Apr 112017
 

By Fin Hall.

Nuart Aberdeen has finally arrived. A first for the city, sees a collection of street artists, organised by Aberdeen Inspired gather to paint, talk and show films etc over the Easter

Old and rarely used doors on the streets within the city centre, mainly around the Merchant Quarter, are being painted in different styles by different artists.

Among the artists participating in this current international project is Julien de Casabianca, a French/Corsican artist.

His Outgoing project features images of paintings in art galleries, often taken by members of the public on their phones, the main subject from said painting isolated via photoshop, then printed onto paper.

This paper is then pasted on buildings, walls etc in public spaces.

To this end various primary schools were invited to send a group of children to Aberdeen Museum Treasure Hub in Northfield, a building which stores many of the works of art that have been relocated from the Art Gallery during the refurbishment that is currently ongoing.

I was in invited by Aberdeen Inspired and NuArt to catalogue this process, working with Manor Park, Riverbank and Walker Road schools.

On arrival, the children were told what the general purpose of their visit would entail, before being split into two or three groups. I would stick with one of the groups each time. This took place on three Thursdays in March.

In the first part of their session, the children would be in an almost classroom like situation where they were given practically free rein to express themselves art wise.

They had a large wall mounted monitor complete with a white screen where they could copy images from the Art Gallery’s digital representation of the art works in it’s collection, or just draw whatever they wished; there were props and dressing up clothes so they could utilise and get their friends to take photos of themselves, or take selfies, with their iPads.

Also, there were word searches and sheets of A4 paper which had a pre-printed frame on, so they could draw whatever took their fancy. It was interesting to watch and see how they reacted and the choice they made. Some would throw themselves wholeheartedly into it, others just sat quietly and concentrated on drawing.

After about 45 minutes, the group I was with were taken through into the first of two storage rooms, with their iPads, to view and photograph the paintings, or rather, parts of paintings, be it a figure, an animal or something like a tree.

the youngsters had ever seen such paintings, and they were quite amazed

This room contained paintings of various sizes and from various eras, stored in racks which slid out when pulled. These works of art were paintings done on either canvas or or other fabrics, but not paper.

Some of the works they weren’t able to capture because they are still under copyright, or were covered in protective tape and plastic, but many others were available.

This was the first time that many of  and interested in them. I had to explain to them that they should concentrate on just part of a painting, and not fill their screen with the whole thing, some of which, as you can imagine were rather large.

After that they were led into a smaller room where paintings and drawings done on paper, were stored in drawers. Some of these drawers were already pulled out and at just the right height for the children to stand over, making sure that their device covers were either removed or held securely up, and snap until their hearts’ content.

The net result is that selected photographs the children have taken will be chosen to be the ones used by Julian to paste up in the East Green – an area other artists will be utilising, and where the official opening ceremony on Saturday 15th April will take place.

This part of he city already has several doors from the Painted Doors project already in situ. So it is the perfect location for the hub of the event.

Saying that, there will be several events taking place in the few days leading up to that. See the NuArt website for details.

All in all it was a pleasure to be involved with the schoolchildren.

The Treasure Hub is available for group and organisation tours. It is well worth visiting. So, this coming week get out and about in the city centre and see this unique event.

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Apr 072017
 

With thanks to Jessica Murphy, Senior Account Executive, Citrus:Mix.

Youngsters from Aberdeen schools have delved into the city’s prestigious art collection to get inspiration for their special involvement in Nuart Aberdeen.
Pupils from Manor Park, Woodside, Riverbank, Seaton and Walker Road primary schools got the opportunity to explore a wide range of art at the Treasure Hub in Northfield, currently being kept in safe storage while the Aberdeen Art Gallery undergoes its multi-million pound redevelopment. 

The sessions were held as part of The Outings Project, a participatory public art project founded by the globally renowned artist Julian de Casabianca.

The artist, who is participating in the inaugural Nuart Aberdeen festival, will work with the youngsters to paste their selected characters at specific sites in Aberdeen city centre.

Pupils had the opportunity to examine a number of paintings from the Aberdeen Art Gallery and Museums Collections, from Portrait of a Lady (The Artist’s Wife) by William Dyce to La Perla de Triana by John Phillip, among others, choosing and photographing their favourite characters to share with the Aberdeen public.

They will then enlarge and paste them up in the city centre under the guidance of Julian, as well as in their own schools and neighbourhoods – getting the change to turn the streets into temporary art galleries during the festival, which is taking place from Friday April 14 to Sunday April 16.

The artworks that the children accessed for this project aren’t currently on display, giving the public a wonderful opportunity to enjoy them in a new way.

It is hoped that the project will help children feel involved in the festival, especially as their efforts will also be displayed in their local areas, as well as encourage new audiences to engage with the Aberdeen Art Gallery and Museums collection.

