Feb 042014
 

Julie Thompson continues her series on photographing bands in Aberdeen taking in Terry McDermott & The Bonfires, Amy Sawers, Craig John Davidson & Innes Cardno at The Lemon Tree, Toxik Ephex at The Moorings, and Iron Broo at The Beach Ballroom.

Craig John Davidson - Credit: Julie Thompson

Craig John Davidson – Credit: Julie Thompson

The last of my three Lemon Tree events between Christmas and New Year was to shoot Terry McDermott and the Bonfires, along with his supports Amy Sawers and Craig John Davidson with Innes Cardno.

A queue had formed outside The Lemon Tree when I arrived. Some had come over from the USA especially for this gig – they were big Terry McDermott fans.

I also bumped into Matt Jolly’s dad – who is also a big Craig John Davidson fan.

Craig John Davidson took to the stage to start the evening, along with Innes Cardno. Craig was excellent as ever but Innes was new to me and what a revelation the two of them together was – quite amazing. Craig alone is an incredible guitarist, but the two together were musical manna with Innes weaving lovely melodies around Craigs vocals and guitar.

amy1Amy Sawers was the next act on stage.

This was my first time seeing her on stage (previously I’ve only seen her in one of the Old Granite Whistle Test sets in HMV). She has a fantastic, powerful voice and big dark eyes.

Her eyes were usually open as she played and she looked around and made eye contact with the photographers (well, their cameras).

So many guitarist look down at their hands, which can make catching an open eyed shot a challenge.

I’ve found that eye contact from a performer can often lead to intense images that can make the back of the neck tingle.

Aberdonian Terry McDermott – who was runner up on Season 3 of The Voice, a US talent show and has become a big name over there – was back in his home city to coincide with his new single release; ‘Lose this Feeling’, and to Headline at the New Year’s ‘Gig at the Brig 2013’ in Ellon.

Terry was previously with the Aberdeen band, Driveblind. Today he was singing with his band, The Bonfires – a mixture of American and British musicians.

terry2By the time Terry & his band took to the stage, the place was pretty packed, with the Americans fans front and center against the pit wall.

Also along to shoot this gig were Matt Jolly, George Mackie, Dod Morrison and Andy Thorn.

I had a quick word with Captain Tom before Terry came on, as I wanted to see if I could shoot some images from the crowd later on, after the pit session was over.

Terry was actually quite good to shoot – he was active and made good eye contact with those there to take the photos.

I enjoyed the shoot and his performance and the crowd loved the show, his new single going down very well with them.

I had a stupid novice problem later on, outside the pit. When I was taking my camera out of my bag I must have knocked the autofocus switch to off.

I didn’t notice at first; I just thought my eyes were tired. Anyway I missed a few, but luckily not too many, good photo opportunities due to that mistake, so mental note to self – take more care and always check the autofocus switch is on!

innes1Terry and his band had a busy night planned, as it happens – during his set he announced that they were playing again a little later that evening.

After the signings and chatting at the Lemon Tree, they were off to play an acoustic gig at Korova on Bridge Street.

At the end, I managed to swipe a set list that Terry was kind enough to sign, as an addition to my memento drawer.

I remember, some time ago, asking George Mackie if he’d photographed anyone well known – Iron Maiden, Paul Weller & Katy Perry were some of the names he mentioned.

He has also been at the X-Factor shows when they visit and was recently at the AECC for Boyzone.

I asked if there was anyone he applied for and was gutted when he got a refusal:

“I wouldn’t give them the satisfaction of knowing. I still get rejections of photo pass applications, but not so many these days.”

His travels for music photography are somewhat limited by him being self employed – he single-handedly runs his football related business and can’t just take off for days on end whenever he wants – so he mainly reserves his trips for the summer when the festivals are on.

Wickerman is his favourite and was the first he got a pass for:

“My kind of music with my kind of people in attendance”

Belladrum is another favourite, mostly because there is so much going on. It’s a family friendly festival and great for candid/street style photography, another of his interests.

I asked if there anything he wished he’d known when he first started:

“Possibly to shoot in RAW, but fast action photography needs the best equipment to process the digital files. At the time I could capture sudden movement more precisely by pressing the shutter whilst saving as jpeg files. I’ve never been a fan of rapid shooting as you then lose the precision and control over what is captured.”

Last question, George, honest! Any tips you’d like to share?

“Start with small shows in dark rooms, you’ll learn the functions of your camera better.”

A couple of weeks on from the festive season and I was off to The Moorings to see Toxik Ephex.

toxik1Toxik (originally called The Abductors) are possibly one of Aberdeen’s longest surviving Punk bands going back, off and on, for some 35 years.
Having previously only caught the tail end of their last one in Downstairs @ The Malt Mill a few weeks back I was interested to see a full show.

Dod Morrison was, of course, there; in fact he was singing along in a mic at several points during the evening. Moorings house tog, Matt Jolly, was also
there.

