Apr 072017
 

With thanks to Jessica Murphy, Senior Account Executive, Citrus:Mix.

Youngsters from Aberdeen schools have delved into the city’s prestigious art collection to get inspiration for their special involvement in Nuart Aberdeen.
Pupils from Manor Park, Woodside, Riverbank, Seaton and Walker Road primary schools got the opportunity to explore a wide range of art at the Treasure Hub in Northfield, currently being kept in safe storage while the Aberdeen Art Gallery undergoes its multi-million pound redevelopment. 

The sessions were held as part of The Outings Project, a participatory public art project founded by the globally renowned artist Julian de Casabianca.

The artist, who is participating in the inaugural Nuart Aberdeen festival, will work with the youngsters to paste their selected characters at specific sites in Aberdeen city centre.

Pupils had the opportunity to examine a number of paintings from the Aberdeen Art Gallery and Museums Collections, from Portrait of a Lady (The Artist’s Wife) by William Dyce to La Perla de Triana by John Phillip, among others, choosing and photographing their favourite characters to share with the Aberdeen public.

They will then enlarge and paste them up in the city centre under the guidance of Julian, as well as in their own schools and neighbourhoods – getting the change to turn the streets into temporary art galleries during the festival, which is taking place from Friday April 14 to Sunday April 16.

The artworks that the children accessed for this project aren’t currently on display, giving the public a wonderful opportunity to enjoy them in a new way.

It is hoped that the project will help children feel involved in the festival, especially as their efforts will also be displayed in their local areas, as well as encourage new audiences to engage with the Aberdeen Art Gallery and Museums collection.

There are a number of fun ways for youngsters and families to get involved in Nuart Aberdeen including street printing and chalk drawing workshops, walking tours and an Easter Sunday Street Art hunt.

Nuart Aberdeen will officially open on Saturday April 15, when Herakut’s monumental mural on the façade of Aberdeen Market will be unveiled before the guided Street Art tours begin.

Local breakdance group Bring It Boys will perform a ‘Street Art’ inspired routine created especially for the event.

Also on Saturday, the street printing workshop with Berlin-based collective Raubdruckerin will teach participants how to transform old clothes with street inspired graphic designs from the area in and around Castlegate.

The Chalk Don’t Chalk workshop, being held on St Nicholas Centre’s Rooftop Garden on Sunday April 16, gives children of all ages the “freedom of the city” to create their own chalk street art pieces, with professional artists on hand to teach and guide children on their designs.

Belgian street artist Jaune has been busy hiding his mischievous bin men and women around Aberdeen city centre for the Easter Sunday Street Art hunt also on Sunday. Children can follow the hints provided to find six hidden artworks and win a special Easter Sunday prize.

Elaine Farquharson-Black, director at Aberdeen Inspired and partner at sponsor Burness Paull, said:

“It was wonderful to see the children enjoying the sessions at The Treasure Hub and getting so involved. Nuart Aberdeen is a legacy project for us and we are really looking forward to seeing their paste-ups in the city centre and their local communities.

“This particular project was the brainchild of Julian de Casabianca and it was intended for local children to feel ownership of these images. It is also hoped that they will bring their families to enjoy the Art Gallery when it re-opens in 2018/19 because it will feel, quite rightly, as if they are artists, in the same way as those displayed in our local art space are.

“We would like to extend our thanks to Aberdeen City Council for supporting school staff during these project, as well as community staff who will help with the next stage, and of course, the Aberdeen Art Gallery staff who facilitated the sessions at the Treasure Hub.

“There will be a range of fun events that youngsters and their families can take advantage of during Nuart Aberdeen and I would urge everyone to check out the programme and enjoy what is on offer.”

An Aberdeen City Council spokesman said:

“We are absolutely delighted that our schools and pupils are participating so enthusiastically in the latest festival offering in Aberdeen’s cultural calendar. We have placed a huge emphasis on culture and education and to bring the two together at the Treasure Hub and for the children to work with a globally renowned artist is absolutely fantastic.”

For more information on Nuart Aberdeen please visit http://www.nuartaberdeen.co.uk/

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute. Proceeds are used to fund projects designed to improve the business district and driving footfall to the zone.

More information on the work of Aberdeen Inspired is available at www.aberdeeninspired.com

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Mar 312017
 

With thanks to Jessica Murphy, Senior Account Executive, Citrus:Mix.

