Nov 262015
 
Glassel Dark Mist and Ian Lockhead Anderson

Glassel Dark Mist and Ian Lockhead Anderson, (Claire Lockhead’s son/Sir Moir Lockhead’s grandson)

With thanks to Martyn Smith.

When William McCombie established the first prize winning herd of Aberdeen Angus cattle at Home Farm, Tillyfour, in 1832, little could he have imagined the impact that would have on the history of Alford and the highly acclaimed Grampian Transport Museum.

To the North East farming community the story of Aberdeen Angus is very well known but the links may come as a bit more of a surprise.
When McCombie’s herd began winning prizes, interest rapidly grew and there was an increasing flow of cattle between the North East and the rest of Britain.

This, combined with the quarrying activities at Kemnay and Tillyfourie, led to the extension of the railway line, in 1859, from Kintore to a point two miles east of the hamlet now known as Bridge of Alford.

At the time there was very little where the line stopped but the village of Alford rapidly grew around the railhead, whose main business was transporting mainly cattle and agricultural materials to and from Aberdeen. This link between Alford and the Aberdeen Angus breed is commemorated by the bronze statue of the bull ‘Jeremy Eric of Bridgefoot’ at the entrance to the village on the A944.

In 1896 there was a fascinating twist to this story. The motor car industry had very recently been born in Germany and a man widely referred to ‘The father of the British motor industry’, engineer FR Simms, had been importing Daimler engines since 1890 to power launches. In 1895 he founded ‘The Daimler Motor Company Limited’ to manufacture Daimler engines and cars in Britain.

F R Simms165

FR Simms with his car in London just before it came to Aberdeen

A factory was established in Coventry and the first Daimler engined cars rolled out in March 1897.

Prior to these British Daimlers being built  FR Simms imported a German built demonstrator for himself in 1886 and showed it in London and then sent it to Aberdeen. When it arrived it was just the second car in Scotland. On Saturday 18th July 1986 It paraded up and down Union Street and was seen by Dr Howie of Strathdon, who immediately purchased it.

The car was delivered to Alford by the railway (which had been established to transport William McCombie bred Aberdeen Angus cattle) and was driven off to Strathdon.

Therefore the second car in Scotland ended up in Alford thanks in part to Aberdeen Angus, and Alford is the site of one of the country’s best transport museums. Established in 1983 the museum is now being extended with the help, once again, of the world famous Aberdeen Angus.

On this occasion the breeder is Sir Moir Lockhead and his daughter Claire, from Glassel Farm, Torphins. Sir Moir is Patron of Grampian Transport Museum and his gift to the funds for the new visitor reception is the beautiful bull, Glassel Dark Mist, which is to be auctioned at the Thainstone Christmas Classic Sale on the afternoon of Tuesday 1st December.

In another amazing twist to this story, Glassel House itself, the residence of Sir Moir and Lady Audrey Lockhead, was purchased in 1915 by no less a person than the Chairman of Daimler, Arthur wood, who lived there until his death in 1935.

Now Glassel Dark Mist, whose involvement has brought this historic tale full circle, will be remembered forever in a beautiful painting by highly respected local artist, Howard Butterworth. This painting will also be auctioned at the sale with the proceeds added to the generous donation to Grampian Transport Museum.

When admiring the painting in years to come what a story the lucky owner will have to tell!

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Nov 162015
 

the JIM-ROBBINS-SPECIAL indy carWith thanks to Martyn Smith, Marketing & Events Organiser.

Now entering its 7th year, SpeedFest – the Grampian Transport Museum’s flagship event – takes place in Alford on Sunday 3rd July.

A unique event in the north east calendar, SpeedFest will kick off with the ever popular Early Bird Rides, giving members of the public the chance to ride around the museum’s purpose built road circuit in a high performance sports or super car.

Most eagerly anticipated will be the pursuits, where direct performance comparisons are made between pairs of performance cars.

SpeedFest 16 promises to be even bigger and better, with recent track improvements and a new ground plan. The main theme will be record breakers and will include record breaking motor, steam and electric cars.

Museum curator Mike Ward is delighted to be involved in organising SpeedFest 2016

“SpeedFest is now our second biggest event, only behind the Grampian Motorcycle Convention. Its popularity is largely due to the great selection of cars, put together by invitation and the fact that they participate in the track activities. Where else would you see a direct performance comparison between a Tesla Roadster Sport and a brand new Ferrari?

