Dec 192021
 

In her tenth annual Christmas Satire Aberdeen Voice’s Suzanne ‘Old Susannah’ Kelly revisits the events of the past year and revisits last year’s satire, ‘A Night At Storybook Glen’. 

In that tale last year we learned how Angus performed on his first shift at the night security guard at Storybook Glen. Tonight we join Angus at his new job.

Angus straightened his tie, gave his lapels a pull to straighten his jacket and stepped off the No. 19 Hydrogen bus onto Union Street. Then he promptly slipped on the permanent temporary wooden decking, cracking his head on the wooden parklet (in other words a bench with a planter container filled with vandalised plants, fast-food wrappers and cigarette butts).

“Oh! ma heid!” he muttered, getting up and staggering towards the Souless bar, where he intended to have a quick weak beer before his 9pm shift at The Aberdeen Museum & Art Gallery would start.

Celebrating his new job since leaving Storybook Glen seemed a good idea.

“What’ll it be?” shouted the bar person over the heads of the noisy shouting/hugging throng.

“Ah’ll jist hae a Nanny State Shandy, mak it a half,” he smiled.

Just then a round-faced ginger-haired man in foggy spectacles popped his head around the bar.

“Oh no, my old pal Angus here wants something a wee bit stronger, don’t you pal? I hear you’re that new night security guard at the Musuem; you’ll be wantin tae stay awake.

“Here, have one of my Torry snowballs,” he said, pushing a glass to Angus.

Angus cocked his head to one side, and looked at the drink a bit dubiously.

He suddenly remembered the last time he’d had one of Pablo’s cocktails was last year at Storybook Glen’s drinks marquee, where he wasn’t sure whether half the things he’d seen that night were real or not.

He hadn’t been able to sleep properly for days afterwards, and found himself talking as long and as nonsensically as any ACC councillor.

“Pablo, ta aa the same, but Ah’m startin’ ma new job i noo, an’ need tae look sharp. By the wye, how did ye ken Ah’m on nights i noo?”

“Both the Night Time Economy Manger an’ the Alternate Night Time Economy Managers told me. Now just get that down yer neck an’ you’ll have a crackin’ time at the museum.”

Thinking both ‘fit’s an ‘Alternative Night Time Economy Manager’ and ‘Ach why nae?’ Angus downed the drink, thanked Pablo, and went on his merry way.

Who knows? Who cares? It’s a free dinner at the Marcliffe.

The snowy streets were dark, and here and there a fallen over pensioner, woman in high heels or people with mobility issues moaned for help as they slipped, slid and fell on the wooden pavements.

‘Anither normal night in the Deen’ Angus thought, watching brawling men spilling out of a pub swinging at each other and shouting.

Before long, turning down the beautifully illuminated street sign that read ‘elmo tree’ hanging over Belmont Street (one of twelve English-made signs a snip at £400k the lot), Angus found himself approaching the front of the Art Gallery.

He could see the curator standing just inside the doorway.

“It’s 2 minutes and 17 seconds to nine – I hope you’re going to be more punctual tomorrow night Angus!” the curator impatiently simmered, tapping at his watch.

“Angus, I think you met Tom, Dick and Harry; they’ll take it from here. I’m off to the award ceremony.”

“Thank you sir,” said Angus

“Err, which award ceremony is that?”

The curator gave a sign and an eyeroll, answering:

“Who knows? Who cares? It’s a free dinner at the Marcliffe.” And off he went.

Angus said ‘hullo’ to the three guards who stood before him. He had met them on his interview.

Angus heard a ‘SPLAT’ and the whole museum suddenly got eerily darker

They were all retired, but like so many people these days, chose to work minimum wages for the fun and excitement of it rather than enjoying their retirement.

Tom spoke first.

“Fine seein’ ye Angus; welcome. Ah ken ye’ve got yer flashlicht, an’ ere’s the keys.”

Dick chimed in:

“An’ ye’ll be needin this instruction manual; tells ye aa ye need tae ken aboot workin here at nicht. Can get a bittie spooky, ken – “ he broke off.

“But ach, ye’ll be jis’ fine.”

Finally Harry spoke, thrusting a bag at Angus, saying:

“Ye’ll hae a gran’ time Angus, jist dinna mind ony noises ye hear or onythin’ funny ye think ye micht be gan on. Sometimes the lichts play funny tricks.

“An’ if yer feelin’ i cauld, jist hae some o’ this BrewDog Tactical Nuclear Penguin or Sink the Bismarck – we thocht ye micht like a wee gift fae us on yer first day.”

They toured the museum, now devoid of the last of its visitors. Tracey Emin’s artwork, basically a neon sign,made entirely by others based on a scrawled few words of hers through neon light which reflected strangely on a nearby copy of Michelangelo’s David, a statue of Robert the Bruce, and a few paintings.

‘Fit is it wi’ Aiberdeen thinkin neon signs should be elevated tae expensive artwork an’ road signs?’ Angus thought.

For a fleeting moment the light almost made it seem as if the statues could talk – and wanted to. He shook his head and the effect was gone.

The four men meandered through the museum’s many rooms and floors, they passed priceless artworks by Scottish masters, portraits, battle scenes.

They stood under the great glass oculus window when Angus heard a ‘SPLAT’ and the whole museum suddenly got eerily darker as the light seemed to lower.

The three other security guards laughed.

“Aye, ye looked spooked already pal; that’s jist a seagull splattering the windae wi’ sh*te.” Tom laughed.

Dick said:

“Aye, it came as a huge surprise tae the architects that seagulls sh*te near the sea. Fa wid hae thocht?”

“Didnae stop them gettin’ plenty o’ awards though – fer gettin’ rid o’ the auld marble stairs veneer, an putting a pottycabin on the roof. The original architects are nae thrilled at aa” added Harry.

Tom broke across him:

“Ya mean the original architects widna be thrilled.”

“At’s fit Ah’m sayin’,” Harry answered.

Angus thought the three exchanged a quick glance, but then they ushered him onward.

Peering at the Inventory, Angus thumbed through

They were now in the basement, or ‘Subterranean Treasure Hub No 19’ as a sign read. Huge mountainous shelves were piled high with items the museum had collected.

There were old sewing pattern books, pieces of granite, an old A-Z, unsold copies of the Evening Express from 1973, some old glass jars and more. Angus couldn’t help wonder why anyone in their right mind would keep this junk.

Almost as if sensing Angus’ misgivings about the quality of these items, Tom volunteered:

“Tae some fowk thon auld boots wi’ hols in em, auld used tin cans an’ the like are jist rubbish.”

‘Too right’ thought Angus.

“But,” continued Tom, “we ken they’re valuable, cause the city accepted thon donations an’ officially logged them here in this invinterry.”

They had gone through a door labelled ‘SECURITY’ and Tom pointed to a printed document marked ‘Inventory’. This was a few hundred pages in size.

