Suzanne at Aberdeen Voice

Jul 242015
 

The Scottish Government plans to appoint a teacher/ educator/ nurse to oversee every child born. The intent is ‘Getting it right for every child;’ the scheme is commonly known as the ‘Named Person’ scheme. Aberdeen Voice asked the agency responsible for the roll-out of the Named Persons scheme to answer some of the many questions surrounding this controversial scheme. Here are the questions and replies, as well as a few further questions. By Suzanne Kelly

Scottish ParliamentThe controversial ‘Named Person’ scheme is the subject of heated debate and discussion online and offline. The named person will follow a child from birth to age 18, looking at any records they wish concerning the child and its family, such as health, education, police; anything.

The intention may be a good one, to ensure that no child is abused. A number of questions were put to the government, and after a few weeks their spokesperson responded as follows:

Q1.  How do you square this scheme with the opinion of the Law Society, which warns that the move could be illegal under Article 8 of the European Convention of Human Rights (ECHR), which protects a parent’s “private and family life”.

Reply: 

“The legislation was recently the subject of a challenge in court, heard in November and December 2014. The challenges to the legislation were rejected in their entirety by the Court. The Court found that Part 4 (Named Persons) of the Act does not contravene the ECHR, EU law or the Data Protection Act (DPA).”

Q2.  Do you intend to compel children to answer questions?

Reply:

No. As we have said before, there is no obligation for a parent, child or young person to engage with the Named Person. The legislation brings no new powers for teachers, or any other professionals.”

[At present there are strict laws governing who can access personal data; it is far from clear whether that protection will apply to Named Persons who want to look at files. While the answer says children will not be compelled to answer, it was presented in court that they will indeed be made to answer questions with QC Aiden O’Neil telling the court there is no provision for opt-out http://www.bbc.co.uk/news/uk-scotland-30935806 . Anyone who doesn’t want to answer questions, or any family that doesn’t want to participate should be made aware of the answer the government supplied here that says the scheme is not compulsory.]

Q3.  Will children be forewarned before they are questioned?  This apparently did not happen in at least one case.  In Aberdeen, a teenage girl was called out of her class and questioned by someone at first introduced as being a nurse.  She was unprepared and uncomfortable.

 Reply:

The Scottish Government cannot comment on individual cases.”

[The question was whether or not a person would be forewarned they are to be questioned. This was not answered.]

Q4.  The girl was asked questions about her period among other things. Is this sort of questioning what is being rolled out? Please send me a list of questions which children will be asked to answer.

Reply:

“The Scottish Government cannot comment on individual cases. There is no list of questions.”

[If there are no set questions that can be published, then how can a child or a family possibly know what questions and what subjects are covered under this scheme? The absence of set questions leaves this sensitive questioning of a child open-ended, and can be seen as a carte blanche open to abuse.]

Q5.  A concerned parent wanted to know what had transpired and been written up as notes after their child was interviewed.   The local authority planned to charge £10 per page of documentation supplied – and also was arguing that neither parent or child was really entitled to see any reports created by a named person.

Reply:

“The Scottish Government cannot comment on individual cases.

“The cost of requesting information held about you (known as a Subject Access Requests) is regulated by the Information Commissioner’s Office (ICO). Parents are entitled to access information about their child by making a SAR if the child is unable to act on their own behalf or has given their consent. Further information can be found here: https://ico.org.uk/media/for-organisations/documents/1065/subject-access-code-of-practice.pdf

[The costings provided in the document supplied seem very precise. They also seem very low. The scheme will cost central government absolutely nothing. It will cost ‘other bodies, individuals and businesses’ less than £700,000 from now through 2019, and will cost the NHS. The bad news is that these costs which are nothing short of eye-watering will fall on local governments. In 2014-15, local authorities are estimated (rather precisely) to have to spend £78,782,982 on the scheme (I wonder what happens if that rises to £78,782,990?). The figures then shoot up further, costing £107,765,588 the following year, and similar sums going forward. Will we see local authorities hiring squads of child watchers? It certainly looks like a possibility, as Page 47 refers to hiring administrators.]

Q6.  What powers does the named person have over the child?

Reply:

The Named Person builds on the professional responsibilities of those individuals who are identified as Named Persons (such as Health Visitors, Primary Head Teachers and Guidance or Pastoral Care Teachers), and will form part of their day-to-day work. The Act does not introduce any powers over a child for the Named Person role.”

[Some teachers are less than keen to have any further work piled on them. I have also heard from parents of children with special needs who are currently in litigation concerning bruising and possible use of restraints on their children – the very people who are involved in the legal action would have been likely to also be the ‘Named Person.’ This is worryingly going to cause clashes and in such a case it is hard to see how allowing a Named Person access to records about the child’s bruising and police information which could influence legal action is in the child’s best interests.]

Q7.  What forms of records – school, medical, police, other – would a named person be allowed to look at?

Reply:

There are no powers in the Act plans to routinely gather and share information, or records. If there is a concern about wellbeing then relevant public bodies will share information proportionately and if relevant to addressing a concern. The child or young person will know what is being shared, for what reason and with whom and their views will be taken into account.”

[This is somewhat reassuring – but how the scheme will be overseen and what checks and balances exist is unclear.]

Q8.  How much is your scheme estimated to cost at the national level, and how much at the local authority levels for Edinburgh, Inverness, Glasgow and Aberdeen?

Reply:

“Information on the costs of implementing the Getting it Right for Every Child Programme of which Named Person forms a part, are contained within the Financial Memorandum of the Children and Young People (Scotland) Act 2014, available here: http://www.scottish.parliament.uk/S4_Bills/Children%20and%20Young%20People%20(Scotland)%20Bill/b27s4-introd-en.pdf

“The Scottish Government does not hold information relating to the cost for individual local authorities.”

Q9.  There are cases where children with special needs have returned home from specialist schools with injuries and legal action is being taken by parents. If the named person is also someone who might potentially be involved in abuse, what safeguards would be created to remove the named person from overseeing that child? What safeguards would ensure that such a person is banned from looking at medical, police or other records which could interfere with any legal action being taken by parents?

Reply:

The workforce regulation will not change as a result of the Named Person. Anyone undertaking the Named Person role, such as Health Visitors and Head Teachers, will have already undergone a process of checks and vetting through the Protecting Vulnerable Groups (PVG) scheme which checks their suitability to work with children.

“The Named Person will be accountable within the management structure already in place for their primary role. They will also be accountable to their professional registration body as is currently the case. Parents and children will be able to hold professionals accountable through the complaints processes in place within agencies.”

[This may be reassuring to some, but as the news attests, there are educators and doctors who have been found guilty of abusing children, all of whom had been passed as suitable to work with young people.]

Q10.  How does the government plan to manage and record instances of named persons accessing a child’s records?  If the Data Protection Act 1998 is to be upheld, how does the scheme plan to manage doing so?

Reply:

“Part 10 of the draft statutory guidance (available here: http://www.gov.scot/Resource/0046/00469613.pdf) outlines how the information sharing requirements of the Act should be met in a manner that is consistent with the Data Protection Act and the ECHR.”

