’ and Grant’s closing stirring Antipodean creation ‘Fitzroy Crossing’ with its archive Gaelic samples, electronica and more telling whistle from Ainslie.

Shooglenifty’s twenty-five years have been a meandering collaborative adventure, valuing gigs in rainforests and village halls above stadiums and huge commercial success, and all the more interesting for that. This latest album, presented in a very fine John Byrne cover, is an intriguing development of their sound and as strong a studio set as they have released.

Listen/Purchase here – Shooglenifty – The Untied Knot (Shoogle 15015)

Jun 192015
 

Laurence JonespicBlues Rock Aberdeen’s next eye-catching show brings Laurence Jones to the city.

With his third album What’s It Gonna Be attracting unanimous critical praise, Jones will play at The Tunnels on Monday June 22, with his ubiquitous and faithful bassman Roger Inniss and drummer Miri Miettinen

Voted Young Artist of the Year in the 2014 British Blues Awards and representing the UK in the 2015 European Blues Challenge, his is no X Factor-type fluke or hype.

Not yet in his mid-20s, Jones has paid his dues and has the receipts, having supported, among others, Walter Trout, Kenny Wayne Shepherd and King King. 2014’s Ruf Records Blues Caravan saw Jones tour Europe in the company of Albert Castiglia and Christine Skjolberg.

Underlining his growing stature, Jones was invited to play at the Royal Albert Hall on 15 June to celebrate the music of blues giant Leadbelly. What’s It Gonna Be includes a tribute version of the great man’s ‘Good Morning Blues’, even sampling the original. https://www.youtube.com/watch?v=O3RGnSKNy6c

Reviews have compared him to Eric Clapton and Buddy Guy and he’s been described as “the future of the blues”.

His ongoing battle with Crohn’s disease is no secret and the launch party for What’s It Gonna Be  raised over £1600 for Crohns’ and Colitis UK.

Support Graham and Kenny’s terrific promotional efforts and hear some top-class modern blues in what is a considerable coup for Blues Rock Aberdeen. Tickets cost £10 plus booking fee from Aberdeen Performing Arts. http://tinyurl.com/oa9adee Doors open at 19:30.

Links:

http://www.laurencejonesmusic.com
https://www.facebook.com/bluesrockaberdeen
https://www.facebook.com/crohnsandcolitisuk/posts/1127072767318778

 

Jun 112015
 
Killiecrankie (2)

Alan Larsen as one of Bonny Dundee’s Cavalry with a captured French Standard from the Battle of Waterloo.

With thanks to James Rattray.

What does the 1689 Battle of Killiecrankie have in common with the 1815 Battle of Waterloo? The two battles set 120 years apart have one thing in common in the 2015 commemorations and that is New Zealander called Alan Larsen.

Alan Larsen grew up in New Zealand, at a very early age he discovered he had a passion for history.

At the age of 13 years old, when all his friends wanted to ride motor bikes, he decided he needed to learn to ride a horse. Being from Invercargill farming stock, his Aunty Isobel McIntyre provided him with his first horse.

At the age of 17 years he was in communications with Brigadier Peter Young, the founder of the Sealed Knot, the UK‘s oldest re-enactment society, formed in 1968. Alan says:

“Brigadier Peter Young said, come to England and join my Life Guard of Horse. So I did just that. I started my re-enacting journey in 1977.”

His passion for his hobby has led to an unusual career path, Cavalry consultant, advisor to English Heritage, historical event manager, the partial recreation of the Charge of the Light Brigade, the list goes on.

At this year’s June 15th Bicentenary of the Battle of Waterloo, ‘the most impressive reconstructions ever seen in Europe, with 5,000 re-enactors, 300 horses and 100 canons.’ Alan Larsen plays the Duke of Wellington.

Five weeks later at the Soldiers of Killiecrankie on Saturday 25th and Sunday 26th July, Alan is one of Bonnie Dundee’s Gentlemen of Horse or cavalry.

James Rattray Chairman of Soldiers of Killiecrankie said:

“Alan Larsen was instrumental in starting the Soldiers of Killiecrankie, his enthusiasm is infectious. He said he would bring Bonnie Dundee’s cavalry back. So with the support of the Killiecrankie Battlefield owners and local farmer, last July we organised our first large event.” 

He continued:

“We had lots of really good feedback and non-more so than from the re-enacting world, word went out that Killiecrankie is a great event to take part in. This year we are anticipating even larger numbers of re-enactors, with a contingent travelling from Ireland who are going to tell us why the Irish were at the 1689 Battle.”