Tonight I had decided to try a new thing. I had an event coming up the following week which needed me to be familiar with flash and I thought this would be a suitable venue and subject to use as a testing ground.

I’d played around with various settings during the support act but wasn’t really happy with the results, a dark background and flash lit washed-out subjects.

During the gap between support and main act, I put my thinking cap on, eventually coming up with a theory where I could fill-light the subjects so they look natural but also keep the ambient lighting visible. Still, proof of the pudding is in the result – having a theory is all very well – and so, with some trepidation, I set my camera to those theoretical settings and prepared to give it a try.

Another issue with using flash is that you have to wait between shots for the flash to recharge. It slows you down and makes you pick your images more carefully, so in some ways it is no bad thing. However, here’s a little tip – always carry spare batteries because flash recharge time increases as the batteries are used. Swap them out for fresh ones well before they go flat. Keep the old ones for reuse – they’ll still last a long time in a tv remote.

toxik2Looking for that special moment can be engrossing – which is why I ended up getting my camera accidentally smacked back into my eye. People are closer than you think when you’re looking at them through a wide angle lens.

I eventually ended up standing on the edge of the stage for a while to grab some close-up photos of Dod, the frontman, interacting with the crowd. This was an excellent position for the shots I was looking for, but the crowd closed in beneath leaving me effectively stranded for a while.

I think everyone there had a great time, the crowd was well natured and I was pretty pleased with the results from my flash experiment. I had a great night, despite the bruises.

The last event I’ll briefly mention was something new to me.

iron_broo1There was live music, yes, but this was of a different sort to the music I’ve usually been
encountering.

It was a Ceilidh – in this case a charity event to fundraise for ARCHIE – with Iron Broo and friends (Paul Anderson & Bob Knight) providing the music.

The event was a sell-out and the floor was so often packed that people had little room to dance.

It was fun to watch, a challenge to photograph and all for a great cause. I even learned a few new dances that night. Well done to all those involved in getting this event organised!

.paul_anderson2sq bob_knight1sq

I’ve picked my next music photographer to talk to – Dod Morrison. He’s been shooting gigs for some years now and should have some interesting tales to tell.

More Photos:

Terry McDermott & The Bonfires
Amy Sawers
Craig John Davidson & Innes Cardno
Toxik Ephex
Ceilidh for ARCHIE

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Jan 312014
 

By Bob Smith.

“Music has charms to soothe the savage breast” – So wrote the 17thc poet William Congreve.

Jablonski Electric Band 1 -  Credit: Julie Thompson

Music his the ability tae calm ye richt doon fin ye git yer knickers in a twist. Masel if a git trachelt or upticht a relax bi lis’nin tae a bittie o Beethoven or Mozart, or sometimes Japanese or Native American flute music. Bit aabody’s different an as lang as the music his a calmin enfluence it disna maitter fit ye listen tull.

A dinna cum fae a musical faimily tho’ ma faither fin his airm wis twistit cwid drag a gweed aneuch tune oot o the melodeon.

As for masel a’m disappyntit noo aat a didna cairry on ma accordion lessons fin a wis a loon,bit a didna gyaang back efter haein ma appendix oot. Still a can jist aboot manage a tunie on the moothie, an am fair tae middlin on the kazoo an the Jews harp.

A confess tae likin maist types o music fae Sibelius tae the Scottish Celtic folk-rock band Skerryvore tho’ am nae aat fond o punk, rap an modern jazz an lis’nin tae music played a big pairt in ma life fin a wis a loon an it still dis. Ilka Setterday nicht we wid sit roon the wireless an fair enjoy Scottish Dunce Music on the Scottish Hame Service.

Ma faither an me wid hae freenly discushins aboot faa hid the best band Jimmy Shand or Jim Cameron. Tho’ a did like Shand a hid a preference fer Jim Cameron. A think it wis the playin o Dod Michie on his cornet fit clinched it fer me. Ma mither likit Housewives Choice an Music While You Work an a learn’t aa the latest tunes an sangs bi lis’nin tae the Licht Programme afore it chynged tae BBC Radio 2

Music cairry’t on in ma teens fin a learn’t the airt o duncin in the village halls o Echt, Garlogie an Skene tae the music o Bert Duff’s Band  an Mary Milne’s Band tae name bit twa, syne twa quines fa work’t wi me in the offices o the S.A.I. perswaadit me tae gyaang wi them tae the duncin in Aiberdeen.

So a coontit masel lucky tae be  able tae dunce tae music fer the Gay Gordons an a Eichtsome Reel on a Friday nicht an Quicksteps an Slow Foxtrots on a Setterday nicht, firstly in the MacRobert Hall at Robert Gordon’s College (MacRobs), syne at The Beach Ballroom an The Palace.