My conclusions:

People have come out in support of the scheme. However, ‘Getting it right for every child’ seems to mean treating all children and families in precisely the same way under this new system. With data protection rights being breached with alarming frequency, coupled with no set questions and therefore no clear guidance about what it is appropriate to ask, will there be abuses under the plan?

The Act reads in part: “The Children and Young People (Scotland) Bill is founded on the key principles of early intervention and prevention…” Who is going to decide what ‘intervention’ is required? Who is going to be deciding that some future abuse or problem should be ‘prevented’, and how would this happen? Removal of the child from the family?

It is not so long ago that the shameful Orkney ‘satanic abuse’ scandal saw children being taken away from their families on the trumped-up charge of ‘satanic abuse’, questioned until exhausted under questionable circumstances, and when they begged to be allowed to go back to their families, their wishes went unheeded. Some of those forcibly removed children, taken for their own safety allegedly, wound up being abused when in care.

Some of these children sued the state for their lost childhood.

The state needs to clean up its own sorry systems before deciding it has the right to intervene and prevent. In the words of one of the Orkney children:

“We kept telling them that we had not been abused, but they wouldn’t listen,” she said. “The interview techniques used were designed to break us down.

“To take a child away from her mother at the age of eight is unforgivable. We were part of a normal, happy family and suddenly we were shattered.”  http://www.scotsman.com/news/scotland/top-stories/orkney-abuse-scandal-victim-to-sue-for-lost-youth-1-1139542

The state assumed it knew better than the families and the children then; it is assuming it knows better than the families and children now.

This is a contentious subject; there have seen some heated exchanges online; some people are assuming objections to this scheme must necessarily be motivated by anti-SNP sentiment. This leap of logic must not be allowed to overshadow the facts of what the government wants to implement. Objectors to the scheme include doctors, families, human rights groups and more.

For those concerned about the increasing encroachment by government on the rights of the individual, this scheme seems Orwellian. Indeed, we are going to teach children from the time they can talk that they are answerable to the State, not that the State should and must be answerable to them.

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Jul 142015
 

With an avalanche of anodyne music seeping into our living rooms from tedious TV talent(?) shows, the news that Black Grape would play Aberdeen was great news. Their acidic acid observations are set to uplifting, neo-indie music which thrilled fans and critics when they first set sail some two decades ago. What would they be like now? Suzanne Kelly (article) and Julie Thompson (photography) found out.

Black_Grape2

Many old acts are reforming and hitting the road; their motivations vary.

Sometimes it’s a case of government austerity forcing these reformations.

It can also be a touch of greed, or a touch of poverty (fame does not equal financial security).

Some such reformed acts ache for a bit more adulation/re-lived glory, or just ache to get away from the wives.

Bands which are forced to tour can fool some of the people some of the time. But there are some things you can’t fake.

On Sunday the 5th July, Aberdeen’s Beach Ballroom was filled with people who clearly loved Black Grape and who had high expectations. Everyone who entered with high expectations exited in higher spirits. God, I hope they come back.

The support acts were local lad Marc Culleys’ Soul Love, Aberdeen’s Tijuana Sun, and Mancunians Alias Kid. Culley’s set was popular; I was sorry I missed it. More on Culley here.

Tijuana_SunTijuana Sun has some accomplished playing and some memorable songs and riffs.

TS are a are a local act that’s been going for a few years now.

They are Mark Ferguson (Vox), Kris Harris (Guitars), Gregg Bannister (Guitars), John Brown (Bass), Paul Barclay (Drums).

More on them here

Alias_KidAlias Kid were a great warm up act for BG; it’s the kind of young indie act that’s very much needed to stir things up in the industry.

I found out afterwards that Alan McGee had signed them and I wasn’t surprised.  They are Maz, Sean, Col, James, Nick, Chris; follow them here.

There’s a sweet, poppy song ‘Zara with the Henna’ which went over very well on the night.

My favourite was ‘Revolution Sometime’ which impressed the crowd.

The percussion was outstanding; guitarist James has a way with his Gibson, and there’s lots of anarchic chemistry onstage.

Then it was Black Grape time. The current Black Grape lineup is Shaun Ryder, Kermit, Che Beresford, Mikey Shine, Seth Leppard, Dan Broad. Mancunia Promotions invited Aberdeen Voice to the Aberdeen leg of this 20+ date tour, which just concluded. For further information and links to some great BG videos, visit Mancunia’s page here

Black_GrapeThis enthusiasm thing. If Black Grape were faking it, then they should all be in Hollywood collecting Oscars. I wanted so much for them to be enjoying it, and for it to be just as it was when I first saw them 20 years ago. And it was.

Early on it seemed Kermit made a remark to Ryder about his being over 50 years old – and I’d expected the audience to likewise be people around the same age. The ballroom was in fact full of people of all ages.

The people jumping up and down on my right (with me) during ‘Reverend Black Grape’ and ‘Tramazi Party’ were all around 25 – 30 they knew every word and sang every word of this twenty-year-old track.

The people in front of me were at least my age; and all around were people testing the famous spring in the ballroom’s floor. If I wound up dancing without hesitation, it was the power in that music, the infectiousness of the dancing crowd, and the fact the sprung wooden floor with hundreds jumping on it made standing still a non-starter.

The opening numbers ‘Reverend Black Grape’, ‘In the Name of the Father’, ‘Tramazi Party’ & ‘Kelly’s Heroes’ were stormers. Kermit was amazing. Ryder displayed the personality we expected; he looked good. The bass player smiled throughout, going against the stereotype.

The energy of the music is equal to the lyrics; you have to go far to find anything approaching ‘Reverend Black Grape’ for a contemporary scathing assault on religious hypocrisy.

‘Old Pope he got the Nazis to clean up their messes. In exchange for gold and paintings he gave them new addresses’ – and there you have it – the Church’s dirty hands and the post WWII relocation of Nazi party top officials at the end of the war – summed up succinctly by a band from Manchester in one verse. And we danced to it. ‘In The Name of the Father’ puts the imagery from the video into your head as the band performs.

Black_Grape_Shaun_Ryder_and_Ke‘Get Higher’ features some of the band’s best writing and performance; the audience loved it, and again we were all singing and dancing.

I’d like to think they saw how into it we were. The waving arms and jumping people might have been a clue.

They really have to keep going and to come back. Soon. Is the material as relevant as when it was written?

No. With the way things are going, Black Grape’s music is even more relevant. I’d say we need at least ten more albums of what they’ve got to say. ASAP please.

On a personal note
I ran out and bought the Black Grape album when it first came out; I got a chance to see them in London (was it the Kentish Town forum or the Bull? pass). Somehow we all had after show passes, not that it mattered in the end, because the whole venue seemed to be a giant unending party. It was amazing. You can’t do that at the ballroom, don’t you know, but when BG were playing, it all came back. And it was delicious.

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Jul 142015
 

Tickets will be going fast for Big Country’s upcoming Aberdeenshire appearance. On Friday 24 July the band will be at The Stewart’s Hall, 15-17 Gordon Street, Huntly. With Thanks to Dave Hill.  