The Soldiers of Killiecrankie weekend has cavalry and infantry displays, battlefield tours, a living history camp that gives a unique glimpse behind the scenes of the daily life of the government troops as they wait to go into battle, showing the way in which lives are lived, how the weapons are maintained, the mealtimes, the care of the wounded, the making of musket balls.

There are also ‘period sensitive’ events from traditional storytelling, waulking cloth, dressing up for the whole family in traditional highland clothing for men, women and children, stalls, food, traditional crafts and other activities from targe and sword making for the youngsters, archery, golf, basket weaving, Battlefield Horse stunts, Executions through the Ages, and a popular Saturday night Battlefield Ceilidh.

Soldiers of Killiecrankie is on the Saturday and Sunday 25th and 26th July 2015, 11am to 5pm. Entry is £6 adult, £5 Concessions, £3 children under 16 years, family of four £16 and free car parking.

For further information – www.SoldiersOfKilliecrankie.co.uk
or contact: – James Rattray james@explorescotland.net or 01796 473335.

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Jun 052015
 

Voice’s Old Susannah takes a look over the past week’s events in the ‘Deen and beyond. By Suzanne Kelly.

DictionaryTally ho! There are many vibrant, dynamic, connected smart successful goings-on as summertime draws near to the Granite City. I had a tasty affordable dinner at Amarone; it may be a chain, but its mozzarella is second to none.

On Sunday I attended my first BrewDog Home Brewers’ tasting session – a dozen or so home brewers met up to taste a wide range of homemade craft beers of all sorts; some were amazing; some a bit challenging. The BrewDog AGM is this coming Saturday; as is the Taste of Grampian, both of which seem to be bigger and better every year.

A wide variety of events are around the corner; the Gray’s School of Art Degree show opens on the 19th June.  The word is that this year will be particularly impressive.

The Moorings, Tunnels, Drummonds and Lemon Tree have lots of great bands coming up (Gerry Jablonski Band plays the Moorings the 4th; which is the place to head after the BrewDog AGM). Black Grape plays on the 5th of July. Old Susannah remembers the last time she saw this band in London. By the end of the night the entire venue became one big backstage after show party. Bez danced up to me, and I asked him how he was doing. “WIDE” was the reply.

More on Black Grape soon. With all this going on, I hope the city has seen fit to order more crowd barriers and hire a few thousand security guards. Can’t be too careful.

Great news! ‘Tally ho!’ might once again be the cry heard in the countryside if the newly re-elected Conservatives get their way. David Cameron’s got his priorities right, and his head is well screwed on his shoulders as it ever was post-election. Now that our banks are no longer in crisis (financial banks, not food banks that is), and the NHS is safe, it’s time to worry about the issues that really matter to us all. Like chasing and killing foxes.

After all, ripping these vermin to shreds is traditional, and isn’t that what the Conservatives are all about – ripping things to shreds – sorry, I meant to say traditions? I for one am happy we’ve had such a fair and proper election, and I’m happy to trust Westminster to keep giving us the kind of government we deserved and voted in.

Here we are, we’ve never had it so good, and yet there are one or two people out there who seem to want to stir up trouble and find fault. Some people think that some multinationals are happy to poison us all to make a profit. Others aren’t sure the police are always completely fair, believe it or not.

Still other worrywarts have it in their heads that the banks have behaved dishonestly and that we’ll be bailing them out again before long. I say to them, get out into the countryside; go on a good British fox hunt, and soon you’ll forget all these minor paranoid unsubstantiated fears.

For such sceptical souls, perhaps a few definitions may help them become as trusting, uncritical and accepting as I am.

Fact-finding mission: (Modern English noun) – to seek verification or otherwise for data.

Pity the poor misunderstood Metro reader who wrote into the paper’s advice team, which answered him on 28 May. If you read his heart-breaking letter in the feature entitled ‘How can I trust my girlfriend’ you’ll see that some hussy or other has her hooks in this poor trusting man. The poor guy went on a little fact-finding mission in the noble cause of trying to find out whether or not his girlfriend was trustworthy.

He decided to test her honour by snooping into her phone and her emails. ‘Fair enough’ I can practically hear you say. It turns out that the woman in question hadn’t told him she had in the past been married and was now divorced! What a breach of trust! I hope he’s given her the boot.

