May 172013
 

Last week, Voice offered two copies of Richard Gordon’s marvellous Glory In Gothenburg as prizes for answering the question, “Who tripped as he dashed from the dugout at the final whistle in the Ullevi Stadium and was trampled all over by his fellow occupants of the dug-out?”. By David Innes.

Richard Gordon Launches 'Glory in Gothenburg' At Pittodrie It was, of course, the man who couldn’t be kept out of the news last week as he announced his retirement, Sir Alex Ferguson.
Hang your heads Bryan Gunn, Stuart Kennedy, Doug Bell, Ian Angus, Eric Black, Archie Knox, Teddy Scott and Roland Arnott. You have no respect, but I bet you laughed like overflowing Ullevi drains at the time! The gaffer probably did too.

Our lucky winners are:

Richard Simpson of Aberdeen whose book I posted through his letterbox personally on Tuesday night and Richie Bisset of Queensferry, whose copy was put in the post the day after. Both Richards are probably devouring their namesake’s mellifluous prose at a single sitting as we go to press.

Enjoy the prizes, fellas, and thanks again to Black and White Publishing for their donation. Commiserations to the others who entered but were unsuccessful.

Further good news from Black and White.

Hidden Aberdeen, a fascinating look at the history of the Granite City. From Dr Fiona-Jane Brown, folklorist, educator, storyteller and founder of Hidden Aberdeen Tours, comes a book that will open your eyes to the hidden, the forgotten and the abandoned remnants of the past which lie under your feet as you walk round the city today”.

This is being published very soon and the author will be signing copies in WH Smiths on 8 June and Waterstones (we’ll find out which one) on 18 June. A review copy is on its way and we’ll do the honours, of course. With a bit of luck we’ll have a word with the author and run that in Voice too.

May 092013
 

Voice’s Nicola McNally interviews writer Maggi Sale, and explores the fascinating background to her first book.

maggi-sale-photo Nicola: Congratulations on the publication of Dying Embers and Shooting Stars, Maggi. You’re joining the ranks of Scots women authors such as Janice Galloway, JK Rowling, Carol Ann Duffy and Liz Lochhead.

Yet I feel your novel is more comparable with Aberdeenshire author Lewis Grassic Gibbon’s Sunset Song. 

Your Dying Embers and Shooting Stars is alternately forthright and lyrical, haunting and challenging, and beautifully written with a strong narrative voice.

You introduce us to a captivating, resilient and increasingly self-aware character, Margo, a Scots lass like Grassic Gibbon’s Chris Guthrie, whose life also reflects the social, political and spiritual background in her country. So, what inspired the title of your novel?

Maggi: I wanted to convey that sense of circularity and interconnectedness of all things…. ‘out of the ashes, the Phoenix rises’. The book cover also suggests that notion of ‘looking through/beyond’ and hopefully conveys the concepts of space and wonder which are so lacking in our modern lives.

“Margo” is pretty close to home, of course, and there is no doubt that the reader is invited into her head, but I’d like to think that the situations and circumstances that she experiences are recognisable as being fairly universal. Yes, a lot happened to young Margo, but she survived to tell the tale! I write from the perspective of believing that what matters is not so much what happens to you, as how you respond to it!

I’m very honoured that you should link me with the likes of Grassic Gibbon. All I’d really written before this novel were hundreds of Social Background Reports on other people. My role as an inner-city Social Worker gave me the Statutory Duty, but also great human privilege, to ‘do a nosy’ into people’s lives.

This was usually at times of great crisis and I was both fascinated and humbled by the current ‘human condition’ and how different folk dealt with the challenges that beset them. Many were broken by them of course, but some seemed able to tap into something deeper and I would then really enjoy the task of writing fulsome Court Reports that would ‘bring them alive’, or so said the Sheriff! But he still sent them down.

I didn’t set out to write a Book as such. Things happened that I felt the need to record and I would print them out on the work’s printer. Colleagues would pick them up while I was out on a home visit and I’d return to clamours of “more”! They would usually be falling off their seats laughing in the tea room. We really are a heartless lot.

There is nothing quite like walking the length of the country to get the measure of the land and its people

Increasingly though, I was approached by individuals who were personally touched by the ‘story’ and I started to realise that it might have real therapeutic value. So I continued, while working full-time and also hosting a Global Exchange Group from India, and a “Book” was born in exactly five months. Sunday was the only day I could really put aside for it, so the lads cooked….or starved.