Bruce & Jamie Holland 2014

Following the incredible success of their 30th Anniversary ‘Steeltown’ Tour, Big Country set off again on tour to celebrate their stunning catalogue of songs, taken from their multi-million selling and Number 1 hit albums.

The band will perform classic hits and favourites including Harvest Home, Fields of Fire, In A Big Country,  Chance, Wonderland, Look Away and The Teacher.

Steeped in a stunning catalogue of proud and stirring hit songs such as Fields of Fire, Chance, In A Big Country (which sold 2 million), East Of Eden and their biggest UK hit Look Away, along with massive albums such The Seer, Steeltown, Peace In Our Time and the triple Grammy –nominated, The Crossing, Big Country continue to look beyond the next horizon in 2015

The band are Bruce Watson (guitars/vocals); Mark Brzezicki (drums, vocals); Jamie Watson (guitars/vocals) will be augmented on stage by Simon Hough ex-front man for Denny Laine (Wings), Eric Bell (Thin Lizzy) and more.

Seeing them in smaller spaces is a special experience; this is a show local Big Country fans will love.

Doors pen 7pm; tickets are £22 (inc BF) – contact www.brownpapertickets.com 07990978732

May 292015
 

Willows is North East Scotland’s largest animal sanctuary with over 300 wild, domestic and farm rescues.  They do not breed animals for sale or market; they never put a healthy animal to sleep; they are dependent on donations to keep going.  Willows is greatly aided by their existing patrons Paul Rodgers and Cynthia Kereluk, who have now been joined by their friends Deborah Bonham and Peter Bullick.  With thanks to Suzanne Kelly.

Patrons Paul Rodgers (Free, Bad Company, The Firm) and wife Cynthia have been helping Willows with one great initiative after another.  A concert at the Royal Albert Hall helped to raise much-needed funds.  Also performing was Deborah Bonham.  She and her husband Peter Bullick are the perfect choice to join Paul and Cynthia.  Willows announced:-

willows-pig-and-kitten-for-18-feb-open-day“We are absolutely delighted to announce our new Patrons Deborah Bonham and her husband Peter Bullick!
Deborah and Peter have been helping Willows for a while now it is fantastic news to have them “officially” join the Willows team!”

“Deborah Bonham is an acclaimed singer/songwriter a passionate animal welfare campaigner and the sister of John Bonham, the late drummer for the band Led Zeppelin.

“With 3 critically acclaimed albums already, her latest album Spirit has received glowing reviews such as ‘simply stunning’; ‘the Duchess of Blues-Rock’; ‘an amazing woman’ and when Blues Matters! caught her duetting with Scotland’s own Dan McCafferty of Nazareth, it was ‘a vocal marriage made in Heaven.

Deborah and husband Peter (amazing guitarist) also have many rescued animals of their own including four rescued ex-racehorses.”

Deborah commented:-

willowshorse2“Peter and I are absolutely thrilled to become Patrons of this amazing charity. I have always had a strong love for Scotland, as did my Mother and Father. We often had family holidays there when we were young so I have a lot of happy memories. I have since had the pleasure of touring Scotland with Nazareth and solo and they have always been the most incredible shows with the most incredible audiences. So it makes total sense to me to be involved with a Scottish charity and give something back for the welcome and love I’ve been shown there.

“We need charities like Willows who connect animals with people, especially animals and people who haven’t had the greatest start in life. If we can play a part in this worthy cause in any way it will be our absolute honour”.

Willows is open to the public on weekends and will have many events coming over the summer.  Further information on opening times, events, animal assisted therapy and how to help can be found here.

May 292015
 

There are thousands of animal welfare charities that compete for donations; but scratch the surface of some of them, and you might not like what you find. Are animals well treated? Are animals being bred to fund such ‘charities’, rather than encouraging animal sterilization and adoption? Are some so-called shelters asking for donations to ‘save’ animals with one hand sending animals to market and slaughter with the other hand? Some local charities have banded together to help would-be donors know what kind of organisations are out there. With thanks to Suzanne Kelly.

willowsgeese

Geese at Willows Animal Sanctuary – Credit: Rob Scott for Aberdeen Voice.

In light of recent events, four well-known animal welfare charities have formed a new organisation known as RE.A.CH to represent ‘Reputable animal charities’.

The aim of RE.A.CH. is to set a ‘baseline’ standard of excellence that all members are required to meet. All members of RE.A.CH  are registered animal charities that conform to the following declaration:

  • They are No Kill
  • They will never deliberately breed from their animals.
  • They will not fund their rescues from the sale of animals.
  • Members will strive to provide the best environment for their rescues, the best veterinary care and when rehoming animals or releasing wildlife, to do this in the best interests of the animals involved.

A spokesperson for the group said:

The group has been set up to help assure the public that the support they give is being treated in a responsible and ethical manner. The public can be assured that animals that come into the care of any RE.A.CH member will be well looked after by knowledgeable, experienced people who have the ability to provide long term care for them.”

As the law stands anyone can set themselves up and call themselves a ‘sanctuary’. It is important to point out that these so called ‘animal rescues’ are not official charities, they are under no obligation to account for the funds they raise, how they are used, what they do with them or how they provide for the animals in their care.

It is disturbing  to see groups or individuals asking the public to fund their animals under the banner of ‘not for profit’ or for ‘a charitable cause’ when they may have questionable knowledge, no accountability and no set standards of care and in some cases little or no actual experience.

Often many of these rescues start off with good intentions, but soon run into problems through overcrowding, lack of experience and of course, lack of funding leading them on a very rapid descent where they are suddenly faced with outstanding vet and feed bills which soon becomes an animal welfare issue resulting in either the animals being put down, panic re-homing to unsuitable homes or other sanctuaries having to pick up the pieces.

We felt it necessary to form a charter outlining our responsibilities. All of us need the support of the general public to continue our existence, but we are constituted to do so in a responsible manner.”

The four founding members of RE.A.CH are:

  1. Blaikiewell Animal Sanctuary
  2. Halfpenny – Farm Animal Sanctuary
  3. The New Arc
  4. Willows Animal Sanctuary

Between them they currently care for over 1000 animals. The plan is to extend membership of the group to encompass other reputable animal welfare organisations who are prepared to meet the necessary criteria.

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May 292015
 

The presence of Sea Shepherd UKs seal defence crew have ensured that no seals were shot on the bank holiday at the small coastal village of Crovie despite attempts by Usan Salmon Fisheries Ltd marksmen to do just that. Three employees from Scottish Wild Salmon Company were dispatched to Crovie on the Moray coast to shoot iconic Scottish seals on Monday 25th May. The company hold licences issued by Marine Scotland to shoot seals despite seals being cited as one of Scotland’s Big 5 for wildlife watchers. From Sea Shepherd UK

usan nets gardenstown 27 april 2014

USAN nets – Gardenston 27 April 2014. Picture Credit: Suzanne Kelly

Sea Shepherd land crew assigned to watch the small coastal village of Crovie on Gamrie bay intercept and film three employees of USAN Salmon Fisheries Ltd (AKA: Scottish Wild Salmon Company) at Crovie in Aberdeenshire as they look for seals to kill – but the presence of our crew and our cameras ensured no seals were shot.