Nae contint wi the music a heard on Friday an Setterday nichts a jined the Abergeldie Jazz Club fit eence wis doon in the Hardgate an ilka Widnesday nicht wid jive awa tae the resident band o Sandy West or listen tae weel kent guest bands. Kenny Ball, The Clyde Valley Stompers, The Alex Welsh Band an Terry Lightfoot and his Jazzmen aa pit in an appearance at the Abergelgie.

A hinna a great voice bit a hiv bin perswaadit noo an agin tae sing

Noo a coont masel affa lucky tae hae bin in at the stairt o the “Rock ‘n Roll” era, an fin a hid some spare siller wid buy the latest hits o the likes o Elvis, Little Richard, Jerry Lee Lewis, The Everly Brothers or Chuck Berry.

So far as a’m concerned pop music stairtit tae gyaang doonhill in the 70’s tho there wis a fyow exceptions, like Queen, The Eagles, Dire Straits an Status Quo.

Folk music fae aa ower Britain and the USA aye wis o great interest tae me speeshally the protest sangs o Woody Guthrie an Pete Seeger richt throwe tae early Bob Dylan.

Noo some fowk micht nae agree wi ma opeenion aat Bothy Ballads or Cornkisters cum unner the heidin o folk bit a leuk on them as bein the folk sangs o N.E. Scotland. A hinna a great voice bit a hiv bin perswaadit noo an agin tae sing the likes o “Nicky Tams” or the “Muckin o Geordie’s Byre” at faimily waddins. No am nae takin ony bookins!!!

As a grew aulder a stairtit tae appreciate the soonds o classical music. Nae the heavy stuff like Wagner mair yer licht classics bi Beethoven an Mozart or late 19thc/early 20thc composers like Edvard Greig or Frederick Delius. There’s nithing better than pittin on the heidphones an littin yer myn relax tae Beethoven’s “Pastoral” Symphony or “Morning” fae the Peer Gynt Suite No 1 by Greig.

A’ve afen bin ask’d fit ma faavrit piece o music or sang is. There is a gweed fyow aat wid qualify bit tap o the pile maun be aat Scottish quine Eddi Reader singin “My Love is like a Red Red Rose” screived bi the man himsel Rabbie Burns.Een o the greatest love sangs ivver  if ye ask me.

So there ye hae it – “music has the charms to soothe the savage breast” accordin tae Congreve or as Wullie Shakespeare wrote, “If music be the food of love, play on”.  So far as am concerned baith chiels war richt.

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Jan 312014
 

By Bob Smith.
Grandmother is tickling grandfather

Es growein aul’ tis a pain
Some fowk treat ye wi disdain
If yer noo ower seeventy five
Ye’ve less chunce o steyin alive
.
Ye micht nae be treated fer Big C
Ach ye’ll noo jist hae tae dee
Ye’re a burden tae the NHS
Yer chunces o treatment cwid be less
.
It’s noo a warld fer the young an fit
If yer aul’ yer in the shit
Society wints ye oot the wye
So curl up an bliddy die
.
Leukit upon as bein senile
Nae langer pairt o rank an file
Costs ower muckle fer yer care
Time ye wis plunkit in yer lair
Time fer aul’ buggers tae fecht back
An show the warld we dinna lack
The will tae live an contribute
We hiv mair sinse than some nae doot
.
Maist aulder eens they aye vote
So governmints please tak note
Ignore us an ye’ll fin oot noo
We hiv the power tae turn the screw
.
Seeventy five aat’s noo nae  auld
Even tho some fowk are turnin bald
Wi  hiv earned the richt tae expect
Society tae treat us wi mair respect.
.
.
.
.
©Bob Smith “The Poetry Mannie” 2014
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Jan 242014
 

Voice’s Old Susannah writes from New York and looks at the ‘Deen from a slightly different perspective. By Suzanne Kelly.

DictionaryGreetings from New York, which I guess is also a bit of a city of culture like Aberdeen is. A foot of snow fell here yesterday, which has led to strange sights. Trucks spreading salt and grit were immediately deployed to major highways and bridges. Ploughs worked round the clock clearing the major roads, then the smaller ones. Most schools were closed almost immediately after the snow was forecast. Things got stranger though.

City and town governments worked to ensure public pavements were cleared. Police were out warning motorists which streets shouldn’t be used yet, and news broadcasts gave on the spot updates.

Furthermore, recorded messages went out to all residents, telling them not to go out if they didn’t have to, advising of changes in trash collection times and so on. These recorded messages reminded people of both emergency and non-emergency telephone numbers.

Neighbours telephoned each other to see if anyone was in need of help or food. People got out and shovelled snow, ensuring that the walkways were all clear. New York, it’s a helluva town. I fondly remembered the past Aberdeen City administration, which ran out of grit, which it said was very expensive. Good times.

Perhaps a few New York and Aberdeen comparison related definitions are called for, all things considered I think New York City and State could learn much from  Aberdeen City and Shire.