There are a number of fun ways for youngsters and families to get involved in Nuart Aberdeen including street printing and chalk drawing workshops, walking tours and an Easter Sunday Street Art hunt.

Nuart Aberdeen will officially open on Saturday April 15, when Herakut’s monumental mural on the façade of Aberdeen Market will be unveiled before the guided Street Art tours begin.

Local breakdance group Bring It Boys will perform a ‘Street Art’ inspired routine created especially for the event.

Also on Saturday, the street printing workshop with Berlin-based collective Raubdruckerin will teach participants how to transform old clothes with street inspired graphic designs from the area in and around Castlegate.

The Chalk Don’t Chalk workshop, being held on St Nicholas Centre’s Rooftop Garden on Sunday April 16, gives children of all ages the “freedom of the city” to create their own chalk street art pieces, with professional artists on hand to teach and guide children on their designs.

Belgian street artist Jaune has been busy hiding his mischievous bin men and women around Aberdeen city centre for the Easter Sunday Street Art hunt also on Sunday. Children can follow the hints provided to find six hidden artworks and win a special Easter Sunday prize.

Elaine Farquharson-Black, director at Aberdeen Inspired and partner at sponsor Burness Paull, said:

“It was wonderful to see the children enjoying the sessions at The Treasure Hub and getting so involved. Nuart Aberdeen is a legacy project for us and we are really looking forward to seeing their paste-ups in the city centre and their local communities.

“This particular project was the brainchild of Julian de Casabianca and it was intended for local children to feel ownership of these images. It is also hoped that they will bring their families to enjoy the Art Gallery when it re-opens in 2018/19 because it will feel, quite rightly, as if they are artists, in the same way as those displayed in our local art space are.

“We would like to extend our thanks to Aberdeen City Council for supporting school staff during these project, as well as community staff who will help with the next stage, and of course, the Aberdeen Art Gallery staff who facilitated the sessions at the Treasure Hub.

“There will be a range of fun events that youngsters and their families can take advantage of during Nuart Aberdeen and I would urge everyone to check out the programme and enjoy what is on offer.”

An Aberdeen City Council spokesman said:

“We are absolutely delighted that our schools and pupils are participating so enthusiastically in the latest festival offering in Aberdeen’s cultural calendar. We have placed a huge emphasis on culture and education and to bring the two together at the Treasure Hub and for the children to work with a globally renowned artist is absolutely fantastic.”

For more information on Nuart Aberdeen please visit http://www.nuartaberdeen.co.uk/

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute. Proceeds are used to fund projects designed to improve the business district and driving footfall to the zone.

More information on the work of Aberdeen Inspired is available at www.aberdeeninspired.com

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Jun 302016
 

Gary Shand George Sq sculpture prior to oiling 2By Duncan Harley.

Inverurie has a new and exciting piece of artwork courtesy of north east based chainsaw sculptor Gary Shand.

When Aberdeenshire Council Landscape Services Officer Ken Regan realised that he had a dead elm tree on his hands he decided to approach Gary in the hope of persuading him to transform the 25ft high stump into a piece of public art.

“I had seen carved tree stumps in the parks of Barcelona … the notion that folk could almost randomly stumble upon them appealed and when this opportunity arose it seemed appropriate to create one for Inverurie” said Ken.

Sited in parkland on George Square outside Inverurie’s St Andrew’s School, the sculpting process immediately drew comments from local residents. Carving a tree trunk with a power-saw is after all a very public process.

Says Gary,

“It was really interesting overhearing the comments. At the beginning folk were mainly asking what it was for and what did it mean. Towards the end of the week I detected a sense of ownership. Folk had literally adopted the piece as a part of their local environment.”

Gary_Shand_Sculptor_7

Chainsaw sculptor Gary Shand

The design stage involved consultation with St Andrew’s School pupils. Drawings were produced and, as Gary puts it “the ideas were put into the blender.” The image of the children with arms around each other, lifting each other up and reaching for the sky was the result and “Aspire” was born.

With a background in forestry and a lifelong interest in the creative arts, Gary was an obvious choice for the project. “In fact we were fortunate that he was able to commit to the work” said Ken Regan.

Alongside his “Stump Sculptures” Gary creates bespoke pieces, often from elm, suited to the average size home.

“Dutch Elm disease has been a mixed blessing” he says.

“it’s not quite so good for forests but is useful if you are a carver … Elm is an ideal timber for outdoor sculpture and providing you keep it moist, which is easy in Scotland, it will last forever.”

Given that the Romans utilized elm for water-pipes, Gary is not far wrong.