Peering at the Inventory, Angus thumbed through it read a few lines as the other three men stepped into an ante room marked ‘NO ENTRY NOT EVEN YOU – KEN!’

“Afore we leave ye tae it, we’re, errr… jist gan tae git a few things we … err … left ahind, like ma piece box an ma shoppin’ fae Poondland.

“Noo, Angus, ye lisnin? – ye can ging onywye ye like in i museum, but nae past ess door.

“Nivver! – nae metter fitivver happens! Ye hear ma?”

Angus just shrugged, and left them to it. As he heard banging, and scraping noises from that room, he thumbed through the inventory:

ABDMS095514 Gilda Le Fevre Label, 1920-1980
ABDMS095515 Jane Doe’s Thimble, 1920-1940
ABDMS095516 Jane Doe’s broken Thimble, 1886
ABDMS095517 Pattern for Six-Section Hat, 1936-1980
ABDMS095518 Pattern for Six-Section Hat, 1936-1980
ABDMS095519 Oval Hat Pattern, 1936-1980
ABDMS095520 Jane Doe’s Brim Pattern, 1936-1980
ABDMS095521 Jane Doe Sewing, 1990
ABDMS095522 Photograph of Gilda LeFevre, 1990
ABDMS095523 Photograph of Jane Doe, 1936-1980
ABDMS095524 Photograph of Gilda LeFevre and Employees, 1990
ABDMS095525 Photograph of Gilda LeFevre and Employees, 1990
ABDMS095526 Photograph of Pantomime, 1944
ABDMS095527 Photograph of Pantomime, 1944
ABDMS095589 Results Past, 2017
ABDMS095590 Comment No 20.
ABDMS095591 Comment No 15.
ABDMS095592 Comment No 16.
ABDMS095562 Valuable Gift, 2011
ABDMS095533 Income Tax Record, 1944-1945
DISAGBS000057
DISAGBS000058
DISAGBS000059
DISAGBS000060
DISAGBS000061
DISAGBS000062
DISAGBS000063

“Fit’s a hat maker’s broken thimble daein in a museum?” He asked

“Nae idea, but ye can be sure it’s worth a fair few bob.” Tom shouted back

“Fits somebody’s auld tax record daein’ here?”

“Nae idea.” answered Dick

“Fit’s ess aboot? – items ca’d ‘Comment 20’ an’ hunners o’ blank lines?”

“Dinnae fash yersel loon, the important museum curator staff an’ cooncil will understan’ aa thon technical stuff.”

“Hey – how come there’s aa this stuff marked ‘missin’?” Angus asked.

Tom, Dick and Harry had stepped out of the back room.

Each now had on a huge backpack. Tom had a suitcase on wheels.

Dick had a big cardboard box with what looked like a gold frame sticking out of the top of it, and Harry had a big sack.

“Angus, jist bide here, watch i telly, hae a drink an’ a nap, and we’ll see ye aboot 9 the morn’s mornin. Dinna worry aboot onythin’ an’ pey nae heed tae ony noises ye think ye micht be hearin’.” Tom said

“Aye, an’ read thon instruction manual if onythin’ … errr …  unusual pops up. See ye the morn.” said Dick.

“An’ mind fit Ah tellt ye. BIDE OOT O’ ESS ROOM…. Guid Nicht!” said Harry, shutting the door to the forbidden room.

The three turned to leave when with a clatter a selection of silver spoons fell out of Dick’s coat’s sleeve. Scooping them up Angus said:

“Hemen, hing on, looks like ye drapped summin. Ah think ah got ’em aa. See yiz the morn …  an’ thanks for the drink an’ yer help.”

The three men traded furtive looks and off they went out the security guard entrance. For some reason they turned off the light outside of the exit door, and the street outside was in darkness.

Angus watched as they pulled on their covid masks (‘for safety no doubt’ Angus thought), and drew their hats and scarves over their faces, their uniforms covered by their long dark coats. They threw their bags and boxes into the back of the van. Jumping in, they sped off into the night.

“Hey, ye’ve nae switched yer heidlights on”- Angus called after them, but they had sped out of sight.

Angus sat down and opened the bag he’d been left; pulling out a bottle of Tactical Nuclear Penguin he thought ‘At least this will be a bit more normal than Storybook Glen was’.

He thumbed through the inventory half-interested by the repeated words ‘missing’, ‘damaged’, ‘stolen’. On the desk he saw an old Press & Journal; its headlines read ‘Wood to save Torry by turning it into an industrial zone – Hoorah!’ and ‘Exclusive whitewash of oor role in Trump Menie development’.

Folding the paper up into a pillow, he put his head down and soon was fast asleep.

# # #

Angus slowly woke from a dream

He thought he heard voices.

Grabbing his flashlight and having a quick swig from his hip flask, followed by more fortified beer, he stealthily made his way to where the sound was coming from.

Approaching the centre of the building, he stopped to listen; he heard men and women chattering, the pop of a champagne cork, and glasses clinking.

Angus stood out of sight around a corner. The lights were on, and a few dozen well-dressed men and women were milling around the entrance foyer.

“.. so we donated 400 grubby auld cigarette cards, an’ got a 10k tax break; it wis hilarious!”

“I ken, right?,” said a woman’s voice “We donated some auld bits o’ stationery we were gan tae fling oot – seriously, an auld eraser, some index tabs. Chucked in a cigarette lighter or twa, and ken? We didnae hae tae pey tax fer a year. I’m affa gled ye suggested it; thanks again!”

Laughter ensued. Glasses clinked.

“Fit a crackin’ award ceremony; wis richt fine hearin’ Stew tell mair o’ his hilarious jokes doon the Marcliffe. Cooncil pickin’ up the tab Ah’d expect, aye?”

Angus kept hidden out of sight; he realised that these people were some of the town’s great and the good – and a few councillors.

“Hey, div ye still hae thon siller punch bowl roon at yer place? Ah widna mind a shottie o’ it in a couple o wikks fer the big ONE Christmas perty, if ye can spare it?”

Angus stayed out of sight and caught snippets of further conversations.

“Looks a richt sotter, dis it nae? Lik tuppence o’ mix. A metal box on tap o’ a MacKenzie mesterpiece? Nae cohesive use o’ materials, nae relation tae the existing proportions or aesthetic. It wis bound tae win awards. Did ye ken MacKenzie’d daen the Waldorf?

“D’ye think they’d let some hacks come alang an’ stick a metal box on tap o’ the Waldorf?”

Further laughter followed; Angus heard more glasses clinking.

“Fa’s carin’ fit it looks like?” a woman’s voice could be heard asking,

“The point is it wis a much-needed consultation an’ construction job – an’ fit’s mair vibrant an’ dynamic than a few extra crisp Jane Austen’s in your wikkly brownie?”

“The £36 mil wis weel spent – Ah mean, it’s nae like ony o’ us or we’re faimilies will hae tae pey for it.”

