Jul 312014
 

With thanks to Martyn Smith.Mike Ward GTM

Grampian Transport Museum needs a helping hand. The award winning museum has followed an annually updated development programme for the past three decades in order to remain topical, relevant and popular. Recently it has been agreed that the whole visitor reception experience needs a radical rethink.

Like a good hotel GTM needs an area where visitors can arrive, take stock, get their bearings and be introduced to the experience to follow.

To answer this need a new reception extension has been designed that can accommodate an introduction to the seasonal exhibitions mounted at GTM and also the various activities possible at the museum. For example for the first time the museum’s work with schools, heritage skills and the GTM Young Engineers Club will be showcased.

Customer comfort will be upgraded to exceed expectations with a new superloo and coffee and magazine area in a light airy modern structure fronted by a portico carried on salvaged cast iron piers.

The GTM is a self financing educational charity. In revenue terms it is self sustaining at little or no cost to the public purse but when capital projects are to be funded outside help is needed. A fundraising campaign was launched at the museum on 26th June to raise the £320,000 needed to build the new facility. Last Friday, the museum passed the £100,000 mark; the six figure barrier is broken.

However if the museum is to build the facility this Winter as planned the total sum needs to be secured in the next eight weeks. Planning permission has been secured well in advance to ensure that this is possible.

To date funds have come from a number of supportive companies and individuals. The first to commit was BP who are supportive of the museum’s educational programmes.

The GTM is already a highly rated local facility but anyone wishing to help it to take a big step forwards should contact the Curator, Mike Ward on curator@gtm.org.uk or by ‘phoning 019755 62292. Mike will be happy to explain the proposals in detail and also the attractive reciprocations offered to supporters.

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Jul 172014
 

By Bob Smith.
dreamstimefree_151469 calf

We took a wee bit dauner
Oot ti the 161st Echt Show
Far kwintra fowk an toonsers
They war minglin ti an fro’
.
‘Ere wis Charollais an Suffolk sheep
The Texels a fun ugly limmers
‘Ere wis ither yowes an tups
An some war cross bred gimmers
.
The horse section noo wis gran
The Clydesdales stole ma hairt
As a myn fine as a loon
Rosie yokit ti box cairt
.
Lots o coos wi caafs as weel
Gweed bullocks an heifers ti
Heilan coos wi their horns
A richt fine sicht ti see
.
A parade o vintage tractors
The auldest ti bi seen
Wis a post war Fordson
In a livery o dark green
.
The Kintore Pipe Band war on haun
Roon the ring they did parade
Mony fowk they war whistlin
As weel kent tunes they played
.
Heilan duncin throwoot the day
Sword Dunce weel ti the fore
Wi young eens  o aa ages
‘Ere wis tartans bi the score
In the Industrial tint ‘ere wis
Toffees, jams an gweed bakes
Clootie dumplin an oatmeal breid
An lots o WRI wifies’ cakes
.
A fair enjoyed the birds o prey
Wi the display o falconry
In fact a hiv ti say
It fair did mak the day
.
A great faavrit fer mony ‘ears
The young loons an quines races
A buddin Jessica Ennis or Usain Bolt
Micht hae bin amang the faces
.
An efterneen o fine hivvy  events
Compered by Leuchar loon Jim Taylor
Haimmer throwin an caber tossin
Wi me es fun great faavour
.
‘Ere wis the Tug-o-War competition
Strappin loons an quines took pairt
In the hans o Jim’s brither Bob
Ti Echt they cam fae ilka airt
.
The wither  it played its pairt
A braw day wi nae rain
At only eicht poonds ti git in
Es pilgrimage we’ll mak again
.
.
.
.
©Bob Smith  “The Poetry Mannie” 2014

Image: Calf ready to nurse © Cressie Wright | Dreamstime Stock Photos

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Jul 042014
 

DragsterGTMWith thanks to Martyn Smith, Marketing & Events Organiser, Grampian Transport Museum.

