Feb 202015
 

One hundred columns ago, Old Susannah wrote on the theme of how propaganda permeates our media and government, and how it’s used by the powerful to steer us and to blinker us. Times haven’t changed. By Suzanne Kelly

DictionaryIt’s been a confusing week in the Deen; it’s been very hard to read the signs. Not least the signs pointing the way to the tourist board. An eagle-eyed local restaurateur (and pal) Steve Bothwell noticed that signs near the green point people in the wrong directions; those who wanted tourist info are merrily sent the wrong way.

If only we had some way to fix this problem. Word is those responsible for this error are planning to solve the problem by having the tourist board moved to a location near where the sign points.

All things considered, I think we’re on our way to being a modern, major Scottish city like Edinburgh.  We may still be able to escalate the St Nicholas House/Muse plans into our own Holyrood.

Holyrood of course was a well defined, precisely-run, on budget project which created the lovely building which fits so beautifully into the existing architecture of Edinburgh. If the building leaks, creaks and looks like its facade was drawn badly on the back of an envelope by someone using their foot and a crayon that just means it’s adventurous.

Perhaps we’ll yet have our own Tram scheme; we did have a councillor in the last administration calling for a monorail. Again Edinburgh handled that wonderfully well.

But as we learned this week, Edinburgh’s taken property management to a whole new level this week. Mandarins in the council managed to sell the historic Parliament building:  the only problem was that it didn’t actually own it – Edinburgh’s citizens do.

Or should I say Edinburgh’s citizens did own it. Scottish property ownership expert Andy Wightman’s account of this imaginative sale can be found here.  Aberdeen readers may be interested to know that the property in question was considered common good. At least you wouldn’t find anyone around the Granite City trying to appropriate common good land, Wood you?

Back here in the Glass City – sorry – Granite City, the Lord Provost decided that a motion to stop the Muse project was ‘incompetent’. It’s good to know the city is continuing to stop incompetence wherever and whenever they find it. Perhaps they want a word with the people who put up the tourist board sign though.

If only there was some way for the city to see whether or not people wanted a glass box or green space. Perhaps if a few hundred people protested, lobbied and campaigned. STV has a little poll going on; and while it’s a close-run thing, about 90% of people don’t want Muse’s glass box building.

Some people felt they were slightly misled over what would and wouldn’t happen to the St Nick’s site.  While it’s not like a politician to ever mislead anyone, perhaps a few propaganda-related definitions may remind us that once in a blue moon, we should question the information put before us.  And with that, a few definitions.

Emotive: (English adjective) Condition of having feelings and impulses not associated with logic or fact.

One thing we can’t have is people with feelings getting in the way of those who don’t have any.  The favoured propaganda tactic  to quash these Emos is to call them names, even if this paradoxically implies that those doing the name-calling are being aggressive, bullying and abrasive.   This is a strategy beloved of the SNH for those of us who want to find means to manage our environment without killing animals unnecessarily.

The Scotsman’s headline set the tone last week, portraying the people and organisations opposed to deer culling as ‘angry’. You see, if you’re angry – you’re emotional. A good headline should set the tone of the article to come.

I hope no one will be embarrassed by how emotive I got in commenting on this Scotsman article, but here is a comment I made:

“It’s disappointing that so many of the comments on this page have to sink to insulting those who oppose the cull. I’ve been studying for some years now the draconian proposals and guidelines that SNH have created about deer populations. You could be forgiven for thinking that the latest SNH guidelines were written by the pro-hunting lobby. In Aberdeen, a hill which supported a few dozen deer for decades with meadowland and gorse had no starvation issues.

“The roe deer live a short span, and foxes are well known predator as are man (we had five deer poached last year in the area I’m talking about – Tullos) and dogs. The SNH now says a herd size for this hill will be only 3 or 4 animals. The SNH don’t explain how this can be a healthy gene pool – how could they? Anyone who protests the punishing guidelines is, as comments on here show, insulted and denigrated.

“The fact is it is becoming a nice little earner to turn meadowland into forest; my city has spent at least £200,000 so far to transform Tullos – when several thousand residents signed a petition to leave the hill alone. In the mean time, SNH last counted 19 deer in the entire city green belt and urban fringe. We won’t have any deer left if the SNH’s position goes unchallenged.

“The people who manage private land may also be forced to kill more deer than they think is sensible. When there are humane ways to control deer numbers, why are we choosing culling as a first and only option? No it is not scientific and has no historic basis at least in my area.”

