Feb 052015
 
Chris McGuinness, Gary Cox, Abigail Cox, Dawn Cox, Sharon Sheridan, Brian Sheridan2

ACSHA chairman Chris McGuinness, Gary Cox, Abigail Cox and Dawn Cox hand over the cheque to Sharon Sheridan and Brian Sheridan. (L-R)

With thanks to Eoin Smith.

A group of hoteliers inspired by the bravery of an Aberdeenshire teenager who is battling cancer has smashed the target of a fund-raising campaign set up in her name.

Aberdeen City and Shire Hotels’ Association (ACSHA) has handed over £45,000 to the Teenage Cancer Trust – more than double the size of the donation that it had initially hoped to make.

ACHSA members rallied round for the charity after learning how it was supporting 18-year-old Abigail Cox – the daughter of hotelier and association member Gary Cox – while she is undergoing treatment for Ewing’s sarcoma.

Abigail has received treatment for her illness – a rare bone cancer affecting children and adolescents – at units run by the Teenage Cancer Trust in Glasgow and Edinburgh. She has now completed a course of chemotherapy and will undergo an operation later this week to remove bone where the tumour started.

ACHSA decided to embark on the fund-raising campaign to show their support for the Cox family from Inverurie, and to highlight the work being carried out the by the Trust. Members handed over the final tally at the Aberdeen City and Shire Tourism Awards, and were joined by Abigail and her parents, who run The Northern Hotel in Aberdeen and Edward’s nightclub in Inverurie.

Abigail said:

“After a long and difficult year of treatments my life will soon be back to as normal as possible.

“The Teenage Cancer Unit at the Western General in Edinburgh really made my stay in hospital as easy and as comfortable as it could be. My year would have been so much more difficult and depressing without them, and I can’t thank them enough.

“You are surrounded by people your own age who can really relate and understand what you are going through and the nurses are always so friendly and positive. They help you to keep a smile on your face. Everyone involved in The Teenage Cancer Unit genuinely cares about you and your recovery.

“They treat you like a teenager and not just a cancer patient. The unit provided the best possible support for both me and my family.”

ACSHA chairman Chris McGuinness added:

“We thought that a £20,000 target was ambitious, so never in our wildest dreams did we consider that we would raise double that amount. I’m really proud of the way in which members have embraced this opportunity to support a charity which has been so instrumental in helping one of our own.

“The presentation was made all the more special by the fact that Abigail and her parents were able to join us on stage. It was great to see that Abigail has been responding well to her treatment, and I know that is in no small part down to the help she has been getting from the Teenage Cancer Trust.

“She has been receiving treatment in the south of Scotland, miles away from family and friends, and the fact that the Trust has been able to treat her in centres specifically for teenagers, alongside teenage patients, has helped her to remain positive.”

In addition to organising collections in hotels and setting up an online fund-raising page, hotel managers staged a Workathon in which they walked between member hotels and carried out tasks from serving drinks to cleaning floors at each venue. Some of the proceeds from ticket sales for the tourism awards was also donated to the cause.

Christine Jason, head of regional fund-raising (North) for the Teenage Cancer Trust, is full of praise for the work of ACHSA members and how they worked together.

She added:

“We have been overwhelmed by the enthusiasm and energy of everyone involved and this has resulted not only in a significant level of funds being raised in the North East but also an increased awareness of our work.  The Association has been instrumental in introducing our work to businesses in Aberdeen and Aberdeenshire.

“The money raised through the Association will go towards ensuring every young person with cancer has access to expert support.  It will mean that they are treated in an age-appropriate environment and given the medical and emotional support that they need.”

Aberdeen City and Shire Hotels’ Association represents 43 independently operated hotels and conference venues. These hotels provide around 4,100 bedrooms in Aberdeen and Aberdeenshire. The Association is committed to improving the quality and standard of hotel services and to furthering the overall standards of excellence and hospitality within the region.

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Jan 232015
 

With thanks to Eoin Smith.

banchory-lodge-hotel-over-the-river-viewWhen the current owners of the Banchory Lodge  bought the Hotel three years ago, it was their dream to turn the stunning property into one of the region’s top hotels and restaurants. There would be no better way for the business partners to celebrate their third anniversary later this month than by picking up one the area’s top tourism accolades.

Banchory Lodge Hotel has been shortlisted for the title of best restaurant experience at the Aberdeen City and Shire Tourism Awards, which will be announced at the end of this month.

Situated on the outskirts of the town, the hotel – a white Georgian mansion – first opened its doors to the public as a hotel in 1936. Almost 80 years later, it continues to operate as a hotel and has carved out a reputation as a top eatery.

Business has almost tripled since it was taken over by the consortium, and that is in no small part down their investment into a major refurbishment which has seen the hotel mix its classic Georgian features with well-placed modern touches.

Director Carol Fowler explains,

“When we first started the refurbishment nearly three years ago, we knew that regardless of our vision, we wanted to respect the original features of the Georgian house. We have managed to do exactly that while still giving the mansion a more contemporary touch. 

“Although we are set in the countryside, we wanted to give the restaurant a city feel. In order to do this we travelled to some of the UK’s biggest cities including London and Edinburgh to get a feel for what makes a good city dining experience.

“All of our menus include quirky hand-drawn cartoons that represent the surrounding Deeside area and have proved a real hit with customers. We have a variety of menus to suit the particular type of dining experience that our customers are after, which include brunch, lunch, afternoon tea and dinner menus. 

“Working in partnership with local suppliers and ensuring food is fresh and of high quality is extremely important to us and allows us to create dishes that will have customers wanting to come back for more.

“The end of January will mark three years since we bought the hotel and I cannot think of a better way to celebrate the occasion than with an Aberdeen City and Shire Tourism award win – it would be great recognition for our entire team at Banchory Lodge who have helped our vision become a reality.”