“A shame it didna help like we thocht it wid though … tae push the £180 million revamp o’ thon gerdens, Ah mean that wis the original plan, wis it nae?”

“Ach weel, at least the gerdens are aa dug up noo; thon space-hoggin, unprofitable trees awa – well maist o’ them, an’ thankfully some shops are gan in. Mair consultation, mair construction, an’ … errr …. some mair goodies up for grabs an’ aa.”

“Mind, ‘at was richt sleekit o’ ye tae announce with nae prior warning that the gallery wid fa’ tae bits if it didna get a new roof an’ a new a’thin else. Weel done.”

“Aye, an’ thon lottery ticket sellin’ racket wis genius an’ aa.”

“Foo lang dis onybody think ess new buildin’ work will stan’ up? That windae better be water ticht, an’ let’s hope that despite fit it looks like, that box winna ivver cause ony funny stresses or load issues ower time.”

“But twa years owerdue – how’d ye sell ‘at tae the public again?”

“Get this.” A short balding man said.

“We got the P&J tae say – an’ Ah hae tae laugh – we were ower spent an’ owerdue because ‘We had to get it right!’”

The room erupted in laughter.

Just then the doors burst open and three people, looking a bit the worse for wear staggered in, arms over each others’ shoulders, singing.

“Here’s oor Wullie!” one of the revellers shouted.

“Aye, an’ the Alternative Night Time Manager sure seems tae hae livened him an’ Al up a bit, aye?

Angus guessed it must still be snowing, as the newly-arrived trio were covered in white powder. The conversations continued.

“So fylst the average mannie in the street says ‘oh fit a bonny buildin! ‘it’s won an award’ or ‘we get tae see a heap o’ local artwork’ an’ aa that crap, we get some tax write affs for donating tat, a wee thank you fae the commissioning an’ construction folk, AND…”

The voice paused for a moment

“An’ aa the priceless airtwork, siller an’ nick-nacks ye could ivver want or need tae decorate wi’, or use tae pad up yer retirement fund.”

An anxious woman’s voice was heard next

“But will fowk nae twig that it’s aa o’ us fa’s donating absolute rubbish? Will they nae catch on that the good stuff’s naewye tae be found?”

The man who’d just spoken answered her,

“Nah, nah, dinna worry yersel; hae anither scoof o’ bubbly. Aa the donations are anonymous – unless somebody’s gan for a big publicity stunt; an’ naebody’ll ivver ken fa donated aa thon auld muck.

“Efter aa, thon auld bits o’ auld crap, unsellt papers, broken thimbles an’ fit hiv ye, are of course – should onybody ask – IMPORTANT PIECES O’ OOR HERITAGE.

“Onybody says stuff’s gan missing? Weel: fa’s gan tae clipe? Certainly nae oor local papers – by the wye, gled tae see yiz aa here the nicht an’ hope yer likin’ yer Marischal Square offices. We were happy tae help ye get thon rent breaks an’ perks; fit’s a few mill between chums? The morn, Ah’ve some mair stories for ye tae rin, but the nicht’s a social occasion. Here’s tae us!”

“HERE’S TAE US!!” the room answered back.

As Angus slowly crept away he heard a voice:

“Love how the granite an’ marble looks in yer gerden; lucky for yersel it’s aff limits an’ yer nae subject tae ess right tae roam stuff like the rest o’ us, as befits a mannie in yer position….”

“Ye’ll be in the hoose o’ heroes afore lang; oor very ain king o hydrogen…”

“…chose affa weel indeed… nah, nae The Shamen – drug references, ye ken? The beer brewing fowk – nah, too critical o’ Donald an’ made a few ither controversial missteps as weel …. St Machar the founder? Nah, nae famous enough. If we’d brocht up Glover fowk micht start askin’ aboot eez hoose an’ its contents…. nae punk musicians obviously – that would hae a toxic effect… an’ certainly nae St Fittick…”

Angus decided not to tangle with this crew and silently backed away into the darkness of the museum.
Reaching his guard room again, he tried to make sense of what he’d just overheard. ‘Far’s tha instruction manual?’ he muttered, and finding it started to read.

Rules:
1. Ye see nithin, ye ken nithin
2. If summin’s wrang an’ ye want to report it tae the line manager, dinna!. Mind, ye’ve got a job an’ jobs are hard tae come by. The cooncil’s the biggest employer roon here.
3. If ye feel ye need tae report summin an’ canna trust yer line manager, jist tell the local papers. They’ll keep a lid on it for us. Better still, see Rule 1.
4. If ye can follae Rule 1, we’ll be sure ye get a nice pat on the heid fer daein fit yer tellt, ken fit ah mean?

However, the various drinks he’d had this evening were starting to make him feel woozy, so he reached for another one, and had a few swigs from a few bottles.

He was putting his head down as the loud voices seemed to go away.

He thought he heard the museum’s door shut, and soon it fell silent.

Angus went back to sleep, the words ‘hoose o’ heroes’ echoing in his mind.

Alas, Angus had only started this security job before the museum refit! The B.R. Premier Oil Lamp (now missing) was actually a magic lamp. When it had been in the museum, at midnight it’s magic brought ALL of the collection to life, kind of like that Ben Stiller series of films.

This included the (now missing) painting of the Gods on Olympus, 1798 by William Williams, including the (missing) Apollo and Daphne, also by Williams.

The architect who so carefully planned the Art Gallery, Mr Mackenzie, once roamed the halls when they were under construction shouting and screaming about his jewel being cannibalised and desecrated to the other gallery inhabitants when the magic lamp brought him to life; but he is heard no more.

The (missing) portrait of Sir Thomas More [sic] by Francesco Bartolozzi RA, After Hans Holbein, came to life and spoke with eloquent logic.

Back then the (now missing) Scottish Maid by an unknown master sat down to enjoy a (now missing) Still Life With Candlestick & Bread by Oskar Kokoschka with the handsome (now missing) James, Fifth Earl of Fife by Alexander Brodie.

Highland Cattle came out of (now missing) paintings and huge, beautiful artworks were filled with life.

During the day, some of that magic could be seen by visiting school children, some of whom might once have been inspired to make similar work. Some of these pieces could have provided historical information to artists, researchers and family historians. And heck, some people might just have enjoyed looking at these now missing windows on another world and time.

nasty glass-box architecture rose

But today no one will see their beauty or magic again: save the people who know where these and 1,577 items are that belonged to Aberdonians.

While this is a satire with no relation to anyone living or dead, should anyone in possession of stolen valuable, irreplaceable art taken from the public ever read these lines, may they encounter the karma they have earned.

As to those who were paid to protect the art that belongs to all of us, but whether by ignorance, negligence or deliberate acts stole, turned a blind eye or otherwise allowed this betrayal of trust, may such judases eventually get their karmic rewards too.

Anyone who knows where any of the missing 1,577 items are but who is keeping quiet is an accessory after the fact to theft. Time to unburden yourselves and fess up.