“SpeedFest really does showcase the development of performance cars from the 1920’s ‘Blower Bentleys’ to the very latest competition and supercars. The ‘record breaker’ theme in 2016 will produce some interesting cars. The fact that steam and electric cars are to be included will surprise many petrol heads, but it will evoke the long and proud tradition of record breaking electric vehicles and steamers!”

For further information on SpeedFest 2016 please contact Martyn Smith, Marketing & Events Organiser, on 019755 64517 or email marketing@gtm.org.uk.

Nov 162015
 

ChildHopePeruWith thanks to Esther Green, Tricker PR.

Aberdeen Asset Management Charitable Foundation has selected ChildHope as its fourth emerging markets charity partner.

The Foundation has made a three year commitment, with an initial six-figure donation, to ChildHope.

ChildHope was established in 1989 and grew out of the recognition of the huge and growing but neglected problem of children living and working on the streets of Africa, Asia and South America.

Over the last twenty years, the charity has been working to develop long lasting solutions aimed at tackling the root causes of the poverty and the injustice faced by children around the world.

Aberdeen’s support will focus on the regions immediately surrounding Lima, Peru where despite rapid economic development within the city, around a third of children live on less than $2 a day.

Many of these children are subject to violence in schools, where despite national policy, they are often chastised by teachers using sticks, belts or ropes. The project aims to create safer school environments in eight schools. It will identify those children within the schools that are most at risk of educational underachievement and support them with additional supportive educational sessions.

In total, the project is estimated to benefit 7,300 children who will pass through these schools over the term of Aberdeen’s partnership, as well as having associated impact on 400 teachers and 4,500 parents.

Anne Richards, Chief Investment Officer of Aberdeen Asset Management and Chairman of the Foundation, comments:

“Aberdeen has a significant presence in Latin America and so I am delighted that employees globally have chosen to support ChildHope. Education plays a crucial role in the development of society so the charity will have an impact not only on the children but the country as a whole.”

ChildHope UK’s Executive Director Jill Healey said:

“We are absolutely thrilled to have been selected as Aberdeen Asset Management’s next emerging markets charity partner. By working together we can fundamentality transform the lives of some of the most vulnerable children in Peru and give them a chance for a better future.’’

ChildHope becomes the fourth emerging markets charity partner to be supported by the Foundation, alongside ABC Trust, SeeBeyondBorders and AfriKids.

The Aberdeen Asset Management Charitable Foundation was established in 2012 to formalise and develop Aberdeen’s charitable giving strategy. It has two main themes:

Emerging Markets – Aberdeen has committed to develop a number of strategic partnerships with charities tackling the educational needs of disadvantaged young people in emerging markets. Each year, an emerging market is selected by the Foundation’s Board and employees have the opportunity to vote for a project in that country which will receive support for a three year period.

Local Communities – To complement this international focus, each Aberdeen office around the world has established its own charity committee, whose remit is to manage local giving activities and to promote volunteering.

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Nov 122015
 
A young musician plays an instrument made from recycled garbage, in Landfill Harmonic.

A young musician plays an instrument made from recycled garbage, in Landfill Harmonic.

With thanks to Barbara Holligan.

Take One Action! will open its first ever Aberdeen Film Festival on Fri 13 November with an exclusive screening of Landfill Harmonic, the inspiring story of a youth orchestra from the slums of Paraguay whose choice of instrument – recycled garbage – blazes with hope.
The festival will close with The Price We Pay, Harold Crooks’ acclaimed new documentary about international tax avoidance, it was announced today.

Landfill Harmonic, which won the audience award at Take One Action’s film festival in Edinburgh and Glasgow this September, follows the journey of the Recycled Orchestra of Cateura, a youth music group from the slums of Paraguay who build classical instruments out of garbage from the giant landfill site that towers over their homes – a story that captured the world’s imagination and featured in Time magazine and on Fox News.

The Take One Action! Film Festival sees thousands of Scots each year experiencing cinema with a difference, actively engaging with filmmakers, activists, politicians, journalists, and other audience members to explore new ways to create a fairer, more sustainable world – and to take action themselves.