Nicola: It’s a real Scots novel, isn’t it, in setting and language, with a great emphasis on traditional Celtic hospitality, set in Glasgow and Edinburgh, and with a Peace March through Scotland via Aberdeen in the plot!

Maggi: There is nothing quite like walking the length of the country to get the measure of the land and its people. I’d like to think that the book reveals the roots of Margo’s sense of common humanity, by which she strives to live. I have no idea whether the images in my head have been conveyed via words on the page to the reader’s inner landscapes, but I’d like to think so.

I think it was the ten years that I spent in Africa that gave me a perspective on this wee country of ours that I might never otherwise have had. My children spent their early years in Zambia and the book gave me a chance to record those early influences that determined many of the values by which we live to this day.

As a Scot, I was often treated differently to my English husband, and I was amazed at the affection that was expressed for the Scots, who have a tradition of living alongside the indigenous people of Central Africa.

dying-embers-and-shooting-stars-book-cover The book gave me an opportunity to express my gratitude for being part of the ‘ben-the-hoose’ hospitality that I experienced in my own Scottish childhood and in Central Africa.

There is a theme of water flowing throughout the book and that is no  accident.

When you have experienced water-deprivation while trying to breast-feed your child, you never take it for granted again.

I have been very privileged to have lived in many diverse places and contrasting social conditions throughout my life, so let’s just say that I didn’t have to ‘imagine’ much when writing Margo’s story.

Nicola: So, was it your intention to present the often harsh realities of inner city life from a woman‘s perspective? And in contrast, the most beautiful and enduring aspects of the human condition from a woman’s perspective?

Maggi: Perhaps that’s what came through for you, Nicola, but that was not my intention. The main character is incidentally a woman, but the main thrust of the story is the pain and distress that results from denial, really. That can, and does, happen to anyone who is brought up in a culture of, ‘we don’t talk about that’!

I saw this so much in my professional life too, and it nearly broke me.

Another theme of the book is the help and support that comes from very unlikely quarters, and Margo’s growing realisation of the source of this as she faces many dilemmas. Confidentiality would prevent me from revealing the actual people concerned so the characters are composite and the situations are scrambled; but they reveal a human resilience in the face of adversity that often left me humbled.

I think we have lost our way as a coherent society in recent decades and the book certainly reveals the dark underside of lost generations who are turning to drugs and crime in place of a lost identity. But I hope it reveals their humanity too.

Nicola: There’s a humorous element to the book, in spite of the often painful subject matter. How important is this?

Maggi: Absolutely crucial! I was totally shocked when I first came to live in Glasgow and couldn’t believe it when the toddler would answer the door and call, “Maw! It’s the f…ing Social worker!”…and the reply would come, “Aye! C’min Hen! The kettle’s oan!” Coming from Edinburgh, via Africa and rural Dumfries and Galloway, I didn’t know what to make of it at first.

My colleagues were equally earthy and soon knocked me off my ‘professional’ perch. And really, when you saw some of the truly horrendous social situations and circumstances that we had to deal with, you either laughed, or you cried. And I cried! After four years, I suffered a complete mental and emotional breakdown and felt quite suicidal.

We have to accept that the FOSSIL AGE is OVER….or WE are!

But as is often the case, it was that total collapse that brought me face to face with myself, and the pretensions that held my own pain at bay! It was that earthy, and honest, Glasgow humour that got me back to work. I really learned to laugh, and I haven’t stopped since.

 Nicola: The book is published by Balboa Press, a division of Hay House, and you have very generously promised the proceeds from your book sales to causes close to your heart. Will you tell AV about these?

 Maggi: As a grandmother of nine creative young people, all of whom are gifted musicians, artists, performers and students, I have a huge vested interest in securing their sustainable future. We are living in very troubled, but dynamic, times and my work over the years with VSO Global Exchange has convinced me that we do indeed have a future; but only if we radically change our ways as a species.

I established a small group based on non-violent direct action principles called HOPE, or the Human Order for Peace on Earth. Over the years it has challenged nuclear waste dumping and nuclear weapons, and is currently challenging fracking, which is the chemical extraction of gas from shale, which threatens our very existence.

We have to accept that the FOSSIL AGE is OVER….or WE are! The choice is now water, or oil and gas! Scotland has the expertise, ingenuity and opportunity to seek and develop sustainable alternatives, and we must!