To entice the younger generation to visit the restaurant, the hotel has extended its bar and transformed it into a funky area where customers can enjoy a drink before dinner or dine from the main menu in slightly less formal surroundings.

In the main dining area, customers can also enjoy the main menu which has everything from a sharing platter of Cotê de Beouf to a classic beer battered haddock. The hotel has embraced the recent popularity of afternoon tea, but has added a touch that nowhere else can provide. Served between two and four, tea, sandwiches and cakes can be enjoyed on the terrace or down by the river.

Banchory Lodge Hotel faces competition from Ardoe House Hotel and Spa, situated in Blair’s, and Atlantis Restaurant housed in The Mariner hotel, located in Aberdeen City Centre, in the best restaurant experience category in the 2015 Aberdeen City and Shire Tourism Awards (ACSTA).

Finalists will have to wait until January 30th to find out who the winners are. This will be revealed at a ceremony at Ardoe House Hotel and Spa in Aberdeen by the host for the evening, broadcaster & radio host, Tam Cowan. Further information about the awards is available at www.acsta.co.uk

Jul 082014
 

Stewart Milne tall by Dave HarrisonBy Bob Smith.

Stewartie Milne wints ti bigg
Hooses doon Pitfodels wye
Aa ti bi class’t as luxury
Wi prices fair sky high

‘Ere is a need says Stewartie
Fer mair hooses o es kine
A fyow mair luxury hames
Wull suit Aiberdeen jist fine

Awa an bile yer heid min
It’s the laist thing we div need
Biggin mair owerpriced mansions
An only affordable ti ae creed

Fit aboot biggin some hoosies
Aat’ll help the first time buyers?
An nae jist pander ti the likes
O big business types an lawyers

Oor streets are paved wi gold
Fowk fae oot the toon are telt
So Stewartie maan be hopin
Aat ess hooses wull seen be selt.

Bigg ‘em quick-price ’em heich
The motto o fowk like Mr Milne
Nivver myn the puir buggers
Still on the property treadmill

It seems aat oor toon planners
Beery their heids doon in the sand
An dee nithin aboot the less affluent
Faa need a wee helpin hand

Bigg ‘em quick—price ‘em lower
Wid dee a lot mair fer the needy
So Stewartie Milne gie es a thocht
An dinna be sae bliddy greedy.

© Bob Smith “The Poetry Mannie” 2014
Images from original artwork by Dave Harrison.

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May 092014
 

NEWSLINE MEDIA LIMITEDWith thanks to Beverley Tricker.

Thistle Aberdeen Airport Hotel has been crowned the regional Events Hotel of the Year at the Scottish Hotel Awards.

The annual awards ceremony, which highlights hospitality excellence, named Thistle Aberdeen Airport Hotel as Events Hotel of the Year for the north east region.

Judges visited the hotel earlier in the year and were impressed with the scope to hold different events, facilities and the professionalism of the events staff.

The award covers the full scope of hospitality events, from corporate meetings and conferences, to dinner dances and weddings.

Thistle Aberdeen Airport Hotel general manager Alison Christie (pictured) says that events is a fast-growing sector within the hotel.

She adds,

“It’s well known that hotels in Aberdeen are performing incredibly well because of the buoyant economy. While there is very high demand for rooms, there is also growing demand for meetings and event spaces.

“Firms in the north east are growing their workforces because of the strong economy and that has meant that additional office space for meetings is at a premium.

“Hotels that can provide well-organised events of all sizes, from meetings to conferences and corporate balls, are benefitting from that. We have built up a very strong track record in this area the hotel business.”

The hotel played host to 68 events in 2013, and is set to surpass that total this year with 76 events already booked. The hotel, a popular venue for weddings, will see 17 couples celebrate their big day this year, with 12 more already booked in for 2015.

“We always strive to offer our guests the best possible event experience, so have our efforts acknowledged with this award is absolutely fantastic. We won the Wedding Team of the Year in 2013, so it is fantastic that the team has been able to build on that success,” says Alison.

Thistle has three hotels in Aberdeen – The Caledonian, Aberdeen Airport and Aberdeen Altens. There are 446 bedrooms across the three venues, and each has conferencing and banqueting facilities. Aberdeen Altens also has an on-site leisure club and spa. Further information is available at www.thistle.com

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Jan 102014
 

S Gow 1With thanks to Jennifer Kelly, Tricker PR

The area general manager of Thistle Hotels in Scotland will be heading to the United States this month, after being selected as the only Scottish hotel manager to attend a prestigious hospitality scholarship programme at a renowned Ivy League university.

Stephen Gow, who is based in Aberdeen, will attend the 11-day General Managers Programme (GMP) at Cornell University in Ithaca, New York through a scholarship awarded by the Hospitality Industry Trust (HIT).

Open only to those in senior management, the GMP aims to give delegates skills to develop their strategic thinking beyond the demands of their day-to-day operational roles within their own properties.

Stephen explains:

“As only one of three managers from the UK, I am extremely honoured to have been selected to attend the programme. Following a stringent selection process, The School of Hotel Administration has selected 32 attendees for this course; 29 international delegates, two from London and me, the only Scot.

“Cornell University has the world’s leading hospitality management school and delegates travel from countries all over the world to attend this particular programme. In the last three years alone, professionals from 63 countries have taken part.”

Prior to taking up his role as area general manager for the six Thistle Hotels in Scotland in October, Stephen was the general manager of the four-star Thistle Aberdeen Altens. He has previously worked in hospitality and managerial roles at venues across Scotland, is a former chairman of the Aberdeen City and Shire Hotels’ Association and a founding board member of destination management organisation, VisitAberdeen.

Cornell University is the only Ivy League university in the world that offers a degree in Hotel Administration. The degree was set up in the 1920s, making it the oldest course of its kind anywhere in the world. For those who don’t wish to embark on a full degree course, Cornell University created the GMP programme which gives professionals the same unparalleled standard for a shorter period of time.