Other festival highlights include a preview of The Divide, based on Kate Pickett and Richard Wilkinson’s bestselling book about social inequality, The Spirit Level and The Price We Pay, which has won rave reviews in Canada.

The Price We Pay examines the dark history and shocking present-­day reality of big business tax avoidance, which has seen multinational companies depriving governments of trillions of dollars in tax revenues by harbouring profits in offshore havens – originally created by London bankers in the 1950s. As well as tackling big issues, the festival tells fascinating human stories from across the world.

Stories of Our Lives is a series of moving vignettes about LGBTI people from Kenya, while Casablanca Calling introduces us to the women leading a spiritual revolution in Morocco by becoming Muslim leaders in a country where 60% of women have never been to school – part of a national response to a series of suicide bombings in 2003.

Festival screenings will take place at Belmont Filmhouse.

A special, free screening of Ivory Tower, an examination of the rising cost of higher education will be presented at the University of Aberdeen on Thursday 12 November. Every screening at the festival is accompanied by discussions with campaigners, artists and activists. Guests include representatives from Big Noise Torry (Sistema Scotland), Aberdeen Climate Action and SHMU Radio. Audience members are encouraged to get involved in the issues raised by the films.

“We want people to feel empowered to help make the world a fairer, more sustainable place by taking practical action alongside others in Scotland,” says festival director Tamara Van Strijthem.

“This programme was put together with the direct involvement and support of a great group of Aberdeen residents. We also want to encourage audiences in Aberdeenshire and beyond to organise their own Take One Action film seasons in their own communities.”

Tickets can be booked in advance via Belmont Filmhouse (01224 343 500) Some of the films are available to view in advance of the festival. For information, and to request interviews and images, please contact Tamara Van Strijthem, Executive Director on 07876 612 334 or tamara@takeoneaction.org.uk.

You can watch trailers for festival films on our YouTube channel.

FESTIVAL PROGRAMME IN FULL – Click Here

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Nov 122015
 

With thanks to Eoin Smith, Senior Account Executive, Tricker PR.

Fiona Kennedyfeat

Fiona Kennedy is a patron of NESMS.

Much loved Scottish entertainer Fiona Kennedy and influential actor and director John Bett, a founding member of the 7:84 theatre company, will lead the 40th birthday celebrations of the North East of Scotland Music School (NESMS) in November.

NESMS is the longest running independent music school in the area and has been the spring board for internationally renowned musicians such as Lisa Milne who has had lead roles in productions by both Scottish Opera and English National Opera and David Ferguson, the only Scot chosen by Gareth Malone for his Voices Choir.

The school’s major celebration will take place at its annual Keynotes Lunch which will be held at Norwood Hall in Aberdeen on Sunday 15th November.

Fiona Kennedy, long term patron of NESMS and John Bett are creating a musical tableau which will reflect NESMS’ history and contribution to cultural life in the north east since its inception. Current pupils of the school will perform in the tableau.

NESMS was founded in 1975 by the late Dorothy Hately who was awarded an MBE for services to music in 1987. Ms Hately, along with Lady Aberdeen, wanted to give young people who had musical promise the opportunity to have tuition which was not available to them through other pathways.

Dorothy encouraged the then director of education in Aberdeen to allow NESMS to begin classes in a part of the old Aberdeen Academy (now the Academy Shopping Centre) in Belmont Street.

NESMS opened offering teaching in four disciplines to just forty students. When work began on the transformation of the building into a retail centre, NESMS found a temporary home in the Methodist Church in the city’s Crown Terrace. Dorothy Hately’s tireless work on behalf of NESMS led to the awarding of a grant from the Scottish Arts Council Lottery Fund and from the Foundation for Sports and the Arts, to enable NESMS to purchase a permanent home.

In 1998, the school officially opened the door to its new premises and the Huntly Street centre was named the Dorothy Hately Music Centre in memory of its leading light who sadly died in 1996, never seeing the centre which she had worked so hard to achieve on behalf of the area’s musically talented youngsters.

From its early beginnings of four disciplines and 40 students, today NESMS offers 15 disciplines, taught by 20 tutors, to more than 250 students at its Huntly Street base with four teaching studios, a library and a lounge. And it’s not just students from the Granite City alone – talented musicians from the whole of the north of Scotland including the Highlands and Islands are pupils at the school … and they are not just youngsters!

