Mar 142014
 

Fishermen Randies And FraudstersWith thanks to David Innes.

Malcolm Archibald’s true crime volume Fishermen, Randies and Fraudsters (Black & White Publishing) has been published and is on sale.

Archibald’s latest book looks at crime in and around Victorian Aberdeen, and from the few pages thumbed so far, it’s clear that the city and its hinterland, even then, was full of rapscallions and scamps ready to part you from your wallet or your ears from your head.

A review is on its way, but we’ll do the author the courtesy of finishing his book first. Hey, we’re pros here at Voice.

Malcolm will be signing copies of Fishermen, Randies and Fraudsters at Waterstones, Union Bridge, Aberdeen on Saturday 15 March at 1300.

That’s the day before the cup final and an ideal opportunity to score yourself a copy to read on the bus to Glasgow, where 39999 rapscallions and scamps are gathering. The 40000th? That’s you, neither rapscallion nor scamp.

For more info and extract, click here:

Mar 062014
 

David Innes updates us on all things Dickens.

Charles-Dickens-438x438

Professor Malcolm Andrews, introduced by Fellowship chairman Paul Schlicke as one of his oldest friends in the UK, visited and gave a fascinating talk on his two artistic passions, Dickens and Turner, the renowned landscape and marine artist.

Our guest has been Professor of Victorian and Visual Studies at the University of Kent and edits The Dickensian, the journal of the Dickens Fellowship.

Like Dickens, Turner was familiar with Kent and its coastline and had a fascination for the sea. Professor Andrews demonstrated how, although they differed in temperament and outlook, both men’s prodigious imaginations were fired by the Channel and Medway sea-going traffic, the urban developments and burgeoning tourist industry and the powerful force exerted by nature and brine combined.

Professor Andrews illustrated his talk with Turner’s marine paintings, immense and powerful in their colour, movement and energy, evoking the irresistible violent power of the waves and storms crashing overhead. Comparing this with Dickens’s stirring paragraphs describing the shipwreck at Yarmouth from David Copperfield, our guest showed both artists’ abilities to capture the violence of nature and the terrifying destructive force of the sea.

In so doing, he pointed out that Turner continually surmounted the age-old difficulty of capturing the single chance fleeting attention of the viewer without the poet’s tools of embellishment and amplification.

Although they did spend a short time in each other’s company, they were not friends. They were too dissimilar, it seems, and Turner does not seem to have had many friends at all. Dickens, garrulous, gregarious and with finely-honed dramatic and humorous sensibilities was in many ways the opposite of the more insular, introspective and intolerant Turner, who seemed to reserve respect for men of the sea. Their timelines did overlap, but the painter was 37 years the author’s senior.

Professor Andrews’ ability to bestride two often-disparate artistic genres and distil the similarities into a riveting hour’s talk was a triumph and we are owe him our thanks for contextualising and analysing the not-dissimilar effects of two masters of their craft.

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Feb 212014
 

LesleyRiddochAuthor and well known broadcaster and journalist Lesley Riddoch will be presenting her new book Blossom at Queens Cross Church in Aberdeen, on Tuesday 25th February at 7.00pm

‘Blossom’ is an account of Scotland at the grassroots through stories of the good people Lesley has had the fortune to know and speak with. Here are some reviews that the book has received:

“To all undecideds in Scotland, and all progressives – just to everyone… read Lesley Riddoch’s ‘Blossom’. She just gets it.” -David Greig, playwright.

“Blossom reveals a Scotland full of promise, whose richest resource – her people – remains untapped. Riddoch’s belief in Scotland’s countrymen and woman is the lifeblood of Blossom.” -Newsnet Scotland

“Reading Lesley Riddoch’s Blossom is like inhaling fjord air after being trapped in a sweaty backroom. Just brilliant.” -Pat Kane, singer and columnist

“It’s brilliant – every politician in the land should be made to read the chapter on inequality. I love the human stories in the book, but it’s rich with evidence too. The most engaging social policy book I’ve read in ages (ever?)” -Jenny Kemp, Zero Tolerance Campaign

Entry is £5 at the door and her book will be on sale at the reduced price of £10 on the night. Contact Queen’s Cross Parish Church for further information: Tel: 01224 644742 or email office@queenscrosschurch.org.uk See also www.lesleyriddoch.co.uk

Dec 092013
 

David Innes updates us on all things Dickens.

Dickens Officers Dec13 - Credit: Julie Thompson

December’s, and the second official meeting of the Aberdeen Dickens Fellowship, was celebratory as the certificate confirming its status as a member of the International Fellowship was displayed.

It is all the more official since the signatures are almost illegible’, chairman Paul Schlicke joked.