Alford SpeedFest 2014 took place at the Grampian Transport Museum on Sunday 29th June with nearly 4,000 people flocking to the outdoor arena to see the largest gathering of rare supercars, performance cars and historic racing cars in the North East of Scotland.

Now in its fifth year, highlights for the 2014 event included displays of the ‘Jim Robbins Special’ Indy car plus the ‘Charles Bang Special’ dragster – a record holder, having set the US ‘D’  class quarter mile record.

The ‘Early Bird Rides’ began on the circuit at 11am, giving members of the public the opportunity to jump into the passenger seat of some of the days participating vehicles.

The event was officially opened at 12.30pm by Joel Sande, father of UK pop star Emeli Sande.

The cutting of a fantastic Packard Bentley inspired cake confirmed that the event was officially underway before Richard Pargetter took to the sky in his Pitts Special to wow the crowds with the first of the day’s displays.

The traditional pursuits took place in the afternoon, with regular demonstrations from the   guest vehicles including the Packard Bentley driven by Chris Williams, taking to the track complete with white boiler suit and bowler hat. Spitting flames out of the exhausts of its 1500bhp, 42 litre engine the vehicle was a real crowd pleaser.

IndycarGTMStatic paddocks were complimented by the appearance of not one but two of the classic McRae Rally Cars, including Y4 FMC (one of the Ford Focus rally cars driven by the late Colin McRae) This complimented perfectly the Ford Sierra RS Cosworth rally car which was also in attendance.

As the day came to a conclusion a ‘Best of British’ parade took to the circuit, featuring some of the vehicles which had taken part in the track events. They were then joined by a rare McLaren P1 for the final few laps.

Museum curator, Mike Ward, enjoyed the day’s proceedings.

“SpeedFest 2014 was a really great event and I’m sure people will long remember the three special guest cars we had – it’s the first time we’ve had a dragster on our circuit, the first time we’ve had an Indy racer on our circuit and certainly the first time we’ve had a 42 litre aero engined Packard Bentley on our circuit. These vehicles captured the imagination of the crowds and it was great to see so much track activity on the day.”

The event organisers would like to express their thanks to the many supporters who helped make the event possible, including John Clark Motors, Parks Motor Group, Revolutions UK, Fennel Inverurie and Peter Vardy Porsche. Special thanks also to the many drivers and volunteer marshals and not forgetting the North East public, whose continued support helped ensure a great event in 2014.

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Jul 042014
 

The Grampian Transport Museum in Alford is preparing to host its first Rides session of the School summer holidays when representatives from the world of commercial vehicles take to the circuit on Thursday 10th July.

OLYMPUS DIGITAL CAMERA‘Big Stuff Rides’ will give museum visitors the chance to jump in the passenger seats of some interesting and unusual commercial vehicles – including vintage buses from the Aberdeen & District Transport Preservation Trust, recovery vehicles from S.S Walker in Aberdeen and a 1975 Commer Fire Engine which is privately owned by an enthusiast from Aultmore, near Keith.

These ‘rides’ sessions are unique to the Grampian Transport Museum in Alford and offer museum visitors the chance to take to the passenger seat and enjoy laps around the dedicated road circuit at no additional cost, being included in the museums standard admission.

Curator, Mike Ward, is looking forward to summer at the museum.

 “It’s always a great feeling when we reach the summer season. Our unique events programme gets into full swing with events just like these  ‘rides’ sessions, which are always popular with families and youngsters.

“July and August are among our busiest months and once the Big Stuff event has passed we still have the Classic & Vintage Gathering and Fast Car Rides events to look forward to before the end of the July!”

