Oct 132017
 

With thanks to Ross Anderson, Senior Account Manager, Jasmine Ltd.

Organisers of Nuart Aberdeen have made a ‘call for walls’ to identify city centre sites for new street art murals to be developed when the festival returns in 2018.
The international award-winning festival made its debut earlier this year and a team of globally acclaimed artists showcased their talents by producing powerful murals attracting large crowds over the Easter weekend.

Nuart Aberdeen was brought to the city by business organisation Aberdeen Inspired and Aberdeen City Council, and was supported by main sponsor Burness Paull LLP.

In anticipation of the festival returning next year, work is already underway to find prospective new walls to use next year and the festival project team are keen to hear from property owners and business that would like to be involved.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“We had an overwhelmingly positive response to the Nuart Aberdeen festival and it has been truly transformational, attracting significant footfall over the summer months. 

“We are delighted that the festival will be coming back and the festival team has started work to identify prospective new walls in the city centre for street artists to use next year. I’d encourage property owners and businesses in the city centre who would like to be considered to contact us.

“Already we have noted interest from city centre businesses, however we want to maximise this opportunity to shape Nuart Aberdeen 2018.”

Held in the Norwegian city of Stavanger since 2001, and widely regarded as the world’s leading celebration of street art, Nuart Aberdeen was the first overseas version of the festival.

Martyn Reed, director and curator of Nuart, said:

“The artists, team and partners had an incredible first year in Aberdeen, a truly remarkable event that we took a lot of credit and accolades for alongside our partners, Aberdeen Inspired.

“It’s always a little humbling taking credit for Nuart, because the reality is, the event is a huge collaborative undertaking between so many different talented and passionate individuals and partners. This is where our ‘call for walls’ comes in. It’s a truly democratic way to have the public and local businesses involved in where the art might be placed.

“We can’t wait to see what comes in and to get feedback from artists who will be with us next year. We’ll be in town shortly to scout locations, and the more options we get the better.”

Shaun Hose, Assistant Director of Rockspring, which owns Aberdeen Indoor Market, which was the centrepiece of the inaugural festival has encouraged property owners to come forward.

He said:

“Rockspring have been fortunate enough to work with Nuart on three artworks which exceeded our expectations. The art is now an integral part of the Indoor Market space overlooking The Green and the trendy Merchant Quarter.

“We are proud to have worked with Aberdeen Inspired and Nuart by providing them with a canvass to enhance the urban landscape and breathe life back into our building.

“We and the stakeholders of the Merchant Quarter have benefited from Nuart Aberdeen and look forward to working with them again on other projects whilst continue to invest in Aberdeen.”

The call for walls comes as discussions with Aberdeen City Council are ongoing to secure Nuart Aberdeen for the future.

Councillor Jenny Laing, Aberdeen City Council Co-Leader, said,

“Aberdeen City Council was both proud and delighted to be the joint delivery partner for Nuart Aberdeen this year.

“The festival showed the very best of the Granite City and this is reinforced by the overwhelming response to the festival by residents and visitors alike. It is therefore right that discussions with partners are continuing as to how the council can best support this very special festival going forward.”

Walls must be in a good condition for paining and interested parties should contact the Nuart Aberdeen project team via: 01224 566291 or email: callforwalls@aberdeeninspired.com

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute. Proceeds are used to fund projects designed to improve the business district.

For more information about the Nuart Aberdeen Festival, please visit: www.nuartaberdeen.co.uk

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Sep 152017
 

With thanks to Ross Anderson, Senior Account Manager, Jasmine Ltd.

Sir Clive Woodward and Scott Kerr Mintra Group CEO.

The global energy industry can learn from training techniques used in the professional sports arena, according to rugby World Cup winning coach Sir Clive Woodward.

Leading energy industry training provider, Mintra Group, hosted Sir Clive at its Aberdeen training facility on Carden Place for the company’s Raising the Bar event during Offshore Europe on Wednesday, September 6.

Sir Clive, whose theories and techniques helped conquer the rugby world in 2003 and drive Team GB to their greatest success to date at the London 2012 Olympics, addressed more than 100 guests about what makes a champion and how to create a winning culture.

During his presentation, Sir Clive covered themes including the ability to learn, performance under pressure and how marginal gains can lead to success.

