Jun 162017
 

By Suzanne Kelly.

An open art exhibition in any other city in the UK is likely to be a laid-back affair in terms of censorship and over-regulation.

It is likely to attract people who are interested in art practice, ideas and would go without a hitch.

Organiser Jean Paul Baptiste simply wanted to allow artists who are outside the established Aberdeen arts hierarchy a chance to show.

Aberdeen ArtCentre & Theatre Gallery was the selected venue, and all went well – at first.

The gallery decided that exhibiting sculpture in an area where a lift used by people with mobility issues was an impossibility.

This decision came after the show started. The fact that all around the world it is possible to have both disability access and sculpture co-exist was lost on the administration.

Then members of the public (how many I would like to know for openers) made a complaint about some of the artwork. So great was the trauma for the complainers they complained to the gallery and the city council. Perhaps they’ve written to the PM – we should be told.

So, this being Aberdeen, the thing to do was to cover the work up temporarily – not to justify the artistic merits of the work which are blatantly obvious to anyone with or without an arts background.

Who were these anonymous offended people who thought their own opinion was more important than the rest of the public, the artwork and the show? Please do come forward, if you’re out there. Aberdeen Voice will allow you space to explain why you wanted to ban artwork.

The gallery said:

“This is a joint message from the Operations Manager of the Arts Centre, George, and Baptiste, the curator of the exhibition. 

“First, let us thank you for your interest. The current exhibition has been most exciting for the artists and the venue. We had an immensely successful launch night, where the art provoked discussion, reaction and a good time for those who attended.  

“We understand that you have gotten in touch regarding some matters that have been raised around the exhibition itself and are looking for comment. 

“Concerning a couple of the works being removed from the floor space, this was the result of an error in communication. The Centre hosts events in the Gallery where the exhibition is and uses it to access the lift when the exhibition is closed.

“Though sculptures were practicable for the night of the launch, they were not practicable on a daily basis, at all times, as multiple events can run through the course of one day. This could mean damage to the sculptures themselves, and could impact on health and safety. The fact that standing sculptures were going to be present was not ascertained clearly, and next time there will simply be better planning. 

“Please see this link for a virtual tour of the opening night. We hope it captures for you the essence of the evening, and the current exhibition. http://virtualtoursaberdeen.co.uk/tours/art-2017/index.html”

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Oct 222015
 

Artist Bibo Keeley’s work ‘FREE AS A BIRD’ was banned by Aberdeen’s North East Scotland College (NESCOL) earlier this year, where she was studying Art and Design as a mature student. But it can now be seen for the first time when it is exhibited at the BrewDog Bar in Aberdeen’s Gallowgate on 22 October 2015 from 7pm.

Bibo_Keeley_FREE_AS_A_BIRD_original_mask[1]FREE AS A BIRD is a feminist artwork which denounces gender inequality. However, senior College management issued a banning order on the piece and denied Bibo Keeley the opportunity to exhibit her work at the College’s Creative End of Year Show.

This act of artistic censorship caused outrage among many people, both locally and on social media.

Meanwhile, the artwork has gained academic recognition, e.g. in the article ‘Bibo Keeley’s artwork in the context of North American, Scottish and British feminist art’ by art historians and Aberdeen University Lecturers Dr. Fern Insh and Dr. Amy Bryzgel:
Now the original artwork by Bibo Keeley will be the unveiled at an opening event at BrewDog Bar.

The artist will be present, and will introduce the work and the background as to how it came about.

There will be photo opportunities and the chance for discussions.

Bibo Keeley says

“I am delighted that I now have the opportunity to exhibit my work in public. I found it incredible that anyone would ban this artwork in the first place, because the work is very clearly aimed at promoting gender equality.”

Bibo Keeley’s website can be found here

Jun 112015
 

The presence of the nude in art: a tradition from prehistory to the present. The Venus of Willendorf (c. 25,000 bc); the Classical Laocoon and his Sons marble; Michelangelo’s David; Manet’s Le Dejeunner sur l’herbe – all instantly recognisable artwork featuring nude figures, male and female. Most higher art institutions offer life drawing classes and understand and encourage the use of the nude in contemporary art practice. But, alas, Bibo Keeley is studying ART AND DESIGN in Aberdeen IN THE ART AND DESIGN DEPARTMENT of North East Scotland College – where the female nipple will not be tolerated. By Suzanne Kelly

Bibo Keeley FREE AS A BIRD poster VERBOTEN by Rob Wallen Principal and Chief Executive of NESCOL A starlet’s nipple ‘accidentally’ spills out of their ball gown on the red carpet spells headline news in print and online. A singer flashes onstage; no one bats an eyeball.

A singer uses her sex to swing into the top twenty astride a wrecking ball, nude – some might call that clever marketing. Others might call it exploitation.

