January and February always seem to represent a low time in the year. Christmas and New Year have been and gone and there seems little to look forward to. The days remain short and the nights long. It’s usually raw cold. Unwelcoming. The opening months of the year always cause something of a gloom to hang over Mick Miller’s household. Bung in a global recession for good measure and things seem pretty bleak. Then it got worse. What’s up, Mick?

utgmickpic2 The post arrived on Monday and out of the two-for-one pizza offer junk mail fell a gaudy catalogue.
Only it wasn’t a catalogue – it had “VOTE” written on it. Promotional blurb for the City Gardens Development.

How profoundly depressing. The front ‘cover’ illustration is of some futuristic landscape from another place.
Only on closer inspection it isn’t. It’s Aberdeen, or, more accurately, a version of Aberdeen which can only have be conceived in cloud cuckoo land.

Real people, in a REAL garden.       

It’s lurid, horribly-coloured, glib and vacuous. It is pervaded by a complete sense of the unreal. Semi-transparent people wander aimlessly inside a cartoon-flowered version of reality. Children trample unrestrained, yet the flowers survive.

Out-of-scale human forms laze in some sort of airborne meadow whilst below them, in a throwback connection to the real world, trade waste bins lurk ominously. A woman of Amazonian proportions accesses a laptop whilst sitting on surprisingly unbending grass stems. The remnant spire of the Triple Kirks emerges from a scrubland of low growth stock image shrubbery.

It all looks vaguely ill-tended, neglected, as if within this futuristic vision lie the discards of the past. Or perhaps its a tacit admission that should, god forbid, this monstrosity go ahead, there is just no way that the upkeep will be affordable. Delving deeper, the background is found to comprise of a realigned His Majesty’s Theatre and a hugely-inflated and decapitated William Wallace. A victim of the guillotine perhaps?

But the history, like the whole of this charade, is just plain wrong. Landscape dressed up as farce. A cityscape for Anywhereville. Inaccurate. Disjointed. A cut-and-paste pastiche.

Opening up, things don’t improve. A drab labyrinth of pathways which look like bridges over a motorway, criss-cross manicured lawns and monoculture grasslands. In one image the sun sets….or does it rise? Either way, it’s in the wrong place. What on earth, if we are still on earth, is going on? This is lazy work, a Standard Grade project gone catastrophically wrong. Everything is confusing.

The front page image shows a gaudy flower bed appearing to lie on a lower level of the structure. Moving inside the pamphlet the same floral, er…..’bombshell’, is miraculously elevated. Or is it that those bloody bins are just absolutely HUGE? I’m confused, disturbed even.

   I’m going to have a lie down, maybe I’ll feel better and ‘it’ will all have been a bad dream. Only it won’t. It isn’t.

In the sunset image, an oddly-inclined piece of lawn totters precariously into the largely obliterated Denburn valley. In Woody Allen’s Manhatten, a character in a TV show is observed to have a toupee so badly-placed on his scalp that it looks like it has been dropped on to his head from a great height in an uncontrolled way.

This elevated savanna has the same feeling about it. There will be a need for avalanche warnings in the snowy depths of winter.

In another image, a pipe band plays beneath a Formica-lined dome with random cut-outs that give the feeling that the design is based on half a panelled football booted around Pittodrie of a Saturday afternoon. Below this, a winter scene shows people so cold they have started to vapourise as, it would appear, has the Formica football, associated terraces and denuded trees, miraculously large for such a recent planting.

A lone child in a blue jacket has something so contagious that the populace in the foreground seek to distance themselves as quickly as possible. Is he the cause of the vapourisations? Oh I get it – we’re on the set of War of the Worlds and soon tattered clothing will rain down upon us from the sky. I know that was the only good bit. It all has an apocalyptic feel. I’m going to have a lie down, maybe I’ll feel better and ‘it’ will all have been a bad dream. Only it won’t. It isn’t.

Aberdeen is a beautiful city, notwithstanding some recent disastrous architectural additions. It doesn’t need or deserve such ill-thought out attentions as this abomination.

Union Terrace Gardens are an integral part of what allows Aberdeen to maintain its architectural, cultural and civic dignity. The Gardens need some tender loving care, but they don’t need annihalation by the ‘solution’ that this tacky pamphlet proposes.

A heartfelt plea. Please, people, don’t let this thing go ahead. Make sure you vote to retain Union Terrace Gardens.

 

sandi-thom-at-willows With thanks to  Jenny and Kate at Willows

Willows Animal Sanctuary  invite you to come along to an open day on 18 February from 12 noon to 4.00 pm.

Willows Patron Sandi Thom will arrive around 1pm, and autographed photos will be for sale with all profits going to Willows. Lush Aberdeen have generously donated a collection of treats to be raffled off.
There will be baked goods, ferrets and many more of the great variety of creatures that live at Willows will be on show – farm, domestic and wild animals are all given a shelter, and no healthy animal is ever put down.

In addition, legendary singer Paul Rodgers, founding member and songwriter from Free and Bad Company and member of The Firm; and his wife Cynthia sponsored 13 of Willows Animals for Christmas.

Paul said:-

“We heard the unusual story about the piglet Babe and her great escape and dug a little deeper to find that all of the animals were in need of sponsoring.”

Paul has also donated 100 copies of his latest DVD “Live in Montreux Paul Rodgers and Friends” featuring appearances from Queen’s Brian May, Journey’s Neal Schon, Jason Bonham and others.

Signed copies of Paul’s DVD are available at £25 from Willows online shop.  Details of Willows at http://www.willowsanimals.com/ and DVD details/order form at http://shopatwillows.com/shop/catalog/search?shop_param , so even if you can’t make it to Willows on the 18th, you can still get a signed DVD.

willows-pig-and-kitten-for-18-feb-open-day Willows Animal Sanctuary is the largest sanctuary in Aberdeenshire and will try to help any animal in distress. We operate a strict no kill policy and only euthanise an animal on veterinary advice.

We look after over 300 animals including around 60 horses, ponies and donkeys, approximately 60 cats and dogs and many reptiles as well as over 100 farm animals and birds.

We are totally dependent on donations, legacies and grants from benevolent organizations to keep the sanctuary running.

We are entirely funded by public support and receive no government funding. Unlike larger charities we have no reserves of money and are desperately short of funds. We specialise in helping elderly or more vulnerable animals that have already been refused help by well known large national charities, but we can only continue to help needy animals with your support!

The Animal Assisted Therapy Unit at Willows

Willows helps many vulnerable people with its animal assisted therapy programme. The concept of allowing rescued animals to help vulnerable people on the road back to health is very innovative and has been independently evaluated and shown to be highly beneficial.The therapeutic placements and corporate team building days include equine management, animal husbandry, therapeutic music sessions, drama, bushcraft and mediaeval re-enactment  Please contact us if you would like more details.

Willows Animal Sanctuary is situated on the road between New Pitsligo and Strichen (B9093)

 

 

It’s the American holiday Ground Hog Day this week, and Old Susannah wonders if she’s not reading the same old stories over and over again in the local news.  By Suzanne Kelly.

dictionary

Happy Ground Hog Day!  In America people eagerly await the movements of groundhogs on 2 February (everyone has to have a hobby I guess), and allegedly can predict whether there will be an early spring by what the little things do.   Ground Hog Day was also a Bill Murray film wherein he kept reliving the same events over and over again.

As I read the Evening Express and the Press and Journal, I wonder if the same old stories aren’t coming back again and again just like Ground Hog Day.  Another car crash, more pictures of cute babies and cute pets, potholes and personal health stories I’d rather not read.

 And of course Union Terrace Gardens stories have sprouted up faster than the  ’rare’ pine forest  the architects have now drawn fully mature in their ‘vision’ of the concrete future.  Guess the pines should appease all those environmental-type people.

I had really wanted to ‘keep off the grass’ and spend one week not writing about the City Gardens Project.  However, the issue continues to dominate our local newspapers, other than a few car accidents and cute pictures of babies and/or pets, there’s nothing else in the local news.

On the other hand our bus fares have gone up – by about £150 per year for weekly pass users.  This is to pay for all the improvements – the increased reliability, cleanliness, and improved frequency and so on that you are experiencing.  No doubt you likewise received a pay rise of 15% or more, so you don’t mind stumping up more for First Buses.  I hear their owners are a bit hard hit by the recession, and heating mansions isn’t as cheap as it used to be.

Last week I was one of the deputees at the City Council’s great vote on shovelling  money into the City Gardens Project.  If you’re interested in what I had to say, here’s a link:  http://oldsusannahsjournal.yolasite.com/

I spoke for 10 minutes, and answered 10 minutes of questions from our elected officials.  Councillor McCaig repeated the promise  made by Alex Haig the Scottish Infrastructure Secretary that the project will NOT go ahead if the people vote against it in the referendum.    We shall see.

But back to the Ground Hog Day theme.  Sir Alex Ferguson has stepped up to the plate concerning Union Terrace Gardens:  he’s in favour of the garden scheme (and ‘scheme’ seems like the operative word) going ahead, per the Evening Express.  But haven’t we heard from him on this score before?  Yes we have – several times.  You have a feeling of déjà vu for a reason.

  You can usually tell something is a fact if an authority figure tells you it is true

The pro City Gardens teams are still ramping up with their fantastic, well-planned campaigns.  The people in Aberdeenshire were the first to receive the glossy, beautiful (not at all fifties retro, dated, overly busy) A3 colour brochures telling them why they must vote for the City Gardens Project.

It was such a heart-breaking pity to realise that no one in the Shire gets a vote.

Easy mistake.  I just wonder exactly who has paid for these brochures and this little mistake. But this lovely piece of campaigning literature (for which we don’t know who wrote, created, paid for) leads nicely to a definition or two.

Facts: (plural noun; Eng) data based on measurable, demonstrable truths and observable phenomenon.

A triangle has three sides.   The sun rises in the East and sets in the West.  The City Gardens Project will create 6,500 jobs and make Aberdeen £122,000,000 every year for about 20 years.  All these are examples of facts.

You can usually tell something is a fact if an authority figure tells you it is true.  If you read something in print, it must be true as well.  All those lovely brochures that went to the Shire residents (who can’t vote on the issue) tell you to vote for for 6,500 jobs and all the millions of pounds the Teletubbie Park will bring.

Who would vote against these great things?  It’s not as if these figures for an as-yet unfinished design with no price tag on it are just wild, bloated fictional guesses paid for by, er, organisations that want this building project.  Or are they?

My favourite part of the brochure is the transparent boy running through the flower bed in front of the theatre.  If it were to scale, the wee lad is about 27 feet tall.

If you still aren’t sure what is fact and what is fiction, here’s an example from ACSEF meeting minutes from 22 March 2010:-

 “Reassurance was given that the consultation report commissioned by Scottish Enterprise on behalf of ACSEF will be independent, and the consultation process had been robust and transparent”. 

Even if the electronic voting went a bit strange, and even if all of the entities involved in ‘reassuring’ that the report would be ‘independent’ wanted the garden project to go ahead, it was all ‘robust and transparent’.  (and that’s a fact).

    You can’t say Aberdeen doesn’t have its fair share of celebrities

Another favourite fact of mine was when Sue Bruce left Aberdeen and claimed in a press release that our city had a budget surplus of a few million pounds after she’d done her bit.  (Yes, I miss her, too).  Pity the budget surplus didn’t even last as  long as she did here.

Celebrity: (noun or adjective) fame, or being famous.  You can’t say Aberdeen doesn’t have its fair share of celebrities:  There is Sir Alex Ferguson, Annie Lennox, Scotty from Star Trek, an’ tha quine fae Torry wi the accent naebody kens fa’s on ‘River City’ [Editor:  am I getting the hang of Doric yet?  Suz].

But alas:  no longer can Aberdeen lay claim to being the home of ‘Willie’ – school janitor from  ‘The Simpsons’.  Willie is apparently from The Orkneys.  The Evening Express carried this exclusive this week – I think they did a telephone interview with Willie or something.  DOH!

At least we still have Mr Scott, and of course our own talking cactus, Spike.  Neither has yet released statements through their agents or directly as to their view of Union Terrace Gardens.  Annie Lennox has in the past stated that it’s up to Aberdonians to vote for what they want, but that she is a supporter of the gardens as they are.

She is clearly not as vibrant, dynamic and forward-looking as the much more hip Sir Alex Ferguson.  Sir Alex took a break from throwing football boots at players’ heads long enough to yet again pop up in the press in favour of the skateboard park – sorry granite web.  In the Evening Express Sir Alex is reported as saying:-

“I would urge everyone not to be scared of change and to look upon this as an opportunity and something which will allow Aberdeen to be favourably compared with cities both in the UK and further afield”

Well, we can safely assume his friend Stewart Milne looks at the gardens as being ‘an opportunity.’

Perhaps Sir Alex has hit it on the head (which he’s good at doing):  I’m really just scared of change.  I’m not scared of killing off the existing wildlife by removing the vital feeding and living grounds the wildlife depends on.  I’m not scared of destroying beautiful, listed, healthy 200 year-old trees that clean the surrounding air.  I’m not even scared of the city taking a £70 million (or probably more) gamble on an as-yet untried financial gambit:  Nope, I’m just scared of change.

As to how the granite web will make Aberdeen compare to other cities and places, I’d suggest that Milton Keynes, Siberian work camps and Ceausescu’s Romanian architectural projects would be the best place to start.

I think I’ll leave it there for now.   Keep a look out for your full colour brochure from the pro City Garden Project now, won’t you.  It should arrive any day now (if you live in Yorkshire).  You may wonder who printed it and who stands proudly behind its facts.  You may wonder for quite some time, as they didn’t bother to say who they were on this flyer.

There is a helpful web address on it, even if it doesn’t work at the time of writing, I’m sure that’s just another one of the few dozen small errors that’s hit the publicity campaign.

Question:  if the people supporting this project are throwing your money around on inaccurate full colour A3 leaflets that are going to the wrong houses today, what will they do with a giant architectural project tomorrow?

- Next week:  disappearing press releases, Press Complaints Commission, and Code of Practice for Public Relations Agencies – and more.

 

 

 

utg-tree By Bob Smith. 

Trees are fair perfection
Shapes ti please the ee
Soughin in the  gintle breeze
Hames fer the birdies ti

Green fin in first canopy
Syne gold in autumn’s glow
Stark fin in winter’s depths
Gales blaw them ti and fro

Shelter ti a traiveller
Fae the faain rains
Hivven ti danderin luvvers
Waakin doon widdit lane

Deein leaves fae the trees
Turn inti a gweed mould
Gairdeners ken the value o
Aat fit is naitur’s gold

©Bob Smith “The Poetry Mannie” 2012
Image Credit: Mike Shepherd

 

Mike Shepherd examines the potential for cost over-run on the City Garden Project and asks …

UTG 041-2 Where’s the money coming from? 

Money’s Too Tight To Mention is the title of a 1980’s Valentine Brothers pop song covered by Simply Red.

It is also thematic of the City Garden Project (CGP), the controversial proposal to develop Union Terrace Gardens.

The nominal costs for the project are £140m, of which it has been proposed that the private sector provides £70m and Aberdeen City Council borrows £70m through a tax scheme to fund the rest.

A commonly-asked question over the last three years has been, “Who pays for any cost over-run if the project runs out of money?” It is a question that has never been properly addressed and it now looks as if the answer is: “there is no obvious source of money should the costs exceed £140m”.

At a public meeting at Cults Academy in May 2010, it was stated that the Council would pay any excess costs. A month later, Sue Bruce, the then chief executive, decreed at a council meeting that the Council would most certainly not pay for any cost over-run and put the responsibility on to the private sector. This has been the understanding ever since.

At this stage, there are no identified funds should costs ramp up.

However, the private sector has managed to raise no more than £55m of promised funding for the CGP to date. Assurances have been made to the Council that £70m will be on the table and this sum’s availability is one of the conditions for the CGP progressing to the planning stage.

At last week’s council meeting, the question of potential cost over-run was put to Colin Crosbie of the Aberdeen City Garden Trust, the organisation created to take the CGP through to the construction phase. Colin mentioned that the project costs will be less than the nominal £145m and that this gives a built-in margin. The intention is also to put rigorous project and cost management in place.

There could be a problem in finding funds above the projected £70m private sector input. It appears that local businesses are concerned about public goodwill should they be seen to contribute money for the controversial project.

At this stage, there are no identified funds should costs ramp up. One obvious solution is that Sir Ian Wood could make a guarantee to handle this, but there is no sign of this happening as yet.

Could costs over-run on the City Garden Project?

One group of professionals have expressed severe misgivings about the potential for cost over-run on the City Garden Project. Architects.

Scottish architects met at a convention in 2010, and in a straw poll, almost unanimously rejecting the Aberdeen proposal, stated that:

“The costing is absurdly light, making this proposal both technically extremely difficult and financially potentially draining.”
- See:  http://www.urbanrealm.co.uk …_delegates_unanimously_reject City_Square_plans

Neil Baxter, secretary of the RIAS, the professional body for Scottish architects, has also said:

“A further significant concern is the much-publicised budget for this proposal. You will be well aware that the highest profile architectural competition in Scotland in recent years was that for the Scottish Parliament and the lengthy and difficult process which ensued from the risible budget initially set for that endeavour. Considering that, in recent years, buildings of comparable scale in Aberdeen and elsewhere in Scotland on straightforward urban sites have cost easily twice the quoted budget figure for this particularly problematic and challenging site we would be very concerned about launching a competition based upon such a questionable budget.”
- See: http://fraserdenholm.blogspot.com/2010_05_01_archive.html

I talked to one architect who had concerns about the allocated budget for the scheme. He told me that the project has “cost over-run written all over it”. There are two tricky areas:

  • The project involves a large amount of rock and soil extraction from the site, whilst shoring up both Union Terrace and Rosemount Viaduct.
  • It is not easy to build over an existing railway line.

The latter concern possibly derives from a previous situation in the south of England, where a tunnel built to support a new Tesco store above a railway line collapsed. This caused a five-year delay to the original project.
- See: http://en.wikipedia.org/wiki/Gerrards_Cross_Tunnel

What would happen if costs massively over-run?

As mentioned, there are no obvious sources of funds identified to handle any cost over-run above £140m. Aberdeen City Council certainly can’t afford it and the private sector is cash-limited at present. Should it occur, the most likely situation is, to save costs, not everything would be built. Failing that, the project would come to a halt if there is no money left to proceed.

In this instance, there could be a half-built steel and concrete shell where Union Terrace Gardens used to be, clearly the worst case scenario. This would also have the unfortunate effect of causing the tax scheme, underpinning the council’s borrowing, to collapse. This is based on the CGP creating new businesses in the city to provide rates to pay off the £70m loan.

Without a completed project, the Council will be left to service a massive loan. This would be a disaster on a horrendous scale.

The ever-present potential for massive cost over-run on the CGP is a major concern and without a clear plan and identified funds to handle excessive costs, the project is far too risky to consider.

Aberdeen City Council could be sleep-walking to disaster if the scheme gets approved.

 

The 2011 Annual Signal Gallery Punk Rock Artists show tribute to the late Poly Styrene (1957 – 2011) featured artwork from a majority of the acts that were the lights of British Punk Music.  Curated by Gaye Advert, featuring musical performances and great artwork, this was a highlight of UK winter art exhibitions as well as a perfect way to pay respects to Poly.  Voice’s Suzanne Kelly weighs in on a unique gallery and a unique collection of British artists.

knox_pollystyrene-2

The music world lost a number of real innovators in 2011 – people who were unlikely success stories in some ways, but whose individuality  shaped the history of music.  Amy Winehouse died in tragically predictable circumstances.  Nate Dogg had many personal problems and came from a world of violence, despite dice being loaded against him from the start, he worked with hip hop greats.

His style was sought after, and at the time of his death from  a stroke he’d been working on a new gospel project.  Then there was Marianne Joan Elliott-Said – or Poly Styrene to you and me.

Poly was born in 1957 – in a time where women had little prospects of exerting influence outside of the kitchen.  Women of the late fifties largely spent all their time trying to look conservatively, conformingly beautiful (and there is sad evidence that women are slipping back into wanting to look good more than wanting to be good at something).  Poly was having none of it.

She eventually wound up as the iconic, unpredictable, liberated, intelligent figurehead of punk band X-Ray Spex.  It was said the band formed after she and some friends saw the Sex Pistols perform.

Poly died in April 2011 from an advanced form of breast cancer.   Her unforgettable expressive vocals and X-Ray Spex’ music will always be around.

  Knox from the Vibrators is one of many musicians with artwork on show

The Signal Gallery near London’s Old Street Station has hosted exhibitions of music by punk musicians for some years now.   I’m sure many people who visit this extremely  popular show are there because of the musicians, but no one leaves without seeing a perfectly well curated group show of excellent, challenging art.

This year’s curator was Gaye Advert of (if you didn’t know) The Adverts.  She works in many media, and I’m particularly fond of pieces such as ‘bad squirrel’.  Knox from the Vibrators is one of many musicians with artwork on show; Knox is an extremely talented painter and has studied art.  He’s known for imaginative pieces as well as street scenes of London and overall for portraits of fellow musicians.  He had a portrait of Poly Styrene in this show as  had Charlie Harper and Chris Brief.

I missed the opening (and was cross with myself over it).  For an enthusiastic review of the opening with may photos, try http://retroman65.blogspot.com/2011/11/punk-beyond-gaye-advert-curated-art.html

I did however make it down for the Saturday 10 December acoustic sets by Knox and Charlie Harper of the  UK Subs.

Each played a solo set and then they played together to the Signal Gallery’s main room, totally filled from floor to ceiling with artwork and punk lovers young and old.  Nigel Benett  from The Members was among the audience.

I would love to have spoken more with Gaye Advert and the Gallery’s staff.  However, the former was busy trying to get artists to sign posters from the show, talking to press, being photographed, and trying to find Charlie when it was time for his set.  The posters  were sold at £50 each to raise money for a cancer charity in memory of Poly Styrene; I was lucky to get one.

The gallery owners were busy selling the few pieces of art that hadn’t already been sold, supplying countless beers to the crowd, and dealing with a pipe which started leaking on Charlie as he started his set.

The art was being talked about; some pieces such as a kinetic sculpture involving two dolls was sensational.  The art ranged from classic punk iconic art to abstracts and sculptures.

This show was a testimonial to the energy and talents that continue to keep punk going, and to the ongoing legend of Poly Styrene.

 

 

With thanks to Kylie Roux.

YOUR LEANING NECK – SONG AS PORTRAIT – Steven Anderson

leaning Based on an event from November last year at The Scottish National Portrait Gallery, Your Leaning Neck is a performance project that aims to challenge institutional representations of national identity by giving voice to non-institutional values.

A silent video installation showcasing last November’s event from two perspectives will be shown in the Peacock gallery.

Saturday 18 February – Saturday 10 March 

- Live Performance

Starting off at Peacock’s gallery then moving onto the Episcopal Cathedral Church of St Andrew, visitors will be treated to a live re-contextualisation of the performance event created as a site-specific response to the Scottish National Portrait Gallery’s collection of portraits from the Scottish Enlightenment. Within the performance, oral tradition singers are presented alongside contemporary artists who also use their unaccompanied voice as a means of expression.

Friday 24 February | 7 – 9pm | Peacock Visual Arts | FREE 

peacockfeb12-1 GIG IN THE GALLERY – Martin John Henry

Recently praised by Sound-Scotland, as “one of Scotland’s finest songwriters”, Gargleblast Records and Peacock Visual Arts present Martin John Henry.

The Lanarkshire born singer songwriter is best known for fronting Scottish Rock Band De Rosa – critically lauded and championed by John Peel and Steve Lamaq – as well as writing, recording and playing with many of Scotland’s finest musicians including Barry Burns (Mogwai), Robert Johnston (Life Without Buildings), King Creosote and Malcolm Middleton.

Saturday 4 February | 8pm | £8 on the door 

RESIDENCY/PERFORMANCE – ONE MAN UNIT – Paul Wiersbinski and Wieland Schönfelder

1manunit ONE MAN UNIT is a hybrid of man and sculpture. Through a variety of outputs, audiences are invited to interact with and experience the spontaneous and unexpected developments of this creative beast, as it evolves during the artists’ two-week residency at Peacock.
You can follow the construction of this half man half machine via their daily blog on Peacock’s Facebook page. The ONE MAN UNIT will then be let loose on the public on two occasions:

Saturday 28 January – Friday 10 February

- Note: Aberdeen Voice updates Peacock info periodically, but there may be recently added events not included in this post. Please contact Peacock direct for the latest information.

Peacock Visual Arts
21 Castle Street
Aberdeen
AB11 5BQ
Tel: 01224 639539
Mob: 07947 490626
e: kylie@peacockvisualarts.co.uk
Website: www.peacockvisualarts.com
Online Print Store: www.peacockvisualarts.culturelabel.com

 

In the concluding part of Voice’s interview with author Maggie Craig, she talks of life as a NE inabootcomer who’s only been here for 20 years. By David Innes.

maggie-craig-2011-2 How do you write? A laptop in a particular place? The classic 500 words every day no matter what, which you go back and edit later on?

Not quite. 500 is a paltry number of words. 2000 is a good total for the day. I have a computer upstairs and I go up there and work for the morning until about one or two o’ clock. I write about ten thousand words, six or seven chapters, and then go back and start shaping it. I think of it like how my auntie used to make butter, patting it into shape.

The book I’m writing just now started because I saw a photo of a man’s face and there was something about his eyes made him look very sad.

He’s turned into a character in eighteenth century Edinburgh although his name’s Catto. His family’s from around the Methlick area, so Aberdeenshire is coming into it.

You’ve said that you admire what Aberdeen Voice is doing, but you believe there’s a lack of radicalism in the North East.

It’s not something I’ve ever been made aware of, although living out here I feel very dislocated from the city. But when I go into Aberdeen I don’t feel a heartbeat. You get that heartbeat in Glasgow although I know because that’s my own place, I would feel it. I was almost surprised when I saw Aberdeen Voice and I thought, “That’s great, there are radicals in Aberdeen!”, but the whole presentation of Aberdeen is that corporate, business “let’s go to the Oilmen’s Ball and we’re all doing charity for Marie Curie”  thing, so you’re not seeing that radicalism on the street.

I’ve been coming to Aberdeen and the North East since I was a wee girl and there’s so much there but much of it’s occult. I’m really interested in the folklore but it needs to be explored. North East people seem to be terribly backward at coming forward. What infuriates me is when you go into the bank or the Post Office and they stand so far back and you go, “Go forward! You’re the bloody customer!” It’s almost like you’ve got your cap in your hand.

Well, let’s discuss the Turra Coo.  Let’s marshal the arguments

When I was speaking to the kids in Ellon, I said, “I don’t think the Turra Coo reflects very well on the North East”, and one girl looked horrified. She’d obviously been brought up to think that the Turra Coo was a great story, but you had to be very careful about political views as you could lose your job.

I have this friend who, when she was at school, only twenty or thirty years ago, was told because she was a farm labourer’s daughter, “You’ll never make anything of yourself”. That’s what’s been done to young minds. She’s an intelligent girl, but doesn’t think that she is because she’s been told she’s a neep. There are a lot of entrenched attitudes, I think. You have to teach people to think for themselves, to give them self-esteem. That’s so important.

The kids at Ellon Academy impressed me. They’re getting a good education, but it’s so focussed on them passing exams and not, “Well, let’s discuss the Turra Coo. Let’s see what you think. Let’s marshal the arguments”. It’s stimulating to change your mind on something you were brought up with. Or not, of course.

There’s a meeting in January about some cultural development in Aberdeen. They’re using the usual jargon, it’s going to be a “step change” in the cultural life of the city and Aberdeenshire, but what I liked was that they’re saying that culture should not always be associated with the money it can earn. Culture and creativity should be there for their own sakes. Aberdeen needs more of that, I think, as it all seems to come down to the bottom line.

I’m sure industry’s highly-successful. I’ve met radical people who have worked for oil companies but you don’t say anything there either, do you? You might be the equivalent of Not Required Back.

It would be interesting to research it, to see who got into trouble for standing up for the laird.

So will you write something about this area?

People always ask if I’m going to write about Aberdeenshire, but I’ve not really got under the skin of it. When I found out my mother was from the Haddo House estate I thought that was interesting and could be something to look into, to find out what was going on, but that’s going to come later.

There are wee snippets. I’m fascinated byAberdeen Harbour, the Shore Porters and so on, so I’d love to write something about that.

I did a talk about a non-fiction book to an Aberdeen Ladies lunch a couple of years ago and that tribal thing was so funny. I don’t sound like I come from the North East, so people make judgements that you’re an inabootcomer. But when I said to them that my mother came from Barthol Chapel, it was like, “come in”, they embraced me.

That’s not always the way though. Naively, I thought that since my mother came from near Oldmeldrum, that might help, but to some people even not that far away from there, it might as well be Istanbul!

Thanks to Maggie for giving her time to talk so passionately about her work and what drives it. We fervently hope that her muse inspires a book about her adopted Aberdeenshire and NE Scotland.

 

Aberdeen Voice’s Odious Susannah takes a look at this past week in Aberdeen, and tries to make some sense of it all.  By Suzanne Kelly.

dictionary

What a week!  I felt pangs of pity for the disgraced captain who left the sinking ship.  His reputation in tatters, he jumped before the entire thing could sink completely, taking his lovely companion with him while others were left to flounder.  Yes, it is true:  John Stewart has jumped the LibDems and is heading to Manchester.
But who to take the helm of the wreck of HMS LibDem?  Who’ll be strong enough to shoot the Tullos deer, wise enough sit on boards that redact their minutes, and courageous enough never shirk from public debate when it suits them?  Whose record this past year puts them streaks ahead of the other Lib Dems?  Who can that new captain be? Why, it is none other than Aileen ‘Ho’Malone.

  I wish her all the best in her new role, and hope she will bring her stewardship talents so evident in the Tree, dead deer, and pesticide spraying for Every Citizen campaign to the Lib Dems – that would improve their standing  no end.

We also learned that her husband Brian is going to be running for election – this will be Scotland’s own Kennedy dynasty before we know it.  And that’s not just because of Aileen’s hairstyle looking like Jackie O’s.

I was at Wednesday morning’s City Council meeting to speak against Union Terrace Gardens being turned into a carpark/theatre/shopping mall, especially before the referendum happens.  No surprises for guessing the outcome – we’re going to go ahead and keep the ducks in a row for the project to go ahead, and have set aside a mere £300,000 for the legal costs.  The legal costs will be massive obviously – like when Stewart Milne had to pay something like £500,000 to sell property from his left hand to his right hand.

The council meeting started on a serious note; The Lord Provost announced there is a leak in the city council.   It seems our on-time, fantastic, £60 million-pound bargain revamp of Marischal College has a ‘wee’ problem:  the bathrooms have stopped working on the upper floors.

At first I thought they were ‘taking the p’, but then I gave the Council’s reception a tinkle, and they told me it was all true.  Indeed:  the City Council is full of it.  Let’s hope they get to the bottom of this problem soon.  Either way, it looks like more taxpayer money will be going down the pan.

There is currently a huge ‘out of order’ sign to be found at Marischal College: this may or may not be connected to the toilet problem.

Why am I not ‘Old’ but ‘Odious’  Susannah this week?  Because John Stewart says I am an ‘odious individual’.  I’ve been having the most enchanting exchange with some of our elected officials this past fortnight – Odious Susannah is putting together another little matrix. This will show councillors’ answers to questions of the day, hospitality registers and declarations of interest compared to directorships shown in Companies House – there are a few  differences here and there that you might find amusing.

  Your actions marks you as an odious individual

The matrix will show who’s voted how on a few issues.  Nothing special – just who wants to shoot your deer, close your schools; whose votes closed Choices, who wants to spend more money and time on the City Garden Project before the referendum, and so on.

Most of the replies that are in are casual and not very exciting, but  leave it to Neil Fletcher to spice up my life again.  You’ll be able to read his reply alongside some of the less exciting ones soon enough.    But here is where I became Odious.  I crossed the line when I asked leaders of the parties whether or not they would allow councillors a free vote on Wednesday concerning the future of UTG.

I asked:

Dear All

Naturally I am opposed to this project going anywhere before a referendum is held.  I hope you and your parties will prudently oppose measures coming before the Council on Wednesday.

I would like to know if your political parties will be enforcing a party line or allowing a free vote.

On a separate matter I have received a good number of polite responses to the questions/issues email I sent some weeks ago.  The results will be published shortly, so if any of your party’s elected councillors wishes to respond, they should do so by Wednesday.  (Failures to respond will be noted as well, and the one astonishingly rude reply published in full, too).

I hope my shocking language above has not offended all of you as much as it did John:

Dear Ms Kelly

The Liberal Democrat group does not operate a whip.

And you really are in no position to complain about rudeness. Is your self-awareness so lacking?  You have consistently attacked some of my colleagues, particularly my female colleagues, online in a very personal, vile, nasty and vicious manner. Your actions marks you as an odious individual and I suggest if you can’t take a bit of the heat, you should maybe reconsider your widely-rumoured plan to try and enter the Council kitchen in May.

Please feel free to publish.

Yes, I am a bad, rude, odious old girl.  And I wrote back:

I hope you are not trying to intimidate me in my role as a journalist who writes a satirical column – it seems that way.  Satire is of course a long-standing tradition in British politics.  I didn’t say I can’t take the heat; I am merely reporting that the comments from an elected member are rude.  But when they are published shortly – with this exchange of emails, we will allow the public to decide who they find ‘odious’

But John got back in with a killer comment – how he must have laboured over writing this one;

Welcome to our world, where people whom you have never net [sic]pass judgement based on what they read!

No, it is true I never did ‘net’ the catch that is John, but that’s because some lucky person caught him before I did.  But I’ve never met the man, either.  Also my hard luck.  But somehow, I do feel able to judge people I never met.

Do you know how I manage this seemingly impossible feat?  I look at what they have done and what they do.   How they vote, what services they cut off, what they want to do with green space.  Harsh of Old Suz, I admit – but yes, I do judge some people without even having met or netted them.  John branded as ‘asbo-deserving’ the Church of Scotland when it wouldn’t behave as he wanted it to, and like the Churlish Church, I will have too just carry on somehow.  It is a shame we will not part as great friends.

But that’s enough background – time for a definition or two from the web  – not the granite one that will make us all rich and Aberdeen the centre of the architectural universe, but the world-wide one, and how some public relations companies operate on it.

Astro-turfing: (courtesy of Mark via Facebook – thanks Mark) (modern English phrase)

When a professional lobbyist or public relations operative uses a website such as Facebook or Twitter to appear to be a grass-roots movement instead of what they really are – a company hired for PR purposes.   This astro-turfing is done to try to gauge and/or gain public support.  It is a very odious thing to do, and most websites prohibit it, as does a code of practice for PR companies.

  Do your local newspapers seem filled with stories about the benefits of the concrete ramps over UTG?

Who or what made Old Odious Susannah think of astro-turfing?  Step forward the Facebook entry of one Miss Katy Campbell who according to her ‘Linked In’ site (whatever that is) is an Account Administrator at The BIG Partnership.  Good for her.  No doubt she isn’t aware of the fact she should not astro-turf, but she seems to have done so.

No doubt her motives were selfless – her Facebook presence had been extolling the virtues of turning UTG into the web.  Don’t bother to look for the postings anymore – once she was rumbled, they were all taken down.  No doubt her superiors at The BIG Partnership also made an apology on FB and explained why it was inappropriate not to disclose whether you work for an agency when posting things promoting what your agency does; Old Suz just didn’t find it yet.

NB:  Linked In says she is into croquet, burlesque and debating:  let’s hope not simultaneously.

Public Relations Offensive: (modern English phrase) A burst of media activity, lobbying, advertising, etc. to get a point or product into favour with the public.

You may not have noticed, but someone somewhere seems to be attempting a PR offensive.

Do your local newspapers seem filled with stories about the benefits of the concrete ramps over UTG?  Are the papers saying that building the ramps will bring over £122 million per year into our economy and create 6,500 jobs?  Are you being shown news polls that show 4 out of 5 (if the sample was that large – I doubt it) P&J readers want the teletubbie garden?

  Good News!  The trees are gong to stay in the gardens forever!

If so, there just might be a public relations offensive in play.  All this extremely inoffensive pr is meant to show how much greater life will be for all of us (except the 200 year old trees, rooks, bats, peregrine falcons, red kites.,.) if we literally level the playing field that is UTG.

The new Facebook community sits, some seemingly started by the BIG partnership’s opeartives, are a great place to get your questions about the gardens answered.  Unless of course you are asking if the Facebook page was started by a PR company; those questioned don’t get answered as far as I can tell.

However, someone asked which trees will be felled and what will happen.  Good News!  The trees are gong to stay in the gardens forever!  AS BITS OF THEATRE SEATING, WOOD DECKING AND WOOD CHIP!   Result!  Sure it will be hard luck on the animals that live(d) in the trees, but perhaps they can be stuffed and kept forever too?  We in Aberdeen are surely going to be stuffed at any rate.

Another brilliant PR wheeze is to send visiting ‘professionals’ to schools to talk to young people.  It was apparently ‘Money Week; in Cults last week (I don’t think we have ‘Money Week’ in Torry…).  From several accounts, some ‘merchant bankers’ came to school to tell the children of Cults that Ian Wood and Stewart Milne have started from scratch and now do great things for the community like building heated driveways – sorry  – like building affordable housing, and really are quite nice chaps.

Apparently Union Terrace Gardens was not mentioned to the children – who were just told how great these local worthies are – so that’s ok. No indoctrination or brainwashing going on there then.  PR Offensive?  I’d say so.

Next week:  Milne property sales update, Part 1 of the councillor matrix, and bits and pieces

 

The business case for TIF and the City Garden Project by Mike Shepherd

The Technical Feasibility Study for the City Square Project was published in 2009. A key problem area was identified early on:

UTG Stair “The difficulty in quantifying the economic gain is considerable. To describe the benefits in cultural and civic terms and to focus on the future raison d’être of the City of Aberdeen will become the means of explaining the benefits. However it is very difficult to make these benefits seem tangible. Yet this is precisely what will have to be done for a proposal to succeed.”

Three years later, and with the scheme rebranded as the City Garden Project, they are still struggling to give any clear explanation for the economic benefit.

The business case for Tax Incremental Financing (TIF) was presented to Council on Wednesday. TIF is a mechanism whereby a local authority borrows money from central government funds to finance a development project. Any new business rates created by the project are used to pay off the loan and interest. It is intended to act as a self-financing mechanism.

The City Garden Project has a nominal cost of £140m, of which the promised private sector contribution is £70m. Aberdeen City Council is being asked to underwrite a £70m loan through a TIF scheme. This is part of a larger plan to redevelop the city centre which includes knocking down St Nicholas House, the Denburn car park and health centre area.

The TIF business case presented to councillors is, however, seriously flawed.

http://committees.aberdeencity.gov.uk/mgConvert2PDF.aspx?ID=18350

An Attractive Aberdeen

The main justification for the City Garden Project is that it would apparently create a high quality city centre to make Aberdeen more attractive. This is supposed to act to retain and draw in energy and other professionals, together with an increased number of visitors.

Research shows that talented people choose place rather than job when making location decisions. As an Energy City, Aberdeen competes for skilled people with….areas like Abu Dhabi, Kuala Lumpur, Houston and Perth (Australia).”

Yet, a survey published two months ago makes this claim somewhat questionable.

ABERDEEN has been rated one of the world’s top cities to live in for the second year in a row, a survey published today reveals.  Quality of life in the Granite City is ranked above that of Hong Kong, Los Angeles, Houston and Dubai in the study, which is used by governments and multinational firms to help decide where to send staff.”

http://www.pressandjournal.co.uk/Article.aspx/2536835

Jobs Creation

Most controversial is the claim that regeneration of the city centre could create 6,500 jobs.

The report sets out how his figure was derived. A questionnaire was sent out by the Council to companies and a small number of interested parties in Aberdeen with the intention of assessing the economic impact of the city centre redevelopment. One of the target groups comprised key developers, land owners and agents. Of the 35 parties in this group, only one replied to the questionnaire. They then contacted all remaining 34 developers by phone. Even then, when directly approached, only six of the 34 were prepared to speak to them.

Unfortunately this question did not garner any responses

The developers were asked ‘to identify the extent to which the delivery of each of the five development schemes would result in uplift in development potential for housing, retail outlets, office space, business units, hotels, tourism and leisure in the City Centre’.

However:

“No respondents identified the project as having any impacts on the development potential for business/industrial units in the City Centre”.

Then:

The next question in the survey requested developers to provide an indication (in quantifiable terms such as the number of units, square footage etc) of the extent to which the identified benefits would impact upon their organisation’s investment plans and/or objectives. Unfortunately this question did not garner any responses as consultees felt it was too soon and/or complex to attribute impacts in these terms.”

That questionnaire wasn’t that much help then.

“Additionally it was apparent that individual developers and other respondents identified potential uplifts in activity and recognised that the timing of investments would be brought forward as a result of TIF. However, many of these developers still had expectations that, irrespective of future economic conditions or City Centre Regeneration Scheme (CCRS) , their specific sites will be taken forward. It was apparent that individual developers and other respondents identified potential uplifts in activity and recognised that the timing of investments would be brought forward as a result of TIF. However, many of these developers still had expectations that, irrespective of future economic conditions or CCRS, their specific sites will be taken forward.” (HA!)

UTG hanging flowers SO WHAT DID THEY DO NEXT ?

“In balancing these different responses (i.e. CCRS will act as a stimulus to market uplift in general versus developers views that each individual site is likely to be taken forward anyway) the Council, ACGT Enterprises and their advisors have initially assumed a profile of development under the no CCRS scenario whereby:

“None of the cultural, leisure or retail elements of the CCRS projects will be taken forward;

“At least one major site totalling 0.720 million square feet will be taken forward in the anticipated timescales projected by developers regardless of CCRS; and,

“On the remaining sites identified, 1.369 million square feet will go forward without TIF over the 25 year period considered, but such developments will lag, on average, three years behind the profile assumed with CCRS.

“On the remaining sites identified, 2,029 million square feet of development (out of total development potential of 3.468 million square feet) will not go forward without the CCRS, over the proposed 25 year TIF period.”

THIS IS THE KEY BIT

“the Council, ACGT Enterprises and their advisors have initially assumed a profile of development “

AND THEN …

Took the 2,029 million square feet figure, multiplied it by ‘standard job density ratios,’ and came up with 6,500 jobs.

Assumptions?

So what happened next?

“In balancing these different responses (ie CCRS will act as a stimulus to market uplift in general versus developers views that each individual site is likely to be taken forward anyway) the Council, Aberdeen City Garden Trust Enterprises and their advisors have initially assumed a profile of development under the no CCRS scenario whereby:

…. 2,029 million square feet of development (out of total development potential of 3.468 million square feet) will not go forward without the CCRS, over the proposed 25 year TIF period.”

The footage was multiplied by standard figures which relate development area to the number of jobs likely to be created, hence 6,500 jobs.

The key word here is ‘assumed’. An exercise in speculation somehow translated into a press statement that the City Garden Project will create 6,500 jobs. This wild claim led to much scepticism. It was pointed out that the London Olympics are only predicted to create 3,000 new jobs.

The Risks

The discussion on project risks is somewhat lightweight. One concern is the possibility of massive cost over-run on the project. The report even tacitly recognises the possibility:

“It has demonstrated with the redevelopment of Marischal College that it can have a major project delivered on time and under budget. This is a rare accomplishment in such large projects.”

In June 2010, I gave a deputation to a Council meeting where I asked who would pay for any cost over-run on the City Garden Project. The then Chief Executive, Sue Bruce, decreed that the private sector would pay, not the Council. Since that meeting, there has clearly been little progress on the matter. The report mentions that:

“Before entering into any TIF arrangement, ACC will endeavour to structure an arrangement with its private sector contributors that minimises ACC’s risk exposure.”

UTG display The Council should walk away from the project unless it gets a legally-binding commitment from the private sector to cover all costs of any project over-run. The major financial problems caused in Edinburgh Council as a result of the projected £200m-plus overspend on the trams project should be foremost in councillors’ minds, one would hope.

TIF can be a risky way to borrow money. The risks are understood by the Council:

“For most TIF projects the most significant risk would be in relation to the business rates identified not materialising or being delayed. This would result in ACC having insufficient revenues available through the TIF mechanism to service and repay their borrowings.”

There is another risk. The loan will be in place for a period of 25 years, gradually being paid off, it is hoped, by new business rates. Like a mortgage, interest will accrue on the unpaid part of the loan. The business case assumes an interest rate of 5.2% over the 25 year period. Should interest rates rise by only 1%, then there will be a predicted shortfall of £20.7m left to pay after 25 years.

Careful reading of the TIF business case for the City Garden Project shows that it is based on unexplained assumptions, optimistic extrapolations and will involve financial risk for the Council. Yet the public are being told otherwise.

Tuesday’s ‘Press & Journal’ quoted a City Garden Trust director, who mentioned they had polled 50 people in Aberdeen. Those against the City Garden Project had said the city could not afford the project.

“When the funding was explained and the economic benefits outlined, ten of these people changed their minds. “

This is what I would have told them instead.

“Your house needs doing up, you are heavily in debt, you can barely find the cash for the essentials in life. Should you take out an enormous mortgage for a new patio and garden? No!”

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