The gunman and two other SWSC employees who drove down in their company 4×4 vehicle into the small village of Crovie used the residents only car park and walked along to Crovie pier (followed by Sea Shepherd crew from two directions in plain clothes) with a rifle and ammunition while residents, holiday makers and guests of a wedding that took place this weekend were around the village.

Sea Shepherd campaign crew identified themselves and filmed while the gunman and two assistants looked for seals in front the small village to shoot.

Meanwhile Sea Shepherd boat crew took Sea Shepherd UK’s RIB ‘Mermaid of Makaha’ from Gardenstown Harbour to continue monitoring the same company employees at sea. The Scottish Wild Salmon Company has a permit issued by Marine Scotland (Scottish Government) to shoot dead Scotland’s iconic seals if they interfere with the company’s coastal salmon bag nets or catch.

Seals have been shot previously around Scotland under permit from Marine Scotland, sometimes illegally without permits or outside granted permit conditions to protect the profits of many wild salmon netting companies and also fish farm operations.

The entire seal permit system is totally open to abuse with a complete lack of monitoring in place – except by Sea Shepherd where we are now in our second year of our very successful Seal Defence Campaign around Scotland (and also separately by members of the the Hunt Saboteurs Association who are watching over the seals around the coastline South of Montrose, Angus).

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[Aberdeen Voice accepts and welcomes contributions from all sides/angles pertaining to any issue. Views and opinions expressed in any article are entirely those of the writer/contributor, and inclusion in our publication does not constitute support or endorsement of these by Aberdeen Voice as an organisation or any of its team members.]

May 252015
 

With a career nearly as old as the standing stones he loves, writer, historian, beer lover, singer/songwriter/guitarist Julian Cope rode into town. Cope might not have had a huge audience at the Lemon Tree, but it was another one of those nights that was unmissable for Aberdonians who are interested in music. The faithful, the cognoscenti were there. Suzanne Kelly reviews; photographs by Dod Morrison.

Julian Cope at the Lemon Tree May 2015 by Dod MorrisonJulian Cope tickets didn’t come cheap; two people would have spent just under £50 to get in.

Buying a ticket was also something of a gamble; would Cope simply ‘emote’ at us all night, ramble aimlessly through decades of psychotropic anecdotes, or would this be a really interesting night. Thankfully, it proved to be the latter.

Some of us were still very dazed and confused indeed, having just made it back to Aberdeen from Spear of Destiny’s / Theatre of Hate’s WestWorld weekend event; a stamina-taxing, unrivalled extravaganza, but I digress.

Then again, Cope seemed to spend much of the night digressing. Songs are interspersed with autobiographical stories of seeking Neolithic monuments and pubs.

Speeches on spiking the authorities’ drinking water with LSD, or comedy sketches about writing songs filled with swear words are interspersed with tunes.

I’d have liked to tell him that this is Aberdeen; everyone in power seems to be tripping as well as power tripping.

We are made to feel Cope’s enthusiasm for our area’s many, unique, important standing stones. We are made to feel Cope’s enthusiasm for real ale, good pubs and craft beer – at least some of the audience is already well with him on these points.

The hair’s long, a US Air Force officer’s hat sits on it. He’s got on biker boots and shorts . With the oversized aviator shades, it could really be almost anyone under all that.  Jarvis Cocker once owned up to using a double to take his place on stage; was this Cope?

Julian Cope 2 at the Lemon Tree May 2015 by Dod MorrisonBut then he played ‘Double Vegetation’ from Peggy Suicide.

I found myself remembering every word; to the dismay I’m sure of those around me, I found myself singing. I hadn’t probably played it in a decade; but it was somehow all fresh in my mind.

What exactly it’s on about I couldn’t tell you; and possibly Cope couldn’t either.

There is the word play that he uses so well ‘We’ve discussed and discussed your disgusting routine’. There is the hint of impending environmental doom; ‘Each day we get closer to the big bad fire’.

But as to being ‘lost in the double vegetation’; well, I don’t know what he means but it somehow doesn’t’ really matter.

I’m not sure you’re supposed to take any of it literally – the lyrics or the patter. But we’re royally entertained all the same.

In another 10 years he’ll probably still be doing his thing, adding to his repertoire of tales and tunes. And if I’m around, I’ll go for another serving. It’s a lecture, a discussion, a stand up comedy show with some simple melodies with ethereal words. We’ve only got the one Julian Cope; neither accept nor expect imitations.

No one else can bike around the UK, research standing stones, explain how cultures worldwide use hallucinogens throughout history to access creativity, and talk beer while getting ready to sing about being outclassed. Cope’s not to be outclassed; he’s in a class all by himself.

May 222015
 

Aberdeen-based artists Brian and Bibo Keely have turned a major life event into an exhibition of portraiture and sculpture which is optimistic, personal, educational and aesthetically wonderful.  By Suzanne Kelly

Preface
Brian and BiboWhen local artists want to exhibit, more and more of them are going to Glasgow and Edinburgh. There are several reasons for this. Many feel disenfranchised from a conservative Aberdeen arts matrix populated by those who hold the purse strings, those with money and those in government. Outside of Aberdeen arts flourish from the grassroots in an artist-led organic fashion. It is rumoured that here for instance, those who created Aberdeen’s lamentable ‘City of Culture’ bid invented contrivances of their own without input from our existing musicians and artists – to the point that one Culture supremo had to have WASPS explained to them (briefly, WASPS is the largest organisation helping artists work in affordable studio space in Scotland).

Art that comes from personal experience, from research and work independent of a pro-government agenda will always trump art sponsored and commissioned (whether directly or tacitly) by those in power. It is no wonder the arts community Scotland wide decided that ‘gigs on rigs’ and a one off concert for ships horns, orchestras and horses were events that had little real merit or support from the local practicising artists. We have seen several arts practitioners pack up and move south. This trend must be reversed – possibly the best thing that could happen is for a clean sweep of the existing cabal of people handing out grants from our arts fund to people they very often know. In the meantime if artists are not voting with their feet and moving (like Fraser Denholm, creator of excellent film ‘Run Down Aberdeen’), they are certainly taking their work south where it can be shown in galleries that are often artist-led, to be seen by fellow artists and a more international (and dare I suggest it) less conservative audience.

Torry’s Anna Geerdes has had a very successful show in Glasgow’s Compass Gallery two months back; visitors from several countries and many Scottish cities visited and bought her surrealistic, beautifully-executed work. Also showing work that is beautifully executed, personal and relevant is Brian Keely, currently exhibiting in ArtVillage in Glasgow.  ArtVillage “revives historic High Streets that have suffered decline by creating vibrant, successful cultural centres” – which certainly sounds like the kind of initiative we need here.  Such initiatives are common in many cities south of the oil capital of Europe; it is a pity that while we have the occasional temporary ‘pop up shop’, there are empty spaces on our high street serving no purpose which could be given to artists’ collectives (such as poor Limousine Bull, which had to close because it needed a paltry sum to continue after an arts funding fiscal reorganisation:  no money could be found).  It is just as well we have a few less conventional venues which exhibit fledgling and established artists’ work such as our private galleries, BrewDog and Under The Hammer.  But we could and should be doing more.