Sir Clive said:

“The energy industry has rightly focused on training and competency solutions to improve performance and develop winning teams at all levels.

“Investing in these areas can make a significant impact on the success of any business and it’s clear to me that the sector could learn a lot from what is being done in the professional sports training arena where we are constantly pushing to improve.

“Even small improvements add up, and these marginal gains can make a big difference for companies looking to stand out in a competitive market.”

Mintra provides eLearning courses as well as training and competency management solutions to the global oil and gas and maritime industries.

Scott Kerr, CEO of Mintra Group, said:

“We were absolutely delighted that Sir Clive joined us for our Offshore Europe event in Aberdeen which proved very popular with guests.

“It was very interesting to hear about Sir Clive’s experience in training and performance improvement in sport and many of the techniques he highlighted could be adopted by the energy industry to improve performance, ensure competency and build a winning team.”

Mintra Group is owned by private equity firm, The Riverside Company, and has Norwegian roots. The company is a result of a recent merger between Mintra Trainingportal and OCS HR.

Mintra Trainingportal was established in Oslo in 1997, and specialised in tailor-made eLearning courses for the energy and petroleum sector.

OCS HR was founded in Bergen in 1983, and has since then grown into a leading international provider of HR, payroll and crew management for the offshore and maritime sector. Mintra Group has offices in Oslo, Bergen, Stavanger, Aberdeen, Dubai and Singapore.

Sep 022017
 

With thanks to Ross Anderson, Senior Account Manager, Jasmine Ltd.

Rugby World Cup winning coach Sir Clive Woodward will give a talk in Aberdeen during Offshore Europe on the importance of training and improvement to a successful business. Leading energy industry training provider, Mintra Group, will host the invitation only event, Raising the Bar, at its Carden Place training facility on Wednesday, September 6.

Sir Clive’s theories and techniques helped conquer the rugby world in 2003 and drive Team GB to their greatest success to date at the London 2012 Olympics.

He will speak to more than 100 guests about what makes a champion and how to create a winning culture, and cover themes including the ability to learn, performance under pressure and how marginal gains can lead to major success.

Sir Clive is looking forward to coming to Aberdeen for Offshore Europe and meeting the team at Mintra and their guests.

He said:

“The global energy industry has rightly focused on training and competency solutions to improve performance and develop winning teams.

“Investing in these areas can make a significant impact on the success of any business and I’m very pleased to share my knowledge and expertise.”

Mintra provides eLearning courses as well as training and competency management solutions to the global oil and gas and maritime industries.

Scott Kerr, CEO of Mintra Group, said:

“We’re absolutely delighted to have Sir Clive join us for our Offshore Europe event and I’m sure he’ll be a very popular draw for the business community.

“Sir Clive’s experience in training and performance improvement is a perfect fit for us and it promises to be a very interesting evening to learn more about how he has used his coaching and training techniques and developed them in the business arena.”

Mintra Group is owned by private equity firm, The Riverside Company, and has Norwegian roots. The company is a result of a recent merger between Mintra Trainingportal and OCS HR.

Mintra Trainingportal was established in Oslo in 1997, and specialised in tailor-made eLearning courses for the energy and petroleum sector.

OCS HR was founded in Bergen in 1983, and has since then grown into a leading international provider of HR, payroll and crew management for the offshore and maritime sector. Mintra Group has offices in Oslo, Bergen, Stavanger, Aberdeen, Dubai and Singapore.

Jul 142017
 

With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix

A leading north-east of Scotland business organisation is celebrating European success after scooping a prestigious award for its work to revitalise Aberdeen city centre.
Aberdeen Inspired has been crowned European Business Improvement District (BID) 2017 by the Association of German Chambers of Commerce and Industry.

The award ceremony, which was held in Berlin on Tuesday, July 11, was attended by representatives of the eight finalist organisations, European business leaders and government officials from across the continent.

Aberdeen Inspired’s leading role in delivering the successful Nuart Aberdeen Festival in April played a significant part in the judge’s decision to declare the organisation as the winner of the 2017 award.

As well as lobbying on behalf of its levy payers and supporting festivals and projects in the city, the success of other Aberdeen Inspired projects such as the first Aberdeen Comedy Festival, Summer of Art, and the Aberdeen Christmas Village also helped the organisation to stand out against other finalists, including Amsterdam and Hamburg.  