What caused this gushing show of emotion on my part? Here are some of the rational, measured comments made on the article by pro deer culling people:

“The animal rights groups made a big fuss about “game management” claiming that it was cruel, akin to killing Bambi…sound familiar? Now the deer have over-populated and are starting to starve to death. It pays to listen to the experts who know what they are doing and disregard the sappy tree huggers.”

“These animal charities are notorious for attracting vicious and malevolent people, and so I hope the people of Perthshire will keep an extra-careful eye on them.”

and

“We can thank these so called animal rights nutters for releasing Mink into the wild and all the damage they have done to our natural wild life…. These campaigners should be prosecuted for promoting animal cruelty, because as has been said by many others below, the deer population is out of control and many die slowly of starvation and disease…..”

Well, that’s me told. Heaven forbid the pro-culling posts were orchestrated or that people who hid behind pseudonyms were part of the authorities trying to convince the rest of us that if you’re against deer culls you’re being emotional. Heaven also forbid that the SNH had issued any press releases that fed into the line the Scotsman chose to take. That would never happen.

Being emotional is of course a major failing in a person in this day and age; if you do somehow have any emotions left after the constant bombardment we’re subject to of violence, racism, misogyny, animal abuse, best keep those emotions hidden.  You see, if you have any emotional reaction to something, then this means you are incapable of exercising any logic or intelligence. The two can’t be separated. Therefore, if you are against deer culling, you are unintelligent.

In this week’s papers we’re told that the subject of sentencing is also ‘emotive.’  You don’t say.

Happily, all sentencing in Scotland is proportional, measured, and no favouritism is ever shown to the powerful, the police, or the famous. I still fondly remember how a local policeman was cleared of looking up info on his ex regarding a drug case. The court found someone else must have accessed the data – using the accused’s password.

No doubt the police are looking for the real culprit – someone else in the force with the accused’s password who would have wanted info on the accused’s ex. Makes sense to me.

Not only is sentencing emotive, it can also be complicated. I’m as amazed as you are. Happily, the government is setting up yet another board, and no doubt sentencing, which the likes of  you and I can’t hope to understand of course, will be handled just as fairly in the future as it is now.

The Government in fact is committed to making justice ‘FAIR, FAST AND FLEXIBLE JUSTICE‘.

Well, it can be fast. It certainly is flexible. I guess two out of three ain’t bad.

Misinformation:

How do you get your own way in politics? As is the case here in Aberdeen, by persuasion with facts and reason. However, on the rare occasion the public need to be guided just that little bit more.

Back when the new St Nick’s proposal was first launched at the city’s art gallery (itself soon to be closed for a few years for a tasteful destruction of its marble stair and for a portacabin tm to be plunked on top of it), a consultation was held. It was wonderful to see the pretty drawings. Obviously though, the details were meant to be left to the architects of this city’s current architecture – our planners and those with big chequebooks.

With the people we have controlling the master (?) plan, many of whom have important titles like ‘Dr’ and so on, we’ll be the rival of Washington DC, Paris and London in just a few more years. If not, we may wind up twinned with Milton Keynes or Redditch. Anyway, I wrote to the city with my (emotive) criticisms of the scheme. In due course, I was invited to give a 5 minute deputation to the full council (Result!) on what I thought was wrong with the scheme.

A whole 5 minutes – and all I had to do was spend the entire day off work hanging around in the Town House.

I wondered – Should I take a day off work, buy a new frock, get a Valerie Watt spray tan and have my nails done and come and make a speech for 5 minutes? No doubt concerns of traffic congestion, pollution, architectural concerns, etc. would have won the day.

I called someone at the council and we discussed the pros and cons of this deputation. The word on the street as it were was that the decision to build glass boxes on the former St Nicholas House site was metaphorically set in stone. I could come along, but in the view of my contact, it would not make a difference. I don’t want to get my source in trouble; like me, they had been told it was too late to make any change.

We both believed this to be true. So I declined my chance to bring up a few emotive issues about St Nick’s former site.

Fast forward a few months, and it seems both my source and I were misinformed. The city won’t lose a hundred million pounds if we say no to the current design.

The future of the site has seen one or two little changes since that consultation at the art gallery.   Today the story is that we’re getting that glass office after all.  Somehow this will revitalise our retail sector, cure baldness, and make billions of jobs.  I wonder what the story will be tomorrow.

Yellow Journalism: (org. USA  – compound noun) Sensationalising or fabricating stories in order to both sell newspapers and to influence opinions.