Stephen continues:

“The GMP programme is aimed at management level professionals looking to really enhance their knowledge and skills. The modules cover everything from asset management, strategic marketing, managing change and financial management. It will allow me to broaden my skills and take my career to the next level.

“I hope to gain a greater insight into the future of global hotel management and in particular, leadership and change management in 21st century Britain.

“I have previously attended an 18 month programme at Henley Management College so I know how much can be gained from attending such courses. In order to be considered for selection, I had to write a short paper and deliver an hour long presentation to three HIT trustees about the future of asset management in the UK hospitality industry.

“The programme encourages attendees to move away from being specialists in one sector to being a generalist in several. The end result allows professionals to take a much broader view on strategy, management and positioning; ideal for my new role as cluster general manager for Thistle Hotels in Scotland. I look forward to passing on the information that I will learn during the programme to my colleagues across the group.”

Thistle Hotels have six properties in Scotland including three four star hotels in Aberdeen; Thistle Caledonian, Thistle Aberdeen Altens and Thistle Aberdeen Airport. There are also Thistle hotels in Inverness, Glasgow and Edinburgh city centres.

Thistle hotels have a selection of restaurants and a choice of excellent health and leisure facilities, ensuring Thistle has something to offer everyone.

www.thistle.com

Oct 112013
 

By Bob Smith.
Marcliffeentranceroad

The Marcliffe t’is closin doon
It’s gyaan tae be nae mair
Some fowk wull be sorry
Ithers jist winna care
.
Mr Spence he is  tae retire
Say’s he’s gyaan oot wi a bang
Wi lots o things tae celebrate
Wull Trump compose a sang?
.
The mannie his bin aroon
The hotel gemme fer a fyle
An naebody can argie aat
The Marcliffe his some style
.
A’ve bin ‘ere at some waddins
Wis leuk’t efter wi great care
Bit the price o a roon o drinks
Wid gie the Rockefellers a scare
.
Yet a canna help thinkin
Fit wye’s it closin doon
Cwid it nae be cairry’t on
Bi Ross, a Spencie loon?
.
The toon needs gweed hotels
O ess we’re aye bein telt
So fit wye is ess een closin?
Fit wye cwid it nae be selt?
Priced ersels oot the mairkit?
Even in ile rich Aiberdeen
We’ll nivver ken the answer
Meybe times they are mair lean
.
Wis the askin price ower muckle?
Did ess scare hoteliers aff?
Or his the roomies nae bin full
Fer tae justify aa the staff?
.
Is Mr Spence jist affa shrewd?
An he’s oot tae mak a killin?
Kennin fine aat property developers
Tae pey his price they wull be willin
.
Fin the Marcliffe it closes
Mr Spence he wull be free
Tae wanner ower tae Menie
An meet Donald on the tee
.
He micht be a Trump supporter
Bit in retiremint a wish ‘im weel
Ae thing he his fair proved,
As a hotelier, he’s nae feel
.
.
.
.
©Bob Smith “The Poetry Mannie” 2013
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Feb 232012
 

UTG Debate – Unearthing the hidden truths between the lines, or…

More puerile crap musing as to why the City Gardens Project will be the greatest thing to hit Aberdeen since the third one went in against Bayern Munich.

Dave Watt and an Italian gentleman muse on some more even-handed, totally neutral articles on the UTG debate from our two august local newspapers, The Depressing Journal and The Evening Suppository.

Col. Gaddafi was a supporter of UTG
A document has been found in a secret box in his Tripoli palace in which Col Gaddafi revealed his support for Union Terrace Gardens. The Colonel’s note admits that he did not want UTG dug up as he had a secret storehouse of Nazi gold which he used to finance the Miners’ Strike in 1983/4 buried under the grass just across from HMT.

– The Depressing Journal 02/02/12

Travellers support unchanged UTG as future camping ground
Joe the gypsy and his family have declared their support for UTG as they intend to have summer camps there for the next ten years. Joe said today,

“UTG is a great camping place and it’s only a short hop from there to the DSS where I and my family can make fraudulent benefit claims by day and roast small babies stolen from Aberdeen citizens over open fires by night”. 

– Evening Suppository 22/02/12

Indian and Aussie Tourist Boards worried about City Gardens Project
A spokesman for the Indian Tourist Board in Delhi expressed the Indian government’s worries that the completed City Gardens Project would draw tourists away from the Taj Mahal to the Granite City. Tourism Director Lal Singh said yesterday,

“This is a very worrying development indeed. If this goes ahead it will be the eighth wonder of the world, and who’s going to pay thousands of rupees to visit the Taj Mahal when something concrete built by Stewartie Milne Sahib is on offer.”

The Sydney Bridge’s Press Officer was rather more blunt, however, saying,

“Stone the crows, mate. It’s not bad enough that you whingeing Poms get off stealing our Ashes last year but now you’re going to build something that will make Sydney Harbour Bridge look like the Sheilas’ toilets in Wollamaloo. It’s enough to make a man give up ill-treating Abos and complaining about immigration all day long”. 

– The Depressing Journal 22/02/12

Dead rise ruse to praise Gardens raise
Legendary dead Aberdonians have been queuing up at dozens of reliable, scientific and not in the least bit hooky séances across the NE to endorse the City Gardens Project, the ES can exclusively reveal. Local medium, the mysterious, yet oddly familiar, Madame Ina Wood has found that local spooks are unanimous in their support for the cement vanity project. She said that famous Japanese, Kung Fu mannie Thomas Glover explained to her,

“I’m Thomas Glover and I’m dead now, but I look forward to my eternal spirit flitting hither and thither like a divine zephyr around the concrete gardens that will totally put Aberdeen on the map as it wasn’t on one before apparently.”