Municipal Park: (Eng. compound noun) open ground, forest, beach, and other areas owned, run and managed by the public sector.

Long Island is a long, thin island perpendicular to New York. It may be fairly built up close to Manhattan with Queens being densely populated, but there is still scope for development. It has over 60,000 acres of beach, forest, meadow and woodland people can roam. However, I took a long walk on a beach, and I hardly saw any other people: this means land is being wasted.

There is a famous green space called Sunken Meadow, but I can’t find word of any plans to raise it to street level and build a public square on it.

Even without building a granite web, monolith or glass worms being built, tourists and locals seem to want to spend time playing, walking, exercising and indulging in sports in outdoor locations. Much of this land has been designated ‘protected open space’, which means no one can build on it, even if they have lots of money. I guess Long Island is closed for business and not very forward looking.

Donald Trump bid to do some work at Jones Beach

There is no local development plan created by planners and builders, and taxpayers seem to get a say what will happen.

Of course planning should be left to professional house builders, unelected groups like ACSEF and elected officials who instantly become planning experts after elections, just like we do back in Aberdeen.

Long Island has a private trust which works with the government to protect the green spaces; somehow these people cling to the idea that green spaces are good for tourism, public health, surrounding businesses and air quality.

Donald Trump bid to do some work at Jones Beach; initially an art deco building was going to be redeveloped. For decades there was a public restaurant on the beach, and Trump was going to come in, dig several more underground stories (on the beach, which sounds really exciting), and modestly call it ‘Trump on the Ocean’.  But Hurricane Sandy was given as the reason for the project falling through.

Oddly enough, other local businesses and structures managed to come back from the storm, but it proved too much for Trump. According to the Huffington Post at the time:

“The billionaire real estate mogul has abandoned plans to build a controversial $24 million catering hall called Trump On The Ocean because it’s, well, on the ocean, Newsday reports. Developers and state park officials are calling it quits on the restaurant, which was planned for New York’s Jones Beach park, citing concerns over future storm damage after the current foundation flooded.”
http://www.huffingtonpost.com/2012/12/27/donald-trump-jones-beach-sandy-ocean

So, it seems that building on sandy coastlines that are occasionally hit by storms can be difficult, and moving sand and storms are sound reasons for Trump to cease construction plans and abandon promised developments. I’ll be glad to be back in Aberdeenshire where such a thing couldn’t happen.

Meanwhile back in the Deen, officials have commented on the news that the remains (legs actually) of deer were found on Tullos Hill and on Kincorth Hill earlier in January. The police were swift to correct a source who reported five deer had been killed on Tullos Hill; it was only four – you’ll all be as relieved as I am to know it’s a mere four, not five butchered deer.

With regards to the deer leg found on Kincorth Hill though, things get stranger. The person who found the leg ran into someone who claimed to be a ranger – but the ranger service claim no rangers were in the area.

it preserved the original external wall with its interesting architecture

Whether the deer were chased with dogs, shot, or otherwise killed and how much suffering was involved remains a mystery, but no doubt our ranger service and police will pull out all the stops to find out what’s going on and protect our wildlife.

You know, the wildlife that had no ‘natural predators’ according to our city officials and Aileen Malone, so that they had to be shot for the trees to be planted. At least we’ll soon have a beautiful source of lumber –  sorry community forest – that deer can live in, created by killing the existing deer and removing most of the gorse they could have potentially hidden in from whoever is killing them.

So, another ‘Well Done’ goes to those on the tree scheme. Cheers chaps. No doubt you’ll get some more awards soon.

Museums:

Old Susannah visited the Metropolitan Museum of Art; the admission fees are optional, and dozens of schools were visiting. Oddly, there was construction work taking place to keep the building in good repair. There had been an extension built; this was a high ceiling extension with one glass side; it preserved the original external wall with its interesting architecture, yet made a nice large space for modern art.

It would of course been much more hip and happening if they had plunked a giant rectangular building on top of the existing structure, but it took Aberdeen to think of such a concept. In fact, the whole area is part of a historical district and local residents participate in preserving and celebrating the area.

Strangely, this was a natural evolution based on the artists who practiced in the area, the galleries, the high quality of the architecture and so on. If New York were better organised though, it would have a few dozen different groups, quangos and initiatives assigning names to different quarters arbitrarily, and then changing these names around every time a new shop or gallery opens or (more likely) closes.

See you in Aberdeen’s cultural quarter when I’m back – I’ll just have to figure out if it’s still on Holburn Street this week, or if the powers that be have moved it back to the HMT area or not.

I’ll definitely be in the Merchant Quarter to soak up the promised café culture.

“Described as the “beat and soul of Aberdeen” it offers some of the best dining experiences in Aberdeen, contemporary clothing shops and live music venues.”
http://www.rguschoolhillcampus.com/aberdeen/leisure/ 

There are dozens and dozens of small museums in New York State; many of these smaller ones are run by volunteers, and supported by private and public funds. Even the less profitable museums are retained because they are cultural assets. In short, these places and their collections should be sold to make more money. Raynam Hall for instance is a small white colonial house with exhibitions from the Revolutionary War.