His subversive images are daubed on walls around the world and his name is synonymous with intrigue and activism.
Anonymous British street artist Banksy creates art with an irreverent wit and hard hitting message, gaining his notoriety through a range of urban interventions.

He is the subject of Saving Banksy, a documentary that explores attempts to preserve and profit from street artists’ work.

The UK premiere of the film, directed by Colin Day with narration by Paul Polycarpou, will be held as part of the Nuart Aberdeen festival, giving a rare and revealing look at the secretive world of street art and graffiti and its new-found value and worth in the traditional art world.

Featuring some of the world’s top street artists, including Jasmin Siddiqui of Herakut who will be taking part in Nuart, it poses the question ‘What would you do if you woke up one morning and found a million dollar Banksy spray-painted on the side of your building?’

The premiere, which is being held on Saturday April 15 from 4pm at the Belmont Filmhouse in Aberdeen, will be preceded by the short documentary Eloquent Vandals, which tells the story of how Stavanger – a small city on the West Coast of Norway – gained a global reputation for street art.

Nuart Aberdeen has been brought to the Granite City by Aberdeen Inspired and Aberdeen City Council and is supported by Burness Paull LLP.
Street artists Fintan Magee, Nipper, Add Fuel, M-City, Alice Pasquini, Jaune, Isaac Cordal, Martin Whatson, Herakut, Julien de Casabianca and Robert Montgomery will take part in the inaugural Nuart event from April 14 to 16, which is the first of its kind in the UK.

Colin Farquhar, Belmont Filmhouse Cinema Manager, said:

“We are delighted to be hosting the UK premiere of Saving Banksy in Aberdeen. Banksy is a cultural phenomenon and we are sure the showing will be popular.

“This is a great opportunity for the public to immerse themselves in all things street art, taking in the film and enjoying the thought provoking works that artists will bring to Aberdeen during Nuart.”

Adrian Watson, chief executive of Aberdeen Inspired, said it was a privilege to showcase Saving Banksy at the festival.

He added:

“Banksy symbolises the debate that goes on around street art and this film is a brilliant platform for discussion. We want to get people talking about art and bring it to a new audience in the city and are hugely looking forward to the premiere.”

James Finucane, General Manager, Nuart Festival, said:

“Saving Banksy has received widespread critical acclaim – from The New York Times to the LA Times – since its release in the US earlier this year. It’s a great coup for Aberdeen and a fascinating insight into current debates about street art practice and the traditional art establishment’s efforts to remove the ‘street’ from ‘street art’.

“As a new international platform for street art, Nuart Aberdeen aims to not only present the most interesting and relevant artist of our time, but to also stimulate debate about what art is, and more importantly, who it is for. We hope that the film will encourage people to reflect on why it is street artists do what they do as well as inspire others to follow in their footsteps.”

Other events being held at the Belmont Filmhouse during Nuart Aberdeen include BSA Film Friday Live on Friday April 14 (hosted by the founders of influential Street Art blog Brooklyn Street Art), a screening of the cult US ‘outsider’ art movie Beautiful Losers on Sunday April 16, artist talks hosted by Evan Pricco (Managing Editor of Juxtapoz Magazine), and panel debates featuring an array of local, national and international guests such as Aberdeen historian Dr. Fiona-Jane Brown and Pedro Soares Neves from Lisbon Street & Urban Creativity.

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute.

Proceeds are used to fund projects designed to improve the business district and driving footfall to the zone.

More information on the work of Aberdeen Inspired is available at www.aberdeeninspired.com

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Mar 102017
 

On of Juane’s artworks at the Union Bar, Luxembourg City. Pic used with kind permission.

By Red Fin Hall.

With only about a month to go until the ‘Nuart’ event comes to Aberdeen, the final selection of artists have been added to the added to the roster.

I am particularly looking forward to seeing Belgium born artist, Juane. 
Hailing form Brussels, the stencil artist uses ordinary people, mainly sanitation workers, as his prime subjects.

His work examines the invisibility of this profession despite the fact that their job keeps them in the public eye.

He displays them in unusual situations, always in their work gear, such as walking tightropes over washing lines, marching as Roman legions etc.