I also teach English as a Second Language to asylum seekers and refugees, and provide refuge and respite in my village home and practical assistance when they are given ‘leave to stay’. I’m a’ body’s ‘Auntie’ and they call me Bumma! We work on the basis of ‘Living Simply, that Others may Simply Live’…. and we are a’ Jock Tamson’s Bairns undivided by creed or culture.

I was also chosen as “Grandmother of the Burning Hearth” by the Grandmothers Circle the Earth Foundation. Their Hopi prophecy states, “When the Grandmothers speak, the World will be healed!” Perhaps my title of “Grandmother of the Burning Hearth” from GCEF had something to do with the ‘Dying Embers’ title of my book.

We now have a Council in Scotland and I’m the Granny of the Grannies, being the oldest at 70 in June! I have now used up all my savings doing this sacred work and any income from my book will allow me to continue.

Nicola: Thank you, Maggi Sale, for talking with us, and many congratulations on your book’s publication. Maybe it’s the first part of a trilogy, a Scots Quair for the 21st century ?

Maggi: As an honorary Glaswegian, my reply to that is, “Aye! Right!”

Further information:

Grandmothers Circle the Earth Foundation is a non-profit organisation that brings together women of all ages and races, cultural, social, professional and spiritual backgrounds, to create practical and sustainable solutions to the most pressing issues they face today.

Its mission is to respond to requests for guidance, resources, professional expertise and administration in creating sustainable Grandmother Councils and culturally relevant Women’s Circles.

These bring together ceremonies, medicines and wisdom teachings of indigenous people from many nations, as valuable tools and bridges for addressing universal issues around the world, such as: Developing Community, Sustainability, Renewable Resources, Elder Care, Developing Youth Leadership, Domestic Violence, Business Development and more.

Voice readers can order a copy of Maggi Sale’s book ‘Dying Embers and Shooting stars’ online. It’s now available on www.amazon.co.uk in paperback and kindle editions.

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Apr 292013
 

crosswordsfeat With thanks to Clare Rochford.

A new collection by city based poet Gerard Rochford was launched on Thursday 25th April.

Aberdeen Voice is delighted to have been granted permission to publish 3 extracts from Morning Crossword, which features images by local artist Esther Green.

Having got her hands on a copy ahead of the launch, 14 year old Jayde Naylor commented:

‘’These poems create strong emotions which draw you in. The images are mysterious and really cool.’’

.

Helgas Hat By Esther Green Helga’s Hat

I knew it was you, seen even from behind,
entering the gallery. I was going to sketches
of nineteen-forties fashion,
you, in your hippy-indian-sixties bonnet,
to the Diane Arbus photographs upstairs.

This synchrony means nothing.
The forties, sixties, the now of you and me,
our guarded secrets. Only you would know
the meaning of the hat. Arbus could have snapped us,
called it: ‘Old Man , Old Hat.’

Yet there we were chatting about your friend,
my daughter, how we want her to study art,
thinking of the future, surrounded by the dust
artists have left to decorate our minds.
I said: Arbus killed herself.

Then I regretted exposing the negative
in this hall of echoes, where the fountain
gathers coins, and Epstein’s
‘Girl with Gardenias’ could be Eve,
inviting us to savour nakedness.
Helga climbed the staircase and I left.

.

Tod Death By Esther Green Tod Death

My mother, after the fashion of her day,
wore a dead fox to decorate her neck.
Sometimes, when she was out, I tried it on.

It fastened with a button made from bone
and a loop of leather like a hangman’s noose,
those glass eyes pleading:

not quarried by the bloodied riders of winter,
but shot for its pelt to glamourize a coat.

Mother, who would cry at the death of a bird,
sported a fox around her elegant neck.

.

Malverns By Esther Green Climbing the Malverns

Reaching the top we would lean upon the wind,
my brother and I trusting its fathering power,
our coats spread out like wings.

And those invisible hands held us,
pushing on our backs and driving us forth,
or facing the past, the drowned-out voices
growing faint as osprey riding the thermals.

In the east we saw the sun
reflected from our father’s house,
to the west, the Black Mountains of Wales,
an unknown land.

The summit café was owned and served by a person
neither man nor woman – confusing for a child.
We took our pennies there for tea, stole glances.
I wonder what happened to them –
the man-woman and the boys we were.