Fundraising would not have worked here in one of Scotland’s richest cities

It’s small, there are no rides, and there’s not even a giant parking lot. The permanent collection will never be broken up, and for some reason local schools make cultural trips and take students to see Raynam Hall and other museums as part of their education. Sounds expensive to me.

Back in Aberdeen, we realise the value of our culture. We sell it. Thomas Glover House wasn’t pulling in enough money, so in 2012 its trustees sold furniture. As the Scotsman reported:

“Councillor John Reynolds, a former Lord Provost of Aberdeen who is one of the Glover house trustees, explained: ‘There was no money coming in and the curator had to go and the place had to close. And for the last two years the building has just been kept wind and water tight.

‘We had two options – either to sell the building or negotiate with the council for them to take it over. And that is where we are this moment in time.”

Mr Reynolds continued:

“We had to clear the place to save on the business rates which were quite exorbitant. We sold some of the period furniture – none of it Glover’s – which we had bought for the house and we put the important items we had collected into storage’.”
http://www.scotsman.com/lifestyle/heritage/tourist-plan-for-scottish-samurai-s-aberdeen-home-1-3278025

By the way, Glover was a little-known figure who opened up a small country named Japan to the western world; he was also involved in founding a small company called Mitsubishi. The house has been closed for two years. Yes, I guess in a poor city like Aberdeen John Reynolds was right – there were only two options – sell parts of the collection or close.

Fundraising would not have worked here in one of Scotland’s richest cities; applying for grants and loans from public and private sectors here and in Japan would not have been an option, either. Better not to have tried. But there is good news.

Glover made history; he introduced two cultures to each other, brought new art and design to the west, and made numerous contributions to Japan and Scotland. Therefore it is only fitting that his old house is to be relaunched as:

“a temple of good economic relations between Scotland and the Land of the Rising Sun.”

So, forget the Glover-related history, artwork, culture, etc. What we really need is a temple to economic relations.

If there is one thing that we do worship in Aberdeen, it is economics. Pity they didn’t think of turning Glover’s house into a temple to money earlier; no doubt that would have got the attention of Aberdeen’s great and good. Perhaps a Temple to Mammon could be built over UTG as well. There’s no word yet what form of worship will take place in the ‘Glover Temple to Economic Relations’, but I’ll keep you posted.

when the structures have sufficiently rotted, the land can finally be used for new offices or housing

In summary, New York has many small museums which get grants from the public and private sectors. School visits to these places help support their upkeep, and children get to experience the past and their culture first hand – they should of course be learning how to pass exams instead.

Such museums preserve aspects of culture and history, instead of being ‘forward looking’ and take up valuable land which could be developed instead.

By contrast, Aberdeen, the would-be city of culture, is a bit light on such field trips, has high business rates, and allows people to flog the contents of its historic buildings which are left to rot like Glover’s house and Westburn House; in a few years, when the structures have sufficiently rotted, the land can finally be used for new offices or housing.

New York’s government supports museums large and small, and I’m not at all sure if they even have a version of ACSEF at all.  Aberdeen instead pours money into worthwhile successes like ACSEF, which have the talent that’s made our retail sector what it is today.

We spend our tax money on really important things like bidding to be City of Culture and paying consultants to come up with great new city of culture proposed events like ‘gigs on rigs’ and the concert on the Dee which was to feature ships’ horns, water and horses, while our existing museums close.

It’s worth mentioning that there is one organically growing sector with a geographical area not planned out by ACSEF or Inspired: The Beermuda triangle is a reality. BrewDog and the Moorings started it with their copious selections of great craft brews; Six Degrees North and latterly Casc have opened their doors to take advantage of the growing interest in beer and the resultant potential for revenue.

This happened without any ACSEF think tanks, no outside consultants, and not even Rita Stephen. We’ve got a mini cultural/retail happening, and it’s happening because of a few innovators.  Who knows? Maybe the Beermuda Triangle will make it onto the official ‘quarters’ map one of these days.

Newspaper: (Eng. plural noun) a printed publication containing current events, stories; recent history as well as advertisements and editorials.

Old Susannah has been keeping up with the exciting news from Aberdeen as well as the more mundane New York goings on.

Here in New York, the papers vary widely in political outlook, making it very confusing to know what you should think on an issue. The New York Times, Newsday, The New York Daily News, The New York Post and a few other such minor publications vary widely in outlook, and not too many of these have lots of cute pictures of babies or newlyweds taking up the first few pages of the news.

The stories in newspapers such as the NYT and Newsday can’t be up to much; most of their pieces are available free online. You can subscribe to Newsday for instance and get both a paper copy and the full online version for just about the same cost of getting the web content of the Press & Journal (now a bargain at 1 year: £129.99).