Since he used to work in said profession, one may wonder how he day-dreamed of being in the position of some of his subjects. Or, is that, like his pieces, fantasy? 

Martin Whatson comes from Norway, was born in 1984 and studied graphic art in Oslo and has exhibited, both in solo and joint exhibitions in Tokyo, London, Paris, Australia, and also in the USA. His graffiti and stencil work, using urban decay as part of his inspiration. Thirteen years into his career he will be making his Scotland debut, in Aberdeen, thanks to Nuart.

Gdynia born Mariusz Waras, aka M-City is another stencil artist. But this time with a difference.

He uses hundreds of small cut outs to make larger constructions, again using the urban environment he grew up in as his main inspiration. Being an industrial city, his work features images of mechanical origin as well as natural origin. Often his pieces are made on a grand scale, one of the largest being 85 metres in size. This very prolific artist, having created well over 700 works, is currently a lecturer in art in Gdansk.

From her first show in Loughborough in 2000 through to her latest in Madrid this year, Alice Pasquini has exhibited and worked in various cities throughout Europe as well as The Americas and China. Not only is she a graffiti artist, painter, set designer and illustrator, she also works in the 3D medium and sculptures using found objects.

She rarely sits still in her pursuit of work, constantly keeping herself busy in more than 100 cities world wide. This also is her first time working in Scotland.

The final artist participating is Isaac Cordal.

Born in 1974, this sculpture graduate was born and studied in Pontevedra in Spain. His sculptures generally are usually not on a grand scale. An examples of his work can be found on tops of bus shelter and on cornices and windows , averaging only 15cm in size. This makes the viewer work to see them. He has many strings to his bow. Playing guitar in a rock band, publishing a heavy metal fanzine and heading a digital art collective. He has also worked in the photography medium.

As well as these guests coming to Aberdeen, local artists and schools will be involved in the project during and before the Easter Weekend special event.

Note of Correction:

In my last article on Nuart, I intimated that James Finucane was the man behind this art group. This is not so.

Although he is the public face of the Aberdeen venture, he actually heads up the day to day running of the company, a position he took up two years ago. Nuart is actually the brainchild of Martyn Reed who relocated to Stavanger from Leeds over 20 years ago. Apologies for any misunderstanding relating to this.

Mar 022017
 

With thanks to Red Fin Hall.

Over Easter weekend of 14th-16th of April 11 world famous street artists, from far and wide, will be utilising various parts of the city to show their art. This brave and exciting venture is something to really look forward to.

James Finucane is the man behind NUART, the Stavanger based street art project. He hails from Stourbridge, and went to Cardiff university.

Now, at the behest of Aberdeen Council, he is bringing this exciting project to Aberdeen.

One of the visiting artists will be 45 year old movie making maker, Julian De Casabianca. His first feature length film was shot in 44 cities in 22 countries focusing on passers by. It was called Passing By and was used as an installation in Paris, shown on 40 Screens on the 4th district City Hall. He also has worked as a journalist, both in print and on television.

Joining him will be Jasmine Sidquii and Falk Lehmann going under the name of ‘Herakut’.

Herakut is a German artistic pairing – a symbiosis of the aliases Hera the painter and Akut the graffiti artist whose collaborations formed a fruitful partnership. Having worked together on various successful global art projects, these artists have merged their individual approaches influenced by graffiti and street art. 

Their artworks can be found in big cities around the world – from Toronto to Kathmandu, from San Francisco to Melbourne. Herakut’s creative art process is sensuous, savage, dialogical and storytelling. This remarkable powerful dualism creates imaginary worlds and inspires their figures with individual characters. It will be an absolute pleasure to have them in Aberdeen.

Bergen based Nipper specialises in small scale pieces, recently exhibited on doors and wall etc in Stavanger and went under the name Mission Directives. He likes to focus on public led communication and our use of the urban environment, questioning who has the authority to decide on the rights of said communication.

Staying in Europe, Portugese artist Add Fuel ( Diago Machado) is gaining a reputation with his visual and graphic art work since he started exhibiting in shows 11years ago. His humorous, stencil based street art are not only full of detail, but are intent on reinterpreting the language of the Portuguese azulejo traditional tile. 