On With The Show
But I digress.  The point of this piece is to highlight how heart patient Brian Keely has taken from his experience and created a collection of portraits, and how his wife Bibo reflects her experience in her sculpture.  The official programme explains further:-

portrait by Brian Keeley“Brian Keeley graduated from Glasgow School of Art in 1984. He has worked extensively in community film and video, and as a digital video editor. He taught English as a Foreign Language in Germany for many years and, before his illness, he was a secondary teacher of Art & Design in Aberdeen.

“Bibo Keeley’s artwork has been exhibited in numerous collective exhibitions and also solo exhibitions, in Scotland and elsewhere in the UK over the last few years, and following this life-changing experience she has embraced her artistic career and in 2015 will begin a BA (Hons) degree course in Fine Art at Gray’s School of Art in Aberdeen.

“Brian & Bibo were married in the Intensive Care ward at the Golden Jubilee National Hospital, Clydebank, when Brian was not expected to survive any longer.”

 A video of the exhibition can be found here

“Brian’s portrait paintings pay tribute to his wife Bibo, and to the medical professionals who saved his life during months in Intensive Care and and who helped him recover following his eventual heart transplant.

“Bibo’s sculptures respond to her experiences during this time, and her photography documents her husband’s recovery and recuperation.”

The many canvas portraits capture a number of personalities and characteristics of those who Brian and Bibo encountered in their dealings with the NHS, but there is an optimism, and a refusal to resort to gross exaggeration or distortion of facial features.  The portraits are fond portrayals.  Brian says of his experiences:-

brian keeley self portraitAlthough I already knew that I wanted to paint portraits from these photographs, I did not know if I would even walk again, let alone be able to hold a paintbrush.

“The photographs were an important way for me to connect with the subjects during this short window of opportunity between surviving the transplant and leaving Intensive Care.

“Painting these 25 portraits gave me a clear focus and a creative goal during my rehabilitation.

“It was an important part of my recovery, and I wanted to fix this period in time.”

Bibo’s sculptures seem to reflect the inner emotional rollercoaster the two of them must have been on; there is a demonic figure; there is a tender family grouping, there is a work which seems to show the transformation such major surgery must mean physically, mentally and emotionally.

In Brian’s words:-

“The exhibition seeks to raise awareness of the issue of organ donation, and the terrifying numbers of people who suffer from heart disease and heart attacks.

“These issues are particularly current as Anne McTaggart MSP is currently in the process of bringing a Private Members Bill to the Scottish Parliament that would see the introduction of a ‘soft opt-out’ system of organ donation in Scotland.”

This interest in the issues surrounding organ donation is of course personal, but Brian and Bibo are often found in Aberdeen at events where art meets social problems, be it exhibitions at Easter Anguston Farm, artists’ gatherings, and premiers of documentaries about important issues. They do what artists should do – look for issues and problems, react to them, help where they can, and create artifacts that reflect what is going on and how they feel. It is these kinds of artist that communities need more than someone whose art tells them how great things are in the eyes of their patrons. Let’s hope we are not about to lose more talent to cities that appreciate genuine talent more than we seem to.

Event info at: www.facebook.com/artvillagescotland

 

 

May 222015
 

Voice’s Old Susannah takes a look over the past week’s events in the ‘Deen and beyond. By Suzanne Kelly.

Dictionary

Tally ho! It’s been quite a week in the Granite City and wider world. Well done all you who voted Conservative!

The SNP is now on the move; not since the Covenanters has Scotland been so unanimous. A new Independence Referendum can’t be far off, so I hope you’ve all saved your ‘YES’ banners and Saltires.

Perhaps the best news is that nice Mr Farage tried to resign but they wouldn’t let him. Who else indeed could lead UKIP? Mr Fromage is indeed the man for the job, although I think they were considering a gay Romanian immigrant at one point.

That nice Mr Trump’s coyness and modesty were on display at the end of April. Well, on display in two obscure small legal notices in the back of the Evening Express.

I can’t imagine why, but the pre-application public consultations for a second golf course, 850 houses and 1900 leisure units, whatever they are, came and went with no publicity from the Press & Journal or the Evening Express. I suppose with stories vying for space, some minor issues like Trump building on the Menie Estate have to be overlooked.

‘Cow found in Field’, ‘Man wins Inverurie Rowie baking award’ and ‘three clothing stores may or may not open in Aberdeen’ trumped the Trump news. When alerted to these ads, I wrote to the contact address given for information. Sadly, the nice man hadn’t the time to get back to me. In fact he was too busy to get back to at least six other people who also wanted information in advance of the deadline in order to praise the scheme.

A cynic might think that the Trump organisation, spearheaded at Menie by the planning supremo, golf expert and beauty queen Mrs Sarah Malone Bates, were trying to sneak one over on us. But I’m sure it was just a case of not wanting to brag about these exciting plans that kept any news of them off the pages of AJL papers, except for those ads on the back of the EE.

I guess it’s now too late to get in your notes of praise for the scheme; it would be a pity if the Shire’s planning people thought that this lack of information were sufficient grounds to throw the exercise on the scrap heap. That would be just awful.

Despite having to re-write my original column ‘Hooray for the Liberal Democrat Landslide’, it’s been a great week. I’ve been part of the Aberdonian contingent at the Westworld Weekend in Crewe; the bands were Spear of Destiny, Theatre of Hate, Kirk Brandon acoustic, Folk Grinder and the Death Valley Surfers. The beer was just as impressive: bottles of Punk IPA AND BrewDog Abstracts Nos. 15, 16, 17 and 18. For some strange reason the bar ran out of Punk, I can’t imagine why.

Old Susannah extended her weekend with a night of Julian Cope at the Lemon Tree, where BrewDog also flowed. Cope’s a bit madcap and a bit behind the times. He joked that it would be good if those in power tried LSD. I’m pretty convinced most of them are tripping as it is.

When you’re having a great weekend, you want to prolong it. Therefore my sincere thanks to the guy who decided to have a cigarette in his plane’s toilet when my and other planes should have been landing at Aberdeen.

clearly he was a genius of some sort

What good sport it was to circle for an extra 30 or so minutes, to be told that a plane on the runway had smoke coming out of it, and that we might have to divert.

I had the great pleasure of seeing the suspect explaining himself to the six or so police who surrounded him as my flight finally filed through the airport. A woman PC was saying:

“You have been identified as the man who was smoking in your plane’s toilet.”

I wondered whether he were a famous movie star, international scholar, or perhaps even an ACSEF member. He must have been someone very important indeed who simply needed a smoke. His slightly dirty clothes, his stubbly chin, his knuckles dragging on the floor and his simian posture were just too good a cover; clearly he was a genius of some sort, disguised as a posturing, swaggering self-centred ignorant chav.

Then he spoke and in an instant I knew I was listening to an Einstein. He answered the woman PC thus:

“You’re kidding right?”

Old Susannah is only an amateur student of psychology and human behaviour, but I am reasonably certain the police weren’t kidding. They almost seemed angry for some reason, and they didn’t at all seem the Laughing Policeman kind.