Morning Crossword is published by Malfranteaux Concepts in association with Koo Press.
ISBN 978 1 8709 82 8.
Price: £10.

http://www.malfranteaux.co.uk/

Apr 222013
 

Thanks to Dr Paul Schlicke who has reminded Voice that local Dickens fans are planning to meet this week.

dickens-writing Paul informed Voice,

“As previously intimated, at the next meeting of the Aberdeen branch of the Dickens Fellowship we will discuss Hard Times Part 2, Reaping.

“Feel free to join us, whether or not you managed to attend last month’s discussion of Part 1, Sowing.

“We will meet from 7-9 pm on Wednesday 24 April at Grampian Housing Association, 74 Huntly Street, 300 yards up from the Catholic Cathedral, at the corner of Huntly Street and Summer Street. There is free parking adjacent.”

The venue’s also near enough to Union Street and Rosemount to travel by bus. Last month’s meeting had a lower than expected turnout, but the weather, which prevented some from attending, is improving.

Some believe that his writings are as relevant in the current austere age as they have ever been.

If you have read any or no Dickens, or are just curious about the continued interest in an author who was born over 200 years ago, you’ll be made welcome.

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Mar 252013
 

dickens-writing By David Innes.

Aberdeen’s nascent Dickens Fellowship meets again this week. Anyone who has an interest in this literary and journalistic master and his peerless work is welcome to attend and participate.

It’s informal, friendly, fun and informative. We cannot guarantee Pickwickian brandy and hot water, but there will be coffee available.

We’ll meet on Thursday March 28 at 19:00 and will conclude before 21:00.

Thanks once again to the kind hospitality of Grampian Housing Association, 74 Huntly Street, Aberdeen, we’ll be meeting in the centre of town.

The GHA offices are at the crossroads of Huntly Street and Summer Street. There is ample car parking and the venue is only 400 yards from Union Street and regular bus services.

This time, we’ve decided to discuss Hard Times (1854). Although many will have read the whole novel, our discussions will concentrate on the opening section, Sowing, which comprises chapters   1 – 16, including the wonderful satire of Chapter 2, Murdering The Innocents.

Dr Paul Schlicke will be happy to answer any queries about the group. You can contact him by e-mail at p.schlicke@abdn.ac.uk

Mar 142013
 

A copy of Scottish Walks fell out of the Sunday Herald a couple of weekends ago.  It must have been a weekend where the Dons didn’t lose before it was bought. Scottish Walks is well-written, covers the whole of Scotland, is not solely for the gearmonsters and Munro-baggers and it’s free.  Aberdeen Voice’s David Innes had a quick word with editor Cameron McNeish about the magazine and its sister publication Scottish Cycling.

cameron-the-cyclist-feat

DI:           The ad in the latest issue mentions distribution of hard copies in the major commuting cities – do you know how this is carried out in Aberdeen?

CMcN:     Scottish Walks and Scottish Cycling are both quarterly magazines and are given away free from a variety of distribution sources. The magazines are usually carried by the Sunday Herald newspaper and in addition a large number of copies are sent to outdoor centres, outdoor shops, leisure centres, libraries and doctors’ surgeries throughout Scotland.’

DI:           How are the magazines financed?

CMcN:    The magazines are financed solely by advertising.

DI:           Do you have a campaigning edge, or is the vision wholly altruistic from a health and environmental viewpoint?

CMcN:    We don’t have a particular campaigning edge.  The emphasis on both titles is to encourage people to have a go, although in Scottish Walks the emphasis is more on giving people a wider choice of walking route.  The cycling magazine is aimed more at the leisure cyclist rather than the racer or hardened sportive rider.’

DI:           Would you accept copy from potential contributors?

CMcN:    We are always happy to accept contributions but since we have a very minimal contributor’s budget we don’t emphasise that!  Most of the material is written by, or sourced, by myself.

As well as the hard copy versions of these magazines, which are gloriously illustrated, you can register to subscribe for a free online version at http://www.scottishwalks.com or http://www.scottishcyclingmag.co.uk or subscribe, for a nominal sum, to have a hard copy delivered to you..

*  *  *  *

On a related subject, Aberdeen Cycle Forum has informed its members and subscribers about a vital cycleway improvement in the suburbs:

“The latest improvement to the Deeside line has seen tarmac laid on the remaining 1.5km or so to Culter station.  The route is now sealed surface all the way from Duthie Park.  

“This is good news and is the latest stage in a round of improvements that started around 2000 with the installation of bridges over Hardgate and Holburn Street.

