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Garden Of Earthly Delights?

Aberdeen City, Articles, Community, Environment, Featured, Information, Opinion No Responses »

Feb 032012

January and February always seem to represent a low time in the year. Christmas and New Year have been and gone and there seems little to look forward to. The days remain short and the nights long. It’s usually raw cold. Unwelcoming. The opening months of the year always cause something of a gloom to hang over Mick Miller’s household. Bung in a global recession for good measure and things seem pretty bleak. Then it got worse. What’s up, Mick?

The post arrived on Monday and out of the two-for-one pizza offer junk mail fell a gaudy catalogue.
Only it wasn’t a catalogue – it had “VOTE” written on it. Promotional blurb for the City Gardens Development.

How profoundly depressing. The front ‘cover’ illustration is of some futuristic landscape from another place.
Only on closer inspection it isn’t. It’s Aberdeen, or, more accurately, a version of Aberdeen which can only have be conceived in cloud cuckoo land.

Real people, in a REAL garden.

It’s lurid, horribly-coloured, glib and vacuous. It is pervaded by a complete sense of the unreal. Semi-transparent people wander aimlessly inside a cartoon-flowered version of reality. Children trample unrestrained, yet the flowers survive.

Out-of-scale human forms laze in some sort of airborne meadow whilst below them, in a throwback connection to the real world, trade waste bins lurk ominously. A woman of Amazonian proportions accesses a laptop whilst sitting on surprisingly unbending grass stems. The remnant spire of the Triple Kirks emerges from a scrubland of low growth stock image shrubbery.

It all looks vaguely ill-tended, neglected, as if within this futuristic vision lie the discards of the past. Or perhaps its a tacit admission that should, god forbid, this monstrosity go ahead, there is just no way that the upkeep will be affordable. Delving deeper, the background is found to comprise of a realigned His Majesty’s Theatre and a hugely-inflated and decapitated William Wallace. A victim of the guillotine perhaps?

But the history, like the whole of this charade, is just plain wrong. Landscape dressed up as farce. A cityscape for Anywhereville. Inaccurate. Disjointed. A cut-and-paste pastiche.

Opening up, things don’t improve. A drab labyrinth of pathways which look like bridges over a motorway, criss-cross manicured lawns and monoculture grasslands. In one image the sun sets….or does it rise? Either way, it’s in the wrong place. What on earth, if we are still on earth, is going on? This is lazy work, a Standard Grade project gone catastrophically wrong. Everything is confusing.

The front page image shows a gaudy flower bed appearing to lie on a lower level of the structure. Moving inside the pamphlet the same floral, er…..’bombshell’, is miraculously elevated. Or is it that those bloody bins are just absolutely HUGE? I’m confused, disturbed even.

I’m going to have a lie down, maybe I’ll feel better and ‘it’ will all have been a bad dream. Only it won’t. It isn’t.

In the sunset image, an oddly-inclined piece of lawn totters precariously into the largely obliterated Denburn valley. In Woody Allen’s Manhatten, a character in a TV show is observed to have a toupee so badly-placed on his scalp that it looks like it has been dropped on to his head from a great height in an uncontrolled way.

This elevated savanna has the same feeling about it. There will be a need for avalanche warnings in the snowy depths of winter.

In another image, a pipe band plays beneath a Formica-lined dome with random cut-outs that give the feeling that the design is based on half a panelled football booted around Pittodrie of a Saturday afternoon. Below this, a winter scene shows people so cold they have started to vapourise as, it would appear, has the Formica football, associated terraces and denuded trees, miraculously large for such a recent planting.

A lone child in a blue jacket has something so contagious that the populace in the foreground seek to distance themselves as quickly as possible. Is he the cause of the vapourisations? Oh I get it – we’re on the set of War of the Worlds and soon tattered clothing will rain down upon us from the sky. I know that was the only good bit. It all has an apocalyptic feel. I’m going to have a lie down, maybe I’ll feel better and ‘it’ will all have been a bad dream. Only it won’t. It isn’t.

Aberdeen is a beautiful city, notwithstanding some recent disastrous architectural additions. It doesn’t need or deserve such ill-thought out attentions as this abomination.

Union Terrace Gardens are an integral part of what allows Aberdeen to maintain its architectural, cultural and civic dignity. The Gardens need some tender loving care, but they don’t need annihalation by the ‘solution’ that this tacky pamphlet proposes.

A heartfelt plea. Please, people, don’t let this thing go ahead. Make sure you vote to retain Union Terrace Gardens.

Money’s Too Tight To Mention

Aberdeen City, Articles, Community, Environment, Featured, Information, Opinion No Responses »

Feb 032012

Mike Shepherd examines the potential for cost over-run on the City Garden Project and asks …

Where’s the money coming from?

Money’s Too Tight To Mention is the title of a 1980’s Valentine Brothers pop song covered by Simply Red.

It is also thematic of the City Garden Project (CGP), the controversial proposal to develop Union Terrace Gardens.

The nominal costs for the project are £140m, of which it has been proposed that the private sector provides £70m and Aberdeen City Council borrows £70m through a tax scheme to fund the rest.

A commonly-asked question over the last three years has been, “Who pays for any cost over-run if the project runs out of money?” It is a question that has never been properly addressed and it now looks as if the answer is: “there is no obvious source of money should the costs exceed £140m”.

At a public meeting at Cults Academy in May 2010, it was stated that the Council would pay any excess costs. A month later, Sue Bruce, the then chief executive, decreed at a council meeting that the Council would most certainly not pay for any cost over-run and put the responsibility on to the private sector. This has been the understanding ever since.

At this stage, there are no identified funds should costs ramp up.

However, the private sector has managed to raise no more than £55m of promised funding for the CGP to date. Assurances have been made to the Council that £70m will be on the table and this sum’s availability is one of the conditions for the CGP progressing to the planning stage.

At last week’s council meeting, the question of potential cost over-run was put to Colin Crosbie of the Aberdeen City Garden Trust, the organisation created to take the CGP through to the construction phase. Colin mentioned that the project costs will be less than the nominal £145m and that this gives a built-in margin. The intention is also to put rigorous project and cost management in place.

There could be a problem in finding funds above the projected £70m private sector input. It appears that local businesses are concerned about public goodwill should they be seen to contribute money for the controversial project.

At this stage, there are no identified funds should costs ramp up. One obvious solution is that Sir Ian Wood could make a guarantee to handle this, but there is no sign of this happening as yet.

Could costs over-run on the City Garden Project?

One group of professionals have expressed severe misgivings about the potential for cost over-run on the City Garden Project. Architects.

Scottish architects met at a convention in 2010, and in a straw poll, almost unanimously rejecting the Aberdeen proposal, stated that:

“The costing is absurdly light, making this proposal both technically extremely difficult and financially potentially draining.”
- See: http://www.urbanrealm.co.uk …_delegates_unanimously_reject City_Square_plans

Neil Baxter, secretary of the RIAS, the professional body for Scottish architects, has also said:

“A further significant concern is the much-publicised budget for this proposal. You will be well aware that the highest profile architectural competition in Scotland in recent years was that for the Scottish Parliament and the lengthy and difficult process which ensued from the risible budget initially set for that endeavour. Considering that, in recent years, buildings of comparable scale in Aberdeen and elsewhere in Scotland on straightforward urban sites have cost easily twice the quoted budget figure for this particularly problematic and challenging site we would be very concerned about launching a competition based upon such a questionable budget.”
- See: http://fraserdenholm.blogspot.com/2010_05_01_archive.html

I talked to one architect who had concerns about the allocated budget for the scheme. He told me that the project has “cost over-run written all over it”. There are two tricky areas:

The project involves a large amount of rock and soil extraction from the site, whilst shoring up both Union Terrace and Rosemount Viaduct.
It is not easy to build over an existing railway line.

The latter concern possibly derives from a previous situation in the south of England, where a tunnel built to support a new Tesco store above a railway line collapsed. This caused a five-year delay to the original project.
- See: http://en.wikipedia.org/wiki/Gerrards_Cross_Tunnel

What would happen if costs massively over-run?

As mentioned, there are no obvious sources of funds identified to handle any cost over-run above £140m. Aberdeen City Council certainly can’t afford it and the private sector is cash-limited at present. Should it occur, the most likely situation is, to save costs, not everything would be built. Failing that, the project would come to a halt if there is no money left to proceed.

In this instance, there could be a half-built steel and concrete shell where Union Terrace Gardens used to be, clearly the worst case scenario. This would also have the unfortunate effect of causing the tax scheme, underpinning the council’s borrowing, to collapse. This is based on the CGP creating new businesses in the city to provide rates to pay off the £70m loan.

Without a completed project, the Council will be left to service a massive loan. This would be a disaster on a horrendous scale.

The ever-present potential for massive cost over-run on the CGP is a major concern and without a clear plan and identified funds to handle excessive costs, the project is far too risky to consider.

Aberdeen City Council could be sleep-walking to disaster if the scheme gets approved.

Winter Punk Art Exhibtion: A Tribute to Poly Styrene

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Feb 032012

The 2011 Annual Signal Gallery Punk Rock Artists show tribute to the late Poly Styrene (1957 – 2011) featured artwork from a majority of the acts that were the lights of British Punk Music. Curated by Gaye Advert, featuring musical performances and great artwork, this was a highlight of UK winter art exhibitions as well as a perfect way to pay respects to Poly. Voice’s Suzanne Kelly weighs in on a unique gallery and a unique collection of British artists.

The music world lost a number of real innovators in 2011 – people who were unlikely success stories in some ways, but whose individuality shaped the history of music. Amy Winehouse died in tragically predictable circumstances. Nate Dogg had many personal problems and came from a world of violence, despite dice being loaded against him from the start, he worked with hip hop greats.

His style was sought after, and at the time of his death from a stroke he’d been working on a new gospel project. Then there was Marianne Joan Elliott-Said – or Poly Styrene to you and me.

Poly was born in 1957 – in a time where women had little prospects of exerting influence outside of the kitchen. Women of the late fifties largely spent all their time trying to look conservatively, conformingly beautiful (and there is sad evidence that women are slipping back into wanting to look good more than wanting to be good at something). Poly was having none of it.

She eventually wound up as the iconic, unpredictable, liberated, intelligent figurehead of punk band X-Ray Spex. It was said the band formed after she and some friends saw the Sex Pistols perform.

Poly died in April 2011 from an advanced form of breast cancer. Her unforgettable expressive vocals and X-Ray Spex’ music will always be around.

Knox from the Vibrators is one of many musicians with artwork on show

The Signal Gallery near London’s Old Street Station has hosted exhibitions of music by punk musicians for some years now. I’m sure many people who visit this extremely popular show are there because of the musicians, but no one leaves without seeing a perfectly well curated group show of excellent, challenging art.

This year’s curator was Gaye Advert of (if you didn’t know) The Adverts. She works in many media, and I’m particularly fond of pieces such as ‘bad squirrel’. Knox from the Vibrators is one of many musicians with artwork on show; Knox is an extremely talented painter and has studied art. He’s known for imaginative pieces as well as street scenes of London and overall for portraits of fellow musicians. He had a portrait of Poly Styrene in this show as had Charlie Harper and Chris Brief.

I missed the opening (and was cross with myself over it). For an enthusiastic review of the opening with may photos, try http://retroman65.blogspot.com/2011/11/punk-beyond-gaye-advert-curated-art.html

I did however make it down for the Saturday 10 December acoustic sets by Knox and Charlie Harper of the UK Subs.

Each played a solo set and then they played together to the Signal Gallery’s main room, totally filled from floor to ceiling with artwork and punk lovers young and old. Nigel Benett from The Members was among the audience.

I would love to have spoken more with Gaye Advert and the Gallery’s staff. However, the former was busy trying to get artists to sign posters from the show, talking to press, being photographed, and trying to find Charlie when it was time for his set. The posters were sold at £50 each to raise money for a cancer charity in memory of Poly Styrene; I was lucky to get one.

The gallery owners were busy selling the few pieces of art that hadn’t already been sold, supplying countless beers to the crowd, and dealing with a pipe which started leaking on Charlie as he started his set.

The art was being talked about; some pieces such as a kinetic sculpture involving two dolls was sensational. The art ranged from classic punk iconic art to abstracts and sculptures.

This show was a testimonial to the energy and talents that continue to keep punk going, and to the ongoing legend of Poly Styrene.

Upcoming Events At Peacock

Aberdeen City, Articles, Community, Events, Featured, Gigs and Concerts, Information No Responses »

Feb 032012

With thanks to Kylie Roux.

YOUR LEANING NECK – SONG AS PORTRAIT – Steven Anderson

Based on an event from November last year at The Scottish National Portrait Gallery, Your Leaning Neck is a performance project that aims to challenge institutional representations of national identity by giving voice to non-institutional values.

A silent video installation showcasing last November’s event from two perspectives will be shown in the Peacock gallery.

Saturday 18 February – Saturday 10 March

- Live Performance

Starting off at Peacock’s gallery then moving onto the Episcopal Cathedral Church of St Andrew, visitors will be treated to a live re-contextualisation of the performance event created as a site-specific response to the Scottish National Portrait Gallery’s collection of portraits from the Scottish Enlightenment. Within the performance, oral tradition singers are presented alongside contemporary artists who also use their unaccompanied voice as a means of expression.

Friday 24 February | 7 – 9pm | Peacock Visual Arts | FREE

GIG IN THE GALLERY – Martin John Henry

Recently praised by Sound-Scotland, as “one of Scotland’s finest songwriters”, Gargleblast Records and Peacock Visual Arts present Martin John Henry.

The Lanarkshire born singer songwriter is best known for fronting Scottish Rock Band De Rosa – critically lauded and championed by John Peel and Steve Lamaq – as well as writing, recording and playing with many of Scotland’s finest musicians including Barry Burns (Mogwai), Robert Johnston (Life Without Buildings), King Creosote and Malcolm Middleton.

Saturday 4 February | 8pm | £8 on the door

RESIDENCY/PERFORMANCE – ONE MAN UNIT – Paul Wiersbinski and Wieland Schönfelder

ONE MAN UNIT is a hybrid of man and sculpture. Through a variety of outputs, audiences are invited to interact with and experience the spontaneous and unexpected developments of this creative beast, as it evolves during the artists’ two-week residency at Peacock.
You can follow the construction of this half man half machine via their daily blog on Peacock’s Facebook page. The ONE MAN UNIT will then be let loose on the public on two occasions:

Saturday 28 January – Friday 10 February

- Note: Aberdeen Voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information.

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
e: kylie@peacockvisualarts.co.uk
Website: www.peacockvisualarts.com
Online Print Store: www.peacockvisualarts.culturelabel.com

An Interview With Maggie Craig – Part 4

Articles, Community, Creative Writing, Featured, History, Information, Opinion No Responses »

Feb 032012

In the concluding part of Voice’s interview with author Maggie Craig, she talks of life as a NE inabootcomer who’s only been here for 20 years. By David Innes.

How do you write? A laptop in a particular place? The classic 500 words every day no matter what, which you go back and edit later on?

Not quite. 500 is a paltry number of words. 2000 is a good total for the day. I have a computer upstairs and I go up there and work for the morning until about one or two o’ clock. I write about ten thousand words, six or seven chapters, and then go back and start shaping it. I think of it like how my auntie used to make butter, patting it into shape.

The book I’m writing just now started because I saw a photo of a man’s face and there was something about his eyes made him look very sad.

He’s turned into a character in eighteenth century Edinburgh although his name’s Catto. His family’s from around the Methlick area, so Aberdeenshire is coming into it.

You’ve said that you admire what Aberdeen Voice is doing, but you believe there’s a lack of radicalism in the North East.

It’s not something I’ve ever been made aware of, although living out here I feel very dislocated from the city. But when I go into Aberdeen I don’t feel a heartbeat. You get that heartbeat in Glasgow although I know because that’s my own place, I would feel it. I was almost surprised when I saw Aberdeen Voice and I thought, “That’s great, there are radicals in Aberdeen!”, but the whole presentation of Aberdeen is that corporate, business “let’s go to the Oilmen’s Ball and we’re all doing charity for Marie Curie” thing, so you’re not seeing that radicalism on the street.

I’ve been coming to Aberdeen and the North East since I was a wee girl and there’s so much there but much of it’s occult. I’m really interested in the folklore but it needs to be explored. North East people seem to be terribly backward at coming forward. What infuriates me is when you go into the bank or the Post Office and they stand so far back and you go, “Go forward! You’re the bloody customer!” It’s almost like you’ve got your cap in your hand.

Well, let’s discuss the Turra Coo. Let’s marshal the arguments

When I was speaking to the kids in Ellon, I said, “I don’t think the Turra Coo reflects very well on the North East”, and one girl looked horrified. She’d obviously been brought up to think that the Turra Coo was a great story, but you had to be very careful about political views as you could lose your job.

I have this friend who, when she was at school, only twenty or thirty years ago, was told because she was a farm labourer’s daughter, “You’ll never make anything of yourself”. That’s what’s been done to young minds. She’s an intelligent girl, but doesn’t think that she is because she’s been told she’s a neep. There are a lot of entrenched attitudes, I think. You have to teach people to think for themselves, to give them self-esteem. That’s so important.

The kids at Ellon Academy impressed me. They’re getting a good education, but it’s so focussed on them passing exams and not, “Well, let’s discuss the Turra Coo. Let’s see what you think. Let’s marshal the arguments”. It’s stimulating to change your mind on something you were brought up with. Or not, of course.

There’s a meeting in January about some cultural development in Aberdeen. They’re using the usual jargon, it’s going to be a “step change” in the cultural life of the city and Aberdeenshire, but what I liked was that they’re saying that culture should not always be associated with the money it can earn. Culture and creativity should be there for their own sakes. Aberdeen needs more of that, I think, as it all seems to come down to the bottom line.

I’m sure industry’s highly-successful. I’ve met radical people who have worked for oil companies but you don’t say anything there either, do you? You might be the equivalent of Not Required Back.

It would be interesting to research it, to see who got into trouble for standing up for the laird.

So will you write something about this area?

People always ask if I’m going to write about Aberdeenshire, but I’ve not really got under the skin of it. When I found out my mother was from the Haddo House estate I thought that was interesting and could be something to look into, to find out what was going on, but that’s going to come later.

There are wee snippets. I’m fascinated byAberdeen Harbour, the Shore Porters and so on, so I’d love to write something about that.

I did a talk about a non-fiction book to an Aberdeen Ladies lunch a couple of years ago and that tribal thing was so funny. I don’t sound like I come from the North East, so people make judgements that you’re an inabootcomer. But when I said to them that my mother came from Barthol Chapel, it was like, “come in”, they embraced me.

That’s not always the way though. Naively, I thought that since my mother came from near Oldmeldrum, that might help, but to some people even not that far away from there, it might as well be Istanbul!

Thanks to Maggie for giving her time to talk so passionately about her work and what drives it. We fervently hope that her muse inspires a book about her adopted Aberdeenshire and NE Scotland.

Think Of A Number

Aberdeen City, Aberdeenshire, Articles, Featured, Information, News, Opinion No Responses »

Jan 272012

The business case for TIF and the City Garden Project by Mike Shepherd

The Technical Feasibility Study for the City Square Project was published in 2009. A key problem area was identified early on:

“The difficulty in quantifying the economic gain is considerable. To describe the benefits in cultural and civic terms and to focus on the future raison d’être of the City of Aberdeen will become the means of explaining the benefits. However it is very difficult to make these benefits seem tangible. Yet this is precisely what will have to be done for a proposal to succeed.”

Three years later, and with the scheme rebranded as the City Garden Project, they are still struggling to give any clear explanation for the economic benefit.

The business case for Tax Incremental Financing (TIF) was presented to Council on Wednesday. TIF is a mechanism whereby a local authority borrows money from central government funds to finance a development project. Any new business rates created by the project are used to pay off the loan and interest. It is intended to act as a self-financing mechanism.

The City Garden Project has a nominal cost of £140m, of which the promised private sector contribution is £70m. Aberdeen City Council is being asked to underwrite a £70m loan through a TIF scheme. This is part of a larger plan to redevelop the city centre which includes knocking down St Nicholas House, the Denburn car park and health centre area.

The TIF business case presented to councillors is, however, seriously flawed.

http://committees.aberdeencity.gov.uk/mgConvert2PDF.aspx?ID=18350

An Attractive Aberdeen

The main justification for the City Garden Project is that it would apparently create a high quality city centre to make Aberdeen more attractive. This is supposed to act to retain and draw in energy and other professionals, together with an increased number of visitors.

“Research shows that talented people choose place rather than job when making location decisions. As an Energy City, Aberdeen competes for skilled people with….areas like Abu Dhabi, Kuala Lumpur, Houston and Perth (Australia).”

Yet, a survey published two months ago makes this claim somewhat questionable.

“ABERDEEN has been rated one of the world’s top cities to live in for the second year in a row, a survey published today reveals. Quality of life in the Granite City is ranked above that of Hong Kong, Los Angeles, Houston and Dubai in the study, which is used by governments and multinational firms to help decide where to send staff.”

http://www.pressandjournal.co.uk/Article.aspx/2536835

Jobs Creation

Most controversial is the claim that regeneration of the city centre could create 6,500 jobs.

The report sets out how his figure was derived. A questionnaire was sent out by the Council to companies and a small number of interested parties in Aberdeen with the intention of assessing the economic impact of the city centre redevelopment. One of the target groups comprised key developers, land owners and agents. Of the 35 parties in this group, only one replied to the questionnaire. They then contacted all remaining 34 developers by phone. Even then, when directly approached, only six of the 34 were prepared to speak to them.

Unfortunately this question did not garner any responses

The developers were asked ‘to identify the extent to which the delivery of each of the five development schemes would result in uplift in development potential for housing, retail outlets, office space, business units, hotels, tourism and leisure in the City Centre’.

However:

“No respondents identified the project as having any impacts on the development potential for business/industrial units in the City Centre”.

Then:

“The next question in the survey requested developers to provide an indication (in quantifiable terms such as the number of units, square footage etc) of the extent to which the identified benefits would impact upon their organisation’s investment plans and/or objectives. Unfortunately this question did not garner any responses as consultees felt it was too soon and/or complex to attribute impacts in these terms.”

That questionnaire wasn’t that much help then.

“Additionally it was apparent that individual developers and other respondents identified potential uplifts in activity and recognised that the timing of investments would be brought forward as a result of TIF. However, many of these developers still had expectations that, irrespective of future economic conditions or City Centre Regeneration Scheme (CCRS) , their specific sites will be taken forward. It was apparent that individual developers and other respondents identified potential uplifts in activity and recognised that the timing of investments would be brought forward as a result of TIF. However, many of these developers still had expectations that, irrespective of future economic conditions or CCRS, their specific sites will be taken forward.” (HA!)

SO WHAT DID THEY DO NEXT ?

“In balancing these different responses (i.e. CCRS will act as a stimulus to market uplift in general versus developers views that each individual site is likely to be taken forward anyway) the Council, ACGT Enterprises and their advisors have initially assumed a profile of development under the no CCRS scenario whereby:

“None of the cultural, leisure or retail elements of the CCRS projects will be taken forward;

“At least one major site totalling 0.720 million square feet will be taken forward in the anticipated timescales projected by developers regardless of CCRS; and,

“On the remaining sites identified, 1.369 million square feet will go forward without TIF over the 25 year period considered, but such developments will lag, on average, three years behind the profile assumed with CCRS.

“On the remaining sites identified, 2,029 million square feet of development (out of total development potential of 3.468 million square feet) will not go forward without the CCRS, over the proposed 25 year TIF period.”

THIS IS THE KEY BIT

“the Council, ACGT Enterprises and their advisors have initially assumed a profile of development “

AND THEN …

Took the 2,029 million square feet figure, multiplied it by ‘standard job density ratios,’ and came up with 6,500 jobs.

Assumptions?

So what happened next?

“In balancing these different responses (ie CCRS will act as a stimulus to market uplift in general versus developers views that each individual site is likely to be taken forward anyway) the Council, Aberdeen City Garden Trust Enterprises and their advisors have initially assumed a profile of development under the no CCRS scenario whereby:

…. 2,029 million square feet of development (out of total development potential of 3.468 million square feet) will not go forward without the CCRS, over the proposed 25 year TIF period.”

The footage was multiplied by standard figures which relate development area to the number of jobs likely to be created, hence 6,500 jobs.

The key word here is ‘assumed’. An exercise in speculation somehow translated into a press statement that the City Garden Project will create 6,500 jobs. This wild claim led to much scepticism. It was pointed out that the London Olympics are only predicted to create 3,000 new jobs.

The Risks

The discussion on project risks is somewhat lightweight. One concern is the possibility of massive cost over-run on the project. The report even tacitly recognises the possibility:

“It has demonstrated with the redevelopment of Marischal College that it can have a major project delivered on time and under budget. This is a rare accomplishment in such large projects.”

In June 2010, I gave a deputation to a Council meeting where I asked who would pay for any cost over-run on the City Garden Project. The then Chief Executive, Sue Bruce, decreed that the private sector would pay, not the Council. Since that meeting, there has clearly been little progress on the matter. The report mentions that:

“Before entering into any TIF arrangement, ACC will endeavour to structure an arrangement with its private sector contributors that minimises ACC’s risk exposure.”

The Council should walk away from the project unless it gets a legally-binding commitment from the private sector to cover all costs of any project over-run. The major financial problems caused in Edinburgh Council as a result of the projected £200m-plus overspend on the trams project should be foremost in councillors’ minds, one would hope.

TIF can be a risky way to borrow money. The risks are understood by the Council:

“For most TIF projects the most significant risk would be in relation to the business rates identified not materialising or being delayed. This would result in ACC having insufficient revenues available through the TIF mechanism to service and repay their borrowings.”

There is another risk. The loan will be in place for a period of 25 years, gradually being paid off, it is hoped, by new business rates. Like a mortgage, interest will accrue on the unpaid part of the loan. The business case assumes an interest rate of 5.2% over the 25 year period. Should interest rates rise by only 1%, then there will be a predicted shortfall of £20.7m left to pay after 25 years.

Careful reading of the TIF business case for the City Garden Project shows that it is based on unexplained assumptions, optimistic extrapolations and will involve financial risk for the Council. Yet the public are being told otherwise.

Tuesday’s ‘Press & Journal’ quoted a City Garden Trust director, who mentioned they had polled 50 people in Aberdeen. Those against the City Garden Project had said the city could not afford the project.

“When the funding was explained and the economic benefits outlined, ten of these people changed their minds. “

This is what I would have told them instead.

“Your house needs doing up, you are heavily in debt, you can barely find the cash for the essentials in life. Should you take out an enormous mortgage for a new patio and garden? No!”

Host In Tears As Trump Film Gets US Broadcast

Aberdeen City, Aberdeenshire, Articles, Community, Environment, Featured, Information, News No Responses »

Jan 272012

One of America’s biggest stars, Rosie O’Donnell, has admitted to millions that she was “moved to tears” by the hit feature documentary You’ve Been Trumped when the film’s director was the main guest on her show last week.

Footage of what the National Union of Journalists (NUJ) described as filmmaker Anthony Baxter’s “violent arrest” was broadcast across America for the first time.

The broadcast prompted scores of outraged viewers to hit Twitter and Facebook to voice their anger at the actions of Donald Trump, the Scottish Government and Grampian Police.

On The Rosie Show, Baxter revealed how Freedom of Information requests made by the Sunday Herald have only heightened concerns that Grampian Police “have been acting like Donald Trump’s private security force”. He also accused the force of carrying out a “whitewash cover up enquiry’ into his arrest.

The arrests of Baxter and his colleague Richard Phinney whilst making their film in 2010 prompted fierce criticism from the NUJ. The union described the police’s actions as “a breach of human rights” with “important implications for press freedom”.

Meanwhile, O’Donnell is urging Americans to watch what she describes as “an amazing film”. She admits to crying during the scene where hundreds of people walk across the bulldozed dunes of the Menie Estate, to show of support for local resident Michael Forbes, accused by Mr Trump of “living like a pig in a slum”.

You’ve Been Trumped will be screened again in Chicago on 22 March, prior to its being rolled out for screenings in Europe as well as in Washington DC, Miami, New York, San Francisco, Arizona and other major American cities.

Clips from The Rosie Show…
http://www.oprah.com/rosie/The-Rosie-Show-Rosie-Takes-on-Trump

You’ve Been Trumped has won a total of eight international film festival awards

WINNER: Starz Denver Film Festival, USA
WINNER: Take One Action Film Festival, Scotland
WINNER: Michael Moore’s Traverse City Film Festival, Michigan
WINNER: DaKINO International Film Festival, Bucharest
WINNER: Hamptons International Film Festival, New York
WINNER: Edindocs Film Festival, Edinburgh
WINNER: Wild & Scenic Environmental Film Festival, Nevada City
WINNER: Sheffield International Documentary Festival UK

Michael Moore hand-picked You’ve Been Trumped for his Traverse City Film Festival in Michigan where it won the Special Jury Prize. It is now well on course to be the most successful cinema feature documentary ever produced in Scotland.

An Interview With Maggie Craig – Part 3

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Jan 272012

Maggie Craig’s writing catalogue includes highly-rated and very readable insights into the 1745 Jacobite Rebellion and Red Clydeside. It was only natural then, when David Innes and Maggie met that a political discussion would ensue.

You’re obviously a radical, given the content and viewpoint of the Jacobite and Red Clydeside books.

I think the worst thing that happened to Britain was Margaret Thatcher. Someone tried to tell me that she had a human side. I said that I didn’t want to talk about Margaret Thatcher as we would fall out if we did.

I wouldn’t wish ill on anyone, but that’s one grave I would dance on because she skewed Britain. I’m not at all anti-English and I hate the Scottish nationalism that is, because that’s a divide and conquer thing.

I remember when she was in power and I was a tourist guide taking German visitors around and they would often say, “I really admire your Mrs Thatcher”, and I’d think, “I’m working, I must be careful here”, but I knew I was tired when I said, “We wouldn’t have had beggars in the street like we do now before Margaret Thatcher”. If you’ve got beggars in the street, there’s something seriously wrong with your society.

I was in Aberdeen for the book signing at Waterstones in October. It was about 6 o’ clock and I’d parked up Huntly Street way and I passed the Cyrenians where there was a crowd of mainly men. I thought, “It’s a soup kitchen! Here in the oil capital of Europe there are people queuing up for a bowl of soup”. You wonder if there shouldn’t be a levy on the oil companies – they haven’t really done much for Aberdeen, have they? They haven’t really left any sort of cultural development behind them.

I think people don’t realise that they themselves have power. Maybe the one blessing of the financial crisis is that people who have been turned into consumers may think again. Shopping centres are the new cathedrals, and it’s almost become like ‘Brave New World’ where people just have to get the latest model of phone. It used to be that you just worked and didn’t have the money to buy the goods you produced, but now we’ve got this circle where you can buy all these goods; but do we need them all?

There’s nothing wrong with honest trade. We need oil to keep our houses powered. I don’t want to go back to candles, to that simple greeny thing. I think I’m quite anti-green and that there’s quite a Fascist strand in a lot of green thought. I went to see the Trump development.

I know people don’t like him and his ways, but I was quite impressed by the people telling us what they were going to do. I thought, “That means I can get down to those dunes where I couldn’t get down before when Menie was a shooting estate”. I’m horrified too, by how we’re being forced to accept windfarms, industrialising the countryside. It’s just people making a buck, little to do with greenness.

I believed in that and now it’s been destroyed. Now it’s been shown to be brutal

I suppose there have been entrepreneurs who have had social consciences but then they claw their way over everyone else. I don’t know the full story of Andrew Carnegie, but I don’t suppose he was lily-white as he made his way up the greasy pole.

I do think there is a ‘zeitgeist’ thing going on, where people are saying that we ought to think about society and community. I slightly despair of the anti-capitalist protestors because they don’t seem to know what they want, what they’re in favour of. It seems a bit vague and woolly. Someone said it was irrelevant that they went to Starbucks to buy their coffee, but to me that’s an issue.

My dad was a member of the Scottish-USSR Friendship Society based in Belmont Street in Glasgow’s west end, and we would meet people from the USSR, who were probably carefully selected, and here on holiday, and they would talk about Robert Burns. Then Prague happened and things went downhill after that. I was about 17 and it felt personal. I thought, “I believed in that and now it’s been destroyed. Now it’s been shown to be brutal.”

The Communist experiment failed. You think about the Russian people, “How much more can they suffer?” because a strong man like Putin always seems to emerge in Russia and just take the country and use it. You wonder, “Is old-fashioned socialism really the answer?” but capitalism stinks, so maybe I’m as bad as the anti-capitalist protestors and don’t know what is the middle ground and what we should be doing. I’m not sure how we can use the old left and right thing any more.

I’m coming round to thinking that everybody should get some sort of a basic wage, but that’s too radical isn’t it?

There’s this dichotomy with the Scottish left. There’s a nationalism and a pride in Scottishness, but there’s also the feeling that the workers don’t have a country – but they do. The workers of Germany, for example, have lots of reasons to be proud of Germany and their own culture.

The Labour Party has moved too far away from its roots and has become perceived as an anti-Scottish party. I think Johann Lamont has a helluva mountain to climb to persuade people that they’re not. I like Alex Salmond. I think he’s very sharp operator, like when he swooped down on to the lawn at Prestonfield House in the helicopter. Someone had produced a poster with Alex Salmond as Che Guevara, “El Presidente” and you can see how that could be dangerous, so I’m angry with the Labour Party for being useless, for taking their eye off the ball.

I think people who are working class kids made good felt that the Labour Party was saying to them that they had to pay higher taxes. But they’d only just clawed their way up to a better situation, so there was to be no help to get your kids to university, that you had to do it all yourself. There’s a problem there in that the politicians themselves were in quite comfortable positions, but they were almost preaching.

I think it’s been advanced before, but I’m coming round to thinking that everybody should get some sort of a basic wage, but that’s too radical isn’t it? It would also give you buying power which would help the economy. If you’re making widgets, someone’s got to be buying them.

I was talking to a woman earlier who said that she couldn’t afford to work and look after her children so she decided to give up work. I wondered when we’d got to the stage where a woman looking after her children was considered not to be contributing to society. It disturbs me that you’re expected to be out there doing some god-awful job rather than being with your kids.

Although Maggie’s only lived in the North East for 20 years, she still sometimes feels like an ‘inabootcomer’. In the concluding part of our chat, she talks about this corner of the planet, and drops a hint that she may find inspiration to write about North East Scotland.

Aberdeen City Youth Council Hits Out At CGP

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Jan 272012

Aberdeen Youth Council’s former head Sean Press resigned because of ‘a conflict of interest’, citing his involvement with ACSEF the ‘pro-business and development body [which] is fully supportive of the City Garden Project’ per the Press & Journal. Now Aberdeen City Youth Council, the official voice of young people in the city, has spoken out against the proposed development of Union Terrace Gardens, describing the plans as “unwanted” and “potentially devastating to young people”.

17 year-old office-bearer, Kenneth Watt, comments on the decision:
“It’s not normal for the Youth Council to speak out against the Council like we are doing. However, the decisions made have the potential to be devastating to our generation, and generations to come and we are genuinely worried about the prospect of the City Gardens Project going ahead.”

As a result, the group has registered to submit 300 words in the voter registration pack.

The group also criticised the City Council in its involvement of young people in the decision-making process, after they discovered that only 113 young people from just two schools were consulted with. In the Youth Council’s own consultation 98% of 14-25 year-olds were in favour of retaining the Gardens.

The financial security of the City Gardens Project (CGP) concerns the Youth Council. The Aberdeen City Youth Council (ACYC) are worried by the lack of a plan to cover the possible failure of the risky Tax Increment Funding scheme. After multiple requests for detailed financial information from councillors on the monitoring board were ignored, the group became very apprehensive over the CGP’s feasibility.

Kenneth Watt, an office-bearer in the ACYC says that:

“Young People have been hit hard by spending cuts to key services already; the prospect of facing more in the future is a risk the Council can’t afford to take.”

“Young people need to be listened to and have their questions answered. We’re the ones that will have to foot the bill when the £96million loan can’t be repaid.”

One of the main sufferers of cuts to public services is Aberdeen’s youth. Northfield has the highest rate of child poverty in the north-east of Scotland and the Council cannot commit to such a financially unstable project when they are closing key services to the youth in many areas.

“It is ridiculous for the Council to commit to a £96million loan when vital community services – such as the Mastrick Young People’s Project – are being cut left, right and centre.”

It was claimed that the CGP would reduce crime rates in the city, which young people are frequently blamed for. Both final designs for the CGP have direct access from Belmont Street and Union Street, home to many pubs and clubs. A £170million project of this nature will not cure the violence and crime that Aberdeen faces.

“Voters need to think seriously about the long-term aspect of the City Gardens Project and the financial burden it could easily leave for generations of Aberdonians to come.”

“Union Terrace Gardens is a space that is unique to our city. Our parents have loved the Gardens, we love the Gardens, and – if retained – our children will love the Gardens too.”

From Real Madrid To Realism And A Window Half-closed

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Jan 192012

Foiled by Jock Frost, David Innes got his weekly fitba fix last weekend at Pittodrie. Paying more than three times the cost for about a tenth of the entertainment he relishes in the proper mannies’ fitba Highland League environment is an indicator of why attendances might be falling. He’s thawed out, and here are his thoughts.

We Dons fans have learned to be canny, although air-headed, cliché-addicted professional sports commentators still accuse us of living in the 1980s. Only my fashion sense, Chick.

So, when the pre-match talk centred on the potential for the Reds to achieve top 6 SPL status, we backed off. We’ve been down in the gutter this season already, and believe me, we were looking at few stars.

We know better than to hope.

And it’s a good job that we’ve gone from Real Madrid to realism. We created fewer chances in 90 minutes of honest, earnest endeavour than in almost any match I’ve seen at Pittodrie in my 46 years of attendance.

Our squad is solid. Even the loss of Richard Foster has had little obvious effect as Clark Robertson, surely a future star, calmly did the left back stuff and on-loan Mark Reynolds looks skilful on the ball, able in the centre of defence and comfortable wearing The Sacred Red. Apart from a late slip which Jason Brown rescued, Andy Considine is an effective centre half. He must surely get his ability from his ma.

Upfront, Mohamed Chalali opened brightly but faded after sustaining an injury. Scott Vernon, though, is suffering from not getting the service he needs from midfield and often finds himself dropping back to pick up balls which he would prefer to see served to him in the box. That’s where he’s at his best. He’s the most effective and consistent penalty area centre forward we’ve had since Arild Stavrum’s departure for Istanbul left linesmen with curiously well-developed flag arms.

Our problem is between defence and attack, in the bit where we should be making chances for the strikers. So Milsom who gives us some width on the left was missing but there seem to be few alternatives when he’s missing. Neither Ryan Jack, who proved his youthful fallibility by having a poor game by his own standards, nor Chris Clark who was, well, he was Chris Clark, were able to make much of things on the wings. I’ve seen more width on a Mod’s lapels.

As it turned out, Rory McArdle, a solid centre half was played at right back. He didn’t do much wrong, but hearty and committed though he is, a right winger he isn’t. For his endeavour and his determination to keep overlapping when it patently isn’t his strength yet always being back in position to repel the few Kilmarnock attacks of any note, he was my man of the match.

We have twelve days to try to add a creative edge to our satisfying solidity before the transfer window closes – or “slams shut” as cliché demands. We seem to have sorted out the issues which saw us go on that scary losing streak in October and November, but it’s still not pretty to watch and victories will be scrambled and nervous single goal affairs rather than comfortable, carefree, toorie-at-a-jaunty-angle net-bulging festivals.

Without the creativity of wide players or a wily tricky schemer to take on a couple of defenders and deliver a decent standard of final ball to the strikers, we’ll struggle to make the split in the top 6 and falter in the Cup after we complete unfinished business against Queen of the South.

Over to you Broon and Knoxy mins.

Older Entries

Aberdeen Voice

Garden Of Earthly Delights?

Money’s Too Tight To Mention

Upcoming Events At Peacock

YOUR LEANING NECK – SONG AS PORTRAIT – Steven Anderson

- Live Performance

GIG IN THE GALLERY – Martin John Henry

RESIDENCY/PERFORMANCE – ONE MAN UNIT – Paul Wiersbinski and Wieland Schönfelder

An Interview With Maggie Craig – Part 4

Think Of A Number

Host In Tears As Trump Film Gets US Broadcast

An Interview With Maggie Craig – Part 3

From Real Madrid To Realism And A Window Half-closed

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