Each year the Association of German Chambers of Commerce and Industry recognises successful initiatives which increase the attractiveness of and strengthen and revitalise city centres, residential districts and commercial areas.

Adrian Watson, chief executive of Aberdeen Inspired, was in Berlin to represent the organisation at the European BID awards.

He said:

“We are very proud to be European BID of the year 2017. Being shortlisted as a finalist was a great recognition of our work for Aberdeen but winning outright is a fantastic achievement which we hope will serve as an inspiration to the city, the wider north-east, and across the country.

“To make it to the final we were up against organisations from across the continent, ranging from Albania to the Nordic countries, so the field for the award was wide-ranging and very competitive.

“All our efforts with projects like Nuart Aberdeen and the comedy festival are focused on improving the city centre to drive footfall there and boost traders in the area. During the Nuart Aberdeen Festival 87% of visitors to Aberdeen stated it was completely or very likely that they would return to the city for the festival if it was repeated next year, and we are delighted to be in discussions to secure the festival for the coming years.

“To be recognised as best in Europe for our innovation and success is very satisfying and we are determined to achieve much more.”

The European BID award success follows fast on the heels of UK recognition for Aberdeen Inspired which achieved notable success at the UK and Ireland Association of Town and City Management’s (ATCM) annual awards in June for innovation and best BID.

Mr Watson added:

“Our success in the UK and now in Europe has been made possible through a strong joined up approach with our partners including Aberdeen City Council and our city centre businesses.

“Despite the challenging operating environment in our city and wider north-east they have all rallied to the cause and shown the rest of the country some excellent practices to boost economic and cultural activity that lead the way.

“We should all take a great deal of confidence from this success and it brings the right kind of recognition that our great city deserves. However, we all understand that we cannot stand still and there is still much to do as the city continues its transition, but be sure Aberdeen Inspired will continue to play its part.”

Aberdeen Inspired is the banner under which the Aberdeen BID operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute.

Proceeds are used to fund projects designed to improve the business district. More information about Aberdeen Inspired is available at: www.aberdeeninspired.com

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 022017
 

With thanks to Jessica Murphy, Account Manager, Jasmine Ltd.

Organisers of the hugely popular inaugural Nuart Aberdeen have hailed the response of visitors, as research reveals that 80% of attendees agreed the event increased their pride in the Granite City.

The festival, brought to the city by Aberdeen Inspired, attracted crowds of thousands and set the arts and cultural scene in Aberdeen alight.

A survey put together by Aberdeen and Grampian Chamber of Commerce has revealed the thoughts of visitors to the event, which reflect the fantastic feedback received throughout the festival and in recent months.

Nearly 90% of respondents to the survey agreed that Nuart Aberdeen, which was supported by Aberdeen City Council and Burness Paull LLP, demonstrates that Aberdeen is a progressive city, with three in four also stating that the artistic extravaganza was their main reason for coming into the city centre.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“The response we have received to Nuart Aberdeen, both in the city and around the world, absolutely blew us away. We knew the ambition of the event was high, so to receive such an amazing reaction was incredible after all the hard work that went into bringing it here.

“These findings are wonderful to look at, as they reflect what we strive to achieve, increasing footfall to the city centre and bringing a sense of pride and joy back to our wonderful city.

“Feedback in recent years from our levy payers has highlighted a demand for more large scale events to be held in Aberdeen and we are pleased to be delivering this, and seeing the benefits that it is bringing in terms of economic impact and the aesthetic of Aberdeen.

“The survey also showed that 76% of respondents agreed that the festival brought communities together, which is very much what we felt throughout the weekend, as families, individuals, couples and visitors to our city came together to enjoy and celebrate street art and the transformation it brought to the city.”

Held in the Norwegian city since 2001 and widely regarded as the world’s leading celebration of street art, Nuart Aberdeen was the first overseas version of the festival.

Street artists Fintan Magee, Nipper, Add Fuel, M-City, Alice Pasquini, Jaune, Isaac Cordal, Martin Whatson, Herakut, Julien de Casabianca and Robert Montgomery all showcased their latest work.

Elaine Farquharson-Black, partner and head of planning at Burness Paull said:

“The Nuart Festival has reenergised the city centre, igniting a pride in Aberdeen and promoting a real feeling of inclusivity.