The school welcomes enquiries from anyone who has reached a suitable level of attainment whatever their circumstances, age or musical background.

Potential students audition for entry to NESMS. Instrumentalists generally speaking should have attained Grade 5. Criteria for vocalists relate to voice maturity or experience of singing solo or in groups.

The range of instrumental tuition on offer is wide and includes brass (horn, trumpet), strings (violin, viola, cello, double bass) and woodwind (flute, recorder, clarinet, oboe, bassoon) and of course piano, with tuition in jazz as well as classical styles available. Students who wish to develop their ability to deal confidently with an audience are offered opportunities for both solo and ensemble public performances.

Students pay fees which are kept to a minimum through an active volunteer fundraising programme and the generosity of trusts, foundations, companies such as Aberdeen Asset Management and Mattioli Woods Plc as well as private individuals. There are scholarships which can be applied for annually. These are awarded on merit. Through assistance provided by the John Gordon Foundation and Aberdeen City Council a fund is available to pay lesson fees for students in financial hardship.

Barbara McFarlane, Chairman of NESMS, says that it is remarkable what the school has accomplished over the past 40 years.

Barbara says,

“Since Dorothy Hately founded the school in 1975 we have more than trebled the number of music disciplines that we offer. The number of students we teach has also increased by over six times since the school started.

“We are immensely proud to have reached this 40 year milestone and it’s a time to celebrate the fact that many of our students have gone on to become extremely successful musical composers, teachers and musicians.

“NESMS is also extremely fortunate to have such exceptional ties with the most distinguished music tutors in their field, many of whom are former NESMS students themselves, and also with our patrons who are all extremely passionate about dedicating their knowledge and expertise to the musical development of our students.

“Fiona Kennedy is a faithful NESMS patron and we are honoured that she and John Bett have both devoted their time to creating a musical portrayal of NESMS and all the effort it has contributed to Scottish music over the years.”

To book tickets for the NESMS Keynotes Auction Lunch, or for more information on how to enrol for lessons, phone North East of Scotland Music School on 01224 649685 or email nesms@dsl.pipex.com

Past and Present Notable NESMS Students:

The past 40 years have seen an abundance of notable and influential Scottish musicians begin their musical careers at NESMS.

Lisa Milne

Renowned Scottish Soprano Lisa Milne is one of the best known of NESMS’s alumni after a successful and extensive career in opera and classical music. Lisa was only 14 when she first started singing lessons at NESMS. After securing leading roles for world-famous operas such as The English National Opera, Metropolitan, New York and Scottish Opera, Lisa was awarded an MBE from the Queen in 2005 for her services to opera and music. She is now a vocal coach at The Royal Conservatoire of Scotland.

Ian Wilson

Ian Wilson began his exceptional career in music as a woodwind student at NESMS. Ian now shares his expertise with his very own NESMS protégés’ as he is a visiting recorder specialist at his former music school. After winning multiple music prizes during his time studying at Guildhall School of Music and Drama he is now the Principle Recorder Professor at Guildhall and Head of Woodwind at Eton College.

Ian has also spent time performing as a soloist with a variety of Europe’s period instrument orchestras and as a chamber musician in many European festivals.

Oliver Searle

Former NESMS piano student Oliver Searle was tutored at the school whilst studying for a degree in Music Education at Aberdeen University, he then went on to gain a distinction in his Masters degree from The Royal Scottish Academy of Music and Drama.

Oliver frequently collaborates with music charities, most recently with Drake Music Scotland for the London cultural Olympiad, he also regularly produces music for theatre and has been involved in a number of music projects for people with cochlear implants. He is currently Creative & Contextual Studies and Composition Lecturer at The Royal Conservatoire of Scotland in Glasgow.

Joseph Long

Accomplished composer and concert pianist Joseph Long studied piano at NESMS. He has vast concert experience in a number of world famous venues including The Grand Hall of the Moscow State Conservatory, The Calcutta School of Music and The University of Almeria in Spain. After leaving Aberdeen to study at Cambridge he is now back in his native city and teaches advanced piano at NESMS and Aberdeen University.