Long dead architect Scott Sutherland said,

“Jings I wish I’d built something half as good as the City Gardens Project. It’s going to look wonderful, and not at all be a hideous concrete abortion. I can’t wait to tell Bernini and Frank Lloyd Wright all about it at our next Jenga evening.”

Early photographer George Washington Wilson added,

“I took photos of Union Terrace in the nineteenth century and I only wish these hideous gardens had never existed. If there had been nothing there to photograph, I may have been able to follow my original dream of taking lots of photos of naked ladies for bongo mags. My spirit shall haunt the development like a bad smell.”

Madame Ina Wood told the ES,

“Cross my palm with silver dearie – about £50m should do – the spirits don’t lie. This is all absolutely true, and not a pile of hooey designed to fool the gullible. I’ll stake my hoop earrings and bizarre sideburns on it”. 

– Evening Suppository 23/02/12

Nostradamus predicted City Gardens Project
A recent study revealed that the seer Nostradamus predicted the rise of the City Gardens Project in Les Prophecies (1555) where he stated,

“A mighty stone mountain shall arise in the north like a phoenix from a deep valley frequented by ne’er-do-wells and assorted rascals in a city made of granite. The rising of this stone shall herald a Golden Age for the city. Poverty and want shall be a thing of the past and by God and Sweet Sunny Jesus, will those jammy Jock bastards be coining it in? I should f**king say so. Shekels galore, more funny black stuff than you can shake a stick at and four straight European Cup wins for the local calcio team added to a seventeen-nil home win over some recently impoverished followers of William of Orange. Go for it, you hairy kneed Caledonian caber tossers”.

– The Depressing Journal 23/02/12

City Gardens Project means absolutely phenomenal number of jobs and money for everybody
A recent study by the totally neutral Vote For The City Gardens Or We’ll Come Round To Your House, Rape Your Dog And Scatter Your Garbage Group has discovered that the City Gardens Project will actually generate jobs for around nine billion people. A spokesperson for the group told us that there was a slightly worrying shortfall with less than eight billion people on the planet at present but it was hoped that some sort of shift system might be introduced allowing people to breed during working hours.

The same study showed that the knock-on effect of this huge project would encourage tourists from all over the Solar System to visit Aberdeen with many hotels in the Granite City receiving bookings from Mars, Venus and Mercury already. With this increase in tourism plus the work situation the group also estimated that each household in Aberdeen would be £17m better off once the Project was completed.

– The Depressing Journal 24/02/12

Pro-UTG groups to establish labour camps for opponents
Reports have reached the Evening Suppository that supporters of the City Gardens Project have been subjected to threats and intimidation by shadowy figures in trenchcoats at three in the morning brandishing voting forms.

Speaking in stock ludicrous 1960’s movie German accents they have announced:

“Zat for you, Scottische schweinhund, ze Union Terrace Gartens debate is ofer” and “Ve haf vays of making you vote nein”.

If their demands have not been immediately agreed to by the unfortunate victims they have been threatened further,

“Perhaps your family und household pets vould benefit from ein kleine holiday in ‘ze camps’”.

– Evening Suppository 24/02/12

Dec 012011
 

By Bob Smith.

Here comes the Retail Festival
Cooched in glossy Christmas cheer
Spen spen spen the shops cry oot
Their merchandisin moves up a gear

Maun we owerspen at Christmas
On presents aat leave us skint?
Mony fowk are left in debt
So aat shops can mak a mint

Christmas time itsel a fear
His lost it’s freenly glow
Fowk tryin to see faa can hae
The dearest presents on show

A sma present ti faimly members
There is nae hairm in iss
Bit keepin up wi the Joneses
Is some fowks idea o bliss

Hunners o poonds they are spent
On presents fer aa yer freens
Kids yammerin fer the latest
Toy or game shown on TV screens

Hotels an restaurants filled ti the brim
Yet their prices are ower the tap
Faan wull aa iss madness eyn
An prices wull stairt ti drap

Faimly Christmases used ti be
A time ti visit an hae a blether
Yet ti sit aroon the table
Nooadays fowk they dinna bither

The festivities noo a fear
Hiv naething ti dee wi the 25th
It’s aa ti dee wi consumerism
Spenin dosh on expeensive gifts

In case ye think a’m a scrooge
Tak time ti stop an think
Fit’s the purpose o aa iss spenin
Ither than bringin ye ti debt’s brink

It’s time fer a revolution
A time ti say stuff yer stuff
Resist the aa empowerin persuasion
Pit the retailers in a huff

Celebrate Christmas? Of coorse we shud
Yet think fit shud be deen
Raither than buy a material gift
Jist present yersel as a freen

©Bob Smith “The Poetry Mannie”
Image Credit: © Sergey Sundikov | Dreamstime.com

Oct 132011
 

Old Susannah looks back at the week that was and wonders who’s up to what and why. By Suzanne Kelly.

Old Susannah is having trouble sleeping at the moment for several reasons. Firstly, there is the sheer excitement over the UTG design competition – which design will I fall in love with?  What will be built that will make the world beat a path to Aberdeen for coffee, baguettes and monorail rides? Will Paris, New York and Rome empty as people come to Union Square and the new UTG?
Secondly, I am worried about Ms Aileen ‘Homalone’ who has dropped out of the public eye, and refuses (to date) to answer questions about the finances needed for the phase 2 attempt to plant trees on Tullos, and the money to shoot those extremely hungry deer.  It looks as if there isn’t any money, but no one’s talking to the public just now.

I did email to say ‘C’mon Aileen’ – and she replied that ‘an officer (if not a gentleman) would get back to me’.

I gently reminded Homalone that she had at least a little responsibility for the scheme to rid Tullos of vermin deer and plant 89,000 trees where trees had failed before, as she’d taken a wee bit of the public relations credit for this great scheme to begin with.  I expect as soon as she turns her razor-sharp mind to the task of analysing all the facts and figures regarding the tree planting, deer and slaughter, she’ll revert to me asap.