Fontana McGee hails from Australia, although his roots are Scottish. He has exhibited all over the world from his home country to the west coast of America, via Moscow and Glasgow. Since he graduated in 2009 as a Bachelor of Fine arts, he has been artist in residence in   Ambush Gallery, Sydney, Illawarra Regional Gallery, Woolongong  and ISAD studios, Jakartah.

Scottish artist Robert Montgomery follows a tradition of conceptual art and stands out by bringing a poetic voice to the discourse of text art. Montgomery creates billboard poems, light pieces, fire poems, woodcuts and watercolors. He was the British artist selected for Kochi-Muziris Biennale 2012, the first biennale in India.

Montgomery has had solo exhibitions at venues in Europe and in Asia, including major outdoor light installations on the site of the old US Air Force base at Tempelhof. The first monograph of his work was published by Distanz, Berlin in 2015.

More artists are still to be added to this dazzling and creative cast. 

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Feb 022017
 

Banffshire & Buchan Coast MSP Stewart Stevenson

With thanks to Banffshire & Buchan Coast SNP.

Fish processors in the North East of Scotland would be disproportionately hammered by reckless Tory plans to slap a £1,000 levy on EU workers in the UK following a hard Brexit.

The seafood processing sector employs thousands of EU citizens,
with the workforce largely
concentrated at individual sites in the North East. 

Immigration Minister Robert Goodwill suggested that firms could be charged £1,000 each year for every EU worker they employ.

The anti-business plans have been labelled xenophobic by former Belgian Prime Minister Guy Verhofstadt who is one of the EU’s chief Brexit negotiators and even criticised by senior Tory Anna Soubry who blasted the proposals as a “tax on successful businesses”. 

Figures reveal that individual businesses could be stung particularly hard by the proposed tax. Buchan’s Macduff Shellfish, for example, has a workforce of around 500 people – with 79 per cent of them non-UK EU citizens. That would mean a £395,000 annual levy imposed by the Tory government on this single business.

Around 3,000 EU citizens work in the seafood processing sector alone – with thousands more in the wider food and drink industry. The misguided Tory attack on foreign workers would mean a multimillion pound bill imposed on businesses in the North East. 

Commenting, Banffshire & Buchan Coast MSP Stewart Stevenson (pictured) said:

“The Tories are moving further and further to the right at an alarming rate.

“Their plans to tax firms an excess based on the number of European workers they have on the books are discriminatory, deeply disturbing and potentially crippling in terms of business. 

“But sadly that comes with the territory of a hard Brexit, characterised by xenophobia and Tory politicians finally peeling back the mask to reveal a dangerous and divisive agenda. 

“In my constituency alone, firms could face charges up to half a million pounds just for having the ‘audacity’ to hire workers with the right set of skills who have chosen to make Scotland their home. Many firms would face the very real consequence of cutting jobs or even facing closure. 

“It’s incumbent upon Ruth Davidson to distance herself from these comments and to make the case to her bosses at Westminster that Scotland shouldn’t suffer as a result of a Tory hard Brexit led by the loony right-wingers in her own party. 

“Before and after the referendum last year she championed Scotland remaining in the single market. It’s time she proved she’s a politician of her word.” 

Further Info:

European and External Relations Committee – The EU referendum and its implications for Scotland – Written submission from Macduff Shellfish http://www.parliament.scot/S5_European/General%20Documents/CTEER_Macduff_Shellfish.pdf

–    “As well as being an important employer in and around Mintlaw (employing in excess of 350 people in the area, and a further 150 people across our other sites and fishing fleet)”
–    “Moreover, 79% of our employees originate from other European Member States. The European labour market is a vital resource to Macduff and our continued success will be dependent upon the future flow of European workers.”

BBC News – Minister hints at £1,000 fee for EU workers: http://www.bbc.co.uk/news/uk-politics-38581873

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Jul 082016
 

Voice’s Old Susannah takes a look over the past week’s events in the ‘Deen and beyond. By Suzanne Kelly.

DictionaryHurrah! Result! We’re to leave Europe. Or maybe not – no one knows for certain what Scotland’s future looks like at this point, but isn’t it fun and a bit exciting?
And we might get either Michael Gove or Teresa May as the new PM! The Brexiteers Nigel Farage and Boris Johnson as so magnanimous in victory that they’ve scarpered.

You might compare their running away from the result they pushed for to insects running to hide when you turn over a stone, but I know that they’re just getting ready for some further selfless acts of heroism.