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Jun 272014
 

By Bob Smith.
Stanley_Matthews wiki commons

Gie me a winger
fa dunced doon the wing
Gie me a player
like Clyde’s Tommy Ring
.
Gie me a winger
like dons Jackie Hather
fa’s speed an shot
hid richt backs in a lather
.
Gie me a winger
like  peerless Tom Finney
Ti see him in action
a’d hae pyed a guinea
.
Gie me a winger
like Billy Liddell
Aa English full backs
Played second fiddle
.
Gie me a winger
like Tommy Pearson
His double shuffle
bamboozled ‘Gers Derek Grierson
.
Gie me a winger
like thon spaniard Gento
His trickery wis aye
A special momento
.
Gie me a winger
like Billy Bingham
Crosses inti the box
es chiel cwid fling ‘em
.
Gie me a winger
like oor Graham Leggat
‘Ere’s a puckle o backs
he maan hae “fleggit”
.
Gie me a winger
like ‘Gers Willie Waddell
His artistry an skill
hid players in a fankle
Gie me a winger
like Celtic’s Wee Jinky
He wint roon a back
wi meevement fair dinky
.
Gie me a winger
fae Hibs’ “Famous Five”
Like yon Gordon Smith
fa brocht the game alive
.
Gie me a winger
like Spurs’ Cliff Jones
He sped by a player
ti opposition fans’ groans
.
Gie me a winger
like the maestro Sir Stan
At Blackpool an Stoke
He wis the top man
.
Gie me a winger
like Jimmy Delaney
He waltzed doon the wing
as he beat Johnny Carey
.
Gie me a winger
fa pit in a gweed cross
Like Pars’ Alex Edwards
He showed fa wis boss
.
Gie me a winger
fa took on a full back
Like Wee Wullie Henderson
fa hid aat auld knack
.
Gie me a winger
the best o ‘em aa
wis brazil’s garrincha
fa wis affa sma
.
Lament fer wingers
‘ere a deein breed
as doon the wing
they flew wi great speed

© Bob Smith “The Poetry Mannie” 2014
Image: Commons Wikimedia.

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Jun 272014
 

David Innes reviews Hidden Aberdeenshire: The Coast by Dr Fiona-Jane Brown.

Hidden AberdeenshireHard on the heels of her well-received 2013 volume Hidden Aberdeen, Dr Brown shifts her authorial focus beyond the city boundaries to the traditional county of Aberdeenshire.

More precisely, she visits its coasts abutting the North Sea and Moray Firth, along the way unearthing tales and anecdotes from the area’s fascinating history.

An immediate tip of the hat to her for recognising that Aberdeenshire is a geographical and cultural entity, not a post-1974 local governmental fiefdom, a welcome approach for those of us who rant as Andrea or Norman refer crazily to ‘Banff, Aberdeenshire’ or ‘Gourdon, Aberdeenshire’ on STV News.

Publishing in the same pocket-friendly format as Hidden Aberdeen, and maintaining its economical but fact-packed 450-word/two-page feature format, it is, like its predecessor, extremely readable and informative. Organised in discrete geographical areas, it will be easy for readers to visit most of the places in each section in a long half day, or even less.

The excellent bibliography is a welcome additional resource for those who wish to dig a bit more deeply beyond the details in the book’s chapters.

It has been said of Hardy’s Return Of The Native that Egdon Heath, the windswept wilderness on which the action takes place, is the dominating and defining character. Whilst the sea, its shore and fertile hinterland provide the canvas, Hidden Aberdeenshire celebrates the people who have enriched history and folklore of these lands over the centuries.

Fascinating insights are given to the lives of flint miners, smugglers, heroes of shipwrecks, a war artist who chronicled the foreign exploits of TE Lawrence, Peterheid loon and unlikely Prussian hero Field Marshal James Keith and the proprietor of an ironically-named Blue Toon whorehouse.

You will warm to the outcry raised by St Fergus’s villagers when a well-meaning restorer removed the extra minute from the village clock, smile at the account of Sir Arthur Conan Doyle being given a keeker in a boxing bout aboard a Peterhead whaling boat and be reminded of how impressive a modern cultural icon is the Pennan phone box.

Just about all human life is within this extremely-readable compact volume’s pages, another triumph for the author. More please.

Hidden Aberdeenshire: The Coast
Dr Fiona-Jane Brown
Black & White Publishing
ISBN 978 1 84502 757 5
96 pp
£9.99

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Jun 202014
 

‘Lay the proud usurpers low!
Tyrants fall in every foe!
Liberty’s in every blow!
Let us do or die!’