“This is down to the council taking a sustained interest in the route, and excellent funding support from Sustrans and Nestrans – as well as consistent pressure from ACF.  

“Our annual cycle count has shown a steady increase in cycle use which confirms what we already know – good quality cycle provision encourages cycling!”

There are pictures of old and new surfacing on the Deeside Line at
http://aberdeencycleforum.org.uk/index.php?pf=news.php&nid=158

It’s important to let your councillor know if you are benefitting from this investment.

If you don’t know who your councillors are, you can find them here - http://www.writetothem.com/

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Mar 072013
 

Aberdeen’s embryonic Dickens Fellowship had a most successful meeting last week, with lively discussion of Scenes from Sketches by Boz. David Innes reports, with thanks to Dr Paul Schlicke and to Grampian Housing Association for the kind hospitality.

dickens-writing

Several of the group spoke warmly of their favourite Scenes, why they found them to be especially moving, horrifying or entertaining and how they gave insight to Dickens’s own radicalism at a time of significant political and social upheaval.
A query as to why the passages are written by ‘we’, revealed that this was a journalistic tradition, claiming and emphasising collective adherence to a principle, which Dickens skilfully utilised in Sketches by Boz.

Prose fiction was still regarded as inferior to formal writing in the early nineteenth century, so Dickens was a hugely influential in gaining narrative fiction its due respect.

The group discussed how, with so little formal education, the author became such a formidable wordsmith, yet despite his love of theatre why he was such a poor playwright. We found out that in writing his fiction, he acted out, in the privacy of his writing den, each character’s dialogue as it took shape. The theatre was an incalculable influence on his writing and his dramatic sell-out reading tours in later life.

As ever, where open friendly conversation takes place, we became diverted occasionally and discussion of Scenes led to brief examinations of Dickens’s views on contemporary transport, his ability to document conviviality and vitality and his not always kind treatment of his friends and loved ones.

We move on to discussion of a novel at our next meeting, and the choice is Hard Times, concentrating on the first section ‘Sowing’ (chapters 1–16). The meeting will again be held in the Grampian Housing Association, 74 Huntly Street, at the corner of Huntly Street and Summer Street, on Thursday March 28 from 1900 to 2100. There is free parking in the GHA car park.

Meetings are open to all. Anyone who has an interest at all in this master storyteller will be made welcome. You can e-mail p.schlicke@abdn.ac.uk to be added to the mailing list

 

Feb 182013
 

The city’s fledgling Dickens Fellowship will be meeting again on Thursday 21 February at 1900, in a room kindly provided by Grampian Housing Association, 74 Huntly Street. Dr Paul Schlicke reveals more.

dickens-writing “In light of the sparse attendance at our last meeting when we were treated to an exhibition of Dickens treasures in the University Library, it’s crucial that we have a decent turnout, if our organisation’s to carry on and grow. Please make an effort to attend if you are at all interested in Dickens’s work and life. At this meeting, we’ll be discussing Scenes from Sketches by Boz”he wrote in a message to nearly 50 individuals who have registered an interest in participating in a Dickens Fellowship.

Dr Schlicke is keen to welcome suggestions regarding the sorts of events which might prove most popular in future.

“We attracted huge audiences for Miriam Margolyes and Jim Naughtie, but they were obviously high profile events. We had respectable attendances for academic lectures over the past 12 months, but we’re not in a financial position to bring speakers in from outside.

“Last year was special, it being the author’s bicentennial, so the University paid for those who came to lecture as part of the 2012celebrations. I’m uncertain whether or not there would be much interest in turning ourselves into a reading group, so any thoughts as to what might be organised to attract 20 or more participants regularly would be welcome.”

In closing, Dr Schlicke spoke in glowing terms of the work done on the recently re-opened Dickens Museum in London’s Doughty Street after a £3m facelift.

“It is simply wonderful. After worrying times only a few years ago, the Museum’s financial position is now decidedly healthy, and a bright future is in prospect. Following a gala celebration held there for Dickens’s birthday on 7 February, it has been open daily. It is well worth a visit!”

For this week’s meeting, there is parking opposite Dana Petroleum’s offices, with access from Kydd Street. Tea and coffee will be available. It would help in planning for numbers if you could let Dr Schlicke know if you plan to attend.

p.schlicke@abdn.ac.uk
http://www.dickensmuseum.com/

Feb 022013
 

A book launch with a twist is set to be hosted by local Dark Fantasy author, Carmilla Voiez.

the-best In celebration of the release of Psychonaut, the second book in Carmilla’s Starblood Series, a special evening for fans will be held on Friday 8th February, at Cellar 35, Rosemount Viaduct, Aberdeen, from 8.30p.m. to 1.00a.m.
This event will allow readers to meet the author, hear readings from both of her novels and taking part in a question and answer session.

