Apr 052023
 

Lead singer Aaron Starkie’s powerful vocals were a standout feature of the show.

Craig Chisholm reviews The Slow Readers Club at the Lemon Tree, Aberdeen.

The Slow Readers Club made a long overdue trip to Aberdeen Lemon Tree in support of their latest Top 40 album, Knowledge Freedom Power.
From start to finish, the band put on an impressive and energetic show that had the entire audience captivated.

The Manchester band opened with the new album’s first track, Modernise, which set the tone for the rest of the performance.

The band’s unique blend of indie rock and electronic music was on full display, and their sound filled the venue with a powerful energy that kept the audience engaged throughout the night.

Lead singer Aaron Starkie’s powerful vocals were a standout feature of the show, as he effortlessly belted out the band’s lyrics with passion and emotion. The other members of the band were equally impressive, with their tight musicianship and expertly executed arrangements.

The setlist included some of the band’s biggest hits, such as Plant the Seed and On the TV, as well as some newer material that showcased their evolving sound. Aaron Starkie also engaged with the crowd, creating an inclusive and celebratory atmosphere.

The lighting and stage design complemented the music perfectly, creating a visually stunning show that was both immersive and engaging. The sound quality was also excellent, with every instrument and vocal perfectly balanced.

Overall, The Slow Readers Club put on an outstanding performance at the Aberdeen Lemon Tree. They delivered an impressive show that was both sonically and visually captivating, leaving the audience wanting more.

Anyone who enjoys indie rock or electronic music should definitely make an effort to see this band live, especially when they support indie legends the Pixies in select UK dates.

Set List:

Modernise
Fool For Your Philosophy
All I Hear
The Greatest Escape
The Wait
How Could You Know
Plant the Seed
Everything I Own
Forever in Your Debt
Jericho
Afterlife
You Opened Up My Heart
Lay Your Troubles on Me
On The TV
Feet on Fire

Encore:

I Saw a Ghost
Wanted Much More
Knowledge Freedom Power
Lunatic

 

Jun 232022
 

Craig Chisholm reviews The Charlatans and Martin Carr at Aberdeen Music Hall.

The Charlatans are treated as conquering heroes to a partisan crowd.

Has it really been nearly ten years since The Charlatans last played Aberdeen? Last time around they played a run through of their classic album ‘Tellin’ Stories’ and the odd b-side from that phase of their career.

Tonight is also a dive into the past – a retrospective set in support of last year’s compilation album ‘A Head Full of Ideas: The Best of Charlatans’

But before The Charlatans take to the stage for what was supposed to be a 30th – now 32nd – anniversary tour, it’s the turn of former Boo Radleys guitarist and songwriter Martin Carr and his band, What Future, to entertain the crowd.

Most of the crowd seem to be in the bar when they come on but by the end of the set the hall is suitably filled with an audience appreciative of his songwriting skills.

Martin Carr

His bright indie pop still retains a knack for the harmonies and hooks that made Boo Radleys stars in the mid 90s. Leaning heavily on his solo material for the 30 minute set there’s only the one nod to his former band with a closing performance of the brilliant ‘Lazarus’ – which is met with an applause as rapturous to the one given when he says “have a good night – fuck the Tories”.

The Thurso born, Wallasey raised, singer and his band may have won a few more fans tonight with both his music and his politics.

Coming on stage to the pulsating ‘Forever’, The Charlatans are treated as conquering heroes to a partisan crowd.

It’s hit after hit, hook after hook, as they blast through over 100 mins of classics selected from their back catalogue.

The LED backdrop plays videos and shows pictures from the past three decades of their career – ticket stubs, tour posters, old concerts and, poignantly, old footage of late keyboard player Rob Collins and drummer Jon Brooks, who tragically died of a brain tumour in 2013.

But this isn’t a wake, it’s not a simple case of nostalgia and they are certainly not resting on their laurels – this is a band that have embraced all genres, mixed up the past and looked to the future.

From the soulful ‘A Man Needs to be Told’ to the Chemical Brothers infused dance beats of ‘One to Another’ to the Stones-y swagger of ‘Just When You’re Thinking Things Over’, it’s a joyous and life affirming set by a band that have never stood still.

Highlights? Everything. There are no mishits, no songs that make you want to go to the bar.

It’s all killer, no filler, as they say.

Closing – as ever – with an extended ‘Sproston Green’, the band leave the stage tired and exhausted as the crowd, reluctantly, leave the exits the in the very same state.