She continued:

“I am not going to search you”

I suppose he must have previously baulked at that prospect,

“but one of my colleagues may want to. Empty your pockets.”

Again confirming my assessment of the man’s undeniable wit, and reaffirming my belief in his complete innocence he said:

“You’re kidding right?”

My own acting skills are little better than novice; but surely no one could have looked as perfectly innocent as this poor man. I’m sure he was set up. The faint whiff of cigarette smoke that was in the area surely had come from one of those policemen.

Then again, if someone as important as this man obviously is, needed a cigarette, then who are the Civil Aviation Authority, the police, Aberdeen Airport, several hundred people wanting to land, and a hundred people on his plane needing to travel to get in his way? I’d feel guilty if I’d inconvenienced our man.

Besides, imagine what a good adventure it must have been for those on his flight: to be airborne and smell smoke, and see it coming out of the plane’s toilet, just like it must have been for the doomed Canadian flight several years ago that started this unfair no-smoking on planes backlash.

It’s not as if anyone circling around was getting nervous with every new announcement that we might have to be diverted elsewhere, that a plane on the runway had to be evacuated and fire was involved.

No worries. It’s not as if anything terrible ever happens to planes or at airports. There weren’t any older people getting worried or upset; there were no stressed out ground crew. Just you and your smoke. Some people just can’t take a joke though, and as a second thought, maybe next time, if they let you fly again, you might want to look into this nicotine patch business.

And so, my sincere thanks to the as-yet unnamed 31-year-old man for giving me the thrill of a lifetime. Really, if I ever get the chance to repay your kindness, I’ll do so. A mention in my humble column will have to do for now. However, if I can find out who your employers are, I’ll be delighted to drop them a suitable commendation for all the fun you provided.

Also in the news there was an election. England wants five more years of David Cameron, and somehow failed to appreciate all that Nick Clegg’s done for them. Scotland wants the SNP.

The voting public has spoken. Some people are puzzled by some of the election outcomes and how votes metamorphose into fair, democratic representation in Parliament. As I’m one of those people, herewith some timely terms for those baffled by ballot box bamboozlement.

First Past The Post: (Modern Conservative compound Noun) A system of counting election results to allocate seats in the English Parliament.

I’m sure you’re as happy as I am at how the elections throughout the UK turned out. This is down to the exciting, but fair ‘first past the post’ voting system. It’s no more complicated than understanding how the Hadron Supercollider’s quest for the God Particle demonstrates that anti-matter underpins the known universe, why you never get all your socks back after doing a load of laundry, or the arbitrary nature of the offside rule, depending on who the ref is.

For those of you slower of wit, here is a bit of number crunching:a_fair_election_result_indeed

The sad thing is that there are some sore losers out there, who would change this system. Take for instance Electoral Reform UK. This band of brigands should be rounded up, and probably will be once that nice Mr Gove gets rid of this Human Rights nonsense, see below. Here is a quote from their radical website:

“[Most] people’s votes were essentially wasted. Of the almost 31 million people who voted on the 7th, 15.4 million voted for losing candidates. That’s 50% of voters who backed a candidate that didn’t win, making the vast majority of voters feel unrepresented. That doesn’t sound like democracy to most people.”

Talk about sour grapes. I’m sure we all feel well represented. If you want to contact Electoral Reform and tell them to leave well enough alone, you can do so here, which is also where you can sign their petition asking for electoral reform. But just ignore that bit.

Still, a system that would leave the beloved Liberal Democrats out in the cold can’t be fair. Old  Susannah is every bit as upset at the defenestration of the LibDems as you might think. Once the equal partners of Dave Cameron’s Conservatives, the chargers of tuition fees, and the slayers of the vermin roe deer, it’s sad to think these noble animals have been metaphorically shot between the eyes, just as they rightfully insisted was done to some 46 Tullos Hill Deer.

If I can stop sobbing into my LibDem logo-embroidered handkerchief long enough, I’ll send a consolatory email to Aileen HoMalone and ask her for a few words on this sad defeat. But back to the fairness of the system.

Special thanks should go to the 33% of UK residents eligible to vote who didn’t do so. It’s not as if getting the opinion of a third of the country’s voters could have made any real difference, not under First Past The Post anyway.

Thank you for staying home to watch the Heartbeat Omnibus, reruns of Neighbours, playing Grand Theft Auto 27 or whatever it was that kept you from spending ten minutes to pick the UK’s future direction. I’m sure those who didn’t bother to join in had very important reasons. Just like the reasons the important man had on that aircraft to smoke in the bathroom.

Human Rights Act: (Modern European Union compound noun) A declaration of inalienable freedoms each person should be entitled to, but never is.

As far as I can work out, this is some kind of wishy-washy left-wing Liberal law from 1998 that brought in the EU’s Human Rights declaration and enshrined it in UK law. It’s even supposed to make the NHS and the Police treat people as if they had rights, even people suspected of crime, just like that guy who smelled of smoke who came out of the plane’s toilet seen by many, who could only comment ‘You’re kidding right?’.

This has been problematic and a nuisance. It’s been implemented fully, as we can see in practice all around us.

We’ve got a war on drugs, a war on terror

The parents of Ashya King were arrested for taking their son for the successful medical treatment he had abroad, because the NHS swore out an arrest warrant.

The police officers who cleverly infiltrated various legal protest groups, sleeping with and impregnating women they pretended to love were only doing their job of course, but under Human Rights law, these women, who were probably criminals anyway, seem to be able to claim damages and child support.

There’s only so much a Conservative government can stand. They’re sending top gun Michael Gove in to correct this over-application of human rights. Any day now, all these freedoms we’re enjoying, like the right to protest the elections in London free from police harassment, may be a distant memory. Too right, too. We’ve got a war on drugs, a war on terror… there’s no room for sentimentality when it comes to breaking a few bones – sorry – breaking a few criminal gangs.

These rights include:

“These rights are: Right to life, right not to be tortured or subjected to inhumane treatment, right not to be held as a slave, right to liberty and security of the person, right to a fair trial, right not be retrospectively convicted for a crime, right to a private and family life, right to freedom of thought, conscience and religion, right to freedom of expression, right to freedom of assembly and association, right to marriage, right to an effective remedy, right not to be discriminated against, the right to the peaceful enjoyment of one’s property, and the right to an education. The Act also imposes a duty upon governments to provide free and fair elections.”

If you want to see how hard it is to be a police officer, and the kinds of things they have to put up with from protesters, here’s a little story. It may look like the police are harming citizens who are on the ground at a protest against the Tories, but I’m sure it’s just some form of massage therapy I’m not familiar with.

As if anyone would want to protest against the Tories: we’ve just elected them by a landslide. Apparently.

I get why our rulers want to get rid of this education nonsense and privacy stuff, but since we’ve already got a completely free and fair election system, surely they’ve no complaint on that score. So for those renegades and anarchists who enjoy these so-called rights, enjoy them while you can.

Next week: That’ll depend on whether or not the Conservatives continue to allow political satire.