This term hardly matters in today’s modern, well-informed age, but just for historical interest, here’s a word on yellow journalism.  In  days gone by newspaper giants Hearst and Pulitzer were fighting for supremacy in the US market, there was the occasional bit of creative licence taken with the facts.  A fight for a cartoon strip featuring ‘the yellow’ kid – a very popular feature – lent its name to a kind of journalism where facts don’t get in the way of a story, where hatred can be inflamed to influence opinion, and where the powerful are pulling the strings, often distracting people from the truth by the use of sensationalism, propaganda and misinformation.  This was the time of American expansionism, and a few little wars here and there.  Isn’t it great to be in the enlightened age?

As described on one website:

The rise of yellow journalism helped to create a climate conducive to the outbreak of international conflict and the expansion of U.S. influence overseas, but it did not by itself cause the war.

“In spite of Hearst’s often quoted statement—“You furnish the pictures, I’ll provide the war!”—other factors played a greater role in leading to the outbreak of war. The papers did not create anti-Spanish sentiments out of thin air, nor did the publishers fabricate the events to which the U.S. public and politicians reacted so strongly.”

Of course, a newspaper editor has several responsibilities to balance. One – to make lots of dosh for the shareholders. Two – to take lots of dosh for the sponsors and advertisers, who must be kept happy at all costs. Three – to make people buy the newspaper in the first place. It’s a tough job.

Remember the giant Evening Express headlines about ‘packets of white powder’ being found on an offshore oil installation? The implication was it was illegal drugs, and the paper milked it for all it was worth. Alas!  it was only cold medicine. You’ll remember the paper’s headlines announcing it had made a mistake. Or perhaps not.

Some papers such as the Daily Mail are subject to similar creative embellishments. Emotive headlines are a great way to get facts across to us emotive, slow-witted people, especially about immigrants, benefit scroungers, foreigners and other kinds of undesirables. It’s also a good way to sell papers.

News Blackout: (modern English compound noun) To deliberately withhold news and information.

If they don’t know about it, they can’t be upset about it. Whether it’s the P&J veritably ignoring stories about Donald Trump having underworld links, sometimes it’s best to have a media blackout. We’ve all those hoards of incoming tourists to think about, and Sarah Malone needs a new pair of Choos. Best a newspaper editor is selective with what stories they print.

That’s the case these days at London-based news institution The Telegraph.

The paper is just a little on the conservative side, and its rational, balanced, live-and-let live owners, the Barclay Brothers, have been doing a great job of livening things up.

Once the paper of choice for Tories it’s far more inclusive now, with stories about women with three breasts (that wasn’t quite true). Any story about business profits, exam results, you name it is usually dressed up with a picture of a pretty girl – and of course all the guys like their news served up like that. Private Eye magazine has cruelly made fun of the paper’s use of ‘fruity’ girls, and accuses the Torygraph (as PE calls it) of ‘dumbing down’.

It’s not really dumbing down if you decide not to trouble your readership with stories that are either boring or complicated (which is pretty much the same thing).  Take for instance the stories circulating about HSBC (‘the world’s local bank’) being somewhat in a pickle, the Telegraph decided that it wasn’t much of a story. So there are some questions about the bank’s operations, a wee black hole in its books and its Swiss offices being raided by police and the like.

HSBC has also apparently helped wealthy people avoid paying tax – that’s hardly news is it? While the rest of the UK’s papers were covering this story, the Torygraph was ignoring it. It’s almost as if the Barclay Bros had rich, powerful interest to protect – but surely not.

I’m certainly not suggesting that the government, quangos, media, police and our local politicians are manipulative, self-serving, devious or dishonest – heaven forbid. But I am beginning to have my doubts.

Next week- an updated who’s who of the great and powerful of city and shire.

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Feb 242012
 

Peter Veritas makes the case for voting “Retain”.

1.  There is a very real danger that the City Garden Project will bankrupt Aberdeen.

The City Garden Project (CGP) is planned for a greenfield site which would require substantial excavation. It is a five acre, five storey, underground construction that would span both a main road and a railway track

It’s roof would be required to hold approximately ninety thousand tons of topsoil, the same weight as the worlds largest aircraft carrier.  It is projected to cost £140M.

Union Square, which is of a similar size, was built on a flat brownfield site with good access. The final cost was £250m.

Marischal College is a much smaller existing building that was recently renovated.  No major construction was performed.  The final cost came to £65M.

