May 242017
 

Review and Photographs by Dod Morrison.

Iron Maiden were formed in 1975 by bassist and songwriter Steve Harris.

They’ve released 38 albums including 16 studio albums, 11 live albums, 4 EPs, and 7 compilations – probably making them the world’s most famous heavy metal band.

The band were returning to Aberdeen after a five year gap as part of their ‘The Book Of Souls’ tour.

Released in 2015, this was the band’s sixteenth studio album as well as their first double studio album and at 92 minutes, their longest to date. It also contained the band’s longest track, ‘Empire of the Clouds’ at a staggering 18 minutes.

The album was actually recorded in 2014 but the launch was delayed to allow Bruce to recover from the removal of a cancerous tumour on his tongue.

The album was a commercial success reaching number 1 in 24 countries. They started the tour in February 2016 and it will go through until July 2017.

When Iron Maiden come to town it’s not just to play a gig, it’s an EVENT!

They are known for  their extravagant stage shows which usually feature a huge Eddie The Head (the band mascot). Eddie is a perennial part of Maiden, appearing on all the covers of their albums, and he appears in the live shows in various guises.

Unfortunately, a pending dispute about ‘Hallowed Be Thy Name’ song credits means that the fan’s favourite song (and my own favourite) had been removed from the current The Book Of Souls tour set list.

The Book Of Souls tour came to Aberdeen where the faithful filled the AECC and prepared to worship. The stage was made to look like an Inca style lost city. A half rectangle shaped wall surrounded and contained the stage with several braziers along its length and moving backdrops, flanked by pyramids on either side.

After a rousing version of ‘Doctor, Doctor’ by UFO was played to get the crowd going, the set commenced with Bruce Dickinson standing on the wall above and behind the drum kit.

Bruce inhaled the vapours from a cauldron on a pedestal as the first chapter of Book of Souls plays.

He then launched into a magnificent, energetic rendition of ‘If Eternity Should Fail’.

Flames erupted from the braziers along the city walls as Bruce dashed across them from side to side. Beneath him Nicko McBrain was drumming up a storm on his impressive and very shiny drum kit.

In front of him guitarists Janick Gers, Dave Murray and Adrian Smith covered the stage, adopting the usual foot on monitor poses.

Janick used the furthest forward set of speakers as a seat, and also enjoyed giving it the odd kick just to show it who’s boss.

Of course, amid all of this, the iconic figure of Steve Harris strode across the stage brandishing his bass.

As the set progressed the huge backdrops behind the band changed to reflect each new song.

Bruce also changed costumes to suit the songs.

At one point he sported a gorilla mask and brandished bananas at the other band members! For ‘Power Slave’ he wore a leather mask, which must have been incredibly sweaty on the warm May night, but it didn’t slow him down at all.

He charged across the city walls above and behind the rest of the band.

As all of this unfolded before our eyes, our ears were treated to a very well chosen set list which covered the entire career of this magnificent band. They played oldies such as ‘Wrathchild’ and ‘Iron Maiden’.

During a magnificent version of ‘The Trooper’ Dickinson was clad in a red ‘Trooper’ jacket and he charged along the walls brandishing a huge Union flag.

At one point he amusingly draped it over Janick Gers as he played his guitar below. It was hard to discern how much ‘playing’ Janick actually did as he spent a lot of time throwing his guitar around on its strap, dancing with it.

We were treated to ‘Fear Of The Dark’ and then on to current masterpieces from the ‘Book of Souls’ album, including a blistering rendition of ‘Speed Of Light’ during which the crowd sang impressively along with the chorus.

It was a well chosen, well thought out set list.

You didn’t want to look away even for a second in case you missed something spectacular, such as the huge sporadic flames that erupted from the braziers along the city walls, or the massive inflatable Eddie figure that floated up from behind the set.

During ‘Book Of Souls’  a giant Eddie figure appeared on stage and ‘attacked’ the band.

Janick ran through its legs, then when Eddie tried to chop him with his axe he responded by hitting Eddie between the legs with his guitar.