Entertainment specifically detailed around the worlds of Starblood and Psychonaut – including acts by spooky-magician extraordinaire Dean Spruce and an intriguing and beautiful burlesque performance by Magenta Lust – will also be provided throughout the evening which will end in party style with music by Aberdeen DJ, Jimsin.

A Goth for over 20 years, Carmilla sold her Gothic Clothing business last year since when she has been writing top selling books which are inspired by the Gothic subculture, magic and dark desires and explore sexual obsession and violence in often hard-hitting ways.

Carmilla finds inspiration in local beauty, stately homes, the Moray Firth and woodlands around the Scottish town where she has lived the past 10 years with Starblood, the first book in the series, being set partly in the beautiful Cairngorm mountains and partly in the city in South West England where she grew up.  She currently lives with her husband, daughters and numerous cats in Banff, where she is writing the final book in the series.

Carmilla’s literary interests also extend to the Aberdeen Writers’ Club which she co-founded in 2011 as a forum where local writers gather to discuss ideas and writing techniques.

Psychonaut has already been warmly received by fellow authors:

“Carmilla Voiez is more of a singer than a writer. She tells her compelling story in a hypnotic, distinctive voice that brings her eerie world vividly to life.” – Graham Masterton

“Psychonaut is a book of mad impulses, inner vision, sadism, escape and belief.  You feel uncomfortable reading it, like Alex strapped to the chair in Clockwork Orange being taught to feel sick at atrocity.  Rather than leave us crippled by response though, Psychonaut bears you through the hurt towards the only paradise we can be assured of … a love past fault.” – Jef Withonef, Houston Press

While there will be no dress code at the launch on 8th February, it will be full of amazing Gothic and Fantasy inspired costumes and will be set off by local jewellery and masquerade-wear businesses who will be on hand offering their unique designs.

Entrance this event is £3.00, which will be redeemable against the purchase price of one of Carmilla Voiez’s critically acclaimed novels, published by Vamptasy worldwide.

Note:  This is strictly an over 18’s event and proof of age will be required for admittance.

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Dec 142012
 

Peering out over the High Street’s rimed cobbles from ‘neath their frosted brows, one might easily mistake these spectral figures as characters from some long-forgotten Victorian melodrama. But no, this is Old Aberdeen. They are, in fact, local Dickens enthusiasts, gathering for the last time in the great man’s Bicentennial Year. David Innes reports.

dickens-writing

“No fog, no mist, clear bright, jovial stirring cold” is how Dickens described Christmas Day in A Christmas Carol.

He might have been describing conditions in Aberdeen on Thursday 6 December, but while the wintry weather was without doubt a factor in keeping numbers low, those who braved the temperatures and icy underfoot conditions to attend the event at the new university library enjoyed a one-off treat.

The university is proud to possess one of the best Dickens collections in the world and it was a privilege to be present when the first editions of all his works were laid out for examination and enjoyment.

With special thanks to Keith O’ Sullivan, the University of Aberdeen’s Senior Rare Books Librarian. Thank you, Keith.

Particularly worthy of mention are the two first editions of Oliver Twist (1838). Until publication of this novel in its constituent parts, Dickens had used the pen name ‘Boz’. He had decided, however, that his own identity be used when the book was published in collected form.

The first edition was published by George Bentley before Dickens’ wish could be granted. It was only delayed by a week, as the Boz edition sold out and the imprint with the author’s own identity was offered for sale.

The entire Sketches by Boz series is also part of the University’s collection. It was surprising to see that each part was priced at one shilling (5 pence), expensive for the times.

Theatre posters of interest and lesser-known works were also displayed, each adding to the overall picture of the hugely-talented man still loved by millions, two hundred years after his birth.

Due to the low numbers, formal business was suspended for the evening but dates of future meetings, based around discussion of specific writings from the great man’s output, were agreed. Everyone on the mailing list will be contacted in advance of these meetings, the first of which is scheduled to be held on 21 February 2013.

If you wish to be added to Dr Paul Schlicke’s e-mail circular, drop him an e-mail p.schlicke@abdn.ac.uk