Donald Gillan

Aberdeen-born Donald Gillan was a cello student at NESMS, he later won scholarships to the Royal College of Music and the Royal Northern College. He has since toured with the Scottish Chamber Orchestra performing in countries including Japan, Spain and Germany. Donald also freelances for the BBC Scottish Sympathy Orchestra, Scottish Opera Orchestra, plays in duos and quartets and performed at three prom concerts at the Royal Albert Hall.

Sally Garden

Sally Garden is a musicologist, mezzo-soprano, and a former NESMS vocal student who has trained with distinguished Italian soprano Laura Sarti. She was also a finalist in the Mary Garden International prize and was later appointed Historical Musician in Residence at the Wighton Heritage Centre, Dundee. During her time there she was responsible for directing a three year programme of music events to unfold one of Scotland’s finest music archives.

She is now an Honorary Research Fellow at the Centre for Scandinavian Studies at the University of Aberdeen and has been able to dedicate her time towards recital work.

David Ferguson

Current NESMS student David Ferguson has been tipped for musical success after being handpicked by celebrity choirmaster Gareth Malone OBE after a nationwide search for a 17 strong choir. Before joining Gareth Malone’s Voices in 2013, David had been singing as a choirboy since the age of eight and had performed with a variety of different choirs throughout the UK.

After a CD release and a UK tour David joined up with four members of Gareth Malone’s Voices to form their own band, which they named The Harbour. David travels frequently to London to attend recording sessions and performances, as well as receiving voice tuition at NESMS.

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Nov 122015
 

DAK with bookBy Suzanne Kelly.

Dr David Kennedy – academic, educational reformer and educational observer. He is possibly best known as the former head of Robert Gordon University who handed his degree back in disgust and protest at the honorary degree handed to Donald Trump.

Honouring Trump seems more of a huge error in judgment, academically as well as moral, as each day passes.

Trump goes from disaster to disaster, having been linked to organised crime by the BBC’s Panorama, and having branded himself as a racist, nationalist, sexist self-publicist. Yet RGU stands by its decision. And Dr Kennedy stands proudly by his.

Dr Kennedy released a book in June on his experiences in Scottish education. What’s in a Name?

Stories of a decade in higher education is available from Amazon as hardback, softback, or electronic versions. It can be found here.

Kennedy gave me his book to read and gave me an interview in mid-August. Circumstances at my end have delayed my reading his excellent book and putting the finishing touches on our interview. I regret this for several reasons, not least being Dr Kennedy’s ongoing kindness towards me and his patience in explaining some of the more complex issues involved in the history of changes in Scottish education.

More importantly though, the changes in our education are having tremendous changes on our society, our values and our morals. Some say that we are hot-housing our children from far too early an age, separating infants and young children from their parents who need to earn money.

Are our children able to find education that suits their intellectual potential despite whether they come from rich or poor backgrounds? Are we stressing our children by too much school and too much homework? Are some subjects (phonetics, ‘new’ mathematics) unhelpful hoops we make children accept without question? Are we teaching children how to think and synthesise facts they discover themselves and how to structure logical arguments – or are we teaching them to memorise things temporarily to get good exam results?

And this is before we reach higher education.

When I wanted a higher education, I was interested in the liberal and fine arts; I wanted knowledge first, and any future earnings potential was a secondary consideration (if I ever considered money more important than knowledge). Now our higher educational system seems far more concerned with employment outcomes than learning outcomes.

Engineering degrees involve great specialisations. I know several financially successful engineers over the years who seem to have limited cultural, historic, artistic, ethical knowledge. Is it possible that an educational system which favours specialism and ignores history, classics, ethics, philosophy and arts contributing to a shallow, materialistic culture that is willing to sell the planet’s environmental future for profits today?

Perhaps we should ask Dr. Donald Trump. I know what I think, and look forward to discussing the issues with Dr. Kennedy.

We start our telephone conversation; I am reminded of our earlier interview when we discussed Trump and RGU. This time however, David has a huge amount of information he is eager to convey, and I don’t need to ask him any questions at all.

David: 

“The book expands over my experience of higher education in Britain; things I personally knew about. 

I think its relevance to the current situation in Higher Education (HE) lies in 5 issues:

  1. Significance of Higher Education for society, industry, and individuals
  2. Does “one-size fits all” apply to career education/training? [Relevant to student debt]
  3. Equivalence of Awards across subjects, institutions, and countries 
  4. Relevance of Research and Scholarship in HE [Both are essential learning activities for students]
  5. The gradual commercialisation of education and its significance in so many different ways.