I don’t think I’ll hold my breath though.

You may recall the deer are under the death sentence because we must be cheap when using ‘the public purse,’ and Aileen being a good Lib Dem can’t stand any waste of public money.  Quite right.

No such restrictions apply to buying crucial carriage clocks and expensive pens from the Common Good Fund.  

If you are in Inverness, you have to apply to use the common good fund there, and a committee decides if your charity should get a bit of the fund. They seem to have helped quite a number of deserving causes, and the application procedure is the same for the rich and the poor, believe it or not.  It is not quite as easy to get a handle on who has their fingers on Aberdeen’s CGF sporran strings. But I digress – again.

Thirdly, I can’t sleep now that I know it’s OK to shoot small mammals and birds on Tullos Hill whenever you want – you just need a permit and the right kind of gun. I am amazed that no one’s been shot there yet. I am also amazed that people still like to hunt living things, but I guess I need to acknowledge that the law allows this.

So do keep walking on Tullos, but keep in mind bullets can travel long distances, and wear your bright clothes and your bulletproof vest.  And for goodness sake, don’t wear any of those novelty deer antler headbands.

Vermin:

(noun) 1. insects such as lice, ticks or fleas (or the more fashionable bedbugs plaguing New York at present) which can lead to infestations. 2. birds and mammals that eat other animals / game. 3. animals which are after the same food as people or domestic animals (How dare they!).

The police sent me some detailed answers about the gunman spotted on Tullos Hill in early September after I did one of my little FOI requests.  The hunter would not legally have been after the roe deer – but the police made it clear that such ‘sportspeople’ are allowed to shoot ‘vermin’. The police definition of what constitutes vermin seems to include deer. So the next time you and a roe deer are trying to nibble the same 2,000 trees, just kill it – as long as you have a permit and are using the right kind of bullets and rifle.  Result!

But if the deer aren’t after the same quarter-pounder you want, and the squirrels (red, black, grey – I don’t discriminate) aren’t after your chocolate shake – then are they really vermin? The vermin label put on these wild animals justifies the gamekeeper poisoning the birds of prey, the snare-setter (snares are still legal for some reason) who kills indiscriminately, and the council targeting the Tullos Hill deer.

Speaking of the council (well some of them anyway), I’d best move to another definition before someone comes gunning for me.  And for some reason, a related word comes to mind now that I’ve mentioned our City Council.

Parasite:

(noun – English ) an insect or other creature which feeds off of a host animal to the host’s detriment. 

Let’s consider bloodsuckers, worms, leeches and ticks. These are some of the parasitic vermin infesting your city council. You do have the right ammo to despatch them – or at least you will come May elections with your vote. The parasites in question feed of resources such as The Common Good Fund, Council Taxes and all-expense paid hospitality.

Like a swarm of locusts, they descend on areas such as the AECC and the Beach Ballroom if so much as a free sandwich can be had.  Parasites such as these are notoriously thirsty, and can empty cases of drink in nanoseconds.

Do not get too close to such creatures – they may well carry disease.  Do instead hide your money (offshore if possible), and guard any green spaces, which these parasites can easily destroy if not kept in check.

“Cultural” spaces:

(noun, English Modern) a wholly new concept of “space” where “Cultural” “events” can take place.  Not to be confused with existing businesses or arenas and spaces they have for cultural events.

If it’s not hard enough for me to get any sleep with everything else going on, the Evening Express told us on 8 October that there is a ‘plan’ to attract ‘top performers (!)’ to Aberdeen.  This brand-new idea, never before attempted, would see the ‘proposed new park over (?!!) Union Terrace Gardens’ filled with “cultural” spaces.  (By the way, the quotes around the word “cultural” appear in the Evening Express piece on this subject, so I’d better leave them in).

“Culture” of course is something that we people not in ACC, ACSEF, or SEG can’t really appreciate or understand.  ( Remember – Stewart  Spence, stalwart of the Marcliffe wrote to the P&J last week to call people opposed to these great new plans ‘NIMBYS and luddites’.  Who can argue with him?).

The AECC – long propped up by the taxpayer – and the Lemon Tree (likewise on a taxpayer sub) have never attempted to bring Top Performers here before.  Likewise none of the independently-owned  bars and clubs (not supported by taxpayers by the way) have tried this either.  Some years ago I got my hopes very high about Top Performers coming here, but in the end, Geri Haliwell had to pull out of doing the AECC.

Now in another guise, Scottish Enterprise might not really be permitted to shell out large amounts of taxpayer cash to create “cultural” spaces if these new inventions borne of taxpayer money would compete with already-existing public funded and/or private spaces. 

But the story with UTG is different somehow – kind of like when Scottish Enterprise took the money the Arts Council had earmarked for Peacock (who had wanted to , er, create a “cultural” space in UTG first).  Hmm – I must remember to soon define ‘intellectual property’, ‘copyright’, ‘lawsuit’ and ‘moral rights’.

I for one am happy to subsidise the AECC directly and indirectly (the City Council somehow needs to rent large amounts of office space at the AECC despite its large roster of properties) as well as subsidise the other city-owned venues AND find some 140 million towards yet another “cultural” space under/in/over  Union Terrace Gardens.  And if the private sector of the music/entertainment industry in Aberdeen can’t compete, then that’s just showbusiness.

We are in a democracy after all – the richest amongst us get to either be on boards or appoint boards to do what they want done with public spaces – all in the name of “culture”. 

If we don’t ‘get it’, then we are indeed the NIMBYS and luddites Spency thinks we all are.  I shall remember his words when I next book a dinner or a hotel.

Those who oppose the UTG project (not that it is defined yet – not even Old Susannah could do that if the city can’t) will be laughing out of the other side of their faces when I’m having a large latte before Toto opens up for Geri Haliwell near the monorail at the Wood memorial car park “cultural” space centre.  So there.  Gives those luddites something to think about doesn’t it?