“The stunning artworks and the stories they tell are reimagining our built environment, but what is more important is the positive vibe Nuart has brought to Aberdeen and its people, and the long-lasting effect this will have.”

The popularity of Nuart Aberdeen has led Aberdeen Inspired to introduce regular walking tours throughout the summer. These will be held every Saturday at 11.30am, led by expert Jon Reid, with a meeting point outside Contour Café on the Green.

Mr Watson added:

“The numbers at our walking tours during the festival were absolutely incredible, with more than 1,600 people taking advantage of them, and we are thrilled to be introducing them in the summer months.

“The tours will give visitors the full Nuart Aberdeen experience, taking attendees to the smaller pieces of art as well as the bigger murals created for this year’s festival. Our dedicated tour guide Jon Reid will also give background on each of the 11 international artists that took part, as well as an insight into their inspiration for the work they created.”

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute.

Proceeds are used to fund projects designed to improve the business district. More information on the work of Aberdeen Inspired is available at: www.aberdeeninspired.com

For more information about the Nuart Aberdeen Festival, please visit: www.nuartaberdeen.co.uk

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Jun 022017
 

Common Darter (Sympetrum striolatum) adult, covered in dew, resting on grass at dawn, Elmley Marshes N.N.R., Isle of Sheppey, Kent, England, July

With thanks to Emma Brown.

This year’s Scottish Nature Photography Festival will bring together top wildlife and landscape photographers from across the UK and Europe to deliver an outstanding programme of talks at Battleby Centre in Perthshire on 9 and 10 September. German photographer Sandra Bartocha will kick things off on Sat 9 Sept, with the first of two presentations about her latest project, LYS

She will be followed by Robert Canis, marine photographer George Stoyle, Richard Peters, plus landscape photographer Alex Nail.

Norwegian photographers Orsolya and Erlend Haarberg complete the Saturday line-up and will return to open the event on Sunday 10 September with a spectacular presentation about their work in Iceland.

Alex Nail and Sandra Bartocha also return for a second day and will be joined by Andy Parkinson, Robin Moore and Will Burrard-Lucas, who will share some of his adventures in remote photography.

Renowned nature and conservation photographer Peter Cairns, who returns as compère, said:

“SNPF gets better as each year passes, taking both photographers and nature-lovers on a roller-coaster journey through the words and images of the top photographers at work today.”

Several of the speakers will be on hand to deliver a diverse range of lunchtime workshops, which will offer a more in-depth exploration of practical topics, plus Cairngorms-based wildlife photographer Neil McIntyre will give a lunchtime presentation on his stunning new book, The Red Squirrel: A future in the forest.

Taking place at Scottish Natural Heritage’s prestigious Battleby Centre just outside of Perth, the annual event also features exhibitors, including Epson and Perth-based camera retailer JRS Photo Hardware, photographer portfolios, book sales, the ever popular SNPF photo competition, plus the chance to catch up with friends old and new.

State-of-the-art projection and sound, plus easy access, free parking and excellent catering, makes Battleby the perfect venue to enjoy the astonishing images and inspiring stories from some of the best photographers in the business.

The Scottish Nature Photography Festival is coordinated by the Wild Media Foundation, a group of photographers and visual media specialists who have come together to bring nature’s stories closer to people’s lives.

It operates as a company limited by guarantee, set up as a Social Enterprise, which means that all profits are put aside to further the objectives of the company.

Its mission is:

“To bring nature’s stories to life through the development of innovative visual media products, which will engage, inform and inspire a wide audience.”

Links:

Tickets and more information available from www.snpf.co.uk

Scottish Nature Photography Festival on Facebook 
Scottish Nature Photography Festival on Twitter
Wild Media Foundation

Image Credits:

African wild dog, Zimbabwe © Will Burrard-Lucas.jpg
Arctic Terns, Iceland © Orsolya Haarberg.jpg
Dragonfly, England © Robert Canis.jpg

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 282017
 

By Fin Hall.

“Beneath the paving stones, the beach.” That was the apothegm of Nuart Aberdeen. I would add: “Above the rubble, art.” 

I must admit, the level of success that Nuart Aberdeen has achieved is beyond my expectations.