The book was inspired originally by the fact RGU, originally RGIT, is very well known and certainly in Scottish education, everyone thought of it as being highly prestigious; with an enviable profile. It was regarded as the flagship of Scottish post-school education. At that time, Scottish universities considered themselves to be British rather than Scottish and argued strongly against coming under Scotish control.

I should say that there were different mechanisms of funding for tertiary education. One was through local authorities. Another was through a grants committee funded by Whitehall, but very much at arm’s length, run by a committee of academics. The third was direct funding by government and this was the case here in Scotland – education colleges and central institutions by the Scottish Office. This was unique to Scotland and highly relevant to what happened later on.

RGIT had a prestigious reputation. There were 14 central institutions in total in Scotland, and there were ten colleges of education. The central institutions were of two types – one a polytechnic type, the others monotechnic – examples are colleges of agriculture, domestic science colleges, colleges of art, of nautical studies, and so on. Glasgow, Edinburgh, Dundee and Aberdeen had polytechnic-type institutions; the monotechnics were spread around.

I was appointed principal of RGIT in November 1984 and took up post in May 1985. From the start, I knew things were not right. There was a lot internally that was wrong, but I never ever expected the mess to be quite as bad as I found it.

The early chapters of the book, which is semi-autobiographical, is a collection of short stories, all true, as experienced by me. They are clustered in ten chapters. The first is about the stresses of the job – it describes some of the outstanding problems I found on taking up the post.

Very early on, I discovered to my horror that if you are a boss, then other people perceive you as being something different, even if you think you are just like everyone else. Relationships are different, some deferential, some obsequious, some hostile, and others downright insulting.

One anecdote in Chapter 2 concerns the first day I arrived. There were great piles of papers that had accumulated over many weeks; some very urgent. The less urgent included a petition from staff about the food in the refectories. I decided to visit each in turn (there were 6 in all). On the second day, I went to a nearby refectory for lunch; there were a pair of staff sitting together in earnest conversation and a guy sitting on his own.

I sat with him and began to chat. He had little apparent interest in anything and I found it difficult to get him to talk. However, some of his colleagues joined us and an animated conversation took place.

A young woman sitting next to me asked where I was from. [I’m a Geordie; it’s a very recognisable accent]. I told her, ‘I’m from Tyneside. I thought you’d know by my accent.’ ‘No, where are you from in the institute?’ I said ‘The Principal’s Office’ . She thought she’d perhaps hear a bit of gossip and asked what I did there. ‘Well, I’m the Principal’. All eight of them upped and ran; it was like an explosion.

They perceived me as some terrifying being quite different from themselves; this was reinforced later, many times.

Chapter Two tells about students, colleagues, stratagems that were used to gain special advantage, or to do the Principal down!

Chapter Three is about oil-troubled waters. Far from pouring oil on troubled waters, this was about the oil industry and the problems it brought. I can’t really describe it all – you’d have to read the book. RGIT had a massive input into the oil industry; more than any other institute in the UK. It had a world-wide reputation for the work it did. Meanwhile, at the Scottish Office… well, there was massive and secretive manoeuvring going on.

I start the chapter by saying 1066 was probably the most dramatic year in history of Britain, while 1988 probably most significant for Aberdeen, with Piper Alpha, and for RGIT. It was a very dramatic year also for higher education because of political goings-on that we were told nothing about at the time. We found out later, to our cost.

Chapter 4 – Quis custodiet … (ipsos custodes)? – who guards the guardians?– is about the way public sector institutions are governed, and how control is exercised. The press often terms itself as the ‘fourth estate’ that casts light on those in charge, and particularly on wrongdoings; but does it do this both honestly and fairly? It provides facts about people who are given responsibility to run organisations on behalf of the taxpayer.

The chapter also describes some unfortunate consequences of media behaviour. 

There was always a shortage of accommodation and Aberdeen Journals would have stories about the hardships of students unable to find suitable accommodation.

There was an implied criticism of the institutions and their bosses, taking in too many students – for the money! In one year two Art students decided to sleep in tents on the banks of the Dee. They contacted the press about their ‘plight’. The press had a field day. It turned out these were rich kids, carrying out a prank. The media didn’t investigate, simply looked for good stories – and were strangely silent when the truth became known.

Chapter 5 – Night-flying. The English call it ‘flitting’; it implies something done in the dark. This chapter relates stories about people who’ve tried things on.  It’s about the misbehaviour of staff who were too entrepreneurial.

Chapter 6 – A Question of Quality. This recounts the operations of the Council for National Academic Awards, which awarded the degrees offered by the polytechnics in England and central institutions in Scotland. It was the biggest degree-awarding body of its day and set standards for courses and their delivery, for examination regulations and procedures, as well as for the awards themselves.

Everything was written out, purposes and processes made clear, with evidence and fact-driven judgements based on clear standards. 

I tried to explain its strengths and weaknesses. I played an active role in CNAA and assisted in more than 70 institutions of all kinds in Britain. CNAA was closed down by government in an act of educational vandalism. It was the biggest mistake by British government in higher education in the last 50 years.”

The interview will be continued shortly, with a review of the book ‘What’s In A Name?’

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Oct 222015
 

With thanks to Angela Theobald.

AberdeenforwardThmEnvironmental charity Aberdeen Forward are hosting a range of workshops and courses up until the end of 2015.

Aberdeen Forward works closely with local communities, businesses and individuals to educate and promote projects that help to protect our environment, reduce waste and encourage sustainability.

Course Details

Hobby Club: Every Wednesday, 10am-12pm/1.30pm-3pm, these are drop in craft sessions. Donation of £2 per person.

Upholstery afternoon class: 2pm-5pm, £200, every Monday in this block

  • 2nd November to 7th December

Upholstery weekend class: 31st October to 1st November, 10am-4pm, £200

  • If you book with a friend, we will give you a £10 discount each.
  • Also if you are already booked onto another course with CFine, you will get a £10 discount.
  • There will be breakfast and a homemade lunch included.

Back to Basics Sewing courses 2015: 6pm-8pm, £92, every Thursday in each block

  • 19th November to 17th December – a two week break for xmas and new year – then the last date on 14th January

Advanced Sewing courses 2015: 6pm-8pm, £92, every Monday in each block

  • 16th November to 14th December – a two week break for xmas and new year – then the last date on the 11th of January

Crochet: 6:30pm-8:30pm, £60, Every Wednesday in each block

  • November 4th, 11th, 18th

Booking:

To book or find out more please contact atheobald@cfine.org or 01224531376.

Venue:

Unless otherwise stated, the venue is:
Aberdeen Forward, 2 Poynernook Road, Aberdeen, AB11 5RW

Oct 082015
 

The Grampian Transport Museum will be welcoming visitors this October with a number of special activities taking place during the school holidays. With thanks to Martyn Smith.

GrampianTransportMuseumImage1A special guest exhibit will be on display in the museum from Monday 12th October.

Helping to celebrate 30 years since the original Back to the Future movie, the museum will be displaying a DeLorean DMC-12 – the car popularised in the cult movie trilogy. In the second instalment of the film the central character, Marty McFly, travels forward in time to Wednesday October 21 2015, the date our guest exhibit will then be departing on.

Alongside a standard DeLorean vehicle a number of replica props will be on display, including a detailed replica of the Hoverboard used in the movie.

These have been painstakingly re-created by Barry Thackery of Aberdeen, who has also turned his hand to creating an operational flying DeLorean, using a scale model of the movie car which has been married up to the chassis of a radio controlled drone.

Also taking place during the October break is the museum’s final rides afternoon of the season – Full Steam Ahead, which takes place on Thursday 15th October, from 1.30pm – 3.30pm.

The museum’s 1914 Sentinel Steam Waggon, the oldest fully functional Sentinel still in existence, will be offering museum visitors a ride around the outdoor circuit and will be joined by a 1:3 scale Burrell Steam traction engine, built in Ellon by blacksmith Willie Gill. The Burrell was purchased by Aberdeen City Council and was run regularly in the city’s Duthie Park, where it proved especially popular during the summer months.

A number of static displays will be on show too – a live steam 3.5” gauge Stevenson’s Rocket will be on show alongside a selection of miniature traction engines and railway locomotives.

Then the fun continues with a special Halloween Activity Afternoon on Friday 23rd, from 1pm – 3.30pm. With Halloween activities, quizzes and crafts plus face painting, balloon modelling plus the museum will also welcoming Diana from ‘Once upon a tune’ who will be providing lots of fun through song and story.

Entry to these events is included in the museum’s standard admission which is £9.50 for adults, £7.50 for concessions and 2 children admitted FREE with every adult.

Grampian Transport Museum remains open daily from 10am – 4pm up until Sunday 25th October, giving visitors the chance to see fantastic displays including the Made in Scotland exhibition and Ferrari Enzo supercar, the only example in Scotland. There are daily quizzes for younger visitors to enjoy and the Travellers Rest tea room is open daily from 10.30am – 3.30pm.

Sep 282015
 
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Phil Duffield from Scottish Power Foundation (centre) meets Trees for Life volunteers (left-right) Sam Manning, Grace Burger, Emily Warner and Rebecca Schmidt at Dundreggan Conservation Estate

With thanks to Richard Bunting.

Award-winning conservation charity Trees for Life is running a new project to develop high-quality conservation volunteering opportunities for young people, thanks to a grant of £20,000 from the ScottishPower Foundation.

Those benefitting from the initiative include students from Aberdeen University, Peterborough Open Awards Centre, Glasgow University and Leicestershire’s Brooksby Melton College.

“This generous grant from ScottishPower Foundation is excellent news for the Caledonian Forest and its rare species, and for dozens of young people who will be able to study and carry out practical hands-on conservation work – including the establishment of native woodlands and managing land for wildlife,” said Alan Watson Featherstone, Trees for Life’s Executive Director.

“The funding will enable us to make our project accessible to the widest range of young people – particularly those facing disadvantages and financial barriers to participation.”

Ann Loughrey, Trustee and Executive Officer at the ScottishPower Foundation, said:

“The ScottishPower Foundation is committed to supporting community programmes that inspire young people to get more out of life, whilst giving something back to their local community.

“Through the Trees for Life initiative, the young people involved will gain practical skills that will support their career ambitions, as well as valuable life skills. We are delighted to support Trees for Life and wish all the young people involved every success for the future.”

The project will benefit 70 young people aged 18-25 years old during 2015. Through both week-long courses and long-term volunteering placements, the young people will be able to develop new skills and strengthen their employability.

Activities will include the planting of native trees and plants to expand woodland habitat, collecting and propagating seeds in a specialised tree nursery at Trees for Life’s acclaimed Dundreggan Conservation Estate near Loch Ness, and carrying out biodiversity surveys.

Although only a fraction of the former Caledonian Forest now survives, Trees for Life volunteers have helped to plant more than one million trees at dozens of locations across the Highlands, and to create 10,000 acres of new forest. The charity has pledged to establish one million more trees by planting and natural regeneration by 2018.

For more information about Trees for Life, see www.treesforlife.org.uk or call 01309 691292.

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Sep 182015
 

GrampianTransportMuseumImage1With thanks to Martyn Smith.

Grampian Transport Museum will again be offering motoring enthusiasts the chance to clear out the garage or workshop with this year’s Autumn Autojumble.

The annual event, which takes place on Sunday 27th September, sees traders from across the country converge to sell a wide range of automotive parts, memorabilia, miscellanea and even vehicles.

One vehicle which is to go on display for sale this year is a 1987 Ford Fiesta XR2i which has been part of a key display inside the museum in 2015.

The Fiesta has spent the season next to the museum’s Rover SD1 Vitesse police car. The Rover found fame on the Channel 4 show ‘For the Love of Cars’ when broadcast in April.

Alongside the traditional categories this year’s Jumble has now been extended to include general car boot, trade and craft stalls ensuring there really is something for everyone. As well as providing the opportunity to clear space in the garage or shed, the Autojumble provides the ideal opportunity to find a new winter project.

Gates open to the public at 9am with admission just £3 for adults and children under the age of 16 are admitted free of charge.

The museum will also be offering reduced price admission, meaning visitors can enjoy the 2015 exhibition including the Made in Scotland display or the only Ferrari Enzo on show in Scotland – one of only 400 ever produced!

Anyone who wishes to book a stall can do so for just £12 in advance, which includes 2 complimentary passes to the museum. Entries will be accepted on the day at £15 on a first come, first served basis.