After commemorative photos were taken by Voice photographer Julie Thompson, and before the official theme of the meeting, ‘Detectives and detecting in Bleak House’ was engaged, new information of local interest was shared.

A new cache of Dickens’s letters has been uncovered, relating to the Guild of Literature and Art, an organisation Dickens keenly promoted. According to the correspondence, the then occupant of Arbroath’s Hospitalfield House, offered a house near Coventry to the Guild. The letters indicate that Dickens was delighted with the offer.

Conditions attached to the proposed gift, meant, however, that the Guild had to refuse the offer. Given its connections, Aberdeen members will make a trip to Hospitalfield House in the future. It will also be of interest to delegates if Aberdeen’s bid to hold the 2016 international conference is successful.

In his talk, Paul outlined how, before 1829, the “police” were held largely in contempt and members regarded as disreputable by the population.

Dickens satirises them as incompetent in Great Expectations. When the Metropolitan force of 3000 recruits was created in 1829 as a crime prevention force, with only inspectors empowered to carry pistols, but with a multi-purpose bobby’s helmet issued, Dickens’s attitude to the police changed.

He admired their cleverness and mastery of disguise. He accompanied members, especially the 1846-52 Chief Inspector Field, on duty, seeing at first hand their methods. His journalism frequently featured imperturbable detectives and policemen. Field may have been the inspiration for Inspector Bucket in Bleak House, widely regarded as fiction’s first detective.

Dickens cert Dec13 - Credit: Julie Thompson

Certificate awarded to Aberdeen Dickens Fellowship – Credit: Julie Thompson

For all Dickens’s championing of the poor and downtrodden and railing against those who kept the poor downtrodden, and for all his overt contempt for the law and do-gooders, he had an obsession with order.

His desire to control everything about his dramas and public appearances bear this out, so it is no surprise that those with a similar outlook, military man Sergeant George and Bucket himself, are sympathetic figures in Bleak House.

Bleak House, we concluded, is full of detecting. There are up to a dozen characters all seeking information, trying to eke out truth and each for his or her own purposes.

Throughout it all, Dickens seems to be keen to expose corruption, hypocrisy and inefficiency and Esther Summerson is held up as an example of how he feels life should be lived – looking after one’s self and others and taking personal responsibility in so doing.

2013’s final gathering, on 17 December, will be a festive event. Paul will read A Christmas Carol. Members will provide light snacks and refreshments, and whilst it will hardly be a Pickwickian Dingley Dell feast, we will end the year on a suitably celebratory note.

Non-members are welcome at a nominal cost of £3, and the celebration will start at 1830 and go on until 2130. The venue is, as always, Grampian Housing, Huntly Street.

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Nov 282013
 

Scotland’s only Dickens Fellowship, whose status in the event of a Yes vote next year seems, curiously, to be missing from the governmental white paper on Scottish independence revealed this week, holds its latest monthly meeting on Tuesday 3rd December, from 19:00 to 21:00. David Innes writes.

Charles-Dickens-438x438It is with regret that many of us will leave Dickens’s masterpiece after Dr Paul Schlicke’s lecture and the resulting discussion on plots and detecting in Bleak House, this time with emphasis on numbers 16–20, chapters 50–67.

A well-written and loved book like Bleak House, however, is a gift that keeps on giving. The series of Fellowship meetings and discussions will encourage members to re-read it, such is its complexity and economy.

Before the December festivities start, Fellowship members will gather again on Tuesday 17 December, when Paul will read A Christmas Carol.

Both meetings will be hosted by Grampian Housing Association, whose offices are at the Huntly Street/Summer Street crossroads. The Grampian Housing car park provides ample free off-street parking. The Fellowship is grateful to Grampian Housing for its continuing support

Membership of the Fellowship for 2013-14 costs £20. Non-members can attend individual meetings by paying £3 on the night.

https://sites.google.com/site/aberdeendickensfellowship

Nov 282013
 

Jack Webster book coverVoice’s David Innes reviews Jack Webster’s autobiography A Final Grain Of Truth.

There was almost a sense of finality about this volume when I picked it up. ‘A final grain’, Jack? It’s as if the author’s preparing for leaving us.

All is well with Maud’s kenspeckle writer though.

The closing chapter, in summarising how lucky he feels to have experienced an active and fulfilling life, ends with optimism.

Webster isn’t ready to bow out yet.

The previous two volumes of A Grain Of Truth were well-received and sold very well.

The final part revisits several of the life-changing and life-enhancing chapters, this time to reflect more on the writer’s Buchan upbringing and how that has influenced his colourful career, most notably as a features writer in the Scottish Daily Express and in the freelance career which followed.