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May 152015
 

Apologies to those who will (probably) castigate me (I’m used to it) for putting a piece in Aberdeen Voice which is arguably not strictly related to Aberdeen. I hope though that as AV has over the years carried pieces on everything from the history of instant coffee to UFOs that there is room for one more piece tenuously related to the granite city. It’s the absolutely infectious fandom of some Aberdeen music lovers that got me to this event last year, and while I wasn’t going to write a piece on this weekend concert, they asked me to. Turn away now if this piece offends you. Suzanne Kelly reports (unapologetically).

Kirk_Brandon_by_Sue_HarrisonIt isn’t British summertime without a few dozen music festivals.

(Dad) rock fans descend on Glastonbury for several (increasingly expensive and increasingly sanitised) days of events and bands; it’s become a bit like Marie Antoinette playing peasant at her pretend peasant village.

Punk fans converge at Blackpool for four days of ear-piercing, liver-damaging mayhem; sometimes forgetting the festival is over for a week or two after it’s closed (Dod this means you).

Classical music fans recline on blankets on Glyndebourne’s lawn, drinking champagne while Chopin hangs in the air (not literally). Fans of a different sort gather in Crewe for Westworld.

By all accounts this thirteenth Westworld was the best one so far. If it’s possible to have more fun on a £40 weekend ticket anywhere else in the world, I’d be surprised, and I’d definitely be in – let me know.

Westworld is a music festival featuring sets from Kirk Brandon, Theatre of Hate, Spear of Destiny, and support acts. There is something about the musicians and the fans that sets it apart from any other festivals; there is something of the crazy carnival feel-good party that the Grateful Dead and the Deadheads created, only without the LSD, hour long instrumentals, hippies or patchouli.

Westworld and its music is more intimate, friendly, frenzied, electric, gentle, dark, uplifting, and inspiring than anything else. This is not T in the Park.

Fans of Kirk Brandon, Spear of Destiny and Theatre of Hate from all corners of the world make their way to Crewe’s intimate performance space The Box. There is a faithful following from Aberdeen who go every year, and the ranks are swelling. Some people – notably longstanding Aberdonian fans Roddy Kennedy and Steve Watt – have already bought tickets for next year.

This year sold out in record time, and with fantastic video snippets and high praise floating around on Facebook, the demand for Westworld XIV is going exceed capacity. Two hotels for the (unofficial) 2016 dates 6 and 7 May have already sold out. Westworld XIV, I do believe, is going to need a bigger boat.

Here briefly is what we got. We few; we happy few.

The Family:
The Westworld weekend is a sort of family reunion (without the relatives you’d rather not see). Friendships were renewed and made; the conversations were lively and great fun. Musicians mingled with the crowds; if it was a chore or obligation for them, they hid it well. There were a few people down for the first time; they were introduced and welcomed. Strangers went for curry dinners with strangers, and emerged as friends.

Facebook friend requests were flying around nearly as much as the newly shot photos and videos. The newbies vowed to return next year; I know they will.

Aside from risking some serious bruising at the front of the stage, it was all comrades together; there will be people who appreciate this good humoured fellowship nearly as much as they do the music.

Masterpiece Theatre:
The Royal is the bar connected to the venue The Box; it began filling up with loud and happy voices hours before Theatre of Hate were to open the weekend’s bacchanalia on Friday night. Those who had previously met at Westworlds past greeted each other warmly as long lost friends do. Newcomers were welcomed and included in discussions about music, music, drink, football and music.

As if some unseen unheard signal had been given, everyone emptied out of the bar and upstairs to the weekend’s theatre of operations.

Theatre_of_Hate_by_Nic_AttwoodTheatre of Hate’s members are Kirk Brandon (guitar, vocals), Stan Stammers (bass), John Lennard (saxophone), Adrian Portas (guitar) and Danny Farrant.

The opening piece for Westworld was Do You Believe in the Westworld.

This wild west tinged song was flawlessly and energetically executed.. (It put me in mind of a soprano I know who opens her shows by singing Queen of the Night to show the audience just how strong a singer she is).

ToH recently released a stunning four track EP, Slave; their first new material for some time or so I understand. The song Slave is a hyponotic, intoxicating entrancing piece which was beautifully performed; it’s one of those pieces of music which makes you wish it went on for far longer than it does. In fact, the song order for the rest of the weekend is kind of a blur that comes and goes out of focus in my memory after this piece, which I can practically hear in my head now.

Also from the Slave EP is a powerful political piece Eyeless in Gaza. (Over a curry with a dozen fans later in the weekend we discuss Eyeless in Gaza and the need for musicians and artists to comment on the world’s problems. Over the naan bread we wonder about the freedom an artist has over their work if they’re independent as compared to being signed to a record label. We decided very few labels would have happily released and promoted works like Eyeless or Spear of Destiny’s newly-released single, Fascinations).

The set seemed to be over before we knew what hit us; everyone wanted more. But that was it for Friday.

Also on the weekend bill were two brilliant, individualistic support acts. The Death Valley Surfers provided speedy rockabilly punk (or something to that effect). Without much persuasion I picked up their CD ‘Last Dance Saloon’ which has a left of centre cover of Johnny Cash’s Folsom Prison Blues.

When Folk Grinder took the stage everyone sang along with them; and cries of ‘Heave Ho!’ bounced off the walls. This trio mixes folk, sea shanties rock and commentary with great effect. Kirk Brandon has produced their new album, The Devil’s Mariner; a single has been uploaded to youtube, which you’ll find here: https://www.youtube.com/watch?v=1dJdt8PGock&feature=youtu.be .

Kirk Brandon Acoustic Set:
Accompanied by a cellist and keyboard artist Steve Jones, Saturday afternoon’s performance was elegant. This was music to tame the most savage of punk breasts. Roddy and I stood near the merchandise stall. A man on my other side and I started talking before the set; he was from Newcastle and he was built like a particularly large rugby player.

After Kirk’s performed ‘I’m So In Love With You’ the guy turned to me and commented:

“That’s given me goose bumps that has.”

Him and a few hundred other people. Sam Sansbury’s cello brought a warmth giving some of the music new nuances; the keyboards were nearly as expressive as Brandon’s voice and playing. This set probably deserves a full in-depth review on its own. Suffice it to say if someone had dropped a pin we’d have heard it. The audience was rapt. Here’s to next year’s acoustic set.

Spear of Destiny:
Spear went onstage Saturday night a little past 10pm. In a set which must have stretched every musician to heroic proportions, an hour and a half set ended in a frenzied fever.

SoD took us everywhere. Early on we heard ‘Walk in my Shadow’ – classic, upbeat traditional rock and roll (Brandon had performed this live on Jools Holland’s radio show some months back; hearing it again was great and great fun). A good portion of material from the (deservedly acclaimed) album XXXI got an airing; my own favourites the uplifting, rejuvenating Here Comes The Sun and Sputnik were remarkable.

This version of Sputnik had an interesting percussion treatment; another reminder why live music can and should throw up surprises subtle and large (the larger ones were still to come). Fascinations, the newly-released single began to steer the set towards darker, deep emotions. Also from XXXI were Failure and Delusion.