Setlist:

Forever
Weirdo
Can’t Get Out of Bed
Then
So Oh
You’re So Pretty – We’re So Pretty
Sleepy Little Sunshine Boy
Just When You’re Thinkin’ Things Over
One to Another
Different Days
Future Tense (with Ian Rankin) (Spoken word)
Plastic Machinery
I Never Want an Easy Life If Me and He Were Ever to Get There
A Man Needs to Be Told
The Blind Stagger
The Only One I Know
North Country Boy
How High

Encore:

Sproston Green

Jun 162022
 

Craig Chisholm reviews Pictish Trail and Savage Mansion at The Lemon Tree, Aberdeen.

A Pictish Trail show isn’t your run of the mill concert.

It’s a glorious mish mash of one man and his acoustic guitar, a band playing electro-indie-psych-rock and some of the funniest between song anecdotes and asides to the crowd that’s guaranteed to bring a smile to your face and a spring to your step.

Pictish Trail is better known to his Mum as Johnny Lynch. He’s a resident of Eigg, a prolific song writer, the head honcho of the Lost Map record label and, as cliched as it sounds, one of the best live acts around just now.

But before he and his band entertain the crowd, it’s the turn of Lost Map signees Savage Mansion to warm up attendees.

The Glasgow based band play an infectious brand of shambolic indie pop that’s a treat to the ears. There are shades of Pavement in there, a hint of Lou Reed in the vocals, all of which combine to create an enjoyable and listenable experience.

Keyboard player Kate is from Aberdeen and, when put on the spot, is asked to name something good about her hometown. She opts for the number 19 bus, which is given a shout out by singer Craig Angus.

Shout out to Savage Mansion too, for a great set.

Headliner Pictish Trail bravely starts the show with two solo acoustic tracks – ‘Easy With Either’ and ‘Nuclear Sunflower’ before being joined by “Eigg’s sexiest man 2009, Joe” on guitar for another track.

Pictish Trail, of course, moved to Eigg in 2010.

Whereby Joe won the award again, apparently.

This sort of quip is just a precursor for the between song banter and shaggy dog tales, including a tale about a near death experience involving a log filled truck with his passengers, comedians Josie Long and James Acaster.

But the humour and laughs are only a small part of an eclectic and joyful set that shows the breadth and depth of Johnny’s talent.

Songs are well crafted, catchy, and clever. Folkie, indie, danceable but draped in a pop sheen.

As he dances through the crowd at one point, still singing, you’re transported to a place of happiness, an escape from the world and its troubles.

Pictish Trail is no stranger to Aberdeen and hopefully he’ll be back soon – if you can’t wait then be sure to catch him in Glasgow, Dunfermline, Arisaig, Oban, Lockerbie and, more local-ish, Findhorn in August.

Set List:

Easy With Either (Johnny solo)
Nuclear Sunflower Swamp (Johnny solo)
Slow Memories (Johnny and Joe)
Double Sided
Island Family
Far Gone (Don’t Leave)
It Came Back
Melody Something
The River It Runs Inside Of Me
Fear Anchor
Turning Back

Encore:

Natural Successor

Nov 272019
 

Craig Chisholm reviews Liam Gallagher plus support at P&J Live, Aberdeen.

For North East Oasis fans, it was a bit of an exciting day, to say the least.
Noel Gallagher dropped a new single – ‘Wandering Star’ – with his High Flying Birds and, more importantly, brother Liam made his debut solo performance in Aberdeen.

Nearly 10,000 fans packed the new P&J Live Arena to watch their hero blast through a 90-minute set that drew tracks from his two albums ‘Why Me? Why Not’ and ‘As You Were’ but also, to the delight of many, a liberal sprinkling of classic tracks by his old band – and I don’t mean Beady Eye.

The mood was set for Liam’s triumphant performance by the two support acts that were both warmly received by the crowd.

Dylan John Thomas is the opening act. The young mop haired Glaswegian is very much following in the footsteps of friend and mentor Gerry Cinnamon who has recently supported on tour.

His acoustic guitar-based tunes are jaunty and catchy and, unusually for a new act, seems to meet the approval of a large section of the vast crowd. A cover of Johnny Cash’s ‘Ring of Fire’ especially goes down a treat.

DMA’s are a more familiar act, having sold out the Music Hall just a few months back.

The Australian act play a laid-back indie sound that’s indebted to Oasis without being a pastiche or outright copy.

Their short set draws tracks from both of their albums – ‘Hills End’ and ‘For Now’ – and all get a passionate and appreciative response from the crowd.

However, at the end of the day there’s only one man the audience are here to see – and that is Liam.