I have to digress again – it is because some of us can’t understand how wonderful the whole project is that we oppose it.  It is all crystal clear, but here is a little helpful guide as to who’s doing what about our “culture” space / UTG project.  Here is my little luddites guide to the simple way things work

1.  Locum Consultants – apparently a part of the Collier Group – have been hired to ‘find uses’ for ‘some kind of performance and exhibition space’ created by the UTG project.  Appointed (by whom I don’t know).

(By the way I can find a ‘Locum Consultants’ in Surrey and a ‘Collier International’ in Manchester.  Unless there are companies with those names in Scotland, I guess no one here was up to the job of filling the “cultural” space.  I could be wrong, I could be right).

2.  The Aberdeen City Gardens Trust (ACGT) – works on ‘how to use “cultural” spaces inside (?!!) the proposed new park over Union Terrace  Gardens’.  Unelected.  (This seems to be a “Private, Limited by guarantee, no share capital, use of  ‘Limited’ exemption” kind of an affair – which makes sense as the Taxpayer is paying for it at least in part, and it will be involved in the future of a public asset.  Result!)  Or in words a child could understand – taken from the website:  http://thecitygardenproject.com/news

“Aberdeen City Gardens Trust has been set up, under the auspices of the City Garden Project management board, as a special purpose vehicle to channel funding for the project and deliver key activities within the project plan. The Trust will operate using best practice procurement procedures and will be accountable for the delivery of activities to project management board.

“The Trust will also receive £375,000 of Scottish Enterprise funding from its available funds for major infrastructure projects.

“Cllr John Stewart, chairman of the City Garden Project management board, said: “The fact that Aberdeen City Council is making no revenue contribution to the project means it is necessary to be imaginative in the way in which non-council finance levered into the project is managed. The creation of the Trust presents us with an ideal solution. Equally, it will allow for contracting of the required services involved in the next steps and for the project to progress to the design competition stage and complete the business case for the TIF application. Through the TIF we will be to access funding not otherwise available to invest in the art gallery and the St Nicholas House site, enhancing and reinvigorating our city centre.”

“The founding directors of the Trust are Tom Smith and Colin Crosby who will be joined by Directors from Aberdeen City Council and others involved in the project in due course”.

3.  The City Gardens Monitoring Group – exists to hide its doings and to  decide that the public should not vote on the option of leaving the gardens as they are in the current design competition for the 6 finalists (chosen by an unelected group and guaranteed loads of dosh for getting this far).  The Group redacted its minutes to the point you had no idea who was in it (unless you cut and pasted the redacted text and found none other than Aileen Malone was involved).  Unelected.

But for those of you still not clear, here is an excerpt of who’s who and who’s doing what where from our City’s very own website:  http://www.aberdeencity.gov.uk/

“The membership of the Project Monitoring Group comprises Councillors Malone (Chair), Boulton, McDonald, Kirsty West, Wisely, Young and Yuill.

“For reference, the membership of the City Garden Project Management Board comprises Councillor John Stewart (Chair), Councillor Callum McCaig and Valerie Watts, ACC; Tom Smith and Colin Crosby, ACSEF; Jennifer Craw, the Wood Family Trust; Bob Collier, Aberdeen and Grampian Chamber of Commerce; John Michie, Aberdeen City Centre Association; Lavina Massie, the Aberdeen City Alliance, Maggie McGinlay, Scottish Enterprise and Paul Harris, Gray’s School of Art.

“The membership of the Project Implementation Team comprises Tom Smith (Chair), Colin Crosby and John Michie, ACSEF; Gerry Brough, Hugh Murdoch and Patricia Cassidy, ACC; Jennifer Craw, the Wood Family Trust; Maggie McGinlay, Scottish Enterprise; Derick Murray, Nestrans; Audrey Laidlaw, Network Rail and Iain Munro, Creative Scotland”.

This diverse membership of people with no vested interests in the project going ahead or not will reassure us all.  But somehow, I still can’t get any sleep.

4.  Malcolm Reading – a design consultancy which shortlisted the winning entries in the design competiton, an amazing feat, as there was and is no design brief in existence approved by ACC.  What Malcolm Reading will earn is unknown; how exactly it was appointed is also a mystery to me.

5.  The BIG Partnership – a PR consultancy which tells us how great it all is going to be.  I don’t know how they were appointed or what they will earn. (not to be confused with ‘The Big Sleep’.)  STOP PRESS:  The BIG Partnership has recently announced a new client:  The Wood Family Trust.

6.  ACSEF – A board of business people and city officials who, well, do what they like.  Includes one impartial Mr S Milne.  Known for issuing warning as to dire consequences for Aberdeen if we don’t build on the garden.  ACSEF is an invention of ACC, and funded at least in part by the public purse which we are all so keen to use sparingly.

7.  Genus Loci – a document produced supporting ideas for the Garden’s future as long as these don’t include a garden for the future.  Famous for proposing the monorail idea.

8.  Scottish Enterprise – a quango, unelected, on a mere £750 million or so per year which holds meetings, and supplies members to sit on the board of ACSEF, and who gave the world Jennifer Craw, now on the Wood Family Trust.  Which of course has a seat or seats on the secretive City Gardens Monitoring Group – or was it the Aberdeen City Gardens Trust.  Unelected and expensive.

9.  Wood Family Trust – er, apparently the wood family and/or friends who want to get rid of the wood in the gardens apparently, for “cultural” spaces.  Apparently not elected.  This Trust has possibly one or two overlapping areas with some of these other groups,  maybe.

10.  Project Implementation Team – are on hand to implement the project whether or not the public want them to.

Now that you see how simple it all is, I trust that there will be no more whining about the expense of paying all these companies off, signing a lease for a few thousand years for the gardens, or whinging about issues of ‘transparency’.