Eddie then moved on to attack Dickinson who fought back and pulled out Eddie’s heart. Bruce squeezed the blood from it before throwing it into the crowd – most entertaining!!

At the end of the song Bruce said “this isn’t something you see every night, the stage on fire” – and it was! There was a flame about 2 feet high burning up on the top of the set! The band carried on regardless whilst the fire was put out.

The main set finished with ‘Iron Maiden’ before an encore of ‘Number Of The Beast’ (which involved the appearance of a huge inflatable Satan figure), ‘Wasted Years’ and ‘Blood Brothers’.

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May 192017
 

Duncan Harley reviews Wonderland at His Majesty’s Theatre, Aberdeen.

A hard-working cast make this Musical an entertaining and at times a truly magical experience.

When Lewis Carroll ran an early draft of Alice’s Adventures in Wonderland past fellow fantasy writer George MacDonald of Huntly, neither man could have had the remotest idea that the tale would still have currency some 150 years on.
The original story-line has seemingly never been out of print and literally hundreds of adaptations have emerged from a myriad of genres over the years.

Film, stage and parody head the long list; with comic book, opera and even Xbox 360 take-ons not far behind.

Herein lies a huge problem. Inevitably, reinterpretations trading on the back of this classic tale of literary nonsense will invite comparison with Carroll’s original.

If the Cheshire Cat fails to grin cheesily enough or if there are too few tarts at the tea party then heads will invariably roll.

Happily, theatre audiences are not as fickle as literary critics and if the stand-up-ovation enjoyed by the cast of Wonderland at HMT last Tuesday is anything to go by, then this latest anthropomorphic adaptation has ticked many of the boxes.

With Britain’s Got Talent Finalist Rachael Wooding as Alice and Coronation Street’s Wendi Peters playing the Queen of Hearts this musical is off to a stomping start. Add in Dave Willetts of Phantom fame as White Rabbit and Natalie McQueen as the Mad Hatter and things can only get better.

And get better they do. From shaky beginnings, down to the script and not to the cast, Wonderland soon gets into its stride.

Alice, in this adaptation, is a divorced single mum who after five years of separation clings to the past and, despite admirable encouragement from teen-daughter Ellie, is experiencing what can only be termed an extreme bad-hair-day.

Aside from losing her beau, she has lost her job and some scumbag has pinched her car. Ellie (Naomi Morris) and love-interest Jack (Stephen Webb) are at pains to comfort the stressed-out Alice but to no avail.

Predictably, a white rabbit appears and they all head downwards in a council high-rise lift to meet with the entire Lewis Carroll cast including a talking mirror. After typical Alice type adventures, the heroine is bundled through the looking-glass and her life takes a turn.

The musical numbers here are great, the dialogue is perhaps not so. At points I almost expected a harassed Compere to rush on stage to ask the audience if there was a scriptwriter in the house.

Music and movement is where this production is at. With around twenty numbers packed into two hours there is plenty for all including pounding rock, laid back jazz and heart-warming duets.

A hard-working cast make this Musical an entertaining and at times a truly magical experience. By the final curtain one could almost imagine an appreciative Dickens clapping softly from the Gods.

Directed by Lotte Wakeham and adapted from the works of Lewis Carroll, Wonderland plays at HMT Aberdeen until Saturday 20th May.

Tickets from Aberdeen Performing Arts Tel: 01224- 641122

– Words © Duncan Harley and Images © APA

May 192017
 

Duncan Sinclair, ASV CEO

With thanks to Yvette Rayner, PR Account Manager, Frasermedia.

A leading sports facility is forecast to bring over £2million to Aberdeen this year, as it welcomes high-profile national and international events. Aberdeen Sports Village (ASV), which is based on the city’s Linksfield Road, is holding four national and international competitions in 2017, which are predicted to bring the significant economic boost

Each year, ASV holds over 200 events at the prestigious venue, from local festivals to international competitions, by working closely with community leaders and national sporting bodies.

The first of this year’s prominent events, the Scottish National Age Groups Swimming Championships (SNAGS), took place at ASV at the end of March.