Walking on to near frenzied applause he exudes a swagger and confidence that most rock stars, let along normal people, would kill for.
He sets his stall out early with first track ‘Rock n Roll Star’ from Oasis’ 1995 debut album.

It’s less of a set opener than a statement of intent, a manifesto for all the Liam is.

The Oasis back catalogue is mined quite heavily throughout the set – ‘Wonderwall’, ‘Gas Panic’, ‘Morning Glory’, ‘Stand by Me’ and more are interspersed throughout the main set.

The encore pulls out a few of the big hits as well – ‘Acquiesce’, ‘Roll with It’, ‘Supersonic’ and a stripped down ‘Champagne Supernova’, all sang word for word by the audience; all received with near religious fervour.

As an added and unexpected bonus, he’s joined on these tracks by Paul ‘Bonehead’ Arthur, original Oasis guitarist who left the band 20 years ago, in 1999.
But this isn’t an Oasis show, it’s the Liam show – and he has his own songs to sing.

Tracks such as ‘Halo’, ‘Shockwave’, ‘Paper Crown’ and ‘One of Us’ are received as warmly by the audience and get the same sing-along treatment as his old band’s classics.

Overall, it’s an assured and confident performance. You could never accuse Liam of being humble or overawed but he genuinely looks pleased with the crowd reaction and the energy and enthusiasm that they exude.

Liam Gallagher Setlist: 

Rock ‘n’ Roll Star
Halo
Shockwave
Wall of Glass
Paper Crown
Morning Glory
Columbia
Stand by Me
Once
One of Us
Gone
The River
Gas Panic!
Wonderwall

Encore:

Acquiesce
Roll With It
Supersonic
Champagne Supernova

Encore 2:

Cigarettes & Alcohol

Jun 242014
 

Jasmine Minks release a new single in tribute to a lost friend and colleague, and stalwart of Aberdeen’s early indie/punk scene.

Jasmine MinksBackground

Positivity is required. It’s 2014 and the World Cup. France are flying, England are…. well, doing what England tend to do in World Cup finals… keep everyone on tenterhook’s as to how it will go.

Scotland didn’t make it but we did beat the 2006 runners-up France on their own turf which felt as good as winning the world cup and the Jasmine Minks were there to witness it.

It was to be the last real get together for us with our friend and roadie Mark (aka SCARS). He died not too long after.

This song is a tribute to the Man; he was a soul that shaped us in so many different ways. He was one of us. It’s a song about remaining strong through a time of change and so often to many adversity and worry.

Production rationale

The main constraint to music these days is appetite. What drives us to keep on doing what we do? Positivity that’s what!

We believe in the capacity of (good) music to make a change for the better. We made a positive change. We have for the first time in a career spanning over 30 years included the bagpipes on a Jasmine Minks song.

Think the Minks meet McCartney on a boozed up Mull of Kintyre giving it a “wishing we were Brian Wilson” kind of vibe with some Jethro Tull flute thrown in for good measure with a twist of guitar alongside power drumming and you have a cocktail to provoke the senses that will leave them shaken and most likely stirred too.

Investment rationale

We made a genius move and have invested our lives in building our WALL – this WALL enables us to do our thing despite being in different areas all over the place – it’s a construction of our Work Art Life and Love

We did it ourselves via technology, the internet and the skill set of a group of musicians spread from fields afar such as Norway, Aberdeen and Glencoe to the London outskirts of Sutton to make this positivity happen. We hope you enjoy!

Available via digital download from iTunes, Amazon etc from 22nd June.

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Apr 182014
 

Northside3With thanks to Anton Pell.

On April 26th at Café Drummonds, Manchester baggy legends ‘Northside’ play as part of the bands 20 year reunion tour.
The band featured on Top of the Pops and played for the BBC at Wembley even after being banned from all BBC shows due to their debut hits drug reference titled ‘Shall We Take a Trip’.

They also stole the show in a famous Elland Road, Leeds gig with happy Mondays and The LA’s.

For the first time since then, the band are back together with all four original members for a reunion tour playing all their hits from their albums ‘Chicken Rythms’ Section.

The band quickly became cult legends and featured on the front cover of NME amongst other major music magazines. They had two hits in the American billboard charts and even a number one in Canada, knocked off the top by Nirvana’s ‘Smell like teen spirit’.

The band famously split when the Happy Mondays broke Factory Records when they were at their peak.

Tickets are available from seetickets.com for all the bands tour dates.

Here’s one of their songs – one which still made the top 20 despite being banned by the BBC.