Another hero who shuns the limelight is former PM Tony Blair. With the Chilcot report released this week, you’d expect Tony to take the credit for the Iraq war. After all, he saved us from those Weapons of Mass Destruction. Thanks TB.

Looking at this week’s news, here are a few little facts you might enjoy:

When the dust settles a bit on Brexit, Old Susannah will revert with more facts – that’s if anyone’s saying anything factual at all. While Scotland voted to stay, the Brexiteers said that the EU was costing us £350 million a week which could be better spent on the NHS. Clearly that in no way meant that any money saved would be spent on the NHS, which of course is in fine shape anyway.

In far more important news, it was the Portsoy Traditional Boat Festival last weekend, and the weather was largely fine. The Black Isle Brewery was on hand, as was Dyce’s new brewer, Fierce. They have some delicious gear, I bought a lovely wheat beer and a coffee and vanilla concoction. In the meantime BrewDog’s launched a few Jackhammer Variants; Jackhammer being my favourite brew with off-the-scale bitterness.

Blackhammer is my favourite; I hope to see it around for a long, long time. BrewDog is also doing its bit for up-and-coming music and comedy talent; comedy troupe Wildly Unprepared have been doing their improve thing on Thursday nights in Underdog (the venue beneath BrewDog Castlegate). Hope to see you there.

One person though has managed to end years of The Malt Mill’s and Downstairs’ nurturing of fledgling bands. Someone moved to a flat near to the venue – a venue with ‘LIVE MUSIC’ in giant letters proclaiming that the Malt Mill, which looked like a bar with live music to the rest of us – and you’d never guess it – there was live music going on at night!

If only there had been some clue that a flat on a busy commercial road close to a long-running music venue and bar might not be quiet at night! Now Old Susannah understands that people need to play music for whatever reason, and I suppose there should be some allowance in society for that kind of thing in small doses.

It was always going to be the event of the year

Perhaps the venue should have just spent £100,000 from their petty cash and soundproofed the place. After all, if you put on live bands, that means you’re rolling in money.

Hopefully we’ll get something useful in place of The Malt Mill – like a mobile phone shop or Estate Agent. And from now on, let’s all be very, very quiet when we are out on the streets late at night.

Perhaps the hero who forced this closure could let us know when it’s convenient for the rest of us to make any noise on Holburn? I’d absolutely love to hear from you. My words of congratulations for your fighting for your individual right to quiet (rather than using ear plugs, moving, or just getting used to it) and successfully closing down a place for the rest of us to hear new bands are ready any time you want to hear them. I salute you.

Finally, we will all remember where we were when celebrity misogynist Donald J Trump flew into Menie this past week. It was always going to be glamorous with Sarah Malone in attendance. It was always going to be the event of the year with the Press & Journal present. But when Rupert Murdoch AND Jerry Hall flew in as well – what can Old Susannah say? Words cannot convey how exciting this was; it was like being a part of history in the making.

How unfortunate then that a few spoilsports decided – I can’t imagine why – to hang up Mexican Flags near the course. It’s bad enough these people live close to the course in houses The Donald finds unattractive, but to add to the visual pollution – well, that was unforgiveable.

Perhaps not as unforgiveable as Trump’s people: cutting off residents’ water and electricity supplies, calling the police to arrest lawbiding journalists, blocking access for the disabled at various points on the estate, threatening a grandmother with eviction, stopping Michael Forbes from salmon fishing, or threatening to use compulsory purchase orders to steal homes – but it’s all a matter of perspective, isn’t it?

(NB – the residents decided not to stage a personal protest, but to just have the flags reminding the world of Trump’s bigotry towards Mexico and everyone who isn’t a white male billionaire. The massive amounts of news cover the flag protest generated in advance of the visit was remarkable. The brief, chaotic, rambling words of Trump to a few score of journos just didn’t cut it. With all of her professional qualifications i.e. being a former beauty queen, the polished, finely-tuned press call on the day was what I expected.).

But at this rate there won’t be any definitions, and I very much want to get back to that part of this column. By the way, this column will finish with No. 200. That will be quite enough for this format, but it doesn’t mean that I’ll take my eyes off The Granite City. Anyway, a few words – about trees and consultations in Aberdeen.