These lines from Scots Wha Hae by Robert Burns sum up the Battle of Bannockburn and gives the title to Quids In Theatre Company’s new production, Do or Die, which tells the story of the lead up to the most famous battle in Scotland’s history; Bannockburn. With thanks to Annie Begg.

DoOrDieQuidsIn

Last minute rehearsals for Do or Die : 700 years since Bannockburn which takes place from Sunday 22nd until Tuesday 24th June at St Nicholas Kirk.

As we celebrate 700 years since the victory that gave Scotland her independence from England, Quids In look at some of the events of the Wars of Independence through the eyes of the citizens of Aberdeen in this, the second of their local history series of events.

Last October, sell out audiences promenaded through the city centre, cowered in graveyards, shuddered in tower rooms as they enjoyed the promenade production ‘Suffer the Witch’, the story of the 1597 Aberdeen Witch trials. Now it is the turn of the Wars of Independence.

Production manager of the company, Annie Begg commented:

“Choosing the right venue for the piece was very important.  We wanted somewhere where the audience could feel that they were part of history. St Nicholas Kirk in Union Street was the perfect choice as it was one of the few buildings still standing which would have been here then. 

“The foundations of the church date back to the 12th century so there would have been a church on this spot in 1306 when the citizens of Aberdeen are thought to have helped storm the castle in the name of Robert the Bruce. We also  particularly liked having the opportunity to perform the play on the actual anniversary of the battle.

“Our Community drama shows, give anyone who is interested the opportunity to take part in a theatre production based on the history of their local community. This is the second of six planned productions which will culminate in a festival of community theatre and local history in 2017.”

Tickets for the production are free but should be reserved through the Quids In website.

Do or Die – Quids In Theatre Company
Sunday 22nd – Tuesday 24th June, 7.30pm
Kirk of St Nicholas, Union Street, Aberdeen.

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May 302014
 

By Ken Hutcheon.
marischal pic lo

People will be aware that there is a major development being proposed where the old council buildings are being demolished at Broad Street.

Several hundred went to see the exhibitions by MUSE (the developers) and indeed many put in their comments and often objections to the plans they saw.

The final plans have now been submitted to Aberdeen Council to obtain approval.

Unfortunately, in my opinion, MUSE did not take those approx. 1100 comments and objections into account when arriving at their final design. (See the web site below for a breakdown of the feedback responses given to MUSE at the first exhibitions). So now is the time to make your comments or objections really count.

A website has been set up at  www.marischalsquare.weebly.com which shows the wonderful perspective in Central Aberdeen we are about to lose for generations unless you object by following the links on the web site which will take you through to Aberdeen City Planning.

There you can view the latest plans and make comments or objections to the plans online while on their site. These comments/objections will form part of the report which will go to Aberdeen City Planning Committee and have to be taken into account when the Council make their final decision on the plans.

After some correspondence with Aberdeen City the cut off date for objections or comments has been changed from 06/06/2014 to 18/06/2014 so there is time to lodge your comments on the plans.

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May 232014
 

On Friday night, the 16th of May, Aberdeen Art Gallery hosted an opening evening for adults. The verdict: huge success. Suzanne Kelly attended.

Festival-of-Museums-logo-holder-image_4x3A programme of fun, varied, creative, and thought-provoking activities awaited the many visitors to Aberdeen Art Gallery on Friday 16th.

When closing time came at 10 p.m., it came too soon.

The activities were, by and large, based around the theme of World War I.

Local historian, published writer, and my former neighbour Graeme Milne held writing workshops.

Participants selected random words pulled from an envelope and composed poems on the war theme.

The theme was beautifully, touchingly and sometimes humorously brought to life in a series of postcards Milne showed the attendees, and by the poems he read. One postcard from Christmas Day 1914 is reproduced at the end of this article.