The event, one of the largest under 18 swimming event in the UK, brought an estimated £1million of economic benefit to the city. 1000 of the best swimmers in their age group competed, from over 90 clubs across the Scotland. For many, the prestigious event offered the chance to gain consideration times for the Commonwealth Youth Games, taking place in the Bahamas in July.

Netball Europe, which came to Aberdeen between 11-14 May, saw eight national and international teams compete in a series of matches, with spectator seats sold out for most matches. The four-day international under 21 championship featured 100 competitors from England, Northern Ireland, Wales and Scotland, as well as an open challenge section, introducing teams from Bermuda, Gibraltar, Israel and The Republic of Ireland.

ASV won the right to host Netball Europe after a sustained campaign by Aberdeen Sports Village and Netball Scotland, supported by VisitAberdeenshire.

In June, the British Masters and Senior Age Group Championships  will be hosted at ASV’s Aquatics Centre, featuring swimmers from the across the UK. Over 800 competitors will take advantage of ASV’s impressive 50m pool, competing in a series of races, medleys and relays.

The busy swimming season culminates with the Scottish National Open Swimming Championship between 27 June and 2 July, showcasing the best of Scottish swimming, with over 300 current and future champions competing at ASV.

Duncan Sinclair, ASV CEO, said:

“ASV has been able to attract this year’s national and international competitions by working closely with VisitAberdeenshire, Scottish Swimming and Netball Scotland. VisitAberdeenshire has calculated the swimming and netball events alone will bring an estimated £2million in financial benefit to Aberdeen, proving that leisure and tourism activities are a vital  part of our local economy.

“The Aquatics Centre is now classed as an official Performance Centre by Scottish Swimming, as ASV can confidently deliver large, exciting swimming events.

“ASV is ideally placed to host high-profile competitions, and we are proud to welcome teams and their supporters from across the world to our outstanding facility.”

ASV boasts a state-of-the-art gym, sports hall, indoor and outdoor athletics facilities, indoor football pitch, and a range of exercise classes, as well as the Aquatics Centre, which includes an Olympic standard 50m pool and 25m diving pool.

For more information, contact a member of the team at ASV on 01224 438900.

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May 192017
 

With thanks to Esther Green, Senior Account Executive, Tricker PR.

One of the biggest shake ups of European privacy legislation which is expected to have a significant impact on the way business is done comes into force in 12 months’ time.

It’s going to have a huge impact on how businesses store and process data and carries tough penalties and hefty fines for breaches.

The Government will implement the General Data Protection Regulation and it is expected that the UK will continue to comply with GDPR after Brexit – so all businesses should be assessing how they use personal data and how this legislation will affect the sector in which they operate.

Advanced planning is key to ensuring compliance with the new legislation which comes into force from 25 May 2018, according to Austen Clark, managing director of Clark Integrated Technologies.

 “The changes that will come with the 2018 deadline will have implications for businesses of all sizes that handle the personal data of EU residents, regardless of location,” Mr Clark states.

“The GDPR is going to have a huge impact on how businesses store and process data and they need to act now to make sure they are properly prepared for this major overhaul of data protection legislation which will impact on us all. Dedicating time to this now will ensure businesses have procedures in place to be able to comply with the new regulation.

“This isn’t just for big businesses – a gym that offers a members’ loyalty scheme or a one-person chiropractor that asks patients to complete a wellbeing form will have to ensure that personal data is stored in line with the new regulations and not breach them.”

GDPR will directly apply in EU countries and replaces ageing European and national data protection legislation, with companies given until until May next year to adopt the measures and become compliant.

Influenced by technological advances, it introduces new accountability obligations, stronger rights and ongoing restrictions on international data flows. GDPR seeks to protect individuals whose personal data is handled by companies. Data processing refers to the handling, storage, evaluation, reference or general use of information relating to individuals. Businesses should only be collecting necessary data and discarding it when it is no longer required to protect data subject rights.

So an online retailer running a small e-commerce site that holds customers’ personal details is subject to GDPR regulations. And any company or individual providing marketing, IT, accountancy or business support that may have access to a wealth of client and customer data needs to ensure this is collected, stored and protected in specific ways.