Consultation: (English noun) An exercise in which various experts and/or stakeholders are asked for their opinions and facts on a particular subject.

Peterculter Tree Cull consultation: (Aberdonian noun) An exercise in which various experts and/or stakeholders are asked for their opinions and facts on a particular subject, and the majority of people involved don’t get a look in. and facts are overlooked.

DSCN1516Secondly, the trees were old, and we’ve got enough old stuff around here anyway.

Then there was the fact that the trees were cutting down the amount of sunshine reaching one or two people in adjacent housing.

I for one know that if the sun’s not streaming in my Scottish windows 24/7 365/365, it can only mean the trees (not clouds, storms, snow, hailstones) are blocking the light.

Of course, some of the more intrepid people actually go outside when it’s sunny – but you can hardly do that if you’re living somewhere as dangerous as Peterculter.

So the city got back some responses from people who hated the trees, and cut them down.

Some councillors were very quick to defend this action too. Some councillors said that the trees were diseased and posed a hazard. That must have been a hell of a tree disease. On the one hand, it must have come up very quickly – or surely the city would have taken action before now.

On the other hand, it’s a pretty interesting kind of tree disease when instead of getting rid of the trees (or heaven forbid trying to treat it), you can decide what to do about the trees not by saying their diseased and cutting them, but by asking residents what they want done with the trees.

DSCN1513

One person at least tried unsuccessfully to get through to the relevant people at the city, but as we know, the city responds instantly to any and all queries.

Another funny thing is the city’s existing tree management policy. It seems to say that if it owns trees that are not close to a dwelling, they aren’t going to cut them down.

It’s not that I’m cynical, but I’d love to find out what the disease was that was so bad the trees had to come down but not bad enough that the residents’ opinions could have stopped it. For more info, see here.

Some people claim their responses to the consultation were unanswered. Would the city ever do that?

Tree for Every Citizen scheme: (Aberdonian noun) An exercise in which various experts and/or stakeholders are asked for their opinions only if they are from the SNH or stand to make lots of £££ from killing deer on the hill, or wear shoulder pads (Aileen ‘Ho’Malone), in which consultation existing plans to kill deer are deliberately left out, stopping the public from taking much interest, so their opinions can be ‘managed’ in the words of the SNH. 

No one objected to the proposal – until it was too late. Funny that they didn’t announce the cull when they mentioned the other operational details (rabbit fences).

Even funnier; they refused to listen to free advice from experts on how to have trees and deer. And now we have no deer and no trees. We do have a consultant who’s at least £100,000 better off. And ranger Ian Tallboys got an award from Princess Anne. Result!

The award-winning, manicured Tullos Hill forest will provide a cost-neutral lovely recreation area for city residents. Only that it’s cost a packet, cost the lives of 38 deer (give or take – the city’s record-keeping is so bad we don’t know), and the trees are in such poor shape we’ve been warned that we might have to give the government its grant money back.

That would be nothing new, the previous attempt to plant trees on this former garbage tip with very poor soil didn’t work, either – I wonder why – and cost us £43,800.

Sometimes there is no need to bother even with a token consultation, as the people of Bedford Road can tell you. If they didn’t read page 47 of the Evening Express, read community council notes and city papers – and magically deduce that a ‘bus gate’ meant they would not be allowed to drive on their street again, then it’s their tough luck.

No one thought it necessary to write to them to ask for opinions; although funnily enough, the Peterculter residents were written to about cutting down the trees (apparently 2 people said to cut them – and that was good enough for ACC).

You don’t have to consult the public over minor details like the Marischal Square project either. Just tell them an iconic, smart, forward looking building will breath new life, etc. etc. into the area, but the architects will respect the importance of Provost Skene’s house: then hope they won’t notice when the reality is nothing like the original promise.

In fact, the reality is so much better! We can barely see the provost’s house now, and I hear we might get a hamburger joint. AND – the Press & Journal are going to move in! The best loved, most cutting edge newspaper in the best-loved, most cutting edge building! Result! as they say.

Next week: Blair, Brexit, Boris

PS – An observation

I was walking through Torry one early evening, past where a small green space off Victoria Road has a small but pretty collection of flowers. A couple were there, possibly Eastern European. We said hello as I passed. They had a little girl. She was smiling from ear to ear, pointing at the flowers, and jumping up and down.