Maud is frequently his mirror, and more than once his North East background and down-to-earth approach has allowed him access to closely-guarded inner sanctums of the famous, most notably the reclusive estranged widow of author Alistair MacLean. That, of course, leads to a dinner and a revelation about Wallis Simpson…

Webster’s memoir also demonstrates that he has an eye and nose for a story and was frequently willing to take a chance to get it, enabled by editors whose faith he earned by delivering insightful copy almost without fail. It is sobering to realise that his successes were delivered before the internet and mobile devices became commonplace journalistic tools.

A Final Grain Of Truth also gives Webster an opportunity to give his take on modern life.

Born in 1931, his passions are the personalities, especially in cinema, theatre and sport, whose work he admired as a youth and young man. He was lucky enough to spend time with many of them. Even if several of these names are unfamiliar to those of succeeding generations, Webster’s enthusiasm has one tapping into Google to find out more.

Buchan is known for its conservatism and Webster is very much a son of the region. His parting shots include views on Royalty, trade unionism and Margaret Thatcher which will not please everyone, yet epitomise his honesty and hame-draughtitness.

JACK WEBSTER – A Final Grain Of Truth: My Autobiography

Black & White Publishing
ISBN 9781 84502 710 0
278pp
£17.99

 

 

 

Nov 142013
 

As a preliminary to the evening’s theme Serialisation and Bleak House, chairman Dr Paul Schlicke revealed that Dickens Fellowship HQ is ‘full of enthusiasm’ for Aberdeen’s adoption to the Fellowship. We’re the first in Scotland since the Edinburgh Fellowship disbanded in 1956. Hibernian FC have not won the Scottish Cup since 1902. The Voice’s David Innes calls in.

Charles-Dickens-438x438The University of Aberdeen’s Dr Dan Wall, a local member, introduced Serialisation and Bleak House by recalling the approach taken by the BBC’s Andrew Davies to its 2005 Bleak House broadcasts.

Davies’s production offered twice-weekly, 30 minute, episodes to replicate, as far as televisual serialisation would allow, how Dickens planned Bleak House to be offered to the public.

Serialisation, Dr Wall told us, was not exclusive to Dickens. Near-contemporaries, including Gaskell, Eliot, Trollope and Conrad, all used weekly or monthly journals to reach the widest possible audience.

Periodical publication had several advantages during its heyday of 1830-1870.

It was a cheap means of accessing fiction at a shilling (5p) per issue, when three-volume novels, the favoured structure of publishers and libraries, cost a hefty three guineas (that’s £3.15, kids).  Not everyone who read serialised fiction, or had it read to them, bought the numbers.

Subscription libraries, which themselves would contribute to the demise of serialisation and working men’s clubs were means by which fiction could be accessed. With the expansion of rail travel and the ubiquitous WH Smiths, periodicals sold well to passengers.

Publishers loved serialisation’s profitability. With no need for binding and covers, the use of cheaper paper and with pages of advertisements sandwiching the narrative, periodic publication was attractive.  When the novel was published in full, the same plates were re-used to minimise type-setting costs.

As for Bleak House, monthly publication allowed Dickens some breathing space to fit in his other considerable writing and editing commitments. Once his copy had met the deadline, he was free to pursue these.

He also had an eye on literary piracy; even before The Pickwick Papers’ serialisation was completed, and before Dickens had finished writing it, there were nine stage adaptations in production.

For a writer as prolific as Dickens, serialisation meant that more than one work could be worked on simultaneously. Piecemeal novel release saw each issue reviewed, giving free advertising and attracting readers who, once they had committed to a narrative, were unlikely to stop purchasing it. Bleak House, in particular, can become that addictive, believe me.

As always, the group discussion was informative and entertaining when we,

  • touched on some critical reaction to Bleak House, an early detective novel, where the effect on readers was described by one critic as being of ‘dubious morality’
  • recalled how even in the 1950s and 60s, boys’ comics including Rover and The Eagle continued to offer narratives with cliffhanger endings, ensuring that the next issue was eagerly sought and
  • agreed that the contemporary phenomenon of downloading is comparable to the subscription libraries of Victorian Britain.

Nothing changes, it seems, but Dickens endures.

The Fellowship will conclude its consideration of Bleak House on Tuesday 3rd December, 2013, when Dr Paul Schlicke will talk on the theme, Plots and Detecting in Bleak House, followed by a discussion seminar on numbers 16–20, chapters 50–67.

More information on the Aberdeen Dickens Fellowship can be obtained at https://sites.google.com/site/aberdeendickensfellowship/

To be added to the Fellowship mailing list, e-mail p.schlicke@abdn.ac.uk

Nov 142013
 

Dave Innes reviews Peterhead – The Inside Story of Scotland’s Toughest Prison, (Black & White Publishing).