One of the biggest considerations of the new regulations is ensuring sensitive data is handled correctly.

Government help to prepare for the regulation is available, with webinars, training courses and data flow audits and Mr Clark suggests a good starting point is to carry out a gap analysis of current processing in line with GDPR.

“Understand what data you hold, how you are using it, and make sure that you are practising good data hygiene by limiting access to data to only those who need it, and ensuring that authentication protocols are up-to-scratch for those users,” Mr Clark advises.

“Businesses should also consider deleting data that is no longer required so that it does not become an unnecessary risk.”

Clark IT is already working with clients to assess how GDPR will impact on them and the sector in which they operate, to guide them through the complexities of the legislation and to ensure they become fully compliant. The IT specialists can take clients through the process from start to finish using its unique portal and working with partners to cover legal, datacentre, insurance and finance matters.

While it may seem like a daunting process, GDPR should not be viewed as unnecessary red tape says Mr Clark, who predicts that the legislation has the ability to bring benefits to both businesses and individuals.

Mr Clark states:

“This creates a new single data protection act, and has scope to bring increased consistency to data protection practices, eliminating problems arising from the existence of different national variations.

“There are enhanced powers given to data protection authorities in tackling non-compliance and it will also be easier for individuals to claim against data controllers where their data privacy has been infringed.

 “GDPR will also give individuals greater control and rights over their personal data. As a result, individuals will be able to request that businesses delete their no longer necessary or accurate personal data.

“The regulation could also prove to be an advance in the war against cybercrime, given mandatory breach notifications. Taking GDPR seriously will see businesses invest in, and demonstrate, high levels of security which could in turn raise customer trust.”

Clark IT based near Turriff in Aberdeenshire is one Scotland’s leading independent providers of managed ICT solutions with a broad range of corporate and commercial clients not only in the North-east but across Scotland and beyond.

Its clients benefit from the specialist knowledge of its 26-strong workforce to support their systems and through managed IT services. Clients also benefit from Pro-active IT Support, 24/7 Monitoring, A virtual IT Manager, predictive IT costs and a strategic IT plan tailor-made for their business.

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May 192017
 

With thanks to Gemma Setter, PR Account Executive, Frasermedia.

Lisa Thomson, owner of Hardy’s Chocolates

A new Aberdeen-based independent chocolate shop has invested a five-figure sum into the start up and renovation of a city centre premises.

Recently opened in the Rosemount area of the city, Hardy’s Chocolates was established by former IT operations director, Lisa Thomson, and specialises in bespoke and ‘free-from’ chocolates.

To coincide with its launch, Hardy’s has also agreed to become an exclusive stockist of chocolate from a Shetland-based chocolatier.

Hardy’s Chocolates is the only shop in the North-east to stock Mirrie Dancers chocolates from artisan chocolatier, Dave Williams. It also sells high-quality chocolates from Belgium, as well as bars, truffles, speciality chocolates and sweets from across the UK and Europe.

The deal between Mirrie Dancers and Hardy’s Chocolates resulted after Mrs Thomson, 44, noted the high demand for Scottish-made confectionery from her customers. After reaching out to the Lerwick-based company, it was agreed the shop would start exclusively stocking a variety of the brand’s luxury chocolate selection.

Launched in 2016 by former military chef, Mr Williams, Mirrie Dancers specialises in unique flavour combinations, including port and stilton and lime and prosecco, and has distributed its chocolate to countries as far as South Africa, Switzerland and Australia.

To celebrate the collaboration between the brand and Hardy’s Chocolates, a selection of Mirrie Dancers chocolates will be available for the public to sample from Friday, 19 to Saturday, 20 May.

Lisa Thomson, owner of Hardy’s Chocolates, said:

“After a very exciting first few months for Hardy’s Chocolates, I am thrilled that we are continuing to increase the shop’s selection of high-quality confectionery by stocking Mirrie Dancers chocolates.

“Dave is a master in his craft and we both share the same values when it comes to chocolate and how it is made. We believe that to truly appreciate the taste, chocolate needs to be of the highest quality.