Completely devoid of any prejudice, mindless hatred, greed, or ill-will, she was just delighted to be with two obviously adoring parents, looking at beautiful flowers.

I wondered whether it was too much to ask that we stop hurting our kids by pouring our prejudices and poisons into them. Will this girl be one of the 5 who will eventually be sexually assaulted? Will she encounter kids at school who are mean to her – because their parents taught them to hate people who are ‘foreign’ or ‘different’?

Will she be encouraged to study whatever she wants to study – science, art, languages, history – or will the system channel her into ‘girlish’ activities or will well-meaning people make her study things which lead to well-paying jobs while forsaking arts and philosophy? If she were a Muslim/black/Native American/Asian child, what kinds of barriers, doors and hatred would she be experiencing before long.

I wondered, is it too much to ask that with all the problems we’ve left for the next generation that we can at the very least manage not to fill these little people with hatred and just be nice to them instead? The answer, sadly, is that it probably will be too much to ask. I hope she remembers how happy, free and innocent she was that night. I wish she could live like that always – if she and her peers could, then there’s a chance we could have another world and a far better one.

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Jun 302016
 

With thanks to Kenneth Hutchison, Parliamentary Assistant to Dr. Eilidh Whiteford

Eilidh Whiteford MP Peterhead Harbour (1)

The UK Government has been urged to provide clarity for Scotland’s food producers following the vote to leave the EU.

Banff & Buchan MP Eilidh Whiteford raised the topic with the Prime Minister on Monday (June 27) following his statement on the Outcome of the EU Referendum.

Concerns have been raised across Scotland, which exported £4.8bn worth of food and drink in 2015, much of it to Europe.

Banff and Buchan could face particular challenges following Brexit, given the region’s significant agricultural and fish processing sectors.

Speaking afterwards, Dr Whiteford said:

“It is vital that we work to protect local jobs and economic interests in the aftermath of the Brexit vote. Key sectors, notably in food production and processing, face considerable uncertainty, as many local firms export produce and depend on access to European markets. Many also rely on migrant workers to meet labour shortages and seasonal demands.

“While the Prime Minister was able to offer short term assurances about market access and the status of EU nationals working here, he was not able to outline any timescale for negotiations to resolve these issues.

“I will be meeting stakeholders in the days and weeks ahead to identify their chief concerns, and working with the Scottish Government to secure the best deal possible for our local industries. It is critical that we fight to defend the interests of Scotland’s people and the industries on which our livelihoods depend in the days ahead.”

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Aug 172015
 
tashilhunpomonkspic2

Tibetan monks from Tashi Lhunpo return to Aberdeen for the first time since performing at Queen’s Cross Church in November 2011

With thanks to Paul Kohn.

Monday 24th August sees the return after four years of Tibetan Monks to Queen’s Cross Church Sanctuary in Aberdeen.

The dances and music are performed by Tibetan monks from the Gelugpa Tradition of Tibetan Buddhism, a sacred world filled with the chanting of Buddhist texts, the recitation of mantras, ringing of bells, blowing of trumpets and beating of drums.

Recreating the mysteries of Buddhist monasteries, Tibetan monks from Tashi Lhunpo offer a dramatic presentation of sacred dance, music and prayer with traditional costumes and ceremonial masks.

Founded by the first Dalai Lama in the 15th Century, Tashi Lhunpo is one of the most important monasteries in the Tibetan Buddhist tradition. Re-established in exile in South India it is becoming one of the major centres of Buddhist learning, best known for its artistic tradition of masked dances and sacred learning.

The show comes straight from the Edinburgh Fringe and is part of a three month tour
of UK and Europe organised by Tashi Lhunpo UK Trust.

The performance will be held at Queen’s Cross Church Sanctuary, at the corner of Albyn and Carden Place, at 7.30 p.m. on Monday 24th August. Tickets on
the door cost £8.00, concessions £5.00. Doors open 7.00pm

Aug 082015
 

Aberdeen are out of the Europa League after a tie that demanded maximum concentration from its players, remarks Voice reporter Andrew Watson.

pittodrie2It was almost a perfect summer’s day, come kick off. Come the final whistle, however, rain was falling and somewhat appropriate to the inner tears of the Dons and the Red Army faithful.