Worse still, most of the New York newspapers print letters from readers on different sides of an issue, thus confusing readers. I can find no traces in New York’s newspapers of ‘Happy Tots’ competitions, and no articles at all about the important work ACSEF does or what its members’ opinions are. It’s as if the New York papers don’t pay attention to the important international news at all.

All in all, we have two interesting cities with coastal areas, meadows, forests, interesting architecture, and a mix of cultures. One city preserves its green spaces and historic buildings at all costs, spends money on ensuring children’s education includes culture, history and arts, has a wide range of newspapers giving different points of view, and favouring citizen-led initiatives to naturally shape policy and where culture and arts evolve naturally with public and private support.

Here’s hoping that New York will forget all that nonsense soon, and start thinking like our quangos and governments do here.

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Jan 242014
 

By Bob Smith.
Working online

Mair fowk it seems are buyin online
Toon cinters noo are in decline
A click on tae ony online store
Aathing seen cams tae yer door
.
Fowk they claim es saves them time
Aboot local shops care nae a dime
As lang as fin they click the moose
The “stuff’s” deliver’t tae their hoose
.
Empty shoppies they’re aa aroon
Some are even bein rugg’t doon
Ither eens struggle tae survive
As yearly profits they tak a dive
.
Money nae langer spint in the toon
Causin city faithers tae hae a froon
Weel kent shoppies they gyaang bust
As fowk embrace es online lust
.
Amazon noo is fair takin ower
Bigger they git the mair the power
Add tae basket ye jist click
As throwe their website ye div flick
They say progess ye canna stop
An es is noo the wye tae shop
High Street shop’s wull be nae mair
As modern shoppers cwidna care
.
As lang’s they git fit they wint
An online orders are nae tint
They’ll click the moose fer ivver mair
On laptop screens they sit an stare
.
Toon cinters seen fu’ o ghosts
Shops an shoppers are aa lost
Online shoppin kills the trade
O local fowk fa war self made
.
So cast yer myn back a fyle
Fin city cinter shops hid style
On streets there wis a bustle
Syne online stores,trade did rustle
.
.
.
.
©Bob Smith “The Poetry Mannie” 2014

Image credit © Alex Kirichenko | Dreamstime Stock Photos
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Jan 242014
 

Horror flick Devil’s Due promised much, given its interesting premise, but simply lurched from one supernatural shock to the other.  Aberdeen Voice’s Andrew Watson comments upon a film simply going through the motions.

vuepicVue on Shiprow was lightly sprinkled with cinemagoers on a usually busy Thursday night for the High Street.

I thought the film started well.  Lovebirds Samantha (Allison Miller) and Zach McCall (Zach Gilford) are a recently hitched couple spending their honeymoon in South America.

They decide to go for a psychic reading and find themselves pleasantly surprised by the accuracy of the forecast.

However, things take a somewhat sinister turn.  Samantha’s told she’s ‘born of death’, and the psychic goes from lightly holding Mrs McCall’s palms to gripping her arms violently.

The whole film is shot with handheld cameras and CCTV footage, and the concluding recordings of their honeymoon show candlelit ceremonies and satanic symbols.

Once back from holiday, Samantha discovers she’s pregnant, and from then on her whole character changes.  It’s only much later on that her husband reviews what was caught on camera that fateful night with the psychic and the ceremony.

By this time Zach’s really struggling to keep abreast of his wife’s actions and plumps for the help of his family to get him and his wife through their ominous ordeal.  He finds it that there’s some sort of coven in his neighbourhood, and that they’re connected to what happened on their honeymoon.

This film, to its credit, manages to serve up some comical moments despite its mediocrity.  Watch out for clip of the supermarket surveillance which features a ravenous Samantha eating for two.

That is her and her baby – eating raw meat!  The sharp turn that her fellow shopper takes is a subtle show of not taking oneself too seriously.

All in all, not the best horror film you’ll see.  I’d be lying if I said it didn’t have its jumpy minutes.  I suppose in that respect the film delivered the goods.

Jan 242014
 

In a fit of pique Duncan Harley rages against the machine for what its worth.

bruce duncan harley4Big Brother, Corrie and now Benefits Street are at odds with much of normality in the UK.

Following the revelations about Saville using Auntie Beeb’s dressing rooms to groom over one thousand vulnerable children for sexual purposes it’s really quite surprising that anyone even watches terrestrial TV in the land of Logie Baird.

With the advent of Roku and Netflix, who really wants to be confronted with folk at the front door demanding money with menace.

–          Hello sir or madam, I am a licensing authority enforcer. How are you tonight?

–          Mainly fine, why do you ask?

–          It’s just a courtesy really.

–          Good. I have corns due to my age and a problem with my eyes.

–          Yes, we have the power to destroy your credit rating.

–          Oh, is that good? I don’t watch TV much.