I knew that this innovative project, I nearly used the word ‘happening’, because that is what it was, was going to be interesting and popular, particularly amongst people who like art and culture, but it captured the imagination of so many others also.

Before the international artists arrived, not many people I spoke to was aware of it. But as soon as the Herakut painting of their six year old daughter on the New Market wall in The Green was underway, the interest of the citizens of the city was well and truly piqued.

As each new work was underway or completed, it was virtually all that the conversations was about.

The magnitude of some of the works quite surprised some people: such a thing has never happened in Aberdeen before. But equally pleasing was the reaction to the smaller scale pieces too.

Norwegian artist, Nipper’s Mission Directive, Make, Take and Replace installations were popular (where he left made items on clipboards in various locations, e.g. The Shiprow, Trinity  Quay and Harriet Street to name but three, and these things were free for people to take and keep. Then local artists could leave a sample of their work, to be taken too), and so successful, that I personally only saw a work left on one place as I drove by, and by the time I got parked and went back there, it had gone.

Local artists, however were leaving samples of their work at various locations on the trail.

These clipboards are still in situ with the hope that this sharing of work will continue.

The school children I mentioned in a previous article helped paste up their contribution to Julien de Casabianca’s Outgoings project in Queen Street and Shiprow, and in the future, they will pasting more works up in their local areas, thus creating a bit of a legacy.

Julien himself said, in a very interesting and comical talk he gave in the Anatomy Rooms, that he is looking forward to returning next year – as did other artists, particularly on their social media pages.

The event, which was more than just painting, stencils, and sculptures etc, included films and discussions in the Belmont cinema, live music in Drummonds and a fight club debate in Underdog. There were also free pavement chalk painting and street printing workshops too.

Proving exceedingly popular was the street walking art trail tour. Around 300 turned up for the Saturday afternoon one, meaning that it had to be split up into two seperate groups with more than one guide per group.

On the last evening of the event, the members and artists from NUART ABERDEEN spent a very enjoyable time having a game of bowling down at Codonas.

It seems inevitable that the event will return next year, James Finucane, told me,

“The people embraced the art and the artists wholeheartedly. The turnout for the street art tours was phenomenal and it was great to see so many people exploring the city on their own as well, looking for all the works.

“We look forward to developing plans for Nuart Aberdeen 2018 with our partners in the near future.”

So do we James, so do we.

Meanwhile his task continues as he goes ahead with the organising of Nuart in it’s home city of Stavanger as it enters it’s 17th year. This year it runs from 31st August until 15th October.

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 202017
 

With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix.

Organisers of the Nuart Aberdeen festival have hailed the overwhelming response from members of the public to the city’s first ambitious international street art festival.
A team of internationally acclaimed artists showcased their talents by creating eye-catching murals around the city centre which attracted large crowds over the Easter weekend.

Nuart Aberdeen was brought to the city by business organisation Aberdeen Inspired and Aberdeen City Council, and was supported by main sponsor Burness Paull LLP.

Held in the Norwegian city since 2001 and widely regarded as the world’s leading celebration of street art, Nuart Aberdeen was the first overseas version of the festival.

Street artists Fintan Magee, Nipper, Add Fuel, M-City, Alice Pasquini, Jaune, Isaac Cordal, Martin Whatson, Herakut, Julien de Casabianca and Robert Montgomery all showcased their latest work.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“We’ve had an overwhelmingly positive response to the Nuart Aberdeen festival and it was great to see so many people admiring the work, engaging and capturing it in the build up to, and throughout the weekend.

“All of the artists involved have caught the imagination of Aberdonians and we are very proud to have spearheaded this ambitious project with our partners to bring the festival to Aberdeen.

“We all know the granite shines in the sunshine but it can be a different story on gloomier days and we hope the influential art helps to enhance the area and offering for residents and visitors alike.

“The festival will leave a lasting legacy in the city, all of the street art will remain in place and we hope help to attract more cultural activities to the city and help Aberdeen as we encourage a transition through the city centre masterplan.”

As well as street art, there was also an extensive festival programme of activity including walking tours, talks, presentations, art workshops and the UK cinema premier of Saving Banksy at Belmont Filmhouse.

The festival artists also worked alongside local artists to create a lasting impression in the city centre by brightening up neglected spaces with their work.