When visual artist Bibo Keeley chose to use the female chest to draw attention to sexual discrimination, hypocrisy, inequality, and sexual choice issues, initially her art college instructor was supportive.

When her work was put forward for the END-OF-YEAR exhibition, it was rejected, and she was told to ‘HANG something else’. No further explanation was given.

Was it hand gestures used by some of the models, whose faces were obscured by bird-like masks? Was it the nipples? Apparently the nipples proved to be too much, BUT EVEN a suggested alternative with nipples marked out by CENSOR STRIPS was suggested – BUT THIS OPTION WAS REJECTED ALSO.

Although the banning order came from HIGH UP IN THE COLLEGE, two women MEMBERS OF STAFF delivered the censorship decree to her, AND WHEN ASKED refused to back her right to show the female torso. Bibo says:

“I could not believe that anyone would consider banning this artwork because the work is very clearly designed to promote gender equality.

“However, somebody obviously decided that my artwork could be offensive to somebody somewhere. The same one-man-censorship-committee completely failed to see how offensive this ban is to me as an artist and to the participants who collaborated with me on the piece; and it is surely deeply offensive to every woman who believes in equal rights.

“I think banning artwork with such an empowering message shows a total lack of respect for the college’s own students and it also undermines the teaching staff in the Art and Design department who support their students’ creativity.”

The college operates under the Scottish Government’s ‘Curriculum For Excellence’ which aims to produce Successful Learners, Confident Individuals, Responsible Citizens and Effective Contributors. It does not aim to produce artists who avoid anything which upsets people who promote gender discrimination.

“I am an artist. I take inspiration from issues which are important to me. And I have no interest in presenting work just to please other people.”

The last time that I saw an attempt at banning the nude in an art context was in 1996. Edinburgh College of Art had a book of Robert Mapplethorpe male nudes.

Bibo Keeley FREE AS A BIRD censored version VERBOTEN by Rob Wallen NESCOL Principal and Chief ExecutiveJPGFor reasons known only to themselves, the police decided the book should be confiscated and banned.

The students banded together; the staff were supportive, and the clumsy attempt at supressing one of the great photographers of the human form was roundly and resolutely seen off.

If those responsible for arts education have taken on censorship roles in Aberdeen in defiance of free expression, and millennium-spanning  artistic tradition, especially in light of contemporary media practice, then are they fit guardians for arts education? Arguably not.

If Aberdeen didn’t get shortlisted as a city of culture candidate in the last round of the cultural beauty contest, perhaps it is these myopic, conservative, ill-informed, repressed, sexist and prudish sensibilities that are at least in part to blame.

On finding out the work is to be banned by the COLLEGE, several arts practitioners, education professionals, and venues have expressed support and solidarity.  A show of Bibo’s work locally is under discussion.   One acclaimed local figurative artist said of the decision:

“The bare naked truth Suzanne, is the powers that be, who took this decision are protecting their own bare arses. They don’t want to be associated with a possible Daily Mail style backlash. So much for free expression.”

More on the COLLEGE, the artist and the banned nipples will follow.

About Bibo Keeley:

 I am a HNC (Higher National Certificate) mature student of Art and Design at NESCOL, starting at Gray’s School of Art in September.

I am also an Artist in my own right:

In recent years I have contributed to numerous exhibitions, including Aberdeen Artists Society (2014), Paisley Art Institute 124th Annual Exhibition (2012), Fabric of the Land Aberdeen (2014), Perth Museum and Art Gallery (2013), and Clydebank Art Gallery & Museum (2014 + 2015).

This year (2015) I have also had a two-artists-show at Art Village in Glasgow as part of the Glasgow Southside Fringe festival, a solo exhibition at Macduff Town Hall as part of the COAST festival, and I had some of my artwork displayed (as part of a two-artists-show) at the Scottish Parliament at MSP Anne McTaggart’s launch of the organ-donation-opt-out-bill. 

My next two-artists-exhibition will be later this month (June 2015) at the Golden Jubilee National Hospital in Clydebank.

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Mar 212013
 

Educate or Unfriend? That is the Question … or at least one of the questions to which Duncan Harley explores possible answers.

Unless you were a resident of that far off planet Mars, it would have been difficult to avoid all the media coverage regarding the events surrounding the recent election of Pope Francis.

The radio and television news fed a constant stream of comment interspersed with iconic views of the Sistine Chapel chimney emitting various shades of smoke according to how the latest voting had gone plus interviews with commentators explaining the secret voting process and providing background information to what is a fairly major event for the estimated 1.2 billion Roman Catholics in the world.

The Catholic Church claims just over four million members in England and Wales and another 695,000 in Scotland.

Out of a total UK population of about 60 million, that means about one in 12 people in Great Britain and around 7.5% of the population of Scotland are Catholic. Significant numbers indeed!