Given that context, how can we be expected the believe the estimate for The City Garden Project is realistic? Should the City Garden Project experience a similar scale of overspend to the Scottish Parliament Building or the Edinburgh trams, then the shortfall could conceivably be of the order of £360M.  The city, which is already £560M in debt, would be liable for this overspend.

It could not be rolled up into the existing loan, and would require immediate payment.  Failure to cover the overspend would result in us being left with a dirty hole in our city centre.  The only options open to the council would be to auction off it’s remaining assets, such as the other parks, to property developers, and to increase council tax  massively.  Public services which have already suffered severe cuts would be totally decimated.

2.  Aberdeen has suffered badly from previous developments.

St Nicholas House, the New Market, The Denburn dual carriageway, the Denburn Health Centre, The St Nicholas Centre, and Virginia Street are all universally acknowledged as failures that now blight our urban landscape.  Aberdeen lost many beautiful buildings to clear the way for those developments.

The people who campaigned against those architectural and planning atrocities are also campaigning against The City Garden Project.  They’ve been proven right time and time again. Perhaps it’s time we listened to them?

3.  We already voted against this Project under a different name.

There is something sinister about the City Garden Project.  It was originally conceived as the City Square Project (CSP), and envisioned as a five acre flat concrete piazza.  That proposal only emerged after Peacock Visual Arts were given planning permission to embed an unobtrusive arts centre into the hillside of Union Terrace Gardens.  Sir Ian Wood pledged £50M to build The City Square, but promised to scrap the Project if the public rejected it.

That was then put out to a flawed public consultation, in which the public voted against by a substantial majority, despite the online survey mysteriously defaulting to a “yes” vote.  Sir Ian then reneged on his promise and continued to push the concept, the council ran roughshod over the electorate, and by the casting vote of the Lord Provost, consigned the Peacock plan to the dustbin.

Sir Ian has consistently stated that he will only contribute his £50M to this particular proposal and nothing else, and that if we reject his proposal then he will divert the money to Africa.  His behaviour is baffling.

4.  There has been an air of deception around The City Garden Project.

The City Square Project was rebranded as The City Garden Project.  During the Project’s second coming the public were presented with six designs and invited to vote on them. None Of The Above was not a option.

Aesthetically, the public appeared to favour the Winter Garden design.  From a conceptual perspective The Monolith design was arguably the most cohesive.
The appointed panel then refused to release the outcome of this public vote and instead selected The Granite Web, a design for which very few people acknowledge having voted, and which many people considered to have been among the weakest.

CGP propaganda has continually claimed that Union Terrace Gardens are a dangerous place, but Grampian Police crime figures reveal that they are actually among the safest places in the city centre. Neighbouring Belmont Street, which the plans propose to connect to the Granite Web, is statistically the worst area for street crime.

Under the rules of the referendum, registered campaign groups are limited to £8k spending to maintain a level playing field.  However a mysterious group of anonymous business people has allegedly ploughed £50K into sending pro-CGP propaganda to every home in Aberdeen City.  This is not within the spirit of the referendum and is arguably a breach of the rules.

It has been claimed numerous times that the 250 year old elm trees in Union Terrace Gardens are diseased, but a recent report by a tree surgeon has given them a completely clean bill of heath.  These elms are among the last surviving in Europe, and they flourish both due to their isolation from other elms, and because the pollution of the city prevents Dutch Elm disease from spreading to them.  These trees are all covered by a preservation order.

5.  Those arguing in favour of the City Garden Project are mostly connected to it in some way.

Scotland’s top public relations firm were engaged to promote the Project, which may be why the majority of stories that have appeared in the local press have been fawningly in favour of the CGP.

Those who have argued the merits of the Project, both in the press and on-line, are interconnected people with an as-yet unknown agenda.

In addition to the numerous PR professionals being paid thousands of pounds each day to present the case, there are several property developers, the owners of assorted the premises on Union Street, and various oil company executives.

No fewer than three city councillors, who backed the Project, recently announced that they intend to stand down, and have also revealed that they are planning to leave the city.  Virtually all of those involved are members of Acsef, Scottish Enterprise, the Institute of Directors, and The Chamber of Commerce.  The same dozen people feature time and time again in the groups which have come out publicly in favour of the Project.  The same people wearing different hats.

6.  The economics have no basis in fact.

Tax Incremental Funding (TIF) is intended to fund the redevelopment of brownfield sites.  Businesses which later setup in and around those sites pay increased business rates which repay the cost of the development in a similar manner to a mortgage.  The business case for this Project bends the rules since the increased rates will not be gathered for the site itself, but from two new industrial estates, located several miles away and for which planning permission has already been granted.