As ever, clues to the relationship’s doom were in the man’s letter. He described the woman as ‘smart, funny, independent, sexy and extremely successful.’ Smart is never an attractive quality in a woman; funny is best left to blokes, and as to independence – well, that’s simply not done. If she was sexy, then she might well have looked at other men before this prince arrived on the scene, and going through her correspondence seems a reasonable way to check how honest she is.

If she was successful, then she must have had a rich boyfriend or husband along the way, kind of like the way it’s done here in Aberdeen by our prettier faces. If you love someone, set them free. If you really love someone, bug their phone, put a keystroke counter on their laptop, and go through their messages when you can. Relationships are built on trust after all.

Take for instance the trust between the electorate and the government.

The government shows us how much it trusts us, and we should show some respect in return. Sure they may want to impose some random named guardian to interface and interact with your child whether or not you are a good or bad parent. They may be using undercover spies to infiltrate legal protest groups, and even to stir up trouble in those groups which wouldn’t have happened otherwise.

The government may be spying – sorry, I meant to say ‘fact-finding’ on all of our emails, phonecalls and naughty Instagram photos. They may want to train your children from birth to be answerable to a ‘named person’ (more on that in a separate article) who’ll have input into your family life. It’s not that they don’t trust us. It’s certainly not that they want the private sector making huge profits from outsourced spying and other services after making deals with lobbyists.

Why are they treating us like potential if not actual criminals? It’s because they care.

‘Taking the Mickey’/ ‘Taking the Michael’ / ‘Taking the Carmichael’: (Modern English and Scottish slang phrases) To make fun of, to insult someone’s intelligence by tricking them; to mock.

“Whoever is careless with the truth in small matters cannot be trusted with important matters” Albert Einstein said (I got this from the internet, so it’s true). I don’t know who Einstein may have had in mind when he came up with that little gem, but it could well have been newly-re-elected Orkney & Shetland MP Alistair Carmichael.

Some people feel Carmichael may have been taking the mickey at election time. Nothing could be further from the truth.

If you hadn’t heard, there was this little matter of a wee practical joke he played. Carmichael accidently leaked a fake memo purporting to concern Nicola Sturgeon and the French ambassador. Someone told me this was some kind of a French Letter. In this document, it seemed Sturgeon would have preferred Cameron as PM over Milliband (Milliband was apparently someone else running for office.

Like you, I never heard of him before, either). If anything Charm-Michael was doing Sturgeon a favour by trying to make her look even more popular. After all, Cameron was the people’s choice.

Some people have no sense of humour however; and headlines like ‘Alistair Carmichael facing sleaze probe over memo leak’ seem to imply there was something wrong with what he did. http://www.heraldscotland.com/news/home-news/alistair-carmichael-facing-sleaze-probe-over-memo-leak.1433245837.

Thankfully, this august politician has lots of allies. The people who voted him in are happy to stand by him; many of them with pitchforks, torches. If you don’t believe he’s got lots of support left after his beau jest cost the taxpayer some £1,400,000, don’t take my word for it: Alistair Carmichael says so himself, and that’s good enough for me http://www.scotsman.com/news/uk/i-ve-lots-of-support-alistair-carmichael-insists-1-3788374

Sadly there are some people who just won’t take their better’s word, and need a bit of hand holding and reassurance when they feel they’ve been slightly misused, tricked, cheated, conned and defrauded. To allay fears, nothing works quite so well as a testimonial.

Testimonial: (English noun) A statement given in support of a cause or person by someone with gravitas.

Carmichael indeed has his friends, and none perhaps better than Lib Dem Sir Malcolm Bruce.

Rushing to the aid of besieged Carmichael, Sir Malcolm said:-

“Politicians regularly tell lies and Parliament would “empty” if they were punished for it a Liberal Democrat politician had admitted.

Sir Malcolm Bruce, who stood down as an MP at the election, was asked on BBC Radio 4 whether lying was widespread in public life.

“No, well, yes. Lots of people have told lies and you know perfectly well that to be true,” he responded.

“If you are suggesting every MP who has never quite told the truth or even told a brazen lie, including cabinet ministers, including prime ministers, [should be removed] we would clear out the House of Commons very fast, I would suggest,” he added.