“Working with Mirrie Dancers will also help us grow the business and what we can provide for our customers, as we are now able to offer an even wider made-to-order service for corporate gifts and events.”

Dave Williams, owner of Mirrie Dancers, said:

“Mirrie Dancers has come a long way since it first launched at the beginning of last year. I am absolutely thrilled that Hardy’s Chocolates will now be the sole stockist of our products in the North-east and I am looking forward to hearing the feedback from people within the region.

“I founded Mirrie Dancers with the support of local businesses and friends, since then it has grown to employ three others, so I am extremely supportive of small, independent businesses like Hardy’s Chocolates.”

For more information about Hardy’s Chocolates, visit:   

www.hardyschocolates.com
www.facebook.com/HardysChocolates
www.twitter.com/hardyschocs
www.instagram.com/hardyschocs

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May 192017
 

With thanks to Future Choices.

Future Choices, which is a local, voluntary charity based at Inchgarth Community Centre, Garthdee, supporting adults with a physical disability to gain social inclusion, has launched a new fundraiser, where everyone can get involved, to support such a vital cause.

David Forbes, Chair of the charity explained:

“One of the main jobs running a charity, is raising much needed funds to keep funding what we do within the local community”

Future Choices is in it’s 9th year now and is growing from strength to strength by continuing to reach out to more people within the community.

David added,

“I would encourage as many people to get involved, the first prize we have up for grabs is superb and it’s only £5 per number”

If you wish to support Future Choices, please follow the link https://www.justgiving.com/campaigns/charity/futurechoices/bonusball-2017

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May 182017
 

By Craig Chisholm.

Inverness based promoter Stephen Robertson is slowly but surely making a name for himself in the world of music promotion.

Over the past year he has put on big names such as Motown star Martha Reeves, The Bad Shepherds, who feature comedian Adrian Edmonston, dub and reggae legend Lee ‘Scratch’ Perry, Manchester indie stalwarts The Fall, Radio 6 DJ Craig Charles with his popular Funk and Soul Club and former PIL bassist Jah Wobble, with his band Invaders of The Heart, among others.

Though based up North he has put a formidable line up of talented acts on in Aberdeen venues such as Café Drummond, The Tunnels and The Lemon Tree.

He’s also been racking up the miles to promote gigs in Dundee, Edinburgh and Glasgow.

Stephen started back in the promotion business back 2006 when he started booking acts for several venues in Inverness. In 2014 he started TwentyTen and took things a step further, booking bands in Aberdeen and not just in the Highlands.

As well as established names he has also put on shows by up and coming bands such as Teleman, Fatherson, Bloodlines and Vokovi – all of whom are destined for bigger things.

Upcoming TwentyTen gigs in Aberdeen include an appearance by critically acclaimed influential New York band Swans and a rare intimate acoustic gig by The Rifles.

Coming up in Aberdeen –

  • May 18th – The Rifles (Unplugged) – The Tunnels
  • May 19th – Swans – The Lemon Tree
  • May 21st – Matt Anderson – The Tunnels
  • May 22nd – Natives – The Tunnels
  • June 3rd – Popes of Chillitown – Café Drummond

Tickets are available to these gigs – as well as others in Inverness, Glasgow Dundee and Edinburgh from – https://www.fatsoma.com/twentyten

Facebook –  https://www.facebook.com/TwentyTenEvents/
Twitter – https://twitter.com/2010Management?lang=en

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May 182017
 

Craig Chisholm reviews Maximo Park and Pins at The Lemon Tree. Photos by Craig Chisholm.

Maximo Park’s new songs go down well with the crowd, despite only having a week or so to familiarise themselves with the material

It takes Maximo Park singer Paul Smith precisely one song before he needs to remove his jacket due to the heat inside the Lemon Tree as his band perform in front of another sold out crowd.

The amiable front man still cuts a dapper swagger even in his less formal shirt and is in talkative mood as he commands the crowd and engages them with his warm banter and boundless energy.