The 6,500 jobs and £122M of projected annual revenue are a product of these new industrial estates working at full capacity. This is almost  guaranteed to occur anyway without The Granite Web.

Furthermore, the paid author of the reports is PricewaterhouseCoopers (PWC), which has recently been fined £1.4m for audit failure.  PWC rates the TIF case at Risk Level 3, where 4 is the highest risk.

7.  To save the architecture of the Denburn Valley

None of the Granite Web mockups, artists impressions, or video, have addressed the issue of the rear elevation of Belmont Street.

This is home to some of Aberdeen’s most spectacular architecture, descending right down to the level of Denburn Road.  Architecture which will be obliterated when the CGP connects to it, some five storeys further up.

Most of these buildings are either local businesses or publicly owned concerns, and several of them have picturesque balconies below the finished level of The Granite Web.

8.  To retain our sheltered park.

Union Terrace Gardens lie in the Denburn Valley which offers shelter from the wind and urban pollution.  Raising the area up to street level would turn it into a wind trap.

The wind would howl round the concrete walkways and other architectural features of the granite web, plants would struggle to survive, and people would avoid the area, preferring instead to travel along the relatively sheltered confines of nearby streets. It’s a fallacy to claim that this development would enhance connectivity.

9.  Union Terrace Gardens have been cynically starved of funding – in order to ‘pave the way’ for this redevelopment.

Union Terrace Gardens was the centre piece of Aberdeen’s famous successes in the Britain in Bloom contest.  Over the course of the past eight years the council has cut funding, with the result that the Gardens are no longer maintained at previous award-winning levels

The beautiful Grade A listed public toilets were closed, the famous giant draught boards were ripped out, the winter skating rink was no longer installed and concerts and other public events were discontinued

A modest investment would both regenerate the Gardens, and improve access to them.  There is no need to risk bankrupting the city for what amounts to no additional benefit

10.  The curse of Corbie Haugh.

Back in the seventeenth century, the area where the Gardens now stand was a wood called Corbie Haugh. The ancient Scots word for crow is corbie and the wood was named after the crows which gathered in the grassy valley and within the bank of elm trees. The elm trees in the Gardens date back over 250 years to that eighteenth century wood.

An ancient legend, The Curse of Corbie Haugh, holds that when the crows depart, the city will be ruined. If the elms are chopped down, the crows will indeed depart, and if they city ends up burdened by an additional £360m of debt, then it shall indeed be ruined!

SAVE OUR CITY FROM DISASTER BY VOTING TO RETAIN UNION TERRACE GARDENS.

 

Feb 222012
 

Almost every time Karin Flavill looks at the design for the Granite Web, the same question comes to mind. “What would Howard Roark think?” Intrigued? Read on.

Howard Roark is the hero of The Fountainhead, a novel by Ayn Rand.

Rand is a controversial writer; aspects of her objectivist philosophy were transported across the Atlantic decades ago and transformed into what we call Thatcherism, so it’s safe to say that she draws strong opinion, from those who have heard of her, both here and in the US.

The attraction of The Fountainhead for me was that it gave me a glimpse into the unknown, that a philosophy designed to help the wealthiest members of society feel not simply financially superior to those who struggle, helps them feel morally superior to them too.

What is it that tyrants see that allows them to derive a sense of well-being when they look in the mirror? Reading Rand can help you find out, even if it’s unlikely that in reality, many of society’s bullies and elitists have the personal qualities and ethics Rand depicts in her heroes.

Roark may be a more interesting and relevant reference point than some other fictional characters who have entered the Granite Web versus Union Terrace Gardens debate. Jake the Ghost and Morris the Monkey for example, as promoted by the BIG Partnership, seem to have a peculiar and hopefully incorrect impression of what moves Aberdonians to vote.

Roark is his own man, and is Rand’s idea of the Perfect Man. A gifted and original architect, loathed by the majority for his innovation and commitment to the future, he despises architecture which draws irrelevantly from the past. His designs are modernistic and often hard for people to understand. The few who do understand become his friends, and are held up to the reader as exemplary beings.

In some ways, Howard Roark would seem to be another ideal spokesperson for the City Garden Project. On the other hand, this objectivist hero’s deepest contempt would be reserved not for those who disliked his designs, but for that partnership between business and government which is so conducive in the long run to crony capitalism. Hello, ACSEF.