Peacock Visual Arts had a massively popular printing workshop. Visitors queued and talked about the events, while waiting to choose from a number of famous WWI propaganda images and create their own screen print in a choice of colours of ink and paper. Alphabet blocks and ink also allowed those participating to create their own propaganda posters.

Finished posters by the score hung to dry on a line; Kitchener’s famous image was surreally reproduced in many colours. Peacock didn’t stop printing all evening.

People milled around exhibitions, tried on period costumes and posed for photos, and wrote telegrams.  Paper crane making gave people the chance to hide origami cranes in the gallery for people to discover the next day. Another popular activity was designing and making poppies.

People worked in near silence as they concentrated on making individual poppies from felt, ribbon, paper and tulle; these were mounted on rings, pins and headbands. The interactive, informative, creative, and overall fun nature of these events made the night the success it was.

Wartime sketching workshops allowed people to try their skills at quickly capturing models in army uniform. A prize was awarded during one session to Marion Black, who had this to say about the evening:

“I think there should be more things like this in Aberdeen; I think the creative art scene needs to be encouraged.  I study history of art, and there’s not that much out there for events; there’s Peacock and a few others…  we have an amazing gallery; the collection here is amazing.”

This event was part of the Festival of Museums event programme taking place across Scotland from Friday 16th May to Sunday 18th May 2014. Visit http://festivalofmuseums.com/ for details.

Before the event, Anna Shortland, the informal learning officer and event co-ordinator for Aberdeen Art Gallery, said:

“The Art Gallery is an amazing, unique place at any time of the day, and so we are confident that people will have a brilliant night.

“We know that our visitors are keen to see the gallery in a more informal and social context – having fun in a museum or art gallery is not just for children but for adults too. The line-up is sure to bring in new audiences and we’ve already had lots of interest in this event.”

The evening was exactly the sort of event Aberdeen needs: well thought out behind the scenes, and spontaneous, fun, unrestricting and educational for the attendees. More like this please!  But amid all the creating, singing and socialising, I could not forget the words on the postcard that ‘Jamie’ wrote to his mother.

His words in pencil were quite faint; the card they are on is ageing, but the sentiment of a young man at war, thinking of home on a Christmas Day, are something I will remember for a long time:

“December 25 1914 – Dear Mother, This is a board to remind (thou) it is Xmas, but as this is the day of ______ it well may be in time for next Xmas.  At any rate it will be in time for the new year or sometime after it.  We are holding Xmas day so we are getting a fed [sic] off them so we will have to make it as merry as we can. I am longing for a few lines from you soon. Hoping this Xmas you are all well, and wishing you all a  Happy New  Year as this leaves me in the best of spirits, but would of [sic] been pleased  holding the New Year at home. This is Xmas day in Italy – Jamie”

– I found myself hoping that this ‘Jamie’ made it home and saw many more Xmas days; so many never made it home again.

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May 232014
 

Grampian Transport Museum is accepting entries for its Classic and Vintage Afternoon Gathering 2014. With thanks to Martyn Smith, Marketing and Events Organiser, Grampian Transport Museum.

Classics2The Grampian Transport Museum is now accepting entries for its annual Classic and Vintage Afternoon Gathering on Sunday 20th July.
A traditional, relaxed meeting for owners of all pre-1990 cars, commercials and motorcycles, the gathering represents an excellent opportunity for enthusiasts to meet and display their cherished classic.

The event is also open to museum visitors as part of the standard admission price.

Pre-booked entry for car owners is £10; this is a donation which will be used to fund educational visits to the Grampian Transport Museum for local schools. Included in the price are admission to the museum itself and light refreshments – tremendous value considering the standard admission rate of £9.50 or £7.50 concessions.

Entry forms can be downloaded from the museum website at www.gtm.org.uk and should be completed and returned by Monday 7th July.

The Grampian Transport Museum features a number of exciting and exclusive additions for 2014, including a Great Train Robbery exhibit – featuring real vehicles used in the raid – and a multi-million pound HGV simulator. The event is sure to add another dimension to the museum experience for visitors.

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