Jeffrey Peterhead book cover

Who’d have thought that Scotland’s most notorious prison was founded for altruistic reasons?
This altruism was not connected with any soft notions of prisoner rehabilitation or second chances in the grim 1880s. Rather, it was the Blue Toon’s geographical situation that brought about the establishment of those grim grey blocks.

The dangers to shipping, including whale boats, during unrelenting North Sea winter storms, and the losses incurred, one suspects, of revenue as well as the rather more expendable human life, were well-known.

Calls were made for a Harbour of Refuge to be built on the corner of NE Scotland to which shipping could head for safety when weather asserted its mastery over the flimsy human-built vessels daring to challenge nature.

And how best to provide cheap labour for this large-scale engineering and construction task? First you build a prison, then you put the convicts to work. You can’t make an oubliette without breaking rocks, it seems.

Jeffrey’s narrative describes the back-breaking, morale-destroying toil involved in constructing both prison and harbour, the latter task taking until 1954 to be completed, 66 years after the prison opened, and locked very quickly, its doors for the first time.

The main narrative, however, tells the tales of some of Peterhead’s more famous occupants, career criminals, casually-violent conscience-free gangsters, sex offenders and other dangers to society.

The names of Paddy Meehan, ‘Gentle’ Johnny Ramensky, TC Campbell, Jimmy Boyle and Oscar Slater are legend. Jeffrey looks behind the often lurid and prurient headlines and popular mythology built around the household names among the incarcerated, and punctures some myths whilst upholding others.

Meehan, for example, whilst framed for a murder committed by McGuinness, was a habitual criminal and his pathos-ridden demise following his pardon and release is almost sad, until you remember the misery he caused during his period as an active criminal.

Ramensky, on the other hand, comes in for more sympathetic treatment, the author almost admiring his athleticism, barrack-room lawyer articulacy, efforts to right injustices within the system and resigned acceptance of his fate on every recapture.

Jeffrey describes, using eye-witness details, the series of riots and prisoner rebellions that have marred ‘The Hate Factory’, including the swift SAS action taken to end the riot and release a warder hostage in 1987. It’s scary stuff.

Whilst the grimness and often-squalid conditions within the jail are always in the background and its harsh, inhospitable location a constant reference, there is room for humour, often cruel, but at times ingenious. Jeffrey relishes describing how long-term guests of Her Majesty would relieve the boredom, almost admiring the simple but audacious scams and practical jokes perpetrated by otherwise hard, desperate men.

This may be the biggest human tragedy of all, obvious intelligence and resourcefulness ultimately wasted on lives of crime and long periods of non-productive incarceration. The author, in juxtaposing institutions where rehabilitation and preparation for reintegration to society are the aims, poses questions that are relevant even in the more enlightened UK prison regimes and culture of the 21st century.

Peterhead – The Inside Story of Scotland’s Toughest Prison by Robert Jeffrey
Black & White Publishing
244 pp
ISBN 9 781845 025380

£9.99

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Nov 082013
 

HWC4Holburn West Church, in Ashley Park Drive, celebrates its sixth annual Church and Culture programme with another varied series of events bringing together faith and the arts, Alan Jackson tells Voice.

It meets at the church every Monday evening and Thursday afternoon throughout November. The series started on Monday 4 November when Hamish Mitchell read his poetry, describing moving childhood experiences of war and polio.

Future sessions will include discussions of Shakespeare’s history plays, C.S.Lewis’s Screwtape Letters, The Devil in Verse – Readings from Milton and Burns and a session of sacred music led by jazz-influenced John Montgomery.

Perhaps the highlight of the programme is a double drama bill featuring plays for voices, presenting Don’t Know Nothing, the story of Jo in Bleak House and a modern adaptation of The Parable of the Good Samaritan on Monday 18 November.

This will be followed by a discussion on poverty and compassion in our society.

All are welcome and full details of the programme can be obtained from the church website or by calling 01224-571120.

Nov 052013
 

Charles-Dickens-438x438By David Innes.

The newly-chartered Aberdeen Dickens Fellowship continues its examination of Bleak House at its upcoming meeting. We have now progressed to numbers 11-15, chapters 33–49.

The seminar will be introduced by Dr Dan Wall, who will speak on the serialisation of Bleak House.

The novel was published in 20 monthly instalments between March 1852 and September 1853, Dickens finding a ready and eager audience keen to discover the outcome of the plotline left hanging at the end of the previous monthly instalment.

Do I hear the syn-drums of the closing Eastenders theme tune?

Number 11 was published in January 1853 and number 15 in May of that year.

The meeting will be held at Grampian Housing, at the Huntly Street/Summer Street crossroads on Tuesday 12 November and will last from 1900-2100. The Grampian Housing car park provides ample free off-street parking.

Membership of the Fellowship for 2013-14 costs £20. Non-members can attend by paying £3 on the night.