As that little Meerkat person on TV would say, ‘Simples’.

I was going to define ‘Impartiality’ this week as well, and how it relates to TIF, BID, and so on.  However, I now have a headache for some reason, and there is a knock on my door which may be the sherrif coming for my furniture.  ‘Impartiality’ it is for next week then.  And ‘Old Boys’ Network’, ‘Nepotism’ and ‘Greed’.

Good night all.

Oct 092011
 

By Alex Mitchell.

Art Deco: a style in the decorative arts as defined by a major international exhibition held in Paris in 1925.   It had been planned for 1915, but was postponed because of the First World War.   The exhibition was a celebration of modernity, of modern materials and techniques.   The expression ‘Art Deco’ describes the style which predominated there; a jazzy application of a visual vocabulary derived from Cubism, Futurism, Functionalism and other recent movements to a variety of decorative, fashionable and commercial purposes.

There was a shift in emphasis from the Fine Arts to the Arts Decoratifs.   Artists now applied their aesthetic skills to all areas of design, ranging from architecture and interior decoration to fashion and jewellery.   Oddly enough, the expression ‘Art Deco’ did not come into use until a much later exhibition in London in 1968.   In its own time, the style was generally referred to as moderne (not to be confused with’modernist’) and sometimes as ‘jazz’ or ‘jazz-style’.  

Although it applies to the decorative arts and interior design of the 1920s and 1930s, the description ‘Art Deco’ can be extended to analogous styles in architecture, where it is characterised by smooth, sleek, aerodynamic or ‘streamlined’ motifs, reflecting the contemporary preoccupation with speed and the setting of new land, sea and air speed records.

Sunbursts, sunbeams and sun-rays are another very characteristic Deco motif, reflecting the new fashion for sunbathing and the perceived benefits of natural light and fresh air.   The ‘Deco’ style created clean simple shapes suitable for mass production in factories using modern materials such as plastic, chrome and aluminium.   Even mundane objects like vacuum cleaners and radios were given the Deco treatment, adorned with smooth, streamlined surfaces and sleek lines resembling those of racing cars and aircraft.

Following its revival in the 1960s, Art Deco has been seen as the natural sequel to the Art Nouveau of the 1890s, of which the early work of Charles Rennie Mackintosh (1868-1928) provides several examples, e.g., the Willow Tea Rooms in Glasgow.   Art Nouveau drew much of its inspiration from the natural world of plants and flowers and is characterised by a sinuous, curvilinear style.   A local example of Art Nouveau is the cast-iron Ventilator at the Holburn Street end of Justice Mill Lane.

But Art Deco is more a product of the machine age, and is characterised by flat, geometric shapes.  

Mackintosh at first incorporated a significant degree of Art Nouveau ornamentation in his work, but he later pared down these decorative elements in favour of a starkly elegant and geometrical aesthetic, e.g., the vertical emphasis of his notorious ladder-backed chairs.

Art Deco and other aspects of Modernism as applied to architecture were in conscious rebellion against pre-1914 styles such as Victorian Gothic, Scottish Baronial and Edwardian Baroque, which came to be seen as dark, stuffy, cluttered, over-decorated, pompous and impractical. It was now felt that design should reflect function, that function should dictate form, and that buildings serving modern purposes such as railway stations or schools should not be disguised so as to resemble medieval cathedrals or castles.

Modernism came to favour asymmetrical compositions, unrelievedly cubic shapes, metal and glass framework often resulting in large windows in horizontal bands, and a marked absence of decorative mouldings or ornamentation.  The pendulum of fashion had swung from the one extreme to the other, from Gothic extravagance and whimsy to a style, or absence of style, often described as ‘Brutalist’, if not as ‘Stalinist’.

Art Deco may be seen, at its best, as a via media, a happy medium between the over-ornamentation and clutter of the Victorian-Edwardian era and the stark, totalitarian style too often characteristic of the 20th century.

Art Deco emphasised stylishness attuned to domestic use and popular consumption, and was characterised by geometric patterning, sharp edges and flat, bright colours, often involving the use of enamel, bronze and highly polished chrome.

The simplicity of the style can be seen as Classical in spirit, apparent in the extensive use of Egyptian, Aztec and Greek motifs.   This reflected the widespread interest in the discovery of the tomb of the Egyptian boy-king Tutankhamun in 1922.

The craze for all things Egyptian coincided with the spate of cinema construction in the 1920s and 1930s, and was often incorporated into both exterior and interior designs, being very apparent in Odeon, Gaumont and other chain-cinemas of the period.

Sumptuous picture-palaces were built in Aberdeen during the inter-war period, the ‘Age of Deco’, including:

The Palace Cinema; the old Palace Theatre was substantially extended in 1931 to create its impressive Rubislaw granite frontage on Bridge Place, which itself stands on a ridge extending from Holburn Street to Crown Terrace. The Palace became a dance-hall in 1960. The building was owned by Scottish & Newcastle Breweries from 1993 until recently, and its shabby and neglected condition did them no credit.   It is now a nightclub, operated by Luminar, who have tidied it up considerably.

The Regent Cinema in 1927, by Tommy Scott Sutherland (1899-1963), was built on the site of the Upper Justice Mill, at the Holburn St. end of the ridge described above.   The Lower Justice Mill was down the brae in Union Glen; its mill-pond lay between the two buildings.   The two mills had been in operation well before 1320, when they were granted to the Burgh of Aberdeen by King Robert I, Robert the Bruce, and were still in operation 600 years later in the 1920s.

The Capitol had the most remarkable interior of all the Aberdeen cinemas, which included a Compton theatre pipe organ

The Lower Mill pond was drained and filled, the three streams diverted and covered and the site was levelled by excavating it back towards Justice Mill Lane.   The Regent cinema occupied the eastern part of the site formerly occupied by the Upper Mill; the western part of the site is occupied by the McClymont Hall.