Locations for the Nuart Aberdeen Festival work include: Market Village (Market St), Centro Court (Loch Street) Mackay´s (29-31 Queen St), The Illicit Still (Guestrow, Aberdeen), The White Screen (visible from Union Bridge), and Robert Gordon’s College Wall (Harriet Street).

Martyn Reed, director and curator of Nuart, said:

“It’s been amazing to see the diversity of those who participated in the festival, from young toddlers taking part in our Easter egg hunt to young people and adults engaging with the street art throughout the weekend.

“It seems like people have taken it upon themselves to explore the city centre throughout the festival which is a positive outcome.

“We are really pleased to have trusted custodians in our partners to continue the work of the festival, and we look forward to seeing the city flourish creatively.

“We’re also looking forward to working with Aberdeen Inspired, Aberdeen City Council and our partners to develop Nuart Aberdeen 2018.”

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute.

Proceeds are used to fund projects designed to improve the business district. More information on the work of Aberdeen Inspired is available at: www.aberdeeninspired.com

For more information about the Nuart Aberdeen Festival, please visit: www.nuartaberdeen.co.uk

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 132017
 

With thanks to Ross Anderson, Senior Account Manager, Citrus:Mix

Colourful street art will begin to appear across Aberdeen city centre this week as a team of globally renowned artists start work for the inaugural Nuart Aberdeen Festival.
Walls at locations throughout the Granite City will be transformed as part of Aberdeen’s first international street art festival which will run from Friday, April 14 to Sunday, April 16.

The first piece of festival street art in Aberdeen was completed by Norwegian stencil artist Martin Whatson on the Mackay’s wall on Queen Street which was unveiled on Sunday morning (April 9).

Nuart Aberdeen has been brought to the city by business organisation Aberdeen Inspired and Aberdeen City Council, and is supported by main sponsor Burness Paull LLP.

Held in the Norwegian city since 2001 and widely regarded as the world’s leading celebration of street art, this is the first overseas version of the festival.

Adrian Watson, chief executive of Aberdeen Inspired, said:

“We’re very proud to have a very talented line-up of international street artists for the Nuart Aberdeen Festival, and are looking forward to seeing their work take shape around the city centre this week.

“The festival is held in Stavanger each year and the organisers were keen to work with us to bring it to the UK for the very first time so it’s a huge coup for Aberdeen.

“It is also going to be a fantastic opportunity for local and international artists to work alongside each other on such an exciting project. We have a fantastic artist community in Aberdeen and we can’t wait to see their work.

“Nuart Aberdeen is an ambitious project which will give residents in the north-east and beyond the opportunity to engage with all of the colourful artworks which will soon pop up on walls across the city centre.”

The festival provides a platform for national and international artists to showcase their work through a series of murals, installations, interventions, and temporary exhibitions.

Street artists Fintan Magee, Nipper, Add Fuel, M-City, Alice Pasquini, Jaune, Isaac Cordal, Martin Whatson, Herakut, Julien de Casabianca and Robert Montgomery will showcase their latest work.

From Market Street and Queen Street to Belmont Street and Guestrow among others, the artists will use buildings and walls as their canvas to create their artworks.

The festival artists will also work alongside local artists to create a lasting impression in the city centre by brightening up neglected spaces with their work.

The first locations for Nuart include: Market Village (Market St), Centro Court (Loch Street) Mackay´s (29-31 Queen St), The Illicit Still (Guestrow, Aberdeen), The White Screen (visible from Union Bridge), and Robert Gordon’s College Wall (Harriet Street).

As well as street art, there will also be an extensive programme of activity including talks, presentations, film screenings, workshops and a few surprises over the course of the Easter weekend.

Martyn Reed, director and curator of Nuart, said:

“One of the often overlooked and possibly most long reaching positive effects of street art is just how many people it inspires to have a go themselves, many, not having touched a paintbrush since their last art class at school.

“And whether you go on to become an internationally renowned street artist like Martin Whatson, or you simply cut a stencil at the kitchen table with your kids for a skateboard, is irrelevant, the fact is, street art puts art back into people’s everyday lives like no other art form has even considered.

“Martin’s work, like Banksy before him, is crying out to inspire the next generation of stencil artists. As well as impressive works on public walls across the globe, it will be those smaller DIY attempts at kitchen tables, inspired by Nuart Aberdeen, that form part of the cultures’ lasting legacy.”