On the day after the election of the new, media coverage of course switched to new topics such as the upcoming budget in the UK and the rather unusual decision by the Cypriot Parliament to commit economic suicide by imposing taxes on bank deposits.
The tabloids and broadsheets of course lagged behind by one day since the nature of printed news means that it is often out of date even as the presses are running.

Newspapers such as the Guardian ran with “Buona Sera, Pope Francis” as a leader and Aberdeen’s Press and Journal somewhat predictably led with “Crashes and chaos as thick snow sweeps in” under a banner reading “Hats off to the ladies” and “Fun times roll for Olly Murs”

All good informative and jolly stuff really!

Then social media sites such as Facebook began to fill up with posts referring to the new pope. Some were polite and informative, some were humorous but good mannered and some were very nasty indeed.

The first two categories I think are generally acceptable in that comment and humour go hand in hand with democracy and hopefully informed debate. The latter kind of comment is simply unacceptable in any civilised country. I suspect that the “unfriend” button on many folks walls may need replacing following unexpected comments by folk they thought they knew.

The UK and indeed Scotland have many ethnic and religious minorities and from time to time evidence of bigotry emerges against many of these. Immigrants, blacks, Jews, gays and Muslims all get the odd verbal battering from the misinformed within our population.

Bigotry can be defined as the state of mind of a bigot. Someone who, as a result of their prejudices, treats other people with hatred, contempt and intolerance on the basis of race, gender, sexual orientation, gender identity, national origin, religion, language or socio-economic status.

In an attempt to address such issues we in Scotland have the much criticized “Offensive Behaviour Act” covering football grounds, public places and pubs and clubs.

It’s difficult to evaluate the success or otherwise of such legislation, but at least the existence of the act recognises that there is, or has been, a problem.

In addition the UK press is now likely to adhere to certain standards when publishing news and comment or face the wrath of the courts. Leveson for all its failures in implementation has at least exposed certain segments of the press to severe scrutiny.

But what about the internet?

The net is an area largely ungoverned and uncensored. There are systems in place which allow censorship, and recent closures of file sharing sites point to the fact that where money is involved, sites can be closed down. The blogosphere in particular is awash with individuals and organisations commenting on anything you could possibly think of and indeed lots of things you had never even thought of!

There is a quotation attributed to Herman Goering which reads as follows:

“it is the leaders of the country who determine policy, and it is always a simple matter to drag the people along, whether it is a democracy, or a fascist dictatorship, or a parliament, or a communist dictatorship. Voice or no voice, the people can always be brought to the bidding of the leaders. That is easy. All you have to do is to tell them they are being attacked, and denounce the pacifists for lack of patriotism and exposing the country to danger. It works the same in any country.”

If you look at the internet in the light of the above quote it should be clear that the ball game has changed big time and that the masses now have a very loud voice indeed. The London Riots and the Arab Spring have in their opposing ways proved the point that social media is a powerful force for action and change. Neither would have been likely to have gained momentum without the communication means now available to ordinary folk.

Gone are the days when a slogan painted on a wall proclaiming “No Proddies Here” or “English Out Remember 1314” was a call to action or intimidation and thank goodness indeed.

The laptop and the mobile phone can reach out across the globe though. It would be a shame if the folk who write and digitally publish poisonous and inflammatory content caused a contraction of freedom of expression via censorship.

The motivations for censorship can of course range from well intentioned desires to protect children from unsuitable content to authoritarian attempts to control a nation’s access to information. No matter what the censors’ reasons are, the end result is the same: access is denied to “unsuitable content”

Internet censorship isn’t just a parental or governmental tool. There are many software products on the market designed to limit or block access to specific web sites. Most people know these programs as Web filters. Censorship opponents have another name for them: Censorware.

The internet may be a crucial stage at present. Control of content is still largely in the hands of the users. However if we allow the offensive content to increase it is certain that censorship will increase and possibly at a very fast rate.

Oliver Wendell Holmes said:

“The mind of a bigot is like the pupil of the eye; the more light you pour upon it, the more it will contract”

But Ogden Nash said:

“The door of a bigoted mind opens outwards so that the only result of the pressure of facts upon it is to close it more snugly.”

I don’t know which view is correct but it might be time to reflect on whether to “unfriend” or try to educate the bigots of this world.

Sources:

Catholic Numbers: http://www.bbc.co.uk/news/world-21443313 and http://www.bbc.co.uk/news/11297461
Population figures: http://www.scotland.org/about-scotland/the-scottish-people/population-of-scotland
Offensive Behaviour Act: http://www.guardian.co.uk/uk/2011/dec/14/scotland-religious-hatred-football-law
Quotes: http://www.goodreads.com/quotes/21729-the-door-of-a-bigoted-mind-opens-outwards-so-that

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