Sir Malcolm was defending his colleague, Liberal Democrat MP Alistair Carmichael, who admitted that he had ordered the leak of a document after saying he had nothing to do with it. http://www.independent.co.uk/news/uk/politics/politicians-lie-a-lot-admits-liberal-democrat-politician-10275934.html

I’m sure that should be enough to silence even the staunchest Carmichael critic. To summarise Sir Malcolm’s position, Lots of people lie and that’s perfectly true. Old Susannah started to think about this in light of the shocking revelation that there are liars in the House of Commons. I started to wonder… if Bruce is in the House, and he’s telling me truthfully that the house is full of liars, and that’s the truth, then is he lying about that or telling the truth.

Several bottles of BrewDog’s Vote Sepp later (itself named after the trustworthy fearless FIFA leader Mr Blatter), I found myself no wiser than before.

Bruce’s position that lies shouldn’t be punished (Certainly the Conservatives go along with this longstanding LibDem position too) is something we should all go along with. If MPs who lied were punished, Bruce says the House of Commons would soon be empty. Where on earth would we be then?

I was going to get on to another trust-related definition in reply to a fan’s comment on a recent column. I intended to talk about the Wood Family Trust’s Wood Family Foundation taking £10 million of the £50 million it has sensibly sitting around to build a parking lot.

I was going to explain that by avoiding several million pounds a year, the prudent billionaire out there can save a ton of cash, and then decide how the government that should have had the cash to do with as it saw fit will instead be tugging the collective forelock when given a gift which represents a small portion of the tax avoided, and wax lyrical about the generosity of the gift. But coupled with grappling with Sir Malcolm Bruce’s logic, I started to feel a bit light headed.

Perhaps we’ll go there another time.

On those rare occasions on which I find myself a bit wary of whom or what I should put my trust in, or perplexed by the logic of my betters like Carmichael and Bruce, I like to relax with television shows like Britain’s Got Talent. You can’t beat it or its contestants for good old-fashioned genuine honest talent, can you? If it turns out that the most talented person to be found in the whole of the Kingdom happens to be a dog trainer, fair enough.

What could be more entertaining than watching an animal that’s been trained to walk along a tightrope with strings digging into the pads of its paws?

At least we know we have a real, honest-to goodness, gimmick and trickery free winner. If the dog we thought we were watching refused to do the tightrope trick (I feel sorry for the poor trainer), then it’s fair enough to use a stunt double for the dog, even if that little fact was kept a bit quiet. Nothing dishonest about that, is there? Woof woof.

Remember, that rabbit that was tortured to death on Danish radio (to prove how hypocritical people are who eat meat but don’t like animal cruelty – a great lesson) was a gentle, trusting creature until its last educational minutes.

Next week: an overdue look at the property portfolio of our city council, the council that can’t manage to house everyone, but which has over 1400 properties of various kinds. And definitions to include Paradox, Hoist by their own petard, and libel.

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[Aberdeen Voice accepts and welcomes contributions from all sides/angles pertaining to any issue. Views and opinions expressed in any article are entirely those of the writer/contributor, and inclusion in our publication does not constitute support or endorsement of these by Aberdeen Voice as an organisation or any of its team members.]

Jun 052015
 

Funky Blues Promotions Aberdeen are proud to announce the return of Hamilton Loomis and his band to the city, playing at The Blue Lamp on 12 June 2015, following his successful Drummonds gig in 2014.

Hamilton Loomis (1)“If blues, soul and rock can be said to form a triangle, you’ll find Hamilton Loomis right in the centre of it” (Guitar Player magazine)

Hamilton Loomis is among those bringing blues into the 21st Century, redefining it for contemporary audiences and uniting music lovers all over the world in blues appreciation.

Having learned to play guitar and drums at a young age, by his early teens he was playing in his family’s Texan doo-wop group.

Among the many who saw Hamilton’s talent and potential early on, was Texas blues legend the late Bo Diddley, and by the time Hamilton was 18 he had performed in front of thousands at the Delta Blues Festival and was beginning to write and arrange his own material.

His self-released 1994 debut CD Hamilton received a Grammy Nomination for Best Contemporary Blues  Album, and he went on to complete Kickin’ It, his first Blind Pig Records release in 2003, his original approach devoured by an audience hungry for something fresh in roots music.

Touring non-stop since 2001, Hamilton has introduced his funkified Texas music to audiences worldwide, whilst also grabbing two Best Artist award titles in England and Wales.

Tickets are available from the venue or from Aberdeen Box Office 01224 641122.

Funky Blues Aberdeen Facebook page www.facebook.com/FunkyBluesAberdeen has more details.

www.youtube.com/watch?v=FHAzZACgWS0
www.hamiltonloomis.com