–          Why is that?

–          I am blind and deaf.

–          Can I come in to your house please to discus this delicate matter?

–          Actually, under the terms of my moral obligation to be disgusted by the BBC’s failure to safeguard my childhood fantasies regarding Top of the Pops, veteran broadcaster Stuart Hall and those Daleks who turned out to be just plastic studio props with toilet plunger’s sticking out the front, I think not.

– OK, that’s all right then. Good day sir or madam. We have the power to destroy your credit rating.

You pays your money and you get what you pay for though and at €170.28 a pop, the licence fee raises some £3.6bn per year for those such as Mark Byford, the former deputy director general of the BBC, who defended a controversial pay-off package that saw him leave the BBC with £949,000 in his bank account.

Byford left the BBC in 2011 after being made redundant as part of a drive to cut the number of highly-paid senior executives at the BBC. He told BBC Radio 5 live’s Victoria Derbyshire:

“I absolutely don’t think it was greed on my part at all”.

He said the pay-off was “properly approved” and added:

“I absolutely think I’ve done no wrong.”

A report by the National Audit Office released in July 2013 criticised the BBC for paying out £25m in severance pay to 150 outgoing senior BBC managers which was some £2m more than their contracts stipulated.

Mr Byford’s payment was revealed to be the highest at £949,000, after 32 years of service at the BBC. That’s around 65 thousand licence fees. Good money indeed!

In contrast the Albanian licence fee is 800 Lekë (€5.81) per year and in Bosnia and Herzegovina where the civil war and the associated collapse of infrastructure caused very high evasion rates it is around €46 per year. Seemingly the somewhat desperate Bosnian authorities collect the fee via telephone bills. BT with a vengeance perhaps?

Mind you Albanian State TV was until quite recently mainly showing Norman Wisdom movies from the 1960’s and Bosnia has yet to recover from the effects of the international outrage following the ethnic cleansing of the country during the Balkan genocide.

As for Coronation Strasse, lips may well be sealed until the result of an upcoming court case involving street TV star Bill Roach is settled.

According to the Guardian:

“a woman alleges she was led to men’s toilets and made to perform sex act during studio visit at the age of 14.”

“The court were told by two women that Coronation Street actor Bill Roach sexually assaulted them in the toilets at the programme’s television studios when they were teenagers. The now 63 year old complainant told Preston crown court that Mr Roach “pulled her into the men’s toilets and forced her to masturbate him.””

If indeed true, this is disturbing testimony.

Then there’s that case unfolding against Mr Rolf Harris of Tie Me Kangaroo down fame plus something about It’s a Knockout host Stuart Hall who is currently in jail after finally admitting 14 counts of indecent assault on girls as young as nine between 1967 and 1987

With Lord McAlpines untimely death the national press may wonder whether to publish and be damned or to stay silent and appear uncertain.

Somewhat famously, Lord McAlpine was completely and wrongly accused of sexual misconduct. Various bodies such as the BBC wrongly implied that the now dead peer was a paedophile. Some of his friends attribute his demise entirely to the completely unfounded allegations. Many will feel sorry for the peers sad last days.

The BBC will be plunged into a major crisis with the publication of a damning review, expected next month, that will reveal its staff turned a blind eye to the rape and sexual assault of up to 1,000 girls and boys by long time disc jockey Jimmy Savile in the corporation’s changing rooms and studios.

Dame Janet Smith, a former court of appeal judge, who previously led the inquiry into the mass murders by local GP Dr Harold Shipman will seemingly say in her final report that the true number of victims of Savile’s sexual proclivities may never be known but that his behaviour had been recognised by BBC executives who took no action.

Many in the UK currently wonder why they are paying a licence fee to fund a shameful publicly funded system which appears to ignore not only the law but also morality.

The UK requirement for a dog licence was abolished in 1987. Prior to this dog licences were mandatory but the requirement was widely ignored with only about fifty percent of owners having one. The final rate for a dog licence was a meagre 37 pence.

The TV licence should perhaps follow suit very soon.

A YouGov poll for The Telegraph recently found that almost two thirds of those surveyed agreed that the licence fee should be abolished because so many households had satellite or cable television.

The “Stop BBC Bias” campaign is encouraging “refuseniks” to register with it by phoning 09012 702 414 or by visiting its website – www.bbcbias.org although as of the time of writing the site is unavailable due to “technical problems.” It’s on error 404 seemingly.

A BBC spokesman recently said:

“Our policy is and always has been clear. If you don’t have a licence and are using televisual equipment, you’re breaking the law.”

There perhaps lies self interest.

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Jan 212014
 

Bisongrass

Heavy metal and straight up rock and roll were par for course at Downstairs, below Malt Mill. Andrew Watson recounts the night’s proceedings.

Even though, arguably, there were no more than two different genres on show; it was testament to the talent of the bands playing, and the intricate nuances of rock music, that it never got boring.