Samples of Gary’s work can be seen at www/garryshand.co.uk/

Images and text © Duncan Harley

First published in the June 2016 edition of Leopard Magazine

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Apr 152011
 

By Stephen Davy-Osborne.

With the recent fair weather and the school holidays in full-swing, many visitors to Aberdeen beach may have noticed an addition to Broad Hill.

Situated between the Beach Ballroom and Pittodrie, the small hill is well known as a spot to avoid on a blustery day, but with better weather on the horizon the installation of a new open-air exhibition could not have chosen a better location.

BY ORDER OF ME is a collection of wooden signs scattered across the hill, and is the collective work of visual artist Rachel O’Neill, writer Davey Anderson and 54 pupils from Kingsford Primary School. The collaboration, organised by Extreme Aberdeen and the National Theatre Scotland, in partnership with the City Council’s Art Education team, set out to challenge the way visitors interact with their surroundings.

The signs themselves were inspired by the many prohibitive signs found across the city, and were created to represent many young people’s view of a an urban landscape that is cluttered with signage ordering what can and cannot be done: No Ball Games, No Skateboarding, Keep Off the Grass, to name but a few.

With such signs as “No Kissing on the Hill, I Mean It”, it is evident that those taking in the fresh sea breeze are being encouraged to ponder the world from a different point of view.

While they are not inviting visitors to run amok on Broad Hill (although one sign does state we should run down the hill screaming) the purpose remains to encourage visitors to enjoy their surroundings and the spectacular views across the bay to one side, and the city sky-line to the other. The exhibition will be in place until early next spring.

For further information please visit www.nationaltheatrescotland.com

Mar 292011
 

By Cllr. Martin Ford, Aberdeenshire Council.

The reality of the cuts being forced on Scottish councils was all too apparent at Aberdeenshire Council last Thursday (24 March).  Several papers at the Education, Learning and Leisure Committee dealt  with proposed policy changes intended to give effect to budget cuts voted through the Council in November and February.

On the agenda were cuts to secondary teacher numbers, the number of depute heads in some academies, the provision of fruit for primary pupils, and the extension of charging for musical instrument tuition. The Democratic Independent group of councillors, of which I am a member, opposed these cuts at the full council meeting in November 2010 when the Council voted for budget reductions totaling almost £27 million in 2011/12.

See. https://aberdeenvoice.com/?p=3511

The specific proposals at the Education, Learning and Leisure Committee covered only a small proportion of the wide-ranging cuts Aberdeenshire is making in education. The proposals on secondary school staffing will impact directly on classes, including possibly resulting in larger class sizes for S1 and S2 Mathematics and English, and also on school management – at a time of change in the curriculum.

The proposals for additional charging for musical instrument tuition may result in some pupils being prevented from learning for economic reasons. The proposal to end the provision of free fruit to P1 and P2 children three days a week was part of proposals for reducing spending on school catering.

Obviously, none of these service reductions is desirable, and no-one at the Committee pretended they were.

Take the fruit provision for example.

We know we have a considerable problem of poor diet, such as too much fat and salt, and associated health issues such as obesity. So learning about food and healthy eating is an important part of education. Getting young children accustomed to healthy food is crucial as part of setting a pattern for later life.

Given the seriousness of the problem in Scotland, addressing this issue has to be a priority.  Not only does the individual benefit, but there are potentially  significant savings to the public sector, particularly the NHS, from  improvements to people’s diet. We should not therefore be reducing efforts to get young children into good eating habits.

What makes me angry is that these cuts are unnecessary.

It is still wasting money on preparatory work for the Aberdeen Western Peripheral Route, a project that is now simply unaffordable

Firstly, the Council should not have been put in the position it has been by the Scottish Government, having both its grant cut and a Council Tax freeze imposed on it.  Effectively, allowing for inflation, the Council Tax is being cut year after year. That is not financially sustainable and public services are suffering as a result.

Had the Council been allowed to decide on the level of Council Tax next year, some of the cuts to services could have been avoided. Aberdeenshire’s Band D Council Tax is £1141. A one penny in the pound increase, £11.41 per year or 22 pence per week, would bring in around £1.2 million to help pay for public services.

All the cuts included on the Education, Learning and Leisure Committee’s agenda last Thursday and more could have been avoided had the Council been allowed to increase the Council Tax by just a penny in the pound.

Secondly, the Council could have chosen different priorities for spending. It is still wasting money on preparatory work for the Aberdeen Western Peripheral Route, a project that is now simply unaffordable. Schools should come first, not grandiose and unaffordable road schemes.

But, at last Thursday’s Education, Learning and Leisure Committee, all the proposed education cuts were accepted by the Committee.

– Martin Ford is the top candidate on the Scottish Green Party’s list of MSP candidates for the North East Scotland Region at the forthcoming Scottish Parliament election.