  The pro-Union Terrace Gardens lobby regards the existing Gardens as a unique prize which could be something magical

Leaving the politics aside for a moment, would Roark look at the design and love it? I don’t know. I’m not an expert on architecture, but I do know a little more about people, and about conflict, and about the factors causing people beginning to feel alienated in their own city. Such doubts seem to be at the heart of this debate.

The pro-Granite Web lobby feels that Aberdeen requires a drastic makeover for it to become a place they would want to continue living in and that others would want to move to. The pro-Union Terrace Gardens lobby regards the existing Gardens as a unique prize which could be something magical if only people who understood it were listened to. The original Peacock Visual Arts design symbolises what could have been.

Throughout The Fountainhead, examples and analyses of the character’s genius as an architect are provided. One passage is, for me, particularly telling. Self-made man Mr Mundy has heard that Roark is a great architect, and would like Roark to design a house for him. Roark meets with him to ascertain what kind of man he is and subsequently what kind of house he would be happiest in.

“There was a place,” said Mr Mundy, “Down there near my home town. The mansion of the whole county. The Randolph place. An old plantation house, as they don’t build them any more. I used to deliver things there sometimes, at the back door.”

He goes on to describe the ways in which he would like to recreate that dream house, the house of his aspirations. From what we already know of Roark, he would dislike the notion of recreating something from the past. However, that’s not at the root of his disapproval of Mr Mundy’s aspirations. This is:

“It’s a monument you want to build, but not to yourself. Not to your life or your own achievement. To other people. To their supremacy over you. You’re not challenging that supremacy, you’re immortalizing it….Will you be happy if you seal yourself forever in that borrowed shape?…You don’t want the Randolph place. You want what it stood for.”

In other words, it’s not simply technical skill, the vision of the artist and the ability to give the client what he wants that makes Roark a great architect. He sees who people are, not as they want to be seen, or as they try to be seen, but as they are. It’s this ability to look past the hype, the pretence, self-advertising and PR that enables Roark to build houses in which people can feel truly at home.

Think of your own dream house. Would it be one that somebody else had designed? A talented design team who would create something that was a compromise between their personal tastes and your picture of who you would like to be? Who furnished it in accordance with those same principles? Would it be your home, or would it be a design piece reflecting aspirations of who you wish you were, rather than who you really are?

  Who are we, in Aberdeen? A conflict like this forces us to consider that question in some depth

The promotional video for the Granite Web presents a futuristic world peopled with white, transparent figures ambling aimlessly through flower beds, staring uncomprehendingly at car parts dangling from a roof, drinking coffee. Observe, consume, observe and consume.

These transparent figures aren’t creators or innovators. They simply absorb, passively, that which has been transported from elsewhere to make the city seem more impressive to outsiders. A place that might, at some future date, be awarded City of Culture status!

The promotional literature keeps insisting that this will be the people’s park. It encourages readers to imagine themselves consuming all that the park has to offer, in the belief that this will result in them achieving a sense of ownership over it. There will, we’re promised, be spontaneous performances, but it’s not clear who will provide these. Perhaps musicians drafted in from outside.

Who are we, in Aberdeen? A conflict like this forces us to consider that question in some depth. My impression, living here, has always been that Aberdonians tend towards reserve, despite night-time scenes on Union Street when alcohol loosens inhibitions. The notion that we can buy a totally different character for Aberdeen, via an expensive raised park, seems dubious at best.

Union Terrace Gardens exemplifies the typically reserved nature of the Aberdonian. Like a Christmas tree that contains only a few, semi-concealed fairy lights, it is capable of emitting the magical quality that a garishly decorated tree cannot. The magic of mystery and discovery, and something very different from the usual variation on the iconic city centre park that is springing up all over the world.

One person’s iconic, radical, inspirational park is another person’s pretentious vision of future dystopia. I’ll admit I belong to the latter category, which is why I’ve already voted to retain, and improve, Union Terrace Gardens. Peacock Visual Arts was a local initiative which would have provided a place where people interested not just in consuming the arts but in contributing actively to them could have congregated. That was an exciting notion.

The Granite Web, on the other hand, constitutes yet another ‘space’ in which the people who live here may perform a passive consumer role.
Sir Ian Wood believes that he is giving Aberdeen a gift, and has expressed hurt that many in the city fail to appreciate this. The difficulty is that altruism doesn’t always create a sense of self respect in the recipient.

The price paid for that altruism is that the opportunity to create and innovate is taken away from people in the community, limiting their opportunity to participate to that of being passive consumers. For some, regardless of the risk of being branded ingrates, that may be too high a price for them to enter voluntarily into this particular contract.