White Wasted Virgin were the opening support act, and really could’ve been further up the roster if it weren’t for their relatively infancy.

They certainly didn’t play like a band that had only played live twice before. They were really groovy, but had an alternative grungy edge to them like Alice in Chains.

Moving on, Red Command was a one man band powerhouse. He could growl ferociously, and gave the impression, at least when he was singing, that you wouldn’t want to meet him down a dark alley. The only thing I would say was that his backing track sometimes overwhelmed his guitar playing. Not so much to hide potential ineptitude, but to mask his expert playing; which was a real shame.

Bisongrass, the closing support act, were a mix of groove metal and the, sometimes the much maligned, stoner rock. I would say they were much like Kyuss.

Last up, Bacchus Baracus were intriguing, primarily because their singer was also the drummer. That’s where the comparisons to Phil Collins end, though. They were more like Queens of the Stone Age. Their finale was a spectacular twin guitar riff in unison with the rhythm section. They even provided a semi naked guitarist for the pleasure of the ladies in the crowd.

Everything ran smoothly throughout the duration of the night. There was never too long to wait as each band finished and the next began. Every song was a foot stomper. It was an enjoyable evening.

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Jan 212014
 

By Andrew Watson

Cellar 35 played host to the Festival of Politics fundraiser in lieu of the impending independence referendum.

Though primarily an acoustic act setup, there was enough variety to keep the audience interested. The only condition was that each act had to, aptly enough, display political material in their sets. This posed little problem throughout.

First up was Clype and his keyboard. This was a good showcase of traditional piano, rather than of a synthesised basis.

The set was mixed with sometimes contemporary lyrics, though one number was an adapted version of a poem written by a woman during World War II.

Peter McConville was next.  He mixed singing with his guitar, workmen songs a cappella and sea shanties. This was somewhat reminiscent of Pete Seeger, the folk activist I has previously discovered via Bruce Springsteen.

Jamie Rodden followed.  Almost forgoing current affairs material, he had a minor issue remembering his three year old political ditty. However, he outdid himself with some intense and forceful acoustic playing, done with the voice of a heart throb.

Dandy and the Ghost followed after, and she raised transgender plights throughout.  Perhaps not the most accomplished guitarist she made up for this in spades, with expertly written lyrics and good delivery.  What caught my ear the most was that many of her verses were structured and phrased like a rapper would navigate a drum machine.

Mark Ayling, reminded me of Paul Weller but was probably more like Billy Bragg. Talk amongst the crowd considered him more akin to Frank Turner, though I can’t possibly say because I’ve barely any idea who he is!

Fred Wilkinson and the Gallopin’ Buntys, the main support act, were a curious looking bunch and sounded just as unique. This was in part due to the fact that they had a violinist in their ranks to give their punk rock a folky flavour.

Headliners Curios Orange didn’t seem to have been together for too long, and although the same could maybe be said for the aforementioned support, the latter didn’t get away with it. To be fair Curious Orange, personnel wise, are a lot younger; and when they got it right they were good mix of grunge and alternative rock.

Bar a little hiccup in the running order of the night’s proceedings, all ran relatively well. Apparently whoever was meant to be onstage at 21:00 was working until 22:00.

A good night!

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Jan 192014
 

The Dons finally bottled it today, raves Voice reporter Andrew Watson.

merkalndpic2With over 12,000 in attendance, it’s clear the Dons would be playing in front of an expectant crowd. A crowd expecting victory
It was a chilly afternoon, if not a little bit misty. Nothing the Pittodrie floodlight system couldn’t handle, though. This meant Barry Robson could arguably contend his early corner kick shot wasn’t just a wayward delivery that hit off the top of the crossbar and top netting.

Aberdeen dominated possession but did little with it, and they were to suffer the consequences for not being more clinical.

Thistle looked dangerous on the attack, particularly on the break. Their forward was generously gifted a shot from ten yards out and pounced.

0-1 (Danny Williams) after 22 minutes

Four minutes later, the home support broke out in rapturous applause. This was to mark the life – and death – of young Aberdeen fan, Cammy Smith.

This positivity starkly contrasted with the later frustration of the home crowd when the referee got in the way of play. He feebly ducked the oncoming ball unsuccessfully and got hit. He duly had abuse hurled at him for his trouble.

Unfortunately there was little worthy of a mention in the remainder of the proceedings.

Alan Tate was replaced by Joe Shaughnessy after 58 minutes. A minute later, Robson came off for Jonny Hayes.  At the 65 minute mark, Josh Magennis came on for Scott Vernon.

Of the last substitution, if was clear that Vernon had to be taken off. If I had the choice I’d have taken off Niall McGinn too. These two seem to be just going through the motions, these last few games.

The most bitterly ironic thing is thatf Gregg Wylde, who moved to St Mirren the other day, might have made the difference in this game; if only to take a point instead of none at all.

Final score:  0-1.