The Geordie band may not be at their commercial peak anymore but latest album ‘Risk to Exist’ still managed to crack the album charts at a very respectable position of 11 and it’s obvious that they still have a devoted and loyal fan base – Smith even noting that Aberdeen is “as far north as we can come before people stop coming to see us”

The set is, understandably, weighted heavily in favour of their latest opus with a good third of the set list plucked from it. The big hits are all there though – ‘Apply Some Pressure’, ‘Books Over Boxes’, ‘Going Missing’ and their biggest UK hit ‘Our Velocity’, which made the Top 10 a decade ago.

Before ‘Questing, not Coasting’ Smith self depreciatingly introduces it as coming from their “Dead and buried third album [Quicken the Heart]”.

And it’s that sort of modest humour that makes him such an engaging and likeable frontman.

Before ‘Going Missing’, he speaks about the time the band first played The Lemon Tree, supporting Bloc Party, and how they were given a pre-gig meal of chili from the venue –  before joking that they never got any this time.

He also displays a bit of affection to the city itself – asking if the locals call it “The ‘Deen”, speaking of his trip to the Belmont Cinema the previous night. He comments on the architecture and the granite structures in the city centre – “So much Granite….. you should think of a nickname to do with that” he quips.

New songs go down well with the crowd, despite only having a week or so to familiarise themselves with the material.

What Equals Love?’ is arguably the poppiest song they’ve ever done, opening number, ‘Risk to Exist’ grooves along whilst putting across a political message and ‘What Did We Do to You to Deserve This?’ has late a 70s Nile Rogers guitar funk to it.

Opening the night are Manchester five piece Pins.

It’s a lazy comparison but, being all female, it’s hard not to compare them to other all female bands such as Warpaint, Babes in Toyland and, especially, Sleater-Kinney in both sound and looks.
But once that lazy comparison is out of the way there’s a lot more to see and hear in the band.

Their look and sound is the sound of punk and post-punk Manchester – The Buzzcocks, Joy Division – before it funked up and spaced out with Baggy in the late 80s.

It’s the look and sound of shade wearing Brooklyn indie bands, influenced by CBGBs and Bowery punk of the mid-70s.

And it works – it sounds, and they look, amazing.

Frontwoman Faith Holgate is confident and driven and especially bonds on-stage with the frantic energy of guitarist Lois MacDonald whilst the rest of the band provide a solid and dependable groove for them to paint their sounds over.
From the moment that Pins hit the stage till the moment that Maximo Park depart it nearly two and a half hours later to be a good night for the paying punters and should either band return they will no doubt be received with the same aplomb as they were tonight.

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May 122017
 

By Fin Hall.

Back in the mists of time, just before punk raised it’s challenging head, there existed in Rosemount Viaduct a clothes shop that sold jeans and the like. This business was called Happy Trails, possibly named after a record by an American band who went under the name of Pure Prairie League.

In the back section of the premises, by the changing rooms if my memory serves me right, there was situated a couple of stands that sold second hand long playing records, or as they are fashionably known now, vinyl.

This part of the store was run by a very affable young man who originally came from Edinburgh. This man is called Raymond Bird.

After serving his time there, as it were, he decided to open up his own shop just a short distance up the road from Happy Trails. Taking his two record stands with him, he started selling new releases, and, as punk took off, t-shirts etc.

I had been friends with Ray for some time, and it was during this period of time that I helped him out on Saturdays in the shop, which all know as One Up. We were a tight band of people working there, as well as myself and Ray, there was Debbie, a lady who stuck with him all through the different locations of One Up, and a young proper punk lad called, Scars. I can’t remember his proper name.

Debbie, who was quiet and very friendly, and often Ray’s business rock, had no apprehensions about passing the odd scathing comment on the choice of record that a customer might be purchasing. Meanwhile Scars, who looked every bit the youth of the time with his sticky up hair and his leather jacket with his name painted on the back, was ever polite to the customers. 

We were both in our twenties at the time, and he often confided in me that he was only be going to do this until he was thirty.

I remember having One Up’s first anniversary and my birthday party as a joint do in the upstairs of the also now defunct, East Neuk.