In Angus’ dreams hundreds of valuable portraits disappeared out of the museum into nowhere. Bits of old papers, bus tickets, broken biros were put in gilt frames in place of the fine art and hung on the gallery walls. And he dreamed people were in awe of the elevated rubbish because they were told it was art.

He dreamed that the things of real value in his beloved city were being stolen, bulldozed, built over, sold cheaply and cheap, nasty glass-box architecture rose over what was once a collection of historic, unique buildings.

He dreamed the land once loved by heroes and literal saints was now governed by incompetents, venal, greedy self-serving sneaks, egotistical ward- and attention-seeking narcissists and sex offenders.

He dreamed that the historic was written off as old-fashioned and the cheap, profiteering projects destroying the greenbelt and its wildlife, as well as the once-unique city scape, were hailed in a bought-and-paid for biased press as ‘vibrant’ ‘dynamic’ and ‘job-creating’.

He dreamed that same press had abandoned any pretence of journalistic independence, integrity and impartiality by taking millions from the taxpayer and were happy to mislead the public when it suited them if there was money in it.

Then Angus saw it was morning and that he wasn’t dreaming.

Angus decided he’d had enough. He picked a few causes to fight, some wrongs to try to right, and he set off to lobby, to investigate and to run for office.

He might not succeed, but he was going to try.

# # #

Follow up on the 2018 Christmas Satire ‘The Snowman’

The above video Aberdeen Voice satire covered some of the awful events of 2019 worldwide. There are at least two happy endings – the Russian caging of beluga whales is over, and the cages destroyed: public pressure did this.

And happily Donald J Trump is out of office and in court – many courts – and may soon be convicted of crimes.

Here’s to a little people power: just what Aberdeen needs. Elections are in May. You can still register to run.

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Sep 192018
 

By Duncan Harley.

The four-star Maryculter House Hotel was today the venue for the Scottish Samurai Awards.  Scotland and Japan have long enjoyed both trade and cultural links – well for just around 150 years in truth.

Japan sent many students to the UK between the late Edo period (1603-1867) and the early Meiji period (1868-1912) in order to explore and import Western technology.

The various international trade exhibitions of the 19th and early 20th Century provided useful platforms for the sharing of both scientific and aesthetic ideas. 

Cities such as Glasgow and Aberdeen provided ripe-pickings for the aspiring technologists and alongside acquisition of new skill-sets the two nations exchanged cultural and artistic aesthetics which continue to create broad-ripples to this day.

Japan, of course, had participated in the second Glasgow International Exhibition in 1901.

The Japan Pavilion was located near the main exhibition hall at Kelvingrove and there is a likelihood that Rennie Mackintosh and many other influential Scottish designers of the day would have visited and been influenced by what they saw there.

Some 11.5 million visits were recorded during the eight-month span of the exhibition and surely Mackintosh would have been one of those tempted to return again and again to absorb the sights.

Contemporaries of Mackintosh certainly visited Japan at about this time and Kelvingrove Art Gallery and Museum hold a collection of so-called ‘Industrial Art’ collected by Glasgow born designer Christopher Dresser who visited Japan in 1876 or thereabouts.

Aberdeenshire, of course, has a splendid claim to the forging of the Scottish-Japanese relationship and one man in particular played a pivotal role. Variously known as the Scottish Samurai or The Scot who shaped Japan,

Thomas Blake Glover was probably born in Fraserburgh in 1838.  His father worked as a coastguard officer and the family lived at various locations along the Aberdeenshire coastline including Sandend, Collieston and at Bridge of Don.

On leaving school, Glover began work with the trading company Jardine, Matheson & Co and quickly progressed to the Shanghai office before taking up a post in Japan. 

His role in Shanghai has often been glossed over in order to present a popular image of Glover as an enlightened trader intent on hauling an impoverished Japan into the industrial age. In truth however, Jardine Matheson & Co were happy to trade in everything from silks and tea to guns and opium.

Glover excelled in his role as trader and alongside making vast amounts of profit for his employer he soon started taking a substantial cut for himself.

His move to Japan, in 1859 age 21, came at a time when various rival clans were warring for control of the country. For more than 200 years, foreign trade with Japan had been permitted to the Dutch and Chinese exclusively.

However, following an episode of gunboat diplomacy in 1853, the US Government had persuaded the Japanese to open trade up with the West. 

Glover arrived in good time to use his proven skills to exploit the situation.

Soon he was supplying both sides in the civil war with guns and munitions. Before long he was taking orders for the building of warships, to be built in Scotland, to arm a fledgling Japanese Navy. The market for weaponry however soon became saturated and he turned to mining to maintain his by now dwindling fortune.

Glover is often credited with importing the first steam engine into Japan.

Demand for coal had surged as steamships began to proliferate in Japanese waters. Glover, in partnership with a Japanese clan, invested in developing the Takashima coal mine on an island near Nagasaki in 1868. 

The mine was the first in the country to employ Western methods. Mitsubishi acquired the Takashima mine in 1881 in the organization’s first main diversification beyond shipping.

Glover is often credited with importing the first steam engine into Japan and being instrumental in the formation of the Mitsubishi conglomerate. Japan also lacked modern facilities for repairing ships. So, Glover imported the necessary equipment for a dry dock in Nagasaki in 1868.

He later sold his share to the government, which leased the dock to Mitsubishi as part of the shipyard in 1884. By 1905 Japan had, according to many accounts, become the 3rd largest naval power in the world.

There are many enduring myths surrounding the life and career of Thomas Blake Glover.

One involves the notion that his Japanese wife Tsuru was somehow the inspiration for Puccini’s opera “Madame Butterfly”.

There appears to be little substance to this idea. A booklet produced by Aberdeen City Council to publicise the areas links with Glover asserts that:

“the association of Glover Garden in Nagasaki and Madame Butterfly no doubt relates to the fact that American soldiers after the Second World War dubbed the house Madame Butterfly House.” 

Thomas Glover eventually became famous in Japan and was the first non-Japanese to be awarded the Order of the Rising Sun.

today’s event saw some 23 or so Samurai and Shogun awards made to a broad range of recipients

When he died in Tokyo in 1911 age 73, his ashes were interred in Nagasaki’s Sakamoto International Cemetery. Fraserburgh Heritage Centre host a permanent exhibition celebrating his North-east links and his former house in Nagasaki attracts two million visitors each year.

Founded and overseen by Aberdonian and OBE Ronnie Watt, the Order of the Scottish Samurai is an award inspired by Blake Glover and those admitted to the Order are encouraged to use the letters OSS after their name.

While Ronnie actively heads the Order, he is supported by patrons, members and recipients – many of whom, such as Lord Bruce and Joanna Lumley take an active interest in the progression of the historic relationship between the two nations.

Opened by Ms Masami Fujimoto, Deputy Consul General at Consulate-General of Japan in Edinburgh, today’s event saw some 23 or so Samurai and Shogun awards made to a broad range of recipients.

Two previous Lord Provosts, Margaret Smith and Margaret Farquhar received Shogun awards for services to Aberdeen while Duncan McPherson and Robert Boyd received Legendary Samurai Awards for services to the Japanese Martial Arts.

Terry Boyle and Tyrone Smith were awarded OSS Shogun and Becca Hobart – alongside delivering a splendid display of Highland Sword Dance – collected up a well-earned OSS Hatamoto for services to the Order of the Scottish Samurai.

Previous recipients of the various Scottish Samurai Awards have included Ian Wood, Alex Salmond, Charlie Abel, Len Ironside (for services to wrestling) and film producer Compton Ross. So it looks likely that Becca Hobart is in fairly good company.

Words and images © Duncan Harley – Inverurie September 16th 2018.

  • Duncan Harley is author of The A-Z of Curious Aberdeenshire plus the forthcoming title: The Little History of Aberdeenshire- due out in March 2019
Oct 132017
 

With thanks to Martin Ford.

Two planning enforcement notices have been served by Aberdeenshire Council on Avant Homes in respect of the former Kingseat Hospital development near Newmachar.
The action by the Council’s planning service follows a report on Kingseat, instigated by East Garioch councillor Martin Ford, that went to the Garioch Area Committee in June.

Cllr Ford has welcomed the decision to serve enforcement notices. He said:

“I am very pleased by the response from the Council’s planning service to the Member Promoted Issue report on Kingseat discussed at the Garioch Area Committee in June. Actions are now being taken that will put real pressure on the main site owner to complete at least some of the outstanding planning requirements.”

The planning enforcement notices served relate to the storage of spoil and materials and failure to install a play park, required from the developers as part of the overall Kingseat planning permission. The developer has 12 weeks from 20 October to clear the spoil storage area and create a new open space including play equipment.

If the developer wishes to appeal the enforcement notices, it must do so by 19 October.

Cllr Martin Ford said:

“Under the Councillors’ Code of Conduct, councillors are not allowed to press for particular planning enforcement actions. Such decisions are for officers in the planning service. The decisions officers have now taken regarding Kingseat have my wholehearted support.

“I do think Aberdeenshire Council was far too passive for far too long in dealing with the stalled development at Kingseat. Of course, the Council cannot simply order the developers to complete the whole development, it doesn’t have that power. But the Council can proactively pursue obligations the developers have under the legal agreements associated with planning permissions, and take enforcement action over non-compliance with those permissions.

“There is clearly now a new determination to use the powers the Council does have to try to force the main site owner to undertake further work stipulated by the permissions granted and agreements signed. That has got to be very welcome.”

Aberdeenshire Council hopes Avant Homes will comply with the enforcement notices. In the event of non-compliance, officers in the Council’s planning service will decide what action to take. This could include the Council undertaking the work required and recovering costs from Avant Homes and reporting Avant Homes to the procurator fiscal for non-compliance.

The Council is also reviewing other options for action to get work progressed at Kingseat, including Avant Homes’ obligations under Section 75 legal agreements.

In order to preserve the historically important former hospital site, Aberdeenshire Council granted planning permission for a mixed use development at Kingseat in December 2004. The first new homes at Kingseat were completed on 21 February 2006 – so some residents have now been living in an unfinished development for over eleven years. The lack of a play park is just one very obvious failure by the main site developer.

The Council’s long-standing policy on preserving the historic buildings at Kingseat is reflected in the agreed development brief for the site.

Cllr Martin Ford said:

“The goal has to be to get the whole development finished and see the fine buildings that are currently derelict brought back into use.”

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Aug 112017
 

Tiny Toadstools and Monster Mushrooms make for magical event at Crathes Castle, Garden and Estate. With thanks to Esther Green, Senior Account Executive, Tricker PR.

With its harled façade, magnificent turreted towers and walled gardens, Crathes Castle is a standout property from the 16th century.

Fungi, folklore and fairy tales come together in the grounds of a magical North-east castle where woodland secrets and stories will be shared with young visitors and their families.

Green goblets that elves might use to drink from are likely to be among the finds during the Tiny Toadstools and Monster Mushrooms walk at The National Trust for Scotland’s Crathes Castle, Garden and Estate on Tuesday, August 15.
The ‘goblet’ is in fact the green elf cup, a fungus which creates a vivid green stain on dead wood and looks like a drinking vessel for an elf, and which is among hundreds of different fungi that can be found in the grounds of Crathes, a stunning castle that looks like it has come straight from the pages of a story book.

The setting makes Crathes ideal for sharing stories of fungi and fairy tales and visitors will learn how the fly agaric toadstools, synonymous with Enid Blyton books, get their spots and have the chance to find out about the largest fungi in the world which is visible from space.

Ranger Stephen Reeves says:

“Crathes is home to hundreds of different species of fungi due to the wide variety of habitats that can be found here. Some mushrooms like open grass lands, some live on dead wood and some on trees and we have all these different mixes.

“Our ranger-led walk isn’t about identifying mushrooms and toadstools but it is about sharing some really cool stories and games. Some mushrooms turn purple when they are cut and the biggest organism in the world is the honey fungus which is found in Siberia.

“There’s lots of fascinating stores and some interesting folklore too around them and we think adults will be every bit as intrigued by the stories as children are.

“Mushrooms and toadstools are so often overlooked but we have them in abundance at Crathes at this time of year and they will be very much at the heart of our storytelling.”

The ranger-led walk on August 15 is from 10.30am to 12 noon and is ideal for families with children aged between 5-11 years. Entry is £5 per child and adults go free.

Places are limited and so booking is essential at https://nts.cloudvenue.co.uk/crathestinytoadstoolsandmonstermushrooms

With its harled façade, magnificent turreted towers and walled gardens, Crathes Castle, which is managed by the National Trust for Scotland, is a standout property from the 16th century.

The castle and its gardens will be open to visitors during this summer programme event.

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Aug 042017
 

With thanks to Leanne Carter, Account Manager, Tricker PR.

The Crathes Half-Marathon 2014, at Crathes Castle. Picture by Kenny Elrick 13/09/2014

Runners of all abilities are assured of a fairy tale finish at next month’s Crathes Half Marathon – thanks to a castle that looks like it has come straight from the pages of a story book. The stunning Crathes Castle near Banchory in Aberdeenshire provides the back drop for the finish of the event, and all participants will get a welcome fit for a king – or queen – as they cross the line on September 16.

Organisers promise that participants will be not encounter any evil goblins or gremlins during their 13.1-mile adventure – the scenic course through the Deeside countryside is renowned for its PB potential guaranteeing runners a happy ever after.

However, Crathes Half Marathon will soon reach the end of a very important chapter: the deadline for entries is September 8.

Natasha Finlayson, events co-ordinator at Crathes Castle, Gardens and Estate near Alford, says the course has been a real favourite with past participants.

“Over the years Crathes Half Marathon has become really popular, with runners travelling from all over the country to take part,” explains Natasha.

“It’s a challenging course with a couple of hills, but it is predominantly on the flat. It’s best known for helping many runners achieve a personal best and as a great event for those attempting the half marathon distance for the first time.

“While the atmosphere, marshals and camaraderie out on the course are great, the one thing we always get really positive feedback about is the scenery and how beautiful the route is.

“There are sections on the road, short sections off-road, and of course that spectacular finish line in front of the castle which really helps to put a spring in the step of runners down the finishing straight.

“But it’s not just completing the course that will give runners the feel-good factor, as all proceeds from the event will go towards the National Trust for Scotland’s conservation work.

“It is incredibly hard work and takes a lot of time, effort and commitment – and funds. As part of the Trust’s Footpath Fund appeal this autumn, runners are encouraged to raise sponsorship and take a step towards protecting Scotland’s heritage.”

With its harled façade, magnificent turreted towers and walled gardens, Crathes Castle, which is managed by the National Trust for Scotland, Scotland’s largest conservation charity, is a standout property from the 16th century.

The castle and its gardens will be open to visitors during the half marathon, and organisers will also be laying on plenty of entertainment to help inspire the future generation of runners.

A family fun day will be the centrepiece of the day’s entertainment, complete with traditional children’s events including the egg and spoon, three-legged and sack races. There will also be a chance for adults to show their sporting prowess in these events too.

Natasha adds,

“It’s going to be a fantastic day out for the all the family, whether they are taking part in the half marathon or spectating. In addition to the traditional races, we’ll also have an assault course, a bungee run and giant inflatables.

“The great thing about Crathes Half Marathon is its appeal to runners of all abilities, whether you are aiming to finish in a little over an hour, or expect to be nearer to three hours.

“We have a pretty even mix of both male and female runners – our youngest participant so far is 18, while the oldest entrant taking part this year is a very sprightly 75-year-old.”

Entries to the Crathes Half Marathon – with all proceeds going to help the work of the National Trust for Scotland – are open now at  http://www.nts.org.uk/Site/Crathes-Half-Marathon/Crathes-Half-Marathon/ All finishers will receive a medal and a technical t-shirt.

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Jul 252017
 

With thanks to Leanne Carter, Account Manager, Tricker PR.

Soprano Pipistrelle Bat (Pipistrellus pygmaeus) at bat handling and trapping demonstration held at the National Trust for Scotland property of Culzean Castle, Ayrshire, Scotland, August

They are the type of beasties that most people try to keep out of their homes but the rangers at Craigievar Castle will be doing everything they possibly can to lure moths out of hiding – even offering them a beer.

Visitors to a late-night event at the National Trust for Scotland’s property will be able to learn how to make sugar traps – a sticky solution of black treacle and beer that moths just can’t resist.

The sweet-smelling mixture, which is completely harmless to the creatures, is then pasted onto trees in the grounds of the castle and will attract moths from far and wide.

But it’s hoped that moths will not be the only winged visitors making an appearance at the family event on Friday, July 28. Those who go along to the Craigievar, near Alford in Aberdeenshire, will also have the chance to meet the resident colony of bats.

The elegant tower house, known for its distinctive pink façade, is home to pipistrelle and brown long-eared bats which love to go flying as the sun starts to set.

National Trust for Scotland ranger Toni Watt said:

“Moths and bats are absolutely fascinating flying creatures. We’ve previously staged popular events for bats and events for moths, but this is the first time that we have brought the two together.

“We’ll start off in the castle grounds where we will show people how to make and set sugar traps. The traps are a harmless mixture of black treacle and beer which is boiled up and pasted to trees. It gives off a sweet-smelling nectar which the moths love.

“While we are waiting for the traps to work their magic and attract the moths, we’ll take a walk around the castle grounds and look for bats. We have not yet conducted a bat survey this year, but previously we have had pipistrelle and brown long-eared bats roosting at the castle.

“We’ll be using bat detectors to see what is out and about, and during the walk we’ll be discussing the bats and their nocturnal lifestyles.

“We’ll then go back to the sugar traps and set up a light so that we can see the months. As well as a torch to walk around the grounds, we recommend that people bring sunglasses or a wide brimmed hat to protect their eyes from the light – a real mix of items!

“I know that some people may find this a little bit spooky but it is a lovely time of day to visit the property. I love being out with the bats as it starts to get dark and it can be a beautiful sight on a nice evening.”

Moths and Bats at Craigievar is one of a range of special events being held by the National Trust for Scotland, Scotland’s largest conservation charity, at its properties over the summer months.

The event is being staged by the Trust’s Ranger Service in partnership with Aberdeenshire Council Ranger Service and Butterfly Conservation.

It is suitable for all ages – visitors aged under 16 must be accompanied by an adult – and starts at 8.30pm. It will go on until after darkness falls, and is expected to wind up at around 10.30pm.

Booking is essential for the event and tickets, which cost £4 for adults and children, are available at www.nts.org.uk

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Jul 252017
 

With thanks to Leanne Carter, Account Manager, Tricker PR.

With over 40,000 different types of plants in bloom this summer, Pitmedden Garden is more than used to hosting colourful spectacles.

But nothing could prepare the historic country house for the vivid display of lycra and sequins worn by ABBAMANIA – the world’s longest-running ABBA tribute concert.

As classic hits like Waterloo and Dancing Queen ring out from the stage and the scent of honeysuckle and jasmine wafts through the air, the captivating show on Saturday, July 29 will be a true assault on the senses.

The elegant renaissance garden in Aberdeenshire, which is now managed by the National Trust for Scotland, will be one of the more unusual venues that ABBAMANIA has graced.

However, it’s a stage that the band members have been looking forward to all summer – and one which they believe the original line-up of Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, and Anni-Frid Lyngsta would have loved.

Scots singer Sharon Fehlberg – who has the alter ego of Anni-Frid – says,

“We have performed there once before and it is an absolutely fantastic venue. We were lucky enough to have beautiful weather, so fingers crossed the sun will shine for us again.

“People still love the music of ABBA after all these years because they created timeless pop songs. You just don’t get music like that now.

“The film and stage show Mamma Mia has introduced a new generation to their music, but we have always seen people of different ages in our audience, from five-year-olds to grandparents.

“We love playing in the north because audiences get so into it. The audience reaction is always the same – no matter what the age, they want to have fun and enjoy listening to great music. That kind of enthusiasm lights up the whole place, and as a performer that feeling is amazing.”

ABBAMANIA features the Eurovision winners’ most memorable hits from Winner Takes It All to Take A Chance. The group, which also includes Ewa Scott, Adam Robertson and Steven Galet, focuses on recreating ABBA gigs as audiences would have seen them in the 1970s.

That means that, unlike other tribute acts, there are not scores of backing dancers and complex dance routines. The ABBAMANIA show brings the energy of the performance, but focuses on vocals, musicianship and musical arrangements.

It’s an approach that has resulted in the act, which has been going since 1999, touring all over the UK, Europe and the Philippines, and a trip to the States is also on the cards for 2018.

Sharon Fehlberg of ABBAMANIA – the world’s longest running ABBA tribute act.

Sharon (36) joined ABBAMANIA four-and-a-half years ago after fending off competition from dozens of other hopefuls at an open audition.

She was writing dance music in the studio at the time, but never regrets her decision to don catsuits and capes every weekend.

Some might say that she was destined for a career in showbusiness. Her father is a musician and her mother – Lorraine – was lead singer in the 1970s pop group Middle of the Road, best known for their hit Chirpy Chirpy Cheep Cheep.

She was just three-years-old when she entered a recording studio for the first time, and spent much of her childhood on the road touring with her mum when she was not at school.

Sharon says,

“Music is in my bones and I knew the very first time that I put a microphone in my hand that I wanted to sing. I never thought of doing anything else.

“However, the music business is very, very tough. My mum was quite well known but that meant nothing: I’ve had a lot of doors slammed in my face and a lot of disappointments over the years.

“But eventually your time comes and I was over the moon to join ABBAMANIA. It’s like a dream come true and I have loved every minute of it. I’ve always been a fan of their music, probably because I grew up around that European poppy harmony sound.

“My favourite ABBA song, ever since I was a little girl, is Dancing Queen. It is such a feel-good song and I never get bored singing it. Audiences love it, and it’s amazing to look out and see people enjoying themselves, singing along and dancing.”

ABBAMANIA at Pitmedden Gardens is one of a range of special events being held by the National Trust for Scotland, the country’s largest conservation charity, at its properties over the summer months.

Pitmedden Gardens is an outstanding example of a Scottish renaissance garden and the parterres at its heart are a masterpiece of intricate patterns and colour. It also has six miles of clipped boxed hedging.

The original garden was built in 1675, and it was recreated by the National Trust for Scotland in the 1950s based on designs found at the Palace of Holyrood House in Edinburgh.

Fancy dress is, of course, optional at the ABBAMANIA show, but all are advised to dress warmly. Audience members are encouraged to take a picnic and a rug – or low seating – and some marquee seating is also available.

Tickets are priced £12.50 for adults and £6.50 for children, and are available at www.nts.org.uk. Gates open at 6pm with the show getting underway at 7pm.

The National Trust for Scotland is the charity that celebrates and protects Scotland’s heritage. It relies on the support of its members and donors to carry out its important work of caring for the natural and built heritage of Scotland for everyone to enjoy.

You can join the National Trust for Scotland for as little as £7.50 per month for a family. To become a member, visit http://www.nts.org.uk/Join/Benefits/.

You can make a difference and help protect everything in our care. Donate online at https://www.nts.org.uk/Donations/

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Jul 032017
 

With thanks to Ian McLaren, PR account manager, Innes Associates.

(L to R) Sarah Harker and Moira Gash of DeeTour and VisitScotland regional director Jo Robinson.

A pair of Aberdeenshire entrepreneurs have launched a new tourist guidebook aimed at attracting more visitors to Royal Deeside.
Moira Gash and Sarah Harker, who run tour and activities business DeeTour alongside their own separate businesses, have created the Royal Deeside PassporTour, a pocketsize guide showcasing things to see and do in the Aberdeenshire valley.

The pair previously worked for tourism body Visit Royal Deeside.

Aimed at national and international visitors and locals alike, the 128-page book highlights the diversity of the area’s tourism offering. The guide was created after local tourism businesses called for this type of publication.

With stunning scenery, a wealth of locally produced food and drink, and an array of tourist attractions, golf courses and outdoor activities to enjoy, Royal Deeside has something for visitors of all ages. The book is designed to provide a comprehensive insight for those planning a trip to the area, while also acting as a guide and money saving tool as they explore the region.

Along with highlighting key tourist attractions and profiling the amenities and activities on offer in each of the main towns, the guide features interviews with local artists, tour guides, musicians, sportspeople and tourism professionals, helping to bring the region to life. A golf trail and a tea and cake trail each present further incentives to explore Royal Deeside, with participating businesses offering discounts to customers.

The history, heritage and culture of Royal Deeside and Scotland is also outlined, and a handy summary of Doric words will help visitors to grasp some of the basics of the distinctive north-east dialect.

Priced at £9.95, the Royal Deeside PassporTour provides purchasers with over £200 worth of savings through the 23 vouchers and two trails that it features.

The guidebook is also suitable for local families looking for inspiration for things to do during the summer holidays. Vouchers include 15% off at Go Ape at Crathes Castle, 50% off at Battlegrounds Paintball, two for one entry to Braemar Castle and 20% off day rover tickets at the Deeside Railway.

Co-director of DeeTour, Moira Gash, said:

“The Royal Deeside PassporTour aims to allow travellers to make informed choices as they plan their trip to Aberdeenshire and also act as a reference tool while they are visiting. Thanks to its royal connection, Deeside draws visitors from around the world and we’ve had interest in the guide from far and wide.

“Not only is it suitable for those visiting the area for the first time, but the huge savings offered by the featured businesses makes it a fantastic tool for locals. For families planning day trips during the summer holidays, the savings on offer at Go Ape at Crathes Castle and Battlegrounds’ paintballing, near Banchory, more than cover the cost of the book.”

The initiative has received the backing of VisitScotland, and was showcased at this year’s Royal Highland Show as part of the Aberdeenshire Village display, where it was given an enthusiastic reception from show visitors.

Jo Robinson, VisitScotland regional director, said:

“I think the Royal Deeside PassporTour is a great idea to inform visitors coming to beautiful Royal Deeside of the vast array of attractions, entertainment, locations and handy hints and tips, as well as locals looking for ideas for the summer holidays.

“Partnership and collaboration is at the heart of Scottish tourism and VisitScotland works with local industry to develop and deliver innovative initiatives that grow the regional visitor economy. We need to think big about Aberdeen and Aberdeenshire as a tourism destination to ensure we fulfil our potential – every visitor must get a quality experience, every single time.

“The Royal Deeside PassporTour reveals some of Aberdeenshire’s best-loved places as well as its hidden gems, and is a fantastic celebration of everything that this charming corner of the world has to offer visitors.”

Copies of the Royal Deeside PassporTour can be purchased from a number of businesses in Aberdeen and Aberdeenshire or online at www.deetour.co.uk.

DeeTour is an Aberdeenshire-based tour and activities business that was established by business partners Moira Gash and Sarah Harker. The business provides bespoke tour and activity packages to help visitors explore Aberdeenshire. In 2017, DeeTour launched the Royal Deeside PassporTour, a new guidebook highlighting the wealth of things to see, do and sample in the region. The pocketsize book, which costs £9.95, includes over 20 vouchers that provide more than £200 of discounts at local business. 

Further information about DeeTour and the Royal Deeside PassporTour can be found at www.deetour.co.uk.

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May 052017
 

With thanks to Diane Smith.

The Moray Way Association has received £6000 from the Heritage Lottery Fund (HLF) to support the Moray Walking & Outdoor Festival and a project based along the Moray Way, Moray’s 96 mile long distance walking route.
Made possible by money raised by National Lottery players, the projects will focus on events that uncover the historical, archaeological, architectural, natural and the landscape heritage of Moray.

This year the festival, which runs from 16 June to 25 June 2017, will have a ‘heritage’ theme with more events than ever exploring Moray’s built and natural landscape.

Highlights of the programme will include two events by Moray based historian and writer of The Making of a Scottish Landscape, Dr John Barrett; Ghost Towns – deserted settlements in Strathavon, where you will be able to explore the remains of a lost culture and, A Royal Burgh: the making of Medieval Forres, a walk tracing the origins and development of the town. 

The events are proving to be popular as an extra date has been arrange for the Ghost Towns walk which was sold out in a week.

The programme has a wealth of other historical and natural heritage events organised by local community groups like Speyside Visitor Centre, Cullen, Deskford & Portknockie Heritage Group, Forres Footpaths Trust, the Dava Way, Belles on Bikes Moray and Findhorn Village Heritage, alongside organisations such as Wild Things!, Outfit Moray, Forestry Commission, Moray Council Ranger Service and Ace Adventures.

Over the 10 days there are 50 plus events right across Moray, from Tomintoul to Lossiemouth.

Back again this year is Moray Way Five Day Challenge in which participants walk the 95 miles of the Moray Way over 5 days.

The walk, which includes the Dava Way, Moray Coastal Trail and the Speyside Way, provides participants with a ‘park and ride’ service to make it easier to complete the long distance walk, with options to just walk sections of the route. Also, returning this year is the famous Dava Way Ghost Train Walk, the Secrets of Pluscarden and Secrets of Spynie which participants rated as excellent last year.

For those who are looking for adrenalin rush then Ace Adventures are running their water sports events every day of the festival at special reduced prices. You can see the River Findhorn from a different view with cliff jumping, canyoning and white water rafting. They are also running their growing activity, Disc Golf.

This year the programme has several firsts;

  • Moray Speyside Film Club are hosting a special “Outdoor” themed evening of films,
  • a Wild Swim event will be taking place in Lochindorb with Vivienne Rickman- Poole, artist, wild swimmer and listed in the top 19 San Miguel Rich List ‘alternative rich’ as well as Calum Maclean, of ‘Wild Swimming in Scotland’.
  • A unique and special opportunity with The British Biathlon Rifle Club to spend several hours learning to shoot small-bore rifles in the marvellously unique Olympic discipline of biathlon. 

As well as supporting events in the Moray Walking & Outdoor Festival the funding will also help the development of a long-term plan to increase awareness of the Moray Way. Funding will support a commission artist to work with communities along the Moray Way to gather stories which can then be used to promote the route. This project will expect to start in the summer.

Commenting on the award, Bea Jefferson, Chairperson of the Moray Way Association said:

“We are thrilled to have received support thanks to National Lottery players. Each year interest in the event flourishes and funding from the Heritage Lottery Fund ensures that we can keep growing. We look forward to celebrating Moray’s natural and built heritage through the Festival and our Moray Way project.”

About Moray Way Association

The Moray Way Association was founded in 2011 with the aim of creating Moray’s long distance walking route, The Moray Way, a 96 mile circular walking trail. Since 2012 the organisation has also organised the Moray Walking & Outdoor Festival with the purpose of encouraging walking and other outdoor pursuits in Moray. www.moraywalkingfestival.co.uk

For further information, images and interviews please contact Diane A Smith at Moray Walking & Outdoor Festival on 07764615517 or info@moraywalkingfestival.co.uk

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Apr 282017
 

With thanks to Aberdeenshire SNP.

Aboyne, Upper Deeside & Donside SNP councillor Geva Blackett has written to Aberdeenshire Council’s Director of Infrastructure Services, Stephen Archer, requesting that the cost of a functional bridge on the A939 at Gairnshiel is built into the council’s Capital Plan as a matter of urgency to save the Grade 1 listed bridge currently in use.

In her letter, Cllr Blackett says:

“Almost exactly five years ago, this beautiful bridge was closed for some weeks to allow extensive – and expensive repairs – to take place and not for the first time.

“The resulting 40-mile detour caused chaos for motorists and had a severe impact on the fragile economies of Braemar, Ballater, Strathdon and Tomintoul.

“Now we find that despite the 18 ton weight limit imposed, even more expensive and extensive repairs are required in the near future and as traffic increases with the Snow Road linking Grantown to Blairgowrie gains in popularity, so too will the need for major repairs as the bridge is no longer fit for purpose”

Cllr Blackett’s letter points out that when the current bridge was built after the 1745 Jacobite uprising to form part of the Military Road, cars, coaches and 38 ton lorries did not exist. 

“Imagine for one moment a Chippendale chair” continues Cllr Blackett’s letter

You would not allow the public to continually sit on it and break it; you would say that people can look at it and admire it but if they want to sit down they should use the functional chair placed alongside. The same argument should be applied to this bridge which plays an important part of our built heritage, is of historical importance and could be a tourist attraction with picnic tables and proper parking”

Cllr Blackett’s case for an adjacent bridge is supported by a candidate from Perth & Kinross and by a candidate from Moray, both of whom have written to Aberdeenshire Council.

Alison Mullholland standing for Blairgowrie & the Glens Ward in Perth & Kinross said:

“I understand that historically, repair work necessitated by previous damage, took some weeks to be completed. During which time, the resulting forty mile diversion curtailed the number of tourists travelling along the A93 through Glenshee to Blairgowrie and west to Kirkmichael and beyond.

“Therefore I would strongly support consideration of an adjacent replacement bridge, thus facilitating the repair and subsequent preservation of the beautiful and historical Gairnshiel Bridge, whilst allowing all forms of traffic access via the new bridge.”

Angus Anderson standing for Moray’s Speyside Glenlivet ward said:

“The purpose of my writing to you today is to make you fully aware of the significant financial impact businesses in Tomintoul and beyond will suffer should the bridge have to continually close for repairs. One business owner advised me that over one hundred and fifty coaches visit his shop each year and virtually all of them arrive via the A939 from Aberdeenshire.

“There is also obviously a preservation and historical concern given the bridge’s age and status and I would urge you to consider that too. I support Councillor Blackett’s request that a new bridge be factored into the Capital Plan and thus reassure the businesses in Tomintoul and beyond that Aberdeenshire Council is taking a long term and pragmatic approach to the importance of this bridge to the Snow Road route.”

A 60 second video by Cllr Blackett is also being released on social media.

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