Generally speaking, the initial stages of the game were spent somewhat sizing each other up, despite the previous leg in Kazakhstan.
Sides tend to play a different game at home, it’s often said.

Having said that, amidst this Aberdeen survived a very early scare within the first minute but keeper Danny Ward saved their blushes.

This and another fine stop arguably woke up and composed the Reds.

A mixture of Kenny McLean and Peter Pawlett in the centre of midfield; Jonny Hayes and Niall McGinn on the wings; and Shaleum Logan coming forward from the back, bombarded Kairat’s defence.

Bar two chances from the feet of Hayes in the first half, any real incision was somewhat muted by an aggressive defensive display by Kairat.  They accrued five yellow cards throughout the match.

Despite this, Aberdeen more or less continued in the same attacking vein in the second half; whilst defending with discipline; mopping up, shutting down and out any pressure.

This didn’t last too long, though. Ward had to react to a close range effort and Kairat’s Gerard Gohou responded, netting the rebound.

0-1 Kairat (Gerard Gohou) after 59 minutes.

Aberdeen made their first substitution nine minutes from that goal, with Adam Rooney replacing Pawlett.

Hayes came off for Willo Flood come the 81 minute mark. Paul Quinn then came on for David Goodwillie.

Three minutes after these two changes, twenty five after going a goal down, Aberdeen hit back. McLean dived well within the box to head past the keeper, via a McGinn free kick.

1-1!

Quinn, Ashton Taylor and even Ward piled forward for a corner in the dying moments of the game. The former had a fine header denied by the opposing keeper.

If they’d snatched that second goal, a further half an hour of extra time would’ve been secured. It didn’t turn out that way, though, and it’s hard to measure progress when they’ve dropped out of the competition at the same stage as they did last season.

Final score:  1-1.

(2-3 aggregate. Aberdeen are knocked out).

Jul 252015
 

Aberdeen go through to the third qualifying round of the Europa League in what was at times an edgy affair at Pittodrie, recounts Voice’s Andrew Watson.

merkalndpic3It was a bright, fairly warm summer evening, but not the kind of heat the Reds contended with in the first leg of the draw in Croatia. No water breaks this time round, but again, plenty seagulls swooping.
The first half had went by in such a fashion that people would be forgiven for thinking it would end in the same stalemate as that Pittodrie showdown against Shkendija a couple of weeks back.

Rijeka after the interval, however, set about a shock bid to try and make amends that three goal deficit accumulated last Thursday.

Some fine dribbling beat the Dons defence, and a well-placed shot beat keeper Danny Ward 58 minutes into the game.

0-1 (Marin Tomasov).

It was only 63 minutes in when Rijeka found themselves only one goal away from potential success via the away goal rule.

A cruel deflection put the ball in the net once again, and the scorer had not long come on the pitch as a substitute.

Pittodrie was stunned.

0-2 (Zoran Kvrzic).

Only seconds later Niall McGinn rushed up the field, receiving a David Goodwillie pass and shooting at goal. He clawed one back.

Potential crisis everted 64 minutes into the game.

1-2 Aberdeen, and three goals in the space of about five minutes!

Goodwillie again turned provider eight minutes later, with Jonny Hayes picked out in the box to score from close range.

2-2 Aberdeen!

Two substitutions followed that goal.

Peter Pawlett came on the pitch at the 73 minute mark, with McLean coming off. Goodwillie came off two minutes later, with Adam Rooney coming on.

A final change took place after 83 minutes with McGinn coming off for Willo Flood.

The former, prior to this, was also involved in a humorous tussle as he slid for the ball in the Main and Merkland Stand corner. There was absolutely bare minimum contact but the Rijeka man went down as if dealt with by a supreme marksman.

This incurred fierce boos from the crowd, to which he responded with a rude, cupped and shaking hand gesture of self-love to the fans. This resulted in derisive cheers from the Pittodrie faithful.

However, this wasn’t the first time it appeared that someone had whipped out the sniper rifle, and to be honest McGinn’s fellow man coming off the park, Goodwillie, was seemingly another culprit in that.

Most importantly though, McGinn saved the Dandies’ with that earlier goal which killed the game for the Croatians. Hayes goal also made sure of that, making victory that bit more comfortable they go through to face Kazakhstan’s Kairat in the next round.

Final score:  2-2.

(5-2 aggregate. Aberdeen through to next round).