The frontage of the Regent Cinema (latterly the Odeon) was of Rubislaw granite, decorated with bands of red terracotta, with a polished black granite base.   The vertical central windows, giving the impression of height, became something of a Sutherland trade-mark, later deployed to useful effect in the Kittybrewster Astoria and the Majestic.

The Regent opened on Saturday 27 February 1932, a few months after the Palace.   The building is now occupied by the Cannon sports centre and health club.   The new owners have renovated the exterior to a high standard, extending to the rear of the car park, where it abuts Union Glen.

The Capitol in Union Street in 1932, by A. G. R. Mackenzie, had a sparkling dressed granite frontage, slightly asymmetrical in layout.   Above the entrance were three tall windows with two shorter windows to the left and three such to the right.   The frontage was/is surmounted by a plain but elegant pediment which had the effect of concealing from street view the high, steeply pitched roof of the auditorium.

The Capitol had the most remarkable interior of all the Aberdeen cinemas, which included a Compton theatre pipe organ, and it was also the most influenced by Art Deco, both inside and out, e.g., the outer doors with their stainless-steel semi-circular hand plates, forming full circles when the doors were closed.

The Capitol opened on Saturday 4 February 1933.   Its more recent conversion for Luminar involved the horizontal division of the auditorium into two complementary night-clubs, one upstairs, one downstairs.   We are unable to say how this affects the Compton organ, or just what remains of the Art Deco interior.

Tommy Scott Sutherland went on to design the Astoria Cinema in Clifton Road, Kittybrewster, which opened on Saturday 8 December 1934.

This was followed by the Majestic in Union Street, (opposite the Langstane Kirk), which TSS regarded as his finest creation.   It had a fairly plain and austere frontage of Kemnay granite in the style by now known as Sutherland Perpendicular.
It opened on Thursday 10 December 1936.   By then, Aberdeen could boast one cinema seat per seven inhabitants, more than double the ratio in London.   (For more on this, see The Silver Screen In The Silver City by Michael Thomson, 1988.)

Other Deco-influenced buildings in Aberdeen are:

Jackson’s Garage in Bon-Accord Street/Justice Mill Laneof 1933, by A. G. R. Mackenzie.   This is a rare example of excellent commercial architecture of the inter-war period in Aberdeen, and has many Deco characteristics.   It incorporates the distinctive horizontal banding of windows and glazing, curving around the corner to Justice Mill Lane.   The Bon-Accord Street frontage has an impressive central section with three very tall vertical windows surmounted by a distinctive 1930s clock.   The building is now occupied by Slater’s Menswear.

The Bon-Accord Baths in Justice Mill Lane, of 1937, is one of the most characteristically 1930s buildings in Aberdeen, being a giant buttressed granite box.   Inside, there is an abundance of curved blond wood and shiny metal; the swimming pool roof is supported on concrete arches.   The window glazing is distinctively ‘Deco’.

Amicable House, Nos. 250-252 Union Street, of 1933, by Tommy Scott Sutherland, built just west of his Majestic Cinema, embodies some Art Deco motifs and characteristics.   The Majestic was demolished in the early 1970s and replaced by the present bland, characterless office block.

The 1930s Medical School at Foresterhill.

The King’s College Sports Pavilion of 1939-41, by A. G. R. Mackenzie; one of the few Modernist buildings in Aberdeen before World War Two.

Tullos Primary School, begun 1937, but not completed until 1950, by J. Ogg Allan; one of the best 1930s buildings in the city.

I should mention the Carron Tea-room in Stonehaven, built 1937 and recently fully refurbished; it may be the finest Art Deco building in the north of Scotland.

Finally, the Northern Hotel, Kittybrewster, of 1937, by A. G. R. Mackenzie.   Its curved frontage is dominated by broad horizontal banding of windows and glazing.   The Northern Hotel is the most distinctively ‘Deco’ building in Aberdeen, and has recently been fully restored.   The interiors are well worth seeing.

For all that, the Northern Hotel is arguably more a thing of interest than of great beauty.   The Deco style seems to work better in pastel colours and in sunny locales.

I used to walk past the Northern Hotel regularly, and it never occurred to me to think of it as a beautiful building; striking, yes, beautiful, no.   By the time it was built, in the late 1930s, the new architecture of Aberdeen had perhaps slipped too far down that long descent from Victorian Gothic to Stalinist Brutalism; all the way from the splendid Flemish-Medieval Town House of 1867 to the irredeemably awful St Nicholas House of 1967.

These bitter-sounding thoughts were occasioned, quite some years ago, whilst walking from the Castlegate back to the Brig o’ Dee.   It occurred to me that every building I liked along the way dated from long before I was born, and that almost nothing put up in my own lifetime was any good at all.   I like to think that things bottomed out, perhaps as far back as the 1970s or ‘80s, and are now on an improving trend, but the evidence is still uncertain.

That said, ‘Deco’ influences are apparent in at least three recent buildings in Aberdeen, as follows:

The Lighthouse Cinema; I like those sleek glass curves along the line of the old Shiprow.

The huge block of student flats in Mealmarket Street/West North Street is distinctively ‘Deco’ in style, brightly coloured in pastel shades of blue, white and pink/orange.

Talisman House in Holburn Street is another symphony in tinted glass with its undulating green roofline, now complemented by Gillie’s new furniture store across the street.

Talisman House is certainly a big improvement on the old College of Commerce; but is the Boots/Currys building by the Brig o’ Dee an improvement on the former, much-unloved, Dee Motel?   At least the Dee Motel was a low-rise building, set well back and largely obscured by trees and shrubs.   The Boots/Currys building might be acceptable somewhere else but, on this prominent corner site, is too big, too far forward and too close to the historic Brig; and it completely dominates the view all the way down South Anderson Drive and out Holburn Street.

Contributed by Alex Mitchell.