As the guests started to arrive, the owner of the bar was showing signs of great consternation and concern. The leather jackets, bright clothing and safety pins and bondage trousers worn by a good proportion of the young people, fairly scared him. He thought that trouble was on the horizon. It took some persuading by the two of us to let the party go ahead. But afterwards he thanked us and told us we were the best behaved bunch of people he had had there.

Being the punk era, and being skint, we provided the food ourselves and we both acted as dj’s on a borrowed set of decks, with records from the shop and from my collection.

As business got better, he decided to open a second shop over in George Street. And this is where long term business partner Fred Craig came in. A man I have known even longer than I have known Ray. He told me he was going to offer Fred the running of this new venture over me as, rightfully, due my family commitments, I was a single parent at the time, I couldn’t be full time. I already had cut back working in the Rosemount shop.

Ray still insisted that he was only going to keep the business going until he was 40;

This shop took off, and before long they decided to amalgamate the two shops under one roof in Diamond Street. Such was the success, that they soon needed even bigger premises, and thus the legendary One Up in Belmont Street was born. The staff continued to espouse the tight, friendly (at times), and knowledgeable style that was always synonymous with this wonderful music shop.

When it closed in 2013, Ray had turned 60.

Why this bout of, no, not nostalgia, but history you may ask?

Well recently I was in 17 Belmont Street, looking at their contribution to the Look Again art festival.

It has been transformed into an imaginary record store called, Record Store.

“Record Store is a curated project created by visual artists Chris Biddlecombe and Janie Nicoll, aka Obstacle Soup. It is a hybrid fictional record store interior that is the result of a collaboration involving the creation of over 60 fictional record cover artworks and poster works by a range of Scottish artists each of whom have a strong interest in or connection to music making.

Previously shown in record shops, Record Store in Aberdeen takes the records into the gallery, adds work by 12 artists connected to the north east to the existing 25 artists’ previous installations.

Exploring ideas of authorship and fiction, art and merchandise, shared histories, and sound and performance interpreted through the visual, the project places the artwork at the centre of the action, while the music remains entirely in the viewer’ s head.

Record Store is also a celebration of the underground and the ‘grassroots’; the fertile ground of cross-pollination between visual arts and music that has so influenced Scotland’s cultural scene, and in which independent record stores have played such an important role. Seventeen, the creative hub and exhibition space in Belmont Street was formerly the much-loved One Up Records.” – From Look Again Festival website.

I was asked to share my memories of One Up, so I thought I would share them with you all too.

Record Store is open until May 27.

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May 122017
 

With thanks to Jonathan Russell, Chair of Aberdeen and District Campaign for Nuclear Disarmament and member of Aberdeen Climate Action and Duncan Hart and Michael Reinsborough who produced the youtube videos.

On March 25th Aberdeen Climate Action and Aberdeen And District CND jointly sponsored a meeting on the above.
The idea of the meeting was to share ideas of the challenges faced by diversification and to kick-start change. The meeting was chaired by Fiona Napier who is a local trade unionist and activist.

There were four speakers

  • Veronika Tudhope, Scottish Campaign for Nuclear Disarmament,
  • Jelte Hammeijer, Hutton Institute,
  • Erik Dalhuijsen, Aberdeen Climate Action,
  • Myshele Haywood, Green Party.

Each of these talks will appear in Aberdeen Voice over the coming weeks.

We started however by a film about the Lucas Plan with an introduction from Michael Reinsborourgh from Breaking the Frame.

Michael had been involved with a similar event in Birmingham and who was pivotal in making the meeting in Aberdeen happen.

The Lucas Plan was a pioneering effort by workers at the arms company Lucas Aerospace to retain jobs by proposing alternative, socially-useful applications of the company’s technology and their own skills. It remains one of the most radical and forward thinking attempts ever made by workers to take the steering wheel and directly drive the direction of change.

Today, in 2017 — 41years after the Lucas Plan — we’re facing a convergence of crises: climate chaos, militarism and nuclear weapons, and the destruction of jobs by automation.

These crises mean we have to start thinking about technology as political, as the Lucas Aerospace workers did.

The documentary is on you tube please open the link below

https://www.youtube.com/watch?v=0pgQqfpub-c&t=341s

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