An Aberdeen City Council spokesperson, said:

“We are delighted to support events like Nuart through the City Centre Masterplan. The Masterplan’s Aberdeen 365 project aims to deliver a year-round programme of events, recognising that an enhanced cultural and sporting offer can add enormous vibrancy to a city.

“It’s been great to see the first piece of art take shape and I’m sure Aberdonians and visitors will be delighted with the colour that artist Martin Whatson has brought to Queen Street.”

Aberdeen Inspired is the banner under which the Aberdeen BID (Business Improvement District) operates. It is a business-led initiative within the city centre in which levy payers within the BID zone contribute.

Proceeds are used to fund projects designed to improve the business district. More information on the work of Aberdeen Inspired is available at: www.aberdeeninspired.com

For more information about the Nuart Aberdeen Festival, please visit: www.nuartaberdeen.co.uk

  • Comments enabled – see comments box below. Note, all comments will be moderated.
Apr 112017
 

By Fin Hall.

Nuart Aberdeen has finally arrived. A first for the city, sees a collection of street artists, organised by Aberdeen Inspired gather to paint, talk and show films etc over the Easter

Old and rarely used doors on the streets within the city centre, mainly around the Merchant Quarter, are being painted in different styles by different artists.

Among the artists participating in this current international project is Julien de Casabianca, a French/Corsican artist.

His Outgoing project features images of paintings in art galleries, often taken by members of the public on their phones, the main subject from said painting isolated via photoshop, then printed onto paper.

This paper is then pasted on buildings, walls etc in public spaces.

To this end various primary schools were invited to send a group of children to Aberdeen Museum Treasure Hub in Northfield, a building which stores many of the works of art that have been relocated from the Art Gallery during the refurbishment that is currently ongoing.

I was in invited by Aberdeen Inspired and NuArt to catalogue this process, working with Manor Park, Riverbank and Walker Road schools.

On arrival, the children were told what the general purpose of their visit would entail, before being split into two or three groups. I would stick with one of the groups each time. This took place on three Thursdays in March.

In the first part of their session, the children would be in an almost classroom like situation where they were given practically free rein to express themselves art wise.

They had a large wall mounted monitor complete with a white screen where they could copy images from the Art Gallery’s digital representation of the art works in it’s collection, or just draw whatever they wished; there were props and dressing up clothes so they could utilise and get their friends to take photos of themselves, or take selfies, with their iPads.

Also, there were word searches and sheets of A4 paper which had a pre-printed frame on, so they could draw whatever took their fancy. It was interesting to watch and see how they reacted and the choice they made. Some would throw themselves wholeheartedly into it, others just sat quietly and concentrated on drawing.

After about 45 minutes, the group I was with were taken through into the first of two storage rooms, with their iPads, to view and photograph the paintings, or rather, parts of paintings, be it a figure, an animal or something like a tree.

the youngsters had ever seen such paintings, and they were quite amazed

This room contained paintings of various sizes and from various eras, stored in racks which slid out when pulled. These works of art were paintings done on either canvas or or other fabrics, but not paper.

Some of the works they weren’t able to capture because they are still under copyright, or were covered in protective tape and plastic, but many others were available.

This was the first time that many of  and interested in them. I had to explain to them that they should concentrate on just part of a painting, and not fill their screen with the whole thing, some of which, as you can imagine were rather large.

After that they were led into a smaller room where paintings and drawings done on paper, were stored in drawers. Some of these drawers were already pulled out and at just the right height for the children to stand over, making sure that their device covers were either removed or held securely up, and snap until their hearts’ content.

The net result is that selected photographs the children have taken will be chosen to be the ones used by Julian to paste up in the East Green – an area other artists will be utilising, and where the official opening ceremony on Saturday 15th April will take place.

This part of he city already has several doors from the Painted Doors project already in situ. So it is the perfect location for the hub of the event.

Saying that, there will be several events taking place in the few days leading up to that. See the NuArt website for details.

All in all it was a pleasure to be involved with the schoolchildren.

The Treasure Hub is available for group and organisation tours. It is well worth visiting. So, this coming week get out and about in the city centre and see this unique event.

  • Comments enabled – see comments box below. Note, all comments will be moderated.