‘You could be anything in this life, but you chose every time falling down’ ‘This is the sorry state of our life’ ‘The sunlight’s a happy place, but I guess you wouldn’t know’ – we were in dark waters for a while, with Brandon remarking to the effect ‘this ends the happy part of the show’.

Brandon_and_Adams_photo_Nic_AttwoodThe gears switched violently and swiftly; ‘Once in her Lifetime’ was captured on video by Roddy; as he filmed it he said ‘well, that’s me completely satisfied then.’

He and I briefly said in between songs of course that we were nearly done in just from standing and watching; how anyone could play/sing/drum for this length of time with such precision and power was beyond us.

It wasn’t exactly freezing cold in the Box, and the small overhead fans did little more than mock us.

Perhaps one of the things Brandon’s writing does best is to highlight political and social ills. The video for ‘Fascinations’ features images of bondage and abuse, with the face of a known serial abuser (eyes covered with a black bar) as Brandon sings about power, abuse, degradation and anorexia, leaving you asking more questions about society than can be answered.

Further, and particularly timely social commentary came with ‘Playground of the Rich’ a contrast of the privileged and those who were born to serve them ‘Playground of the rich, you know it’s – it’s kind of sick’ was sung by the audience with a fair amount of understanding. The anti-war anthem Mickey likewise was sung by everyone in the room.

I find myself hoping there will be more social commentary/protest music coming from Brandon at some future point; somehow I am sure there will be.

The venue was filled with energy, cheering, screaming and singing. More was to come. It seemed like seconds later we were all singing along to Rocket Ship. We are at a party; no one wants this to end; no one can figure out where they’re getting the strength to continue with. And then a surprise special guest arrived on stage – Alan St Clair.

World Service pleased absolutely everyone; the entire room was singing every line by this point. The final encore was Liberator and all the players took to the stage. Stanley Stammers shared a mic with Craig Adams; John Lennard’s sax added to the absolute frenzy that had broken out everywhere. Limbs and heads pitched up and down in the pit and I was glad to be far from this mad crowd (a few bruises and bumps are no longer my idea of a great souvenir).

Wrapping up:

That this has been a carefully, precisely, thoughtfully considered weekend is not lost on anyone. Theatre, Spear, Folkgrinder, Death Valley Surfers – each person involved in bringing off this huge success of a weekend deserves serious respect (particularly Vince Davey, who must have nerves of steel). As to Adrian Portas’ guitar; his solos never cease to amaze the audience, and it looks effortless; I remember someone poking me in the ribs during one such passage to ensure I was getting it. I was.

If you were there, you won’t forget this weekend any time soon

Stan Stammers has truly thrilled the crowd and seems perpetually smiling ear to ear. Steve Jones was perfection for the acoustic session and in Spear; offstage, he was chatty, friendly, and witty.

Craig Adams is a formidable presence and player; I still can’t reconcile the man’s soprano/falsetto vocals with his physical presence. The lynchpin of the weekend is Kirk Brandon; he’s brought 30+ years’ worth of material spanning several acts to us with emotion and energy. That voice. That playing. There is no other combination of people and musical elements that resembles what’s happened here this weekend; it was Avengers Assemble.

If you were there, you won’t forget this weekend any time soon. If you weren’t, best try and get a ticket for next year.

Want to get something of the flavour of what it was like? Get to Facebook or Youtube and find some footage; there is plenty about.

Don’t take my word for it:

Many people feel this year’s event was the best ever; social media sites are filled with fans singings its praises. I’d only been once before, but I’ll agree with the majority that this had to be a new benchmark.

Kirk Brandon posted on Facebook:

“Arguably the best ‘Weekend at Westworld’ ever. The finale to the whole weekend last night at the 100 Club, London. Thank you every single one of you who came! A weekend to remember. Kirk”

Koozie Johns of the remarkable Folk Grinder said:

“I would say that WESTWORLD is an experience like no other. so much love for a common cause the love of great music good people and a lot of respect. Folk Grinder are produced by Kirk Brandon and it is an honor to work we such a legend.”

WW is not strictly a boys’ club either as some might assume; new fan, first-time attendee Cheryl Cotterill said:

“[I was] recently introduced to spear of destiny and thoroughly enjoyed the atmosphere and the dedication Kirk has to his music.”

Of the Aberdeen attendees, Roddy Kennedy said:

“Ever since I first saw Kirk Brandon’s Spear of Destiny play at the Capitol back in 1985,I’ve tried my best to see them as much as possible and they never disappoint, I’ve seen them play in venues like the Capitol right down to an upstairs room in a Dundee pub with no more than 20 people including the band, the one constant being Kirk Brandon who never seems to give less than 101% to his performance.

“I’d heard about Westworld Weekend a few years back but never had anyone else who’d commit to a weekend of all things Spear of Destiny/Theatre of Hate to go down with,by strange coincidence one of my friends Steve had also fancied the pilgrimage down to Crewe where it’s been held for over a decade.

“Anyway that was back in 2013 and within minutes of the opening song to their first set Steve and I had made our minds up that we were coming back, just an amazing atmosphere in good company, every year has gotten better and better and I’ve yet to see any trouble there, just rock n roll in its purest”

Steve Watt said:

“There is something about TOH/SOD fans that come here that makes it so special, three years ago me and Roddy were WW virgins, but was taken in by the most wonderful ppl you could meet even before we left the hotel to go to the venue. After the first song a cover of Joy Divisions Transmission, we turned around to each other and said we’re back next year.

“I can’t think of any band, except New Model Army have a near cult following like this, and go camping together, drive from all over the country just to meet up for nights out, even if no bands are involved, yes we do like a party. It doesn’t matter wherever everyone comes from, there is no animosity and everyone looks after everyone else.

“Of course it helps that the music is amazing, and Kirk Brandon does try and mix it up every year, and every year I say that it can’t get any better but it does, this one though will take some beating…”

And Phil Beefy Bergin said:

“All I’ll say about Westworld is it was very emotional spent with wonderful people.”

On a personal note:

I’d firmly planned not to write a Westworld review for several reasons. First, I will now confess that since starting (quite late in the game admittedly) to see Theatre, Spear and Kirk Brandon acoustic shows, I’m a biased convert (and I’ve grown respect and fondness for all concerned). I’d question my own objectivity but for the fact every single attendee and musician who I spoke with thinks that all the bands we saw were strikingly, undeniably on top form.

Whether or not this belongs in Aberdeen Voice may be open to debate, but I’d argue that it’s the passion and devotion of Aberdonian fans like Steve and Roddy that help make Westworld such a unique animal, and which drew me in in the first place. I also wasn’t going to spoil my fun by having to write a review; I can’t now remember the last time I’ve tried to have a holiday without some kind writing project being involved or arising.

However, the fact is this weekend demands to be written about. Not to write about what we experienced in Crewe would be like a UFO spotter watching a volcano explode with spaceships landing without bothering to write about it. So, either skip this little review if it’s not for you or thanks for bearing with me.

More:

You’ll find some Westworld photos, comments and video here: https://www.facebook.com/groups/Sod.toh.fans/

Folkgrinder – https://www.facebook.com/folkgrinder?fref=ts

Death Valley Surfers – https://www.facebook.